Women's mythic revision is a tradition at the heart of twentieth-century literature. Medea's Chorus explores post-WWII women's poetry that takes Greek mythology as its central topos. The book investigates five of the most influential poets writing in the twentieth century (H.D., Sylvia Plath, Adrienne Rich, Margaret Atwood, Eavan Boland) who challenge both the ancient literary representations of women and the high modernist appropriations of the classics. In their poetry and prose, the women engage with cultural discourses about literary authority, gender, oppression, violence, and age. Yet even while the poets rework certain aspects of the Greek myths that they find troubling, they see the inherent power in the stories and use that power for personal and social revelation. Because myths exist in multiple versions, ancient writers did not create from scratch; their artistic contribution lay in how they changed the stories. Modern female poets are engaging in a several millennia-old tradition of mythic revision, a tradition that has ruthlessly posited that there is no place for women in the creation and transmission of mythological poetry. Medea's Chorus tracks mythic revision from the 1950s through the second-wave feminist movement and into turn-of-the-century feminism to highlight individual achievements and to show the collective effect of the poets' highly varied works on post-WWII literature and feminist thought and practice. This engaging and beautifully written book is a must-read for any student, teacher, or scholar of the Classical Tradition, revisionist mythmaking, and twentieth-century poetry.

A goblin with no body and a monster with no face.

A resourceful samurai and a faithful daughter.

A spirit of the moon and a dragon king.

This collection of 15 traditional Japanese folktales transports readers to a time of adventure and enchantment. Drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating, and poetic. Each story is brought to life with a striking illustration by contemporary Japanese artist Kotaro Chiba, and this special gift edition features an embossed, textured case with metallic gold ink, and a satin ribbon page marker. It will delight fans of fairytales and ghost stories, and captivate those interested in Japan's rich history and culture.

In Making Intangible Heritage, Valdimar Tr. Hafstein-folklorist and official delegate to UNESCO-tells the story of UNESCO's Intangible Heritage Convention. In the ethnographic tradition, Hafstein peers underneath the official account, revealing the context important for understanding UNESCO as an organization, the concept of intangible heritage, and the global impact of both. Looking beyond official narratives of compromise and solidarity, this book invites readers to witness the diplomatic jostling behind the curtains, the making and breaking of alliances, and the confrontation and resistance, all of which marked the path towards agreement and shaped the convention and the concept. Various stories circulate within UNESCO about the origins of intangible heritage. Bringing the sensibilities of a folklorist to these narratives, Hafstein explores how they help imagine coherence, conjure up contrast, and provide charters for action in the United Nations and on the ground. Examining the international organization of UNESCO through an ethnographic lens, Hafstein demonstrates how concepts that are central to the discipline of folklore gain force and traction outside of the academic field and go to work in the world, ultimately shaping people's understanding of their own practices and the practices themselves. From the cultural space of the Jemaa el-Fna marketplace in Marrakech to the Ise Shrine in Japan, Making Intangible Heritage considers both the positive and the troubling outcomes of safeguarding intangible heritage, the lists it brings into being, the festivals it animates, the communities it summons into existence, and the way it orchestrates difference in modern societies.

Soviet Heroic Poetry in Context discusses key issues surrounding the composition and recording of folklore as well as its often intensely political aspect and its preoccupation with chimerical cultural authority. These issues are dramatically displayed in Soviet epic compositions of the 1930s and 1940s, the so-called noviny ("new songs"), which took their formal inspiration largely from traditional Russian epic songs, byliny ("songs of the past"), and their narrative content from contemporary, political, and other events in Stalinist Russia. The story of the noviny is at once complex and comprehensible. While it may be tempting to interpret the excrescences of Stalinism as unique aberrations, the reality was often more complicated. The noviny were not simply the result of political fiat, an episode in an ideological vacuum. Their emergence occurred in part because of specific trends and controversies that marked European folklore collection and publication from at least the late eighteenth century on, as well as developments in Russian folkloristics from the mid-nineteenth century on that assumed exaggerated proportions. The demise of the noviny was equally mediated by a host of political and theoretical considerations. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.

