A new, feminist translation of Beowulf by the author of the acclaimed novel The Mere Wife. A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. This radical new verse translation of Beowulf by Maria Dahvana Headley brings to light elements that have never before been translated into English. The familiar elements of the epic poem are seen with a novelist's eye toward gender, genre, and history it has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries, transforming the binary narrative of monsters and heroes into a thrilling tale in which the two categories often entwine.

Many cultures, including Greeks, Romans, French, and British, have taken great pride in legends that recount the foundation of their society. This book demonstrates the contexts in which a medieval British matriarchal legend, the Albina narrative, was paired over time with a patriarchal narrative, which was already widely disseminated, leading to the attribution of British origins to the warrior Brutus. By the close of the Middle Ages, the Albina tale had appeared in multiple versions in French, Latin, English, Welsh, and Dutch. This study investigates the classical roots of the narrative and the ways it was manipulated in the Middle Ages to function as a national foundation legend. Of especial interest are the dynamic qualities of the text: how it was adapted over the span of two centuries to meet the changing needs of medieval writers and audiences. The currency in the Middle Ages of the Albina narrative is attested to by its inclusion in nearly all the extant manuscripts of the Middle English Prose Brut, many of the French and Latin Bruts, and in a variety of other chronicles and romances. In total, there are over 230 manuscripts surviving today that contain versions of the Albina tale. Despite this, however, relatively little modern scholarship has focused on this widely disseminated and adapted legend. This book provides the first-ever overview of the entire Albina tradition, from its roots to its eventual demise as a popularly accepted narrative. The Classical basis of the narrative in the Hypermnestra story and the ways it was manipulated in the medieval era to function as a national foundation legend are considered. Folkloric, biblical, and legal influences on the development of the tradition are addressed. The tale is viewed through a variety of lenses to suggest ways it may have functioned or was put to use in the Middle Ages. The study concludes with an overview of the narrative's demise in the Renaissance. This is a useful reference source for medievalists and other scholars interested in chronicle studies, literature, folklore, foundation narratives, manuscript studies, and historiography. It will also be useful to art historians who wish to study the various depictions of the Albina narrative in illuminated texts. The tale's emphasis on matriarchy and its subversion of the accepted societal norm will attract the interest of scholars in feminist studies. As the first analysis of the Albina tradition as a whole, it will be a valuable cornerstone for later studies.

Storytelling plays an important part in the vibrant cultural life of Zambia and in many other communities across Africa. This innovative book provides a collection and analysis of oral narrative traditions as practiced by five Bemba-speaking ethnic groups in Zambia. The integration of newly digitalised audio and video recordings into the text enables the reader to encounter the storytellers themselves and hear their narratives. Robert Cancel's thorough critical interpretation, combined with these newly digitalised audio and video materials, makes Storytelling in Northern Zambia a much needed addition to the slender corpus of African folklore studies that deal with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, reflexive description and simple documentation and succeeds in bringing to the reader a set of performers and their performances that are vivid, varied and instructive. He illustrates this living narrative tradition with a wide range of examples, and highlights the social status of narrators and the complex local identities that are at play. Cancel's study tells us not only about storytelling but sheds light on the study of oral literatures throughout Africa and beyond. Its innovative format, meanwhile, explores new directions in the integration of primary source material into scholarly texts. This book is the third volume in the World Oral Literature Series, developed in conjunction with the World Oral Literature Project.

This is a critical analysis of the Titanic as modern myth, focusing on the second of the two Titanics. The first was the physical Titanic, the rusting remains of which can still be found 12,000 feet below the north Atlantic. The second is the mythical Titanic which emerged just as its tangible predecessor slipped from view on 15 April 1912. It is the second of the two Titanics which remains the more interesting and which continues to carry cultural resonances today. The book begins with the launching of the "unsinkable ship" and ends with the outbreak of the "war to end all wars". It provides an insight into the particular culture of late Edwardian Britain and beyond this draws far greater conclusions about the complex relationship between myth, history, popular culture and society as a whole.

First published in 1964, Indaba, My Children is an internationally acclaimed collection of African folk tales that chart the story of African tribal life since the time of the Phoenicians. It is these stories that have shaped Africa as we know it.

