Enjoy a rich collection of folktales, myths and legends from all over Africa and the Caribbean, re-told for young readers. From the trickster tales of Anansi the spider, to the story of how the leopard got his spots; from the tale of the king who wanted to touch the moon, to Aunt Misery's magical starfruit tree. This book includes traditional favourites and classic folktales and mythology.

Against the methodological backdrop of historical and comparative folk narrative research, 101 Middle Eastern Tales and Their Impact on Western Oral Tradition surveys the history, dissemination, and characteristics of over one hundred narratives transmitted to Western tradition from or by the Middle Eastern Muslim literatures (i.e., authored written works in Arabic, Persian, and Ottoman Turkish). For a tale to be included, Ulrich Marzolph considered two criteria: that the tale originates from or at least was transmitted by a Middle Eastern source, and that it was recorded from a Western narrator's oral performance in the course of the nineteenth or twentieth century. The rationale behind these restrictive definitions is predicated on Marzolph's main concern with the long-lasting effect that some of the "Oriental" narratives exercised in Western popular tradition-those tales that have withstood the test of time. Marzolph focuses on the originally "Oriental" tales that became part and parcel of modern Western oral tradition. Since antiquity, the "Orient" constitutes the quintessential Other vis-a-vis the European cultures. While delineation against this Other served to define and reassure the Self, the "Orient" also constituted a constant source of fascination, attraction, and inspiration. Through oral retellings, numerous tales from Muslim tradition became an integral part of European oral and written tradition in the form of learned treatises, medieval sermons, late medieval fabliaux, early modern chapbooks, contemporary magazines, and more. In present times, when national narcissisms often acquire the status of strongholds delineating the Us against the Other, it is imperative to distinguish, document, visualize, and discuss the extent to which the West is not only indebted to the Muslim world but also shares common features with Muslim narrative tradition. 101 Middle Eastern Tales and Their Impact on Western Oral Tradition is an important contribution to this debate and a vital work for scholars, students, and readers of folklore and fairy tales.

In this dazzling history of the imagination, Patrick Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and modern models of the Universe, to trace how myths have been used to make sense of the world. In so doing he uncovers that tradition which alchemists imagined as a Golden Chain of initiates, who passed their mysterious 'secret fire' down through the ages. As this inspiring book shows, the secret of this perennial wisdom is of an imaginative insight: a simple way of seeing that re-enchants our existence and restores us to our own true selves..."His flame-like knowledge is central to the urgent seriousness of this book; buy a copy before it vanishes." THE LONDON MAGAZINE ..."It would be hard to overestimate the value of Harpur's book or to praise it too highly." RESURGENCE MAGAZINE ..."Once we believed that truth was 'out there', now we hold that it's 'in here', but if Harpur is right then it lies in the line of vision between the two" THE INDEPENDENT ON SUNDAY ..."Mr. Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and the ecstasy of the shaman, to trace how societies over time have used myths to make sense of the world. Harpur leads us through history's secret chambers with such grace of language and insight that we forget the hour. I would make Harpur's book required reading for every student of philosophy, depth psychology, and history." DIANNE SKAFTE

In the last fifty years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s. Young introduces seventy Victorian urban legends ranging from "Beetle Eyes" to the "Shoplifter's Dilemma" and from "Hands in the Muff" to "the Suicide Club." While a handful of these stories are already known, the vast majority have never been identified, and they have certainly never received scholarly treatment. Young begins the volume with a lengthy introduction assessing nineteenth-century media, emphasizing the importance of the written word to the perpetuation and preservation of these myths. He draws on numerous nineteenth-century books, periodicals, and ephemera, including digitized newspaper archives-particularly the British Newspaper Archive, an exciting new hunting ground for folklorists. The Nail in the Skull and Other Victorian Urban Legends will appeal to an academic audience as well as to anyone who is interested in urban legends.