Pasta, cappuccino, olive oil Italian food culture is a prominent feature of Western society in our cafes, restaurants and homes. But what is the history of Italian cuisine? And where do we get our notions about Italian food? Garlic and Oil is the first comprehensive history of food habits in modern Italy. Chronicling the period from the mid-nineteenth century to the present day, the author argues that politics dramatically affected the nature of Italian cuisine and food habits. Contrary to popular belief, the Italian diet was inadequate and unchanging for many decades. Drawing on the writings of scientific professionals, domestic economists, government officials, and consumers, the author shows how the miserable diet of so many Italians became the subject of political debate and eventually, the target of government intervention. As successive regimes liberal, fascist, democratic struggled with the question of how to improve peoples eating habits, their actions purposefully and inadvertently affected what and how much Italians ate, shaping not only the foundations of Italian cuisine, but also the nature of Italian identity. Garlic and Oil is a popular national food history that offers a new perspective on the history of consumerism and food studies by examining how political change affects food consumption habits.

This volume offers 59 of the world's great myths--including selections from "The Iliad and the Odyssey," "Beowulf," "King Arthur" and "Quetzalcoatl." Each myth is accompanied by an introduction that offers historical background and suggests avenues for literary analysis.

In order to learn the fascinating story of plants and the development of human civilisation. No other book covers so much - from sacred mushrooms to GM crops, from the religions of the seasons and harvest to the hobby of gardening - and is able to convey both the mysterious and the practical with equal ease and in an accessible, intelligent style. The future of the planet depends upon such knowledge and empathy.

New York and its folklore scholars hold an important place in the history of the discipline. In New York dialogue between folklore researchers in the academy and those working in the public arena has been highly productive. In this volume, the works of New York's academic and public folklorists are presented together.

Unlike some folklore anthologies, "New York State Folklife Reader" does not follow an organizational plan based on regions or genres. Because the New York Folklore Society has always tried to "give folklore back to the people," the editors decided to divide the edited volume into sections about life processes that all New York state residents share. The book begins with five essays on various aspects of folk cultural memory: personal, family, community, and historical processes of remembrance expressed through narrative, ritual, and other forms of folklore. Following these essays, subsequent sections explore aspects of life in New York through the lens of Play, Work, Resistance, and Food.

Both the New York Folklore Society and its journal were, as society cofounder Louis Jones explained, "intended to reach not just the professional folklorists but those of the general public who were interested in the oral traditions of the State." Written in an accessible and readable style, this volume offers a glimpse into New York State's rich cultural diversity.

A child's wish melds the soul of a kind-hearted simpleton to a toy BEAR. Secret for three generations the GUARDIAN wakes in time of need. Surviving the sinking of the TITANIC the BEAR passes into the hands of the JEWISH community. Aboard the rescue ship CARPATHIA it travels on...to the gas chambers of AUSCHWITZ. The BEAR brings with it...A HISTORY OF FEAR.

AN EPIC BATTLE THAT LASTED TEN YEARS. A LEGENDARY STORY THAT HAS SURVIVED THOUSANDS. 'An inimitable retelling of the siege of Troy . . . Fry's narrative, artfully humorous and rich in detail, breathes life and contemporary relevance into these ancient tales' OBSERVER 'Stephen Fry has done it again. Well written and super storytelling' 5***** READER REVIEW ________ 'Troy. The most marvellous kingdom in all the world. The Jewel of the Aegean. Glittering Ilion, the city that rose and fell not once but twice . . .' When Helen, the beautiful Greek queen, is kidnapped by the Trojan prince Paris, the most legendary war of all time begins. Watch in awe as a thousand ships are launched against the great city of Troy. Feel the fury of the battleground as the Trojans stand resolutely against Greek might for an entire decade. And witness the epic climax - the wooden horse, delivered to the city of Troy in a masterclass of deception by the Greeks . . . In Stephen Fry's exceptional retelling of our greatest story, TROY will transport you to the depths of ancient Greece and beyond. ________ 'A fun romp through the world's greatest story. Fry's knowledge of the world - ancient and modern - bursts through' Daily Telegraph 'An excellent retelling . . . told with compassion and wit' 5***** Reader Review 'Hugely successful, graceful' The Times 'If you want to read about TROY, this book is a must over any other' 5***** Reader Review 'Fluent, crisp, nuanced, begins with a bang' The Times Literary Supplement 'The characters . . . are brilliantly brought to life' 5***** Reader Review PRAISE FOR STEPHEN FRY'S GREEK SERIES: 'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times 'A head-spinning marathon of legends' Guardian 'An Olympian feat. The gods seem to be smiling on Fry - his myths are definitely a hit' Evening Standard 'An odyssey through Greek mythology. Brilliant . . . all hail Stephen Fry' Daily Mail 'A rollicking good read' Independent

Many cultures, including Greeks, Romans, French, and British, have taken great pride in legends that recount the foundation of their society. This book demonstrates the contexts in which a medieval British matriarchal legend, the Albina narrative, was paired over time with a patriarchal narrative, which was already widely disseminated, leading to the attribution of British origins to the warrior Brutus. By the close of the Middle Ages, the Albina tale had appeared in multiple versions in French, Latin, English, Welsh, and Dutch. This study investigates the classical roots of the narrative and the ways it was manipulated in the Middle Ages to function as a national foundation legend. Of especial interest are the dynamic qualities of the text: how it was adapted over the span of two centuries to meet the changing needs of medieval writers and audiences. The currency in the Middle Ages of the Albina narrative is attested to by its inclusion in nearly all the extant manuscripts of the Middle English Prose Brut, many of the French and Latin Bruts, and in a variety of other chronicles and romances. In total, there are over 230 manuscripts surviving today that contain versions of the Albina tale. Despite this, however, relatively little modern scholarship has focused on this widely disseminated and adapted legend. This book provides the first-ever overview of the entire Albina tradition, from its roots to its eventual demise as a popularly accepted narrative. The Classical basis of the narrative in the Hypermnestra story and the ways it was manipulated in the medieval era to function as a national foundation legend are considered. Folkloric, biblical, and legal influences on the development of the tradition are addressed. The tale is viewed through a variety of lenses to suggest ways it may have functioned or was put to use in the Middle Ages. The study concludes with an overview of the narrative's demise in the Renaissance. This is a useful reference source for medievalists and other scholars interested in chronicle studies, literature, folklore, foundation narratives, manuscript studies, and historiography. It will also be useful to art historians who wish to study the various depictions of the Albina narrative in illuminated texts. The tale's emphasis on matriarchy and its subversion of the accepted societal norm will attract the interest of scholars in feminist studies. As the first analysis of the Albina tradition as a whole, it will be a valuable cornerstone for later studies.

This is a critical analysis of the Titanic as modern myth, focusing on the second of the two Titanics. The first was the physical Titanic, the rusting remains of which can still be found 12,000 feet below the north Atlantic. The second is the mythical Titanic which emerged just as its tangible predecessor slipped from view on 15 April 1912. It is the second of the two Titanics which remains the more interesting and which continues to carry cultural resonances today. The book begins with the launching of the "unsinkable ship" and ends with the outbreak of the "war to end all wars". It provides an insight into the particular culture of late Edwardian Britain and beyond this draws far greater conclusions about the complex relationship between myth, history, popular culture and society as a whole.