AN EPIC BATTLE THAT LASTED TEN YEARS. A LEGENDARY STORY THAT HAS SURVIVED THOUSANDS. 'An inimitable retelling of the siege of Troy . . . Fry's narrative, artfully humorous and rich in detail, breathes life and contemporary relevance into these ancient tales' OBSERVER 'Stephen Fry has done it again. Well written and super storytelling' 5***** READER REVIEW ________ 'Troy. The most marvellous kingdom in all the world. The Jewel of the Aegean. Glittering Ilion, the city that rose and fell not once but twice . . .' When Helen, the beautiful Greek queen, is kidnapped by the Trojan prince Paris, the most legendary war of all time begins. Watch in awe as a thousand ships are launched against the great city of Troy. Feel the fury of the battleground as the Trojans stand resolutely against Greek might for an entire decade. And witness the epic climax - the wooden horse, delivered to the city of Troy in a masterclass of deception by the Greeks . . . In Stephen Fry's exceptional retelling of our greatest story, TROY will transport you to the depths of ancient Greece and beyond. ________ 'A fun romp through the world's greatest story. Fry's knowledge of the world - ancient and modern - bursts through' Daily Telegraph 'An excellent retelling . . . told with compassion and wit' 5***** Reader Review 'Hugely successful, graceful' The Times 'If you want to read about TROY, this book is a must over any other' 5***** Reader Review 'Fluent, crisp, nuanced, begins with a bang' The Times Literary Supplement 'The characters . . . are brilliantly brought to life' 5***** Reader Review PRAISE FOR STEPHEN FRY'S GREEK SERIES: 'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times 'A head-spinning marathon of legends' Guardian 'An Olympian feat. The gods seem to be smiling on Fry - his myths are definitely a hit' Evening Standard 'An odyssey through Greek mythology. Brilliant . . . all hail Stephen Fry' Daily Mail 'A rollicking good read' Independent

This is a charming and beautifully illustrated book, first published in 1893, covering all aspects of the weather including: Times and Seasons, Months, Days of the week, Winter birds and times of their arrival, Sun, Moon and Stars, Wind, Clouds, Mists, Haze, Dew, Fog, Sky, Air, Sound, Sea, Tide, Heat, Rain, Rainbow, Frost, Hail, Snow, Ice, Thunder and Lightning. Measuring instruments include: Barometer, Thermometer, Hygrometer, Telescope, Spectroscope. Animals include: Quadrupeds, Birds, Fish, Molluscs, Reptiles, Insects, Plants etc. This new edition has been completely redesigned and is fully illustrated with reproductions of woodcuts, photographs and drawings throughout.

The stories of Kaua'i's ruling chiefs were passed from generation to generation in songs and narratives recited by trained storytellers either formally at the high chief's court or informally at family gatherings. Their chronology was ordered by a ruler's genealogy, which, in the case of the pua ali'i (flower of royalty), was illustrious and far reaching and could be traced to one of the four great gods of Polynesia - Kane, Ku, Lono, and Kanaloa. In these legends, Hawaiians of old sought answers to the questions "Who are we?" "Who are our ancestors and where do they come from?" "What lessons can be learned from their conduct?" Na Pua Ali'i o Kaua'i presents the stories of the men and women who ruled the island of Kaua'i from its first settlement to the final rebellion against Kamehameha I's forces in 1824. Only fragments remain of the nearly two-thousand-year history of the people who inhabited Kaua'i before the coming of James Cook in 1778. Now scattered in public and private archives and libraries, these pieces of Hawai'i's precontact past were recorded in the nineteenth century by such determined individuals as David Malo, Samuel Kamakau, and Abraham Fornander. All known genealogical references to the Kaua'i ali'i nui (paramount chiefs) have been gathered here and placed in chronological order and are interspersed with legends of great voyages, bitter wars, courageous heroes, and passionate romances that together form a rich and invaluable resource.

