From Homer's 'Odyssey' to 'Pirates of the Caribbean', mermaids have fascinated popular culture for centuries. This is an enchanting collection of classic stories, facts and tales of mermaids from around the world that will thrill every lover of this romanticised mythological creature.

The alligatorFlorida's most feared, maligned animal. From the time European settlers first stepped onto Florida soil, the alligator has been a target of dread and revulsionand the hunter's gun.

Collected here are true (and tongue in cheek) accounts of alligators and the people who have hunted them, been attacked by them, and tried to save them from extinction. Journey through the Everglades with 1800's Seminoles, experts at stalking and killing gators. Go along with a "Northern girl" as she shoots "my first alligator in my glove and veil." And learn how modern alligator hunters go about their business, which hasn't changed much in the last hundred years or so.

If you like tall tales, you'll love Henry, the alligator-turned-head-waiter who becomes despondent when a pretty New York girl spurns his lovesick advances. Or Algy, the gator who survives a broiling in a furnace by his owners, who happen to think he's already dead and won't mind the heat.

Europe is a continent weighed down by the shadows of its past, its wars, the traditional enmities, the suspicions of neighbours fuelled by historical memories. This has immediate consequences for the understanding and representation of the past: journalists, politicians, historians often apply simplistic, pre-conceived patterns, i.e., myths, to current events, resulting in distorted and misleading analyses. This volume exposes the way some historical myths, such as Balance of Power, Rapallo, the Special Relationship, the Franco-German Couple, the Peril of Islam, are used to blur, not to clarify our understanding of international affairs, even to manipulate contemporary politics. Cyrill Buffet is Research Fellow at the Centre Marc Bloch, Berlin and Beatrice Heuser is Lecturer in War Studies at King's College, London.

Laurence Coupe offers students a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This introductory volume:

• illustrates the relation between myth, culture and literature with discussions of poetry, fiction, film and popular song
• explores uses made of the term myth within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis
• discusses the association between modernism, postmodernism, myth and history
• familiarizes the reader with themes such as the dying god, the quest for the Grail, the relation between chaos and cosmos, and the vision of the end of time
• demonstrates the growing importance of the green dimension of myth.

Fully updated and revised in this new edition, Myth is both a concise introduction and a useful tool to students first approaching the topic, while also a valuable contribution to the study of myth.

Of all the countless legendary beasts that have been conjured forth from the seemingly limitless capacity of the human imagination, none can remotely compare with the dragon for its sheer diversity of form, its symbolic significance, and its cross-cultural presence. Dragons are everywhere-still glimpsed in the living, breathing beasts around us that inspired and engendered their birth in our far-distant ancestors' dreams, and nightmares; perennially encountered in the myriad of traditional myths and folklore woven into the fabric of every creed and culture around the world; and ever-visible within the innumerable outpourings of artistic creation that have graced and enhanced our species' existence across all temporal, political, social, and geographical boundaries. So from where, and from what, has such widespread-indeed, worldwide-belief in these creatures stemmed? There can be no doubt that a major factor influencing the origin of the dragon is early humanity's observations and interactions with various distinctive and potentially inimical creatures of reality sharing our world. Equally thought-provoking is how and why the dragon has become so intimately associated with our own species. This multi-faceted monster of mythology is more than amply represented visually, for example, by artwork of every conceivable style, age, and category. And the dragon's status in religion, dreams, alchemy, psychology, astrology, literature, movies, and music is as compelling as it is complex. These many diverse but equally captivating themes are all fully explored in this spellbinding book's uniquely comprehensive coverage, and provide ample confirmation that there is no sign whatsoever of waning interest for what must surely be the most vibrant, tenacious, and fascinating creature that has never existed-the dragon.

Stephen Headley translates and studies a Javanese ritual and myth, the birth of the man-eating demon, Kala. He shows that this genesis myth, with its movement from cosmogony to exorcism, constitutes the basis of networks of circulating values in contemporary Javanese society.

Did you know that the father of psychoanalysis believed in ghosts, or that Frederick Engels attended seances? Ghosts: Deconstruction, Psychoanalysis, History is the first collection of theoretical essays to evaluate these facts and consider the importance of the metaphor of haunting as it has appeared in literature, culture, and philosophy. Haunting is considered as both a literal and figurative term that encapsulates social anxieties and concerns. The collection includes discussions of nineteenth-century spiritualism, gothic and postcolonial ghost stories, and popular film, with essays on important theoretical writers including Freud, Derrida, Adorno, and Walter Benjamin.

In the ancient myth, Oedipus ceased to be king when he discovered his crimes. Nonetheless, since the Renaissance, he has ruled the kingdom of the imagination. The twentieth century begins with the Oedipus complex in Freud's "The Interpretation of Dreams" and the power of the Oedipus myth continued to manifest itself in an astonishing range of artistic and intellectual work.
As a volume in the "Gods and Heroes" series, this book explores a key figure in ancient myth incisively and accessibly, yet with enough scholarly detail to be an 'all-you-need-to-know' for lower level courses, a platform for further study at a more advanced level or as a reference book of key information for researchers/academics.

A good book, a good friend. (Italian)
Neither love nor a cough can be hidden. (Roman)
Knowledge is a treasure, but practice is the key to it. (Arabian)
One enemy is too many, one hundred friends is not enough. (Indian)
The Routledge Book of World Proverbs invites the reader to travel the globe in search of the origins of such words of wisdom, experiencing the rich cultural traditions reflected in each nation's proverbs. This collection contains over 16,000 gems of humor and pathos that draw upon themes from our shared experiences of life. And we are not just invited to learn about other cultures; proverbs are 'bits of ancient wisdom' and thus teach us about our shared histories.
This book draws together proverbs that transcend culture, time and space to offer a collection that is both useful and enjoyable, making this book one of enduring interest.

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos - one of the most studied figures of the ancient Greek gods.

Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before.

As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.