Theories of Myth, a companion to the author's World Mythology: An Annotated Guide to Collections and Anthologies (Scarecrow Press and Salem Press, 1996), has been written to serve the needs of college undergraduates, high school students, and general readers approaching the study of myth for the first time. Whereas the earlier volume describes the plethora of anthologies, collections, and general introductions to myth from around the world, Theories of Myth lists the most important English-language studies of myth theory, which attempt to answer the questions: What is "myth?" How does it function in human society, and how is it to be interpreted? Here the reader will find the most significant theoretical studies of traditional stories, legends, tales and sagas from around the world, which attempt to address such questions from a variety of perspectives. Includes an author/editor index and a subject index.

Celebrated folklorist, Dorothy Noyes, offers an unforgettable glimpse of her craft and the many ways it matters. Folklore is the dirty linen of modernity, carrying the traces of working bodies and the worlds they live in. It is necessary but embarrassing, not easily blanched and made respectable for public view, although sometimes this display is deemed useful. The place of folklore studies among modern academic disciplines has accordingly been marginal and precarious, yet folklore studies are foundational and persistent. Long engaged with all that escapes the gaze of grand theory and grand narratives, folklorists have followed the lead of the people whose practices they study. They attend to local economies of meaning; they examine the challenge of making room for maneuver within circumstances one does not control. Incisive and wide ranging, the fifteen essays in this book chronicle the "humble theory" of both folk and folklorist as interacting perspectives on social life in the modern Western world.

Why is there no "Grand Theory" in the study of folklore? Talcott Parsons (1902-1979) advocated "grand theory," which put the analysis of social phenomena on a new track in the broadest possible terms. Not all sociologists or folklorists accept those broad terms; some still adhere to the empirical level. Through a forum sponsored by the American Folklore Society, the diverse answers to the question of such a theory arrived at substantial agreement: American folklorists have produced little "grand theory." One speaker even found all the theory folklorists need in the history of philosophy. The two women in the forum (Noyes and Mills) spoke in defense of theory that is local, "apt," suited to the audience, and "humble"; the men (Bauman and Fine) reached for something Parsons might have recognized. The essays in this collection, developed from the forum presentations, defend diverse positions, but they largely accept the longstanding concentration in American folkloristics on the quotidian and local.

The existence or nonexistence of the Holy Grail has long been debated, and many of these debates focus on the intellectual or psychological aspects of it. This work explores the events that gave rise to the legend of the Holy Grail and pays special attention to the texts that form the body of the legend, as well as historical facts about the life of Christ, the Crusades, and the fall from grace of the Knights Templar. The book examines the legitimacy of the claims made by several present-day believers and also introduces a new theory of multiple grails (and the evidence supporting this theory), which, the author believes, answers many of the otherwise unanswered questions surrounding the Holy Grail.

Join Verity and her magical fairy friends in this enchanting retelling of Cinderella, a much-loved fairy-tale classic, full of magic, mystery and more! Author Caroline Wakeman takes you on a journey to a magical Fairy Kingdom alongside lovable Verity and her gang of her sparkly fairy friends, as they set out on a special mission to ensure Cinderella gets the happily ever after she deserves! Verity is a thrill-seeking fairy with a heart of gold and a habit of telling the truth at all times during her endless adventures with fellow princesses and fairy friends! Proving the perfect fairytale book for your little princess, Verity Fairy and Cinderella gently encourages conversation surrounding the difference between right and wrong, positively influencing your child's moral intelligence and sense of justice, whilst sparking their curiosity and imagination. With a sprinkle of stardust in every page, your youngster can enjoy: -A simple and easy-to-read interpretation of a much-loved fairy-tale classic -Illuminating illustrations to enchant and inspire our young readers -An interactive quiz for children to reflect on everything they have learnt throughout the book A colourful map of Verity's magical Fairytale Kingdom Celebrate your child's curiosity and let their imagination run wild in this gripping interpretation of Cinderella, jam-packed with beautiful illustrations, an easy-to-follow storyline and a whole lot of magic. The ideal read for 5-7 year olds, this captivating kid's book encompasses the pleasure of simple text with the magic of much-loved fairy-tales, whilst placing a subtle focus on moral code to reinforce positive social behaviour in children from an early age. The fun doesn't stop there! Join Verity on more magical missions as she sets out to save more princesses from the clutches of evil, in the Verity Fairy complete collection, including Verity Fairy and Rapunzel, Verity Fairy and Sleeping Beauty, and Verity Fairy and Snow White, the ideal classic fairy-tale books for children. More magical adventures await you!

