Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near. Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan's fascinating study sets our present conventions into cross cultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable cycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as 'imitation', 'allusion', 'authorship', 'originality' and 'plagiarism'.

"Desi Divas: Activism in South Asian American Cultural Performances" is the product of five years of field research with progressive activists associated with the School for Indian Languages and Cultures (SILC), South Asian Americans Leading Together (SAALT), the feminist dance collective Post Natyam, and the grassroots feminist political organization South Asian Sisters. Christine L. Garlough explores how traditional cultural forms may be critically appropriated by marginalized groups and used as rhetorical tools to promote deliberation and debate, spur understanding and connection, broaden political engagement, and advance particular social identities. Within this framework she examines how these performance activists advocate a political commitment to both justice and care, to both deliberative discussion and deeper understanding. To consider how this might happen in diasporic performance contexts, Garlough weaves together two lines of thinking. One grows from feminist theory and draws upon a core literature concerning the ethics of care. The other comes from rhetoric, philosophy, and political science literature on recognition and acknowledgment. This dual approach is used to reflect upon South Asian American women's performances that address pressing social problems related to gender inequality, immigration rights, ethnic stereotyping, hate crimes, and religious violence. Case study chapters address the relatively unknown history of South Asian American rhetorical performances from the early 1800s to the present. Avant-garde feminist performances by the Post Natyam dance collective appropriate women's folk practices and Hindu goddess figures make rhetorical claims about hate crimes against South Asian Americans after 9/11. In "Yoni ki Bat" (a South Asian American version of "The Vagina Monologues") a progressive performer transforms aspects of the Mahabharata narrative to address issues of sexual violence, such as incest and rape. Throughout the volume, Garlough argues that these performers rely on calls for acknowledgment that intertwine calls for justice and care. That is, they embed their testimony in traditional cultural forms to invite interest, reflection, and connection.

They reside in the darkest of places. They come in any number of horrifying shapes and sizes. They are spoken of only in whispers. They are the demons that terrorize our species--images of ultimate evil that exist in every society. Evil in Our Midst provides a chilling glimpse of fifty dark angels, each of which represents a culture's greatest fears. Every chapter opens with a story that shares the legend of a demon, and then provides fascinating information on the culture that, in many cases, perpetuates this belief. You'll learn about the Ligahoo, a Caribbean werewolf who lives off the blood of its prey; the Windigo, who wanders the frigid woods of North America, paralyzing victims with its death-haunted screams; and Mexico's La Llorona, the Weeping Woman who causes madness and death. Evil in Our Midst presents neither ancient mythology nor mere folklore. Rather, it is a portal into the reality of living in a world of demons. For those who believe in these creatures, it gives reason to fear the unknown in a world where brutal death may be waiting around the next bend. For those who do not believe in demons, this book provides terrifying reading for a stormy night.

The legends collected here are the ancient stories of the people of Ksan who have lived in northern British Columbia for over six thousand years. We-Gyet is the essence of every man's frailties exaggerated into gentle humour or ribald laughter. His adventures always end in disaster. His blunders and tricks changed the face of the earth, and the shapes of many of earth's creatures. We-Gyet was a creator - by accident!

"The Eve of Spain" demonstrates how the telling and retelling of one of Spain's founding myths played a central role in the formation of that country's national identity.

King Roderigo, the last Visigoth king of Spain, rapes (or possibly seduces) La Cava, the daughter of his friend and counselor, Count Julian. In revenge, the count travels to North Africa and conspires with its Berber rulers to send an invading army into Spain. So begins the Muslim conquest and the end of Visigothic rule. A few years later, in Northern Spain, Pelayo initiates a Christian resistance and starts a new line of kings to which the present-day Spanish monarchy traces its roots.

Patricia E. Grieve follows the evolution of this story from the Middle Ages into the modern era, as shifts in religious tolerance and cultural acceptance influenced its retelling. She explains how increasing anti-Semitism came to be woven into the tale during the Christian conquest of the peninsula--in the form of traitorous Jewish conspirators. In the sixteenth century, the tale was linked to the looming threat of the Ottoman Turks. The story continued to resonate through the Enlightenment and into modern historiography, revealing the complex interactions of racial and religious conflict and evolving ideas of women's sexuality.

In following the story of La Cava, Rodrigo, and Pelayo, Grieve explains how foundational myths and popular legends articulate struggles for national identity. She explores how myths are developed around few historical facts, how they come to be written into history, and how they are exploited politically, as in the expulsion of the Jews from Spain in 1492 followed by that of the Moriscos in 1609. Finally, Grieve focuses on the misogynistic elements of the story and asks why the fall of Spain is figured as a cautionary tale about a woman's sexuality.

The Book of Black Magic is Arthur Edward Waite's magnum opus of occult lore; this edition contains the author's original icons, symbols, seals and drawings. This supreme guide to occultist history, lore, magick, and ceremony is split into two parts: The first is entitled ""The Literature of Ceremonial Magic."" Here, Waite examines the ritualistic traditions which surrounding the occult movement for centuries. He notes various texts, and how these had a bearing upon the practice of the occult and of magical ceremony. The second part, ""The Complete Grimoire,"" concerns how those who practice black magic and occult ritual become versed in the craft. The stringent physical and mental requirements, and the need to practice a spiritual attunement and inner ablution, is detailed. Astronomical knowledge of the planets and their movements is a necessity, as is possession of a variety of instruments, plus a deep knowledge of the various symbols and scripts used in occultism.

