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Books > Religion & Spirituality > Myths & mythology
This book chronicles the rise of goddess worship in the region of Bengal from the middle of the eighteenth century to the present. Focusing on the goddesses Kali and Uma, McDermott examines lyrical poems written by devotees from Ramprasad Sen (ca. 1718-1775) to Kazi Nazrul Islam (1899-1976).
The Truth of Myth is a thorough and accessible introduction to the
study of myth, surveying the intellectual history of the topic,
methods for studying myth cross-culturally, and emerging trends.
Readers will encounter insightful commentaries on such questions
as: What is the relation of mythology to religion? To science? To
popular culture? Did the events recounted in myths actually occur?
Why does the term "myth" have so many contradictory definitions and
connotations? Offering serious students with an intellectual
"toolkit" for launching into this fascinating field, the book is
especially useful in conjunction with case studies of individual
mythological traditions.
Folklore is the cultural expression of a people, and it makes up
key elements of the stories they tell. Using easily accessible
language, this book defines, separates, and gracefully weaves
together story and folklore. From the ancient world of traveling
bards in Europe, Asia, Africa, and South America, to the
contemporary world of storytelling festivals, fan fiction, and
digital story conferences, this reference unravels confusion
between concepts of folklore and story, and demonstrates how they
are linked. Included are numerous examples and texts, a review of
critical approaches, and a discussion of story in literature and
popular culture. Story informs folklore, and folklore informs
story. The complex relationship between them is compounded by many
definitions and points of view generated by scholars over time.
Humans construct their sense of the world through story, vernacular
transmission, and folklore. Folklore is the cultural expression of
people, and it makes up the key elements of the stories they tell.
Written for high school students and general readers, this
reference conveniently overviews story as a folklore genre.
Boldly illustrated and superbly translated, Folk Legends from Tono
captures the spirit of Japanese peasant culture undergoing rapid
transformation into the modern era. This is the first time these
299 tales have been published in English. Morse's insightful
interpretation of the tales, his rich cultural annotations, and the
evocative original illustrations make this book unforgettable. In
2008, a companion volume of 118 tales was published by Rowman &
Littlefield as the The Legends of Tono. Taken together, these two
books have the same content (417 tales) as the Japanese language
book Tono monogatari. Reminiscent of Japanese woodblocks, the ink
illustrations commissioned for the Folk Legends from Tono, mirror
the imagery that Japanese villagers envisioned as they listened to
a storyteller recite the tales.The stories capture the
extraordinary experiences of real people in a singular folk
community. The tales read like fiction but touch the core of human
emotion and social psychology. Thus, the reader is taken on a
magical tour through the psychic landscape of the Japanese "spirit
world" that was a part of its oral folk tradition for hundreds of
years. All of this is made possible by the translator's insightful
interpretation of the tales, his sensitive cultural annotations,
and the visual charm of the book's illustrations. The cast of
characters is rich and varied, as we encounter yokai monsters,
shape-shifting foxes, witches, grave robbers, ghosts, heavenly
princesses, roaming priests, shamans, quasi-human mountain spirits,
murderers, and much more.
Mythology flows like a subterranean stream throughout Hawai'i. Rita
Knipe has selected a number of characteristic myths and
mythological figures from the rich pantheon of Hawaiian deities. As
she retells their stories, illustrated by Hawaii artist Dietrich
Varez, the transposition of such primal drama to the pages of this
book becomes poetic theater. The dramatic plots are myths and
legends chosen from the oral traditions of unique island people,
but the underlying themes and symbols are archetypal and eternal.
Drawing parallels between Hawaiian mythology, universal patterns,
and individual behavior, the author illustrates certain basic
Jungian concepts and explains how we express them in the drama of
our own lives.
Ever since Odysseus heard tales of his own exploits being retold
among strangers, audiences and readers have been alive to the
complications and questions arising from the translation of myth.
How are myths taken and carried over into new languages, new
civilizations, or new media? An international group of scholars is
gathered in this volume to present diverse but connected case
studies which address the artistic and political implications of
the changing condition of myth - this most primal and malleable of
forms. 'Translation' is treated broadly to encompass not only
literary translation, but also the transfer of myth across cultures
and epochs. In an age when the spiritual world is in crisis,
Translating Myth constitutes a timely exploration of myth's
endurance, and represents a consolidation of the status of myth
studies as a discipline in its own right.
Wherever vampires existed in the imaginations of different
peoples, they adapted themselves to the customs of the local
culture. As a result, vampire lore is extremely diverse. So too,
representations of the vampire in creative works have been marked
by much originality. In "The Vampyre" (1819), John Polidori
introduced Lord Ruthven and established the vampire craze of the
19th century that resulted in a flood of German vampire poetry,
French vampire drama, and British vampire fiction. This tradition
culminated in Bram Stoker's "Dracula" (1897), which fixed the
character of the Transylvanian nobleman as the archetypal vampire
firmly in the public imagination. Numerous films drew from Stoker's
novel to varying degrees, with each emphasizing different elements
of his vampire character. And more recent writers have created
works in which vampirism is used to explore contemporary social
concerns.
