This book presents folktales in the Herati dialect of the Afghan Persian language, along with useful transcriptions and translations. This dialect is spoken by the sedentary population of Herat city and the adjacent area situated in the northwest of Afghanistan. Historically, the area in question was part of the Persian province of Khorasan that was known for its significant role in the development of Persian culture in general and literature and philosophy in particular. Suffice it to say that the classical Persian language (Farsi) is considered to have originated in that region. For centuries, Herat has been one of the main cultural centers of the Khorasan province, and according to a reliable historic source, it was in Herat that the first poetical piece in Farsi was composed. The area was the birthplace of many most prominent Persian-speaking poets such as Ferdowsi, F. 'Attar, Khayyam, to mention a few. Others such as Jami and Ansari were originally from the Herat area and their shrines are located in the city. Given the fact that many early Persian-speaking poets came from this region (Khorasan) and from Herat in particular, their native Khorasani dialects--including Herati-- considerably influenced the language of Persian classical literature. The Herati dialect linguistic importance from the synchronic perspective is based on the fact that it serves as a bridge between the Persian dialects of western Iran and the Tajiki of Central Asia. In addition, given the geographic position of Herat (situated on the border between modern Afghanistan and Iran), its dialect also shares many common characteristics with the Persian dialects of Iran and those of Afghanistan. Despite its cultural and linguistic importance for studies in Iran, Afghanistan and Central Asia, this region has never been open to field research (especially by westerners) because of its long political instability and constant wars. There is no similar published work in English on this particular Persian dialect and its oral literature. Based on academically informed fieldwork and presented in a scientific fashion, this study provides information previously unavailable and is thus valuable to the academic discourse in Iranian linguistics. The materials were collected by the author during field research in Afghanistan in the 1980s from illiterate dialect speakers (a category which has preserved the dialect the most in terms of purity and entirety). The book helpfully provides a grammatical introduction to the Herati dialect, a glossary of dialectal and common words, as well as approximately 500 explanatory notes. This book will be of interest to linguists and language learners, especially those studying Afghan Persian. It will also be useful as a language learning aid for intermediate and advanced students of spoken Afghan Persian in general and of Persian (in the broader sense) dialectology in particular, foreign NGO workers or interpreters/translators who find themselves in the field in western Afghanistan or far eastern Iran. Though the present book is by no means a study in folklore literature or anthropology, these texts containing ethnographic data will also be of value to folklorists or ethnographers.

Originally published in 1870. Author: George W. Cox, M.A. Language: English Keywords: Religion / Mythology / Folklore Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book examines magic's generally maleficent effect on humans from ancient Egypt through the Middle Ages, including tales from classical mythology, Jewish, Christian, and Muslim cultures. It shows that certain magical motifs lived on from age to age, but that it took until the Italian Renaissance for magic tales to become fairy tales.

This English-English Dictionary will completely fulfil the academic and writing requirements of students, aspirants of competitive examinations, researchers, scholars, translators, educationists, and writers. This dictionary is unique in the sense that the 'Words or Terms' have been drawn from literature, science, geography, commerce & business etc to give it a touch of completeness. 'Words or Terms' come complete with grammatical details, syntax, and meaning and a sentence to improve writing or speaking. 'Words or Terms' have been serialized in alphabetical order, i.e., A-Z for ease in making searches. To the extent possible, Terms used in common parlance have only been included, avoiding less frequent ones. In the Appendices section, body parts, common ailments, apparel, cereals, fruit & vegetables, herbs & spices, household items and other useful information have been included for added utility. This dictionary will be found useful by student community besides others such as, educationists, writers, translators, aspirants of competitive exams.

When this work - one that contributes to both the history and anthropology fields - first appeared in 1982, it was hailed as a landmark study of the role of folklore in nation-building. It has since been highly influential in reshaping the analysis of Greek and European cultural dynamics. In this expanded edition, a new introduction by the author and an epilogue by Sharon Macdonald document its importance for the emergence of serious anthropological interest in European culture and society and for current debates about Greece's often contested place in the complex politics of the European Union.