A helpful and easy-to-use guide that takes you from the White House to a backyard barbecue in Texas style.

Examining all the rites of passage in our lives from birth to funerals, Texas Manners takes Emily Post and adds a special Texas twist.

Invitations and thank-you notes, table manners, job interviews, cotillions, quinceaneras, college preparation, entertaining tips, planning a wedding; these are just a few of the subjects that are explained and described in this handy and instructive resource.

The detailed table of contents and index make this a user-friendly guide to all your entertainment and etiquette questions.

Pregnant Fictions explores the complex role of pregnancy in early modern tale-telling and considers how stories of childbirth were used to rethink gendered "truths" at a key moment in the history of ideas. How male medical authorities and female literary authors struggled to describe the inner workings of the unseen--and competed to shape public understanding of it--is the focus of this engaging work by Holly Tucker. In illuminating the gender politics underlying dramatic changes in reproductive theory and practice, Tucker shows just how tenuous the boundaries of scientific "fact" and marvelous fictions were in early modern France. On the literary front, Tucker argues, women used the fairy tale to rethink the biology of childbirth and the sociopolitical uses to which it had been put. She shows that in references to midwives, infertility, sex selection, and embryological theories, fairy-tale writers experimented with alternative ways of understanding pregnancy. In so doing they suggested new ways in which to envision women, knowledge, and power in both the public and the private spheres.

Oral tales establish relationships between storytellers and their listeners. Yet most printed collections of folktales contain only stories, stripped of the human contexts in which they are told. If storytellers are mentioned at all, they are rarely consulted about what meanings they see in their tales. In this innovative book, Indian-American anthropologist Kirin Narayan reproduces twenty-one folktales narrated in a mountain dialect by a middle-aged Indian village woman, Urmila Devi Sood, or "Urmilaji." The tales are set within the larger story of Kirin Narayan's research in the Himalayan foothill region of Kangra, and of her growing friendship with Urmilaji Sood. In turn, Urmilaji Sood supplements her tales with interpretations of the wisdom that she discerns in their plots. At a moment when the mass-media is flooding through rural India, Urmilaji Sood asserts the value of her tales which have been told and retold across generations. As she says, "Television can't teach you these things."
These tales serve as both moral instruction and as beguiling entertainment. The first set of tales, focussing on women's domestic rituals, lays out guidelines for female devotion and virtue. Here are tales of a pious washerwoman who brings the dead to life, a female weevil observing fasts for a better rebirth, a barren woman who adopts a frog and lights ritual oil lamps, and a queen who remains with her husband through twelve arduous years of affliction. The women performing these rituals and listening to the accompanying stories are thought to bring good fortune to their marriages, and long life to their relatives. The second set of tales, associated with passing the time around the fire through long winter nights, are magical adventure tales. Urmilaji Sood tells of a matchmaker who marries a princess off to a lion, God splitting a boy claimed by two families into two selves, a prince's journey to the land of the demons, and a girl transformed into a bird by her stepmother.
In an increasingly interconnected world, anthropologists' authority to depict and theorize about distant people's lives is under fire. Kirin Narayan seeks solutions to this crisis in anthropology by locating the exchange of knowledge in a respectful, affectionate collaboration. Through the medium of oral narratives, Urmilaji Sood describes her own life and lives around her, and through the medium of ethnography Kirin Narayan shows how broader conclusions emerge from specific, spirited interactions. Set evocatively amid the changing seasons in a Himalayan foothill village, this pathbreaking book draws a moving portrait of an accomplished woman storyteller. Mondays on the Dark Night of the Moon offers a window into the joys and sorrows of women's changing lives in rural India, and reveals the significance of oral storytelling in nurturing human ties.

William Blake and the Myths of Britain is the first full-length study of Blake's use of British mythology and history. From Atlantis to the Deists of the Napoleonic Wars, this book addresses why the eighteenth century saw a revival of interest in the legends of the British Isles and how Blake applied these in his extraordinary prophetic histories of the giant Albion, revitalising myths of the Druids and Joseph of Arimathea bringing Christ to Albion.

A TIMES BESTSELLER, January 2022 A TIMES HISTORICAL FICTION BOOK OF THE YEAR SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR A BBC HISTORY MAG BOOK OF THE YEAR A DAILY EXPRESS BOOK OF THE YEAR 'Expressive, bold and quite beautiful' The Lady '[a] delight of a book' Antonia Senior, The Times 'ravishingly lovely' The Times Ireland '[a] lively retelling of British myths' Apollo Magazine Soaked in mist and old magic, Storyland is a new illustrated mythology of Britain, set in its wildest landscapes. It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them. Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall; mountains and lakes such as Snowdon and Loch Etive and rivers including the Ness, the Soar and the story-silted Thames in a vivid, beautiful tale of our land steeped in myth. It Illuminates a collective memory that still informs the identity and political ambition of these places. In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.