The contributors to this volume discuss representations of the
vampire in fiction, folklore, film, and popular culture. The first
section includes chapters on Stoker and his works, with attention
to such figures as Oscar Wilde and Edvard Munch. The second section
explores the vampire in film and popular culture from Bela Lugosi
to "Blacula." The volume then looks at such modern writers as Anne
Rice and Chelsea Quinn Yarbro who have adapted the vampire legend
to meet their artistic needs. A final section studies contemporary
issues, such as vampirism as a metaphor for AIDS in ""Killing
Zoe."
With 600 signed, alphabetically organized articles covering the
entirety of folklore in South Asia, this new resource includes
countries and regions, ethnic groups, religious concepts and
practices, artistic genres, holidays and traditions, and many other
concepts. A preface introduces the material, while a comprehensive
index, cross-references, and black and white illustrations round
out the work. The focus on south Asia includes Afghanistan,
Bangladesh, India, Pakistan, and Sri Lanka, with short survey
articles on Tibet, Bhutan, Sikkim, and various diaspora
communities. This unique reference will be invaluable for
collections serving students, scholars, and the general public.
Robinson Crusoe explores Defoe's story, the legend it captured, the
universal desire which underlies the myth and a range of modern
re-writings which reveal a continued fascination with the
problematic character of this narrative. Whether envisaged as an
heroic rejection of the old world order, a piece of pre-colonialist
propaganda or a tale raising archetypal problems of 'otherness' and
'inequality', the mythic value of Crusoe has become a pretext over
many centuries for an examination of some of the fundamental
problems of existence. This collection of essays examines, from a
wide range of critical and philosophical perspectives, the cultural
manifestations of Robinson Crusoe in different centuries, in
different media, in different genres.
The Trojans were the most famous losers in Greek mythology. Yet according to tradition their descendants went on to found Rome, the most powerful city in the Mediterranean. Andrew Erskine explores the role and meaning of Troy in the changing relationship between Greeks and Romans.
This is a collection of 251 proverbs (91 of them illustrated) from
Kannada - a South Indian language with 2000 years of literary
history and cultural heritage.
A remarkable number of Greek myths concern the plight of virgins -
slaughtered, sacrificed, hanged, transformed into birds, cows,
dear, bears, trees, and punished in Hades. Death and the Maiden,
first published in 1989, contextualises this mythology in terms of
geography, history and culture, and offers a comprehensive theory
firmly grounded in an ubiquitous ritual: pubescent girls' rites of
passage. By means of comparative anthropology, it is argued that
many local ceremonies are echoed throughout the whole range of
myths, both famous and obscure. Further, Professor Dowden examines
boys' rites, as well as the renewal of entire communities at
regular intervals. The first full-length work in English devoted to
passage-rites in Greek myth, Death and the Maiden is an important
contribution to the exciting developments in the study of the
interrelation between myth and ritual: from it an innovative view
on the origination of many Greek myths emerges.
This highly engaging volume by one of Korea's leading scholars of
comparative mythology - the the first study of its kind in English
- provides a valuable introduction to centuries-old beliefs, myths
and folk tales relating to Cosmology and Flood, Birth and
Agriculture, Messengers of the Underworld, Shamans, Disease, Good
Fortune, Love and Family, Gods of Village Shrines, and Heroes.
Containing thirty traditional stories, the book is fully
illustrated throughout and contains a wide variety of Korean art,
including rare shamanist paintings, as well as the work of some
contemporary Korean artists. All the stories, based on Korean oral
tradition, have been retold by the author according to their main
plot and meaning because the original texts' songs by shamans,
containing many obsolete words and obscure idioms, are not easily
understood today. The original title and source, including text
notes, are provided at the end of each story. The author's
Introduction sets out the historical background and significance of
the myths that appear here. He also provides full details of each
of the Korean gods and their roles in mythology. While being a
welcome addition to the literature on Korean culture for the
non-specialist, An Illustrated Guide to Korean Mythology also
provides an invaluable reference source for scholars and
researchers in the fields of East Asian Mythology and Anthropology,
as well as Korean History, Religion and Literature.
Fairies fascinate young and old alike. To some they offer
tantalizing glimpses of other worlds, to others a subversive
counterpoint to human arrogance and weakness. Like no other author,
Katharine Briggs throughout her work communicated the thrill and
delight of the world of fairies, and in this book she articulated
for the first time the history of that world in tradition and
literature. From every period and every country, poets and
storytellers have described a magical world inhabited by elfin
spirits. Capricious and vengeful, or beautiful and generous,
they've held us in thrall for generations. And on a summer's morn,
as the dew dries softly on the grass, if you kneel and look under a
toadstool, well ...
Routledge Library Editions: Folklore is a collection of previously
out-of-print titles from a variety of academic imprints. It
provides in one place a wealth of important reference sources on a
wide variety of folklore topics. The international authors include
academics from a number of worldwide universities, and many are the
acknowledged experts in their respective fields. The books span a
wide date range, demonstrating both the development of the field
and, at the same time, providing valuable background to current
academic thinking. This set contains many essential texts,
available now for the first time in some years, and is an
invaluable resource on the study of folklore.
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