THE ELDER EDDAS OF SAEMUND SIGFUSSON. Translated from the Original Old Norse Text into English BY BENJAMIN THORPE. Originally published in 1906. PHOTOGRAPHS: Frontispiece Gunnar ( Guother). Page Siegfried Awakens Brynhild ' 159 Death of Atli 247 A Feast in Valhalla 331 ' s Rune Song 44 Lay of Hymir 48 Lay of Thrym, or the Hammer Recovered 53 Lay of the Dwarf Alvis 57 Lay of Harbard . . . . 63 Journey, or Lay of Skirmr 71 Lay of Rig 78 s Compotation, or Loki's Altercation 84 Lay of Fiolsvith 95 Lay of Hyndla 103 Incantation of Groa 109 Song of the Sun Ill Lay of Volund 121 Lay of Helgi Harvard's Son 137 First Lay of Helgi Hundingcide 137 Second Lay of Helgi Hundingcide 144 > tli's End 155 Lay of Sigurd, or Gnpir's Prophecy 157 Lay of Fafnir 172. Contents include: Gudrun's Incitement 248 The Lay of Hamdir 351 THE YOUNGER EDDAS OF STURLESON. The Deluding of Gylfi 256 Of the Primordial State of the Universe 259 Origin of the Frost-Giants 260 Of the Cow Audhumla, and Birth of Odin 262 The Making of Heaven and Earth 263 Creation of Man and Woman 265 Night and Day, Sun and Moon 266 Wolves that Pursue the Sun and Moon _. 267 The Way that Leads to Heaven 268 The Golden Age 269 Origin of the Dwarfs, and Norns of Destiny 270 The Ash Yggdrasill and Mimer's Well 271 The Norns that Tend Yggdrasill 273 The Wind and the Seasons 275 Thor and His Hammer - 277 Balder and Njord 278 Njord and His Wife Skadi 279 The God Frey and Goddess Freyja 280 Tyr and Other Gods 281 Hodur the Blind, Assassin of Baldur 283 Loki and His Progeny 284 Binding the Wolf Fenrir 285 The Goddesses and their Attributes 289 Frey, and Gerda the Beautiful 291 The Joys of Valhalla 293 The Wonderful Horse Sleipnir 297 The Ship Adapted to Sail on Sea or Land 299 Thor's Adventures in the Land of Giants 300 The Death of Baldur 315 Baldur in the Abode of the Dead 319 Loki's Capture and Punishment 321 Destruction of the Universe 323 Restoration of the Universe 327 How Loki Carried Away Iduna 329 The Origin of Poetry 331 Odin Beguiles the Daughter of Baugi 333 Glossary 335.