For many, birds represent freedom and spirituality since they are created to be free. Although this may be true for people as well, we are of course not able to be as truly free as our winged friends. Looking out of his office window and seeing the birds flying, emphasising his confinement indoors and the unnecessary complexities of life in general, the author regrets his lost freedom. Life tends to be over-complicated and many would advocate following a simpler life. Birds, on the other hand, live the life they are destined for and this book shows how a common love of birds bridges cultures and distance. The Birds are our Friends is a wonderful and enlightening collection of essential information, curiosities, myths and folklore of birds and people. The author has discovered the role that birds play in people's imagination, and their significance for various cultures. People's accounts of birds give an insight to themselves - what they strive for, what they are afraid of and what they find important. Some birds predict the weather and construct unbelievably sophisticated nests or engage in elegant mating rituals. The author provides new insights on these facts and myths which confound some widely-held assumptions of their activities. Yessengali has a deeply personal connection and relationship with some birds. His fondest memories from childhood or young adulthood are associated with cuckoos, storks, and other birds that remind him of love and friendship. He hopes that these stories will interest readers, remind them of their spirituality and also evoke fine memories. In any event, it is a book that illuminates the world of birds from a slightly different viewpoint.

Retelling 30 myths and legends of the Eastern Cherokee, this book presents the stories with important details providing a culturally authentic and historically accurate context. Background information given within each story so the reader may avoid reliance on glossaries, endnotes, or other explanatory aids. The reader may thus experience the stories more as their original audiences would have. This approach to adapting traditional literature derives from ideas found in reader response and translation theory, and from research in cognitive psychology and sociolinguistics.

Folklore Recycled starts from the proposition that folklore--usually thought of in its historical social context as ""oral tradition""--is easily appropriated and recycled into other contexts. That is, writers may use folklore in their fiction or poetry, taking plots, as an example, from a folktale. Visual artists may concentrate on depicting folk figures or events, like a ritual or a ceremony. Tourism officials may promote a place through advertising its traditional ways. Folklore may play a role in intellectual conceptualizations, as when nationalists use folklore to promote symbolic unity. Folklore Recycled discusses the larger issue of folklore being recycled into non-folk contexts, and proceeds to look at a number of instances of repurposing. Colson Whitehead's novel John Henry Days is a literary text that recycles folklore but does so in a manner which examines a number of other uses of the American folk figure John Henry. The nineteenth-century members of the Louisiana branch of the American Folklore Society and the author Lyle Saxon in the twentieth century used African American folklore to establish personal connections to the world of the southern plantation and buttress their own social status. The writer Lafcadio Hearn wrote about folklore to strengthen his insider credentials wherever he lived. Photographers in Louisiana leaned on folklife to solidify local identity and to promote government programs and industry. Promoters of ""unorthodox"" theories about history have used folklore as historical document. Americans in Mexico took an interest in folklore for acculturation, for tourism promotion, for interior decoration, and for political ends. All of the examples throughout the book demonstrate the durability and continued relevance of folklore in every context it appears.

Following on from the hugely successful Element Encyclopedia of 5000 Spells, comes the next bumper encyclopedia celebrating all facets of witchcraft. This definite book is the most comprehensive, authoritative and entertaining guide you'll ever find on the mythology, folklore and traditions of magic. In this mammoth magical treasure trove, Judika Illes explores the history, folklore, spirituality, and mythology of witchcraft. A feast of facts and curiosities, rooted in magical and spiritual traditions, from all over the world, there are recipes from the witch's cauldron, magical sacred dates, and methods of witches' flights. Discover how witchcraft has inspired popular culture from Shakespeare to Harry Potter, and how witches have suffered persecution and death in centuries past. Packed full of amazing facts, bizarre information and fascinating stories, you will also be introduced to mythic witches, modern witches, sacred goddess witches, even demon witches, male and female witches, and witches from all over the globe. Ideal for both the dedicated follower and casual reader, as a perfect gift for yourself or someone else to treasure, this definitive encyclopedia is essential reading for anyone interested in folklore, mythology and magic.

