CAPTIVATING LOVE STORIES CELEBRATED AND RETOLD THE SUNDAY TIMES BESTSELLER AND GLOBAL HIT As seen on BBC2 Between the Covers 'Perfection in short story form. So rarely is love expressed this richly, this vividly, or this artfully.' CANDICE CARTY-WILLIAMS 'Beautifully written and full of joy. Bolu Babalola is a star.' MEG CABOT 'Here is love as freedom, love as deep joy. Romance will never be dead, as long as Bolu is writing it.' JESSIE BURTON __________ Bolu Babalola takes the most beautiful love stories from history and mythology and rewrites them with incredible new detail and vivacity in her debut collection. Focusing on the magical folktales of West Africa, Babalola also reimagines iconic Greek myths, ancient legends from the Middle East, and stories from countries that no longer exist in our world. A high-born Nigerian goddess feels beaten down and unappreciated by her gregarious lover and longs to be truly seen. A young businesswoman attempts to make a great leap in her company, and an even greater one in her love life. A powerful Ghanaian spokeswoman is forced to decide whether to uphold her family's politics, or to be true to her heart. Whether captured in the passion of love at first sight, or realising that self-love takes precedent over the latter, the characters in these vibrant stories try to navigate this most complex human emotion and understand why it holds them hostage. Moving exhilaratingly across perspectives, continents and genres, from the historic to the vividly current, Love in Colour is a celebration of romance in all of its forms. __________ PRAISE FOR LOVE IN COLOUR: 'Captivating.' Vice 'Smart and joyful, witty and heartbreaking.' Stylist 'Epic.' Bustle 'Vibrant.' Refinery29 'Brilliant and beautiful.' Net-a-Porter

Drawing upon the traditions of their native lands, Asian Americans have developed an extensive cultural tradition. At the heart of that tradition are some of the world's most colorful folktales. These reflect the traditional beliefs of the East, as they have been passed down among generations of Asian Americans. But they also reflect the struggles, successes, and experiences of Asian immigrants in the New World. Written expressly for students and general readers, this book is a fascinating introduction to Asian American folktales.This book gathers together a selection of more than 30 Asian American folktales and groups them in thematic sections on origins; heroes, heroines, villains, and fools; society and conflict; and the supernatural. These tales reflect the traditional beliefs of the East as well as the new experiences of Asians in America.

Each tale is accompanied by a headnote, and the book closes with a selected, general bibliography. Students studying literature and language will learn much about these tales, while students in social studies and history courses will gain greater insight into the experiences and traditional beliefs of Asian Americans. The volume includes a healthy sampling of tales grouped in topical sections on origins; heroes, heroines, villains, and fools; society and conflict; and the supernatural.

A beautiful new collection of 36 French fairy tales translated into English by renowned writer and authority on fairy tales, Jack Zipes. Cinderella, Beauty and the Beast, Sleepy Beauty, Puss In Boots, Bluebeard, and Little Red Riding Hood are some of the classic fairy tales in this amazing book. There are many stories here by Charles Perrault, the most famous author of French conte de fees. Features a new introduction by editor Jack Zipes. Includes a generous number of exquisite illustrations from fairy tale collections."

All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks, Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves-a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music, and near communal rock bands such as Black Oak Arkansas.

Here are the stories of the Blackfoot tribe, a proud and fiercely independent people. These stories distill the wisdom of an ancient and wise race. "The most shameful chapter of American history is that in which is recorded the account of our dealings with the Indians. The story of our government's intercourse with this race is an unbroken narrative of injustice, fraud, and robbery. Our people have disregarded honesty and truth whenever they have come in contact with the Indian."

African American culture has a rich tradition of folktales. Written for students and general readers, this volume gathers a sampling of the most important African American folktales. Included are nearly 50 tales grouped in thematic chapters on origins; heroes, heroines, villains, and fools; society and conflict; and the supernatural. Each tale begins with an introductory headnote, and the book closes with a selected, general bibliography. Students learning about literature and language will gain a greater understanding of African American oral traditions, while social studies students will learn more about African American culture.

African American culture has long been recognized for its richness and breadth. Central to that tradition is a large body of folklore, which continues to figure prominently in literature, film, and popular culture. Written for students and general readers, this book conveniently gathers and comments on nearly 50 African American folktales. Included are fictional tales, legends, myths, and personal experience narratives. These exemplify the vast diversity of African American culture and language.

The tales are grouped in thematic sections on origins; heroes, heroines, villains, and fools; society and conflict; and the supernatural. Each tale is introduced by a brief headnote, and the volume closes with a selected, general bibliography. Students learning about literature and language will gain a greater understanding of African American oral traditions, while students of history will learn more about African American culture.

A wonderful collection of 11 of Hans Christian Andersen's most well-loved fairy tales illustrated by the charming colour plates and black and white line drawings of Anne Anderson. Stories Include: The Drop of Water; The Tinder Box; The Ugly Duckling; The Little Match-Girl; The Garden of Paradise; Little Tuk; The Little Mermaid; The Nightingale; The Marsh King's Daughter; Mother Elder; and The Daisy. Many of the earliest children's books, particularly those dating back to the 1850s and before, are now extremely scarce and increasingly expensive. Pook Press are working to republish these classic works in affordable, high quality, colour editions, using the original text and artwork so these works can delight another generation of children. About the Author: Hans Christian Andersen (1805-1875) was a Danish poet and author celebrated for his children's stories but perhaps best known for his immortal Fairy Tales meant for both adults and children and frequently written in a colloquial style to veil their sophisticated moral teachings. He broke new ground in terms of style and content by using idioms and constructions of spoken language in a way that had previously not been seen in Danish literature. His poetry and stories have been translated into over 150 languages, inspiring a wealth of films, plays and ballets. About the Illustrator: Anne Anderson (1874-c.1940) was a Scottish illustrator chiefly noted for her Art Nouveau children's book illustrations that display fluidity typical of the movement. Characteristic of her work are decorative and lightly drawn or painted illustrations of neatly dressed children, neatly dressed with pear-shaped faces. Anderson's work has been compared to that of Jessie M. King, a contemporary.

Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.