Text extracted from opening pages of book: THE ELDER EDDA AND ANCIENT SCANDINAVIAN DRAMA CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGER LONDON: FETTER LANE, E. G. 4 NEW YORK: THE MACMILLAN CO. BOMBAY \ CALCUTTA LMACMILLAN AND co., Lm MADRAS j TORONTO: THE MACMILLAN CO. OF CANADA, LTD. TOKYO: MARUZEN-KABUSHIKI-KAISHA ALL RIGHTS RESERVED Fig. i. Plate from a helmet found at Vcntlel in Uppland. Fig. 2. Bronze plate from Torsluncla, Oland, Sweden. Fig. j. Bronze plate from Torshmda, Olund, Sweden, AND ANCIENT SCANDINAVIAN DRAMA BY BERTHA S. PHILLPOTTS, O. B. E., Lirr. D. Formerly Pfeiflfer Student of Girton College, Cambridge Late Lady Carlisle Research Fellow, Somerville College, Oxford Principal of Westfield College ( University of London) Author of Kindred and Clan CAMBRIDGE AT THE UNIVERSITY PRESS 1920 PREFACE THIS book was begun in the spring of 1914, and only two chapters were unwritten in March 1916. In adding these two chapters in 1920 I have endeavoured to bring the rest of the book up to date, but the occupations of the intervening years left little time to keep abreast of the advances of scholarship, and the endeavour has not been wholly successful. My task has not been lightened by the loss of a note-book and some pages of the MS. through causes connected with the war, and I am conscious that there is much to apologise for. But it seemed better to publish the book as it is, with all its imperfections, than to wait for the uncertain hour when I could attempt an elaborate revision and expansion. My aim is simply to place before scholars a theory of the dramatic origin of the older Eddie poems. I shall be satisfied if I have made clear the grounds which have forced me to formulatethe theory: should there be any truth in it, others, better fitted than I, will work it out in all its many bearings on history, religion and literature. The dedication intimates that this book is my gift to Somer villc College, In a more fundamental sense it is the gift of Somerville College to me. It is the product of my tenure of the Lady Carlisle Research Fellowship, and the central idea of the book occurred to me while I was trying to present a rational picture of early Scandinavian literature to the College Literary and Philosophical Society. The idea struck root in favourable soil Miss Pope, Tutor in Modern Languages at Somerville, was working at a theory of the genesis of the Old French epic: Pro fessor Gilbert Murray, Vice-President of the College, was always ready to stimulate and illumine discussion on the relation of epic and drama: Miss Spens of Lady Margaret Hall was writing her book on Shakespeare's indebtedness to folk-drama, Moreover I think that the air of Oxford was friendly to the growth of a theory viii PREFACE like mine, and gave me courage to act on the belief that a clear understanding of the form of primitive Scandinavian literature was an essential preliminary to an understanding of primitive Scandinavian history. It was only after I had written the first part of the book an attempt to solve a literary problem on purely literary lines that I was able to realise the significance of the heroic poems of the Edda as a source for Scandinavian history and religion from the sixth century onwards. Since the theories put forward have a direct bearing on the problem of Greek tragedy, and may also be of interest to mediaevalists, I have assumed that some of my readers maybe unacquainted with Old Norse, and have accordingly given my quotations in English, adding the original in the notes wherever there is any doubt as to the reading. I had originally planned to give translations of the more important poems in an appendix, but joyfully abandoned the project on finding that there is some hope that the poet and scholar who has made Greek tragedy live in English dress may do a similar service to the heroic poems of the Edda. In the meantime readers may be referred to the trans lations in Vigfiisson and Powell's Corpus Poetmim Borc

From the stories suggested by the great cave paintings of the Paleolithic period to the thought experiments of modern scientists, From Olympus to Camelot provides a sweeping history of the development of the rich and varied European mythological tradition.

David Leeming, an authority on world mythology, begins with a general introduction to mythology and mythological terms, and then turns to the stories themselves. Discussing well-known figures such as Zeus, Aphrodite, Thor, and Cuchulainn, and less familiar ones such as Perun, Mari, and the Sorcerer of Lescaux, Leeming illustrates and analyzes the enduring human endeavor to make sense of existence through deities and heroes.

Following an initial exploration of the Indo-European sources of European mythology and the connections between the myths of Europe and those of India and Iran, the book proceeds to survey the major beliefs of Greek, Roman, Celtic, Germanic, Baltic, and Slavic cultures, as well as the mythologies of non-Indo-European cultures such as the Etruscans and the Finns. Among its contents are introductions to the pantheons of various mythologies, examinations of major mythological works, and retellings of the influential mythical stories. This work also examines European deities, creation myths, and heroes in the context of Christian belief, and considers the translation of traditional stories into the mythologies of modern European political, scientific, philosophical, and economic movements.

European mythology is the core mythology of Western civilization. This wide-ranging volume offers a lively and informative survey, along with a provocative new way of understanding this fundamental aspect of European culture.