In this new edition of a classic, David Rockwell describes the captivating and awe-inspiring presence of the bear in Native American rituals. The bear played a central role in shamanic rights, initiation, healing and hunting ceremonies, and new year celebrations. Considered together, these traditions are another way of looking at the world, one in which the mysteries of the universe are revealed through animals.

When heritage becomes a commodity, when culture is instrumental in driving tourism, and when individuals assert ownership over either, social, ideological, political, and economic motivations intertwine. Bestowing value on "culture" is itself a culturally rooted act, and the essays gathered in Culture and Value focus on the motivations and value regimes people in particular times and contexts have generated to enhance the visibility and prestige of cultural practices, narratives, and artifacts. This collection of essays by noted folklorist Regina F. Bendix, offers a personal record of the unfolding scholarly debate regarding value in the studies of tourism, heritage, and cultural property. Written over the course of several decades, Bendix's case studies and theoretical contributions chronicle the growing and transforming ways in which ethnographic scholarship has observed social actors generating value when carrying culture to market, enhancing value in inventing protective and restorative regimes for culture, and securing the potential for both in devising property rights. Bendix's work makes a case for a reflexive awareness of the changing scholarly paradigms that inform scholars' research contributions.

A powerful exploration of trees in both the real and the imagined Anglo-Saxon landscape. Trees played a particularly important part in the rural economy of Anglo-Saxon England, both for wood and timber and as a wood-pasture resource, with hunting gaining a growing cultural role. But they are also powerful icons in many pre-Christian religions, with a degree of tree symbolism found in Christian scripture too. This wide-ranging book explores both the "real", historical and archaeological evidence of trees and woodland, and as they are depicted in Anglo-Saxon literature and legend. Place-name and charter references cast light upon the distribution of particular tree species (mapped here in detail for the first time) and also reflect upon regional character in a period that was fundamental for the evolution of the present landscape. Della Hooke is Honorary Fellow of the Institute for Advanced Research in Arts and Social Sciences at the University of Birmingham.

Epic Tales of the Philippines is an anthology of epic stories, retold in narrative form, from original ballads and poems of major tribal groups of the country. Like their European paradigms, the epic tales explore themes of good and evil, loyalty, justice, and love. Heroes are endowed with superhuman qualities in their quest for adventure, vendetta, and romance. Tribal epics are distinctive for the presence of the magical betel nut, which plays a crucial role in the plot. Previously published and unpublished epics are expertly compiled and edited for individual reading to provide an invaluable source in the study of Philippine folkloristics and Asian literature.

The hill of Uisneach lies almost exactly at the geographical center of Ireland. Remarkably, a fraction at least of the ancient Irish population was aware of that fact. There is no doubt that the place of Uisneach in Irish mythology, and more broadly speaking the Celtic world, was of utmost importance: Uisneach was - and probably still is - best defined as a sacred hill at the center of Ireland, possibly the sacred hill of the center of Ireland. Uisneach or the Center of Ireland explores the medieval documents connected with the hill and compares them with both archeological data and modern Irish folklore. In the early 21st century, a Fire Festival started being held on Uisneach in connection with the festival of Bealtaine, in early May, arguably in an attempt to echo more ancient traditions: the celebration was attended by Michael D. Higgins, the current president of Ireland, who lit the fire of Uisneach on 6 May 2017. This book argues that the symbolic significance of the hill has echoed the evolution of Irish society through time, be it in political, spiritual and religious terms or, perhaps more accurately, in terms of identity and Irishness. It is relevant for scholars and advanced students in the fields of cultural history, Irish history and cultural studies.

First comprehensive study of the representations of St Michael in the liturgy, literature, and iconography of the period. The cult and legends of St Michael the archangel were widespread in medieval England, and this book - the first full-length study of the subject - offers a comprehensive examination of their genesis and diffusion. Part I identifies and analyses the concerns, conflicts, and roles with which St Michael is associated, from scriptural and apocryphal literature through to the homiletic literature of the medieval period. Part II begins with a discussion of thevernacular recensions of the popular account of the archangel's earthly interventions, and goes on to survey the legendary accounts in Old English, Anglo-Norman, and Middle English of the archangel and his roles as guardian, intercessor, psychopomp, and warrior-angel follows. The Appendices contain the first English translation of the archangel's hagiographic foundation-myth; an annotated bibliographical list and motif index of textual materials relating to the archangel; and an essay on the iconographic representations of the archangel in medieval England. RICHARD F. JOHNSON is Assistant Professor of English at William Rainey Harper College.

Originally published in 1930, this book is a comprehensively detailed study of folklore and traditional ceremonies and beliefs in Britain, conveniently broken down into months of the year. Well-illustrated throughout with photographs, it has much to offer the student of folklore. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: January, New Year's Day - February, Benediction of the Throat - March, The Tichborne Dole - April, Hocktide at Hungerford - May, May Day Ceremonies - June, Riding the Marches at Hawick - July, The Historic Tynwald Ceremony - August, Punch and Judy - September, The Dance of the Deermen - October, Fox Hunting, Etc - Halloween - November, Bonfire Night - December, The Christmas Ceremony at Killin, Perthshire

Before the Civil War, a network of secret routes and safe houses crisscrossed the Midwest to help African Americans travel north to escape slavery. Although many slaves were able to escape to the safety of Canada, others met untimely deaths on the treacherous journey-and some of these unfortunates still linger, unable to rest in peace. In Hauntings of the Underground Railroad: Ghosts of the Midwest, Jane Simon Ammeson investigates unforgettable and chilling tales of these restless ghosts that still walk the night. This unique collection includes true and gruesome stories, like the story of a lost toddler who wanders the woods near the Story Inn, eternally searching for the mother torn from him by slave hunters, or the tale of the Hannah House, where an overturned oil lamp sparked a fire that trapped slaves hiding in the basement and burned them alive. Brave visitors who visit the house, which is now a bed and breakfast, claim they can still hear voices moaning and crying from the basement. Ammeson also includes incredible true stories of daring escapes and close calls on the Underground Railroad. A fascinating and spine-tingling glimpse into our past, Hauntings of the Underground Railroad will keep you up all night.

The familiar stories of the book of Genesis affirm that God made the universe, planet earth, and you and me. However, various anomalies in the text clue us that we are not reading the original version of these stories. So what were the original narratives and what did they say about who we are and where we all came from? What was the earlier story of human origins, almost obliterated from the Hebrew Scriptures in the 6th century BC, and suppressed from Christian writing in the 2nd and 3rd centuries AD? And what does any of this have to do with Extra Terrestrials? Escaping from Eden will take you on a journey around the world and into the mythologies of ancient Sumeria, Mesoamerica, India, Africa, and Greece to reveal a profound secret, hidden in plain sight in the text of the Bible. Far reaching and deeply controversial, this book points to truths about ourselves, the universe and everything that you may have long suspected but not dared to speak!

The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place. Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree. Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

The Mythology of Venus is a collection of essays that summarizes the archaeoastronomy, calendar associations, religious and cultural icons, and myths identified with the planet Venus. The book concentrates on Western Europe, the Mediterranean, the Near East, and the East from the Paleolithic Age to the Iron Age. It reveals the archetype of a goddess associated with the planet Venus who is identified with transformation, spiritual resurrection, and enlightenment. The characteristics of the goddess are steeped in sexual metaphors which contain images of birth and re-birth, and they reveal a pattern of symbols that follows the journey of the planet Venus through its cycles in the night sky. Moreover, the journey of Venus and the corresponding icons associated with the goddess are part of an intricate pattern of symbolic language that is seen on ancient monuments and on the ancient calendars of several cultures. Temples from France and Ireland to Greece and Malta trace the journey of the planet Venus and the story of the goddess of Venus.