The distinguished Russian archeologist Aleksei P. Okladnikov's study reveals how a field archeologist goes about determining and writing prehistory. Over the course of his career, Okladnikov and his wife Vera Zaporozhskaya travelled across Siberia from the Lena River in the north to the Amur River in the south excavating archaeological sites. During that time Aleksei and Vera found and interpreted the rock art of the vast region from the Paleolithic Era to the present day. Relying on petroglyphs and pictographs left on cliffs and boulders, Okladnikov lays out in detail and straightforward language the prehistory of Siberia by "reading" these artifacts. This book permits the past to be told in its own words: the art portrayed on the cliffs of Siberia.

"The Origins and History of Consciousness" draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann was one of C. G. Jung's most creative students and a renowned practitioner of analytical psychology in his own right. In this influential book, Neumann shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, Great Mother, Separation of the World Parents, Birth of the Hero, Slaying of the Dragon, Rescue of the Captive, and Transformation and Deification of the Hero. Throughout the sequence, the Hero is the evolving ego consciousness.

Featuring a foreword by Jung, this Princeton Classics edition introduces a new generation of readers to this eloquent and enduring work.

Alexander Nefedkin's highly original new book, translated by the noted American scholar Richard L. Bland, is devoted to the understudied topic of the military and military-political history of Chukotka, the far northeastern region of the Russian Federation, separated from Alaska by Bering Strait. This study is based on primary sources, including archeological, folkloric, and documentary evidence, dating from ancient times to the cessation of conflict in the territory in the nineteenth century. Nefedkin's analysis surveys the military history of these eras, reassessing well known topics and bringing to light previously unknown events.

An entertaining and enthralling collection of myths, tales and traditions surrounding our trees, woodlands and forests from around the world.From the dark, gnarled woodlands of the north, to the humid jungles of the southern lands, trees have captured humanity's imagination for millennia. Filled with primal gods and goddesses, dryads and the fairy tales of old, the forests still beckon to us, offering sanctuary, mystery and more than a little mischievous trickery. From insatiable cannibalistic children hewn from logs, to lumberjack lore, and the spine-chilling legend of Bloody Mary, there is much to be found between the branches. Come into the trees; witches, seductive spirits and big, bad wolves await you.With this book, Folklore Thursday aim to encourage a sense of belonging across all cultures by showing how much we all have in common.

In his captivating study of faith and class, John Hayes examines the ways folk religion in the early twentieth century allowed the South's poor - both white and black - to listen, borrow, and learn from each other about what it meant to live as Christians in a world of severe struggle. Beneath the well-documented religious forms of the New South, people caught in the region's poverty crafted a distinct folk Christianity that spoke from the margins of capitalist development, giving voice to modern phenomena like alienation and disenchantment. Through haunting songs of Death, mystical tales of conversion, grassroots sacramental displays, and an ethic of neighborliness, impoverished folk Christians looked for the sacred in their midst and affirmed the value of this life in this world. From Tom Watson and W. E. B. Du Bois over a century ago to political commentators today, many have ruminated on how despite material commonalities, the poor of the South have been perennially divided by racism. Through his excavation of a folk Christianity of the poor, which fused strands of African and European tradition into a new synthesis, John Hayes recovers a historically contingent moment of interracial exchange generated in hardship.

This is an engaging account of the world of the Vikings and their gods. As the Vikings began to migrate overseas as raiders or settlers in the late eighth century, there is evidence that this new way of life, centred on warfare, commerce and exploration, brought with it a warrior ethos that gradually became codified in the Viking myths, notably in the cult of Odin, the god of war, magic and poetry, and chief god in the Norse pantheon. The twelfth and thirteenth centuries, when most of Scandinavia had long since been converted to Christianity, form perhaps the most important era in the history of Norse mythology: only at this point were the myths of Thor, Freyr and Odin first recorded in written form. Using archaeological sources to take us further back in time than any written document, the accounts of foreign writers like the Roman historian Tacitus, and the most important repository of stories of the gods, old Norse poetry and the Edda, Christopher Abram leads the reader into the lost world of the Norse gods.