A stunning YA romantasy inspired by Greek mythology by the acclaimed author of The Fandom duology. Twin sisters, Icari and Sephie, live in a world where magical gifts are bestowed on a chosen few, divided into three callings: healers, embalmers and alchemists. Icari is a born healer. Sephie is shocked when she's told she's an embalmer; especially since she already has alchemist powers. One person holding two powers is a crime punishable by death, so Sephie now carries a fatal secret. When winged demons steal Sephie to the underworld, only a pair of wings can bring Icari to save her twin. But can a gentle healer learn to fight - and fly? A thrilling YA fantasy adventure romance inspired by Greek mythology From the acclaimed author of The Fandom duology, Anna Day A tale of love, sisterhood, magic and the triumph of life and truth over death Set in a gorgeous desert world of Oases and citadels PRAISE FOR THE FANDOM: 'I couldn't put it down' MELINDA SALISBURY 'I cannot recommend The Fandom highly enough' LOUISE O'NEILL 'I devoured The Fandom in one sitting' KIRAN MILLWOOD HARGRAVE '[A] glorious epic ode to fan culture ... For fans of Fangirl and Caraval.' BUZZFEED

This is a charming and beautifully illustrated book, first published in 1893, covering all aspects of the weather including: Times and Seasons, Months, Days of the week, Winter birds and times of their arrival, Sun, Moon and Stars, Wind, Clouds, Mists, Haze, Dew, Fog, Sky, Air, Sound, Sea, Tide, Heat, Rain, Rainbow, Frost, Hail, Snow, Ice, Thunder and Lightning. Measuring instruments include: Barometer, Thermometer, Hygrometer, Telescope, Spectroscope. Animals include: Quadrupeds, Birds, Fish, Molluscs, Reptiles, Insects, Plants etc. This new edition has been completely redesigned and is fully illustrated with reproductions of woodcuts, photographs and drawings throughout.

This book contains a total of 14,400 squares of order 5 and 3,250 squares of order 4 (17,650 in total) which all have the peculiar property of each row, column and diagonal summing to the number 260. Now instead of thinking of these squares as recreational tools I would invite the investor to use this book in the same way as an astronomer and geometer would use tables of logarithms. That is; as a reference of tables from which to quickly solve and identify the motions (vibration) of prices.

A resource guide by and about elders and the process of aging, this volume provides a list of over 1,500 references, all annotated, covering a wide range of subject areas. It is organized under such topics as "Customs and Beliefs," "Narratives," "Traditional Arts," "Health and Healing," and "Applied Folklore," and is further divided into regional and topical subheadings. It also features works on methods and concepts in field research in folklore, oral history, and community studies, a chapter on general works from other fields of interest, as well as a chapter on films. The introduction offers not only a description of the nature and role of elders as creators and carriers of culture, but also a challenge to readers--reflected in the broad range of materials cited--defying both narrow conceptions of aging and the aged, and limited notions about the full scope of expressive culture addressed by folklore studies.

Based on a series of lectures delivered by Rudolf Steiner in Paris, 1906 and transcribed by Eduard Schure, An Esoteric Cosmology is a concise but powerful book and essential reading for students of Steiner. A wide variety of topics are covered, including Intellect, the Mission of Christianity, Manicheism, God, Man and Nature, Involution and Evolution, History of Yoga, The Gospel of St. John, Christian Mysticism, The Astral World, The Devachanic World (Heaven), Dreams, The Evolution of Planets and Earth, Earthquakes, Volcanoes and Human Will, Redemption and Liberation and the Apocalypse.

The amphibious cult classic: a magical tale of a suburban housewife's affair with a frogman ... 'Disturbing but seductive ... Wonderful.' Margaret Atwood 'Perfect.' Max Porter 'Still outpaces, out-weirds, and out-romances anything today.' Marlon James 'A feminist masterpiece: tender, erotic, singular.' Carmen Maria Machado ''Genius ... A broadcast from a stranger and more dazzling dimension.' Patricia Lockwood 'Kind of weird and cool. ' Irvine Welsh 'Genius ... Like Revolutionary Road written by Franz Kafka ... Exquisite.' The Times 'Incredibly liberates readers from the awfulness of convention to a state where weirdness and otherness are beautiful.' Sarah Hall 'A devastating fable of mythic proportions ... Wondrously peculiar.' Irenosen Okojie (foreword) Dorothy is a grieving housewife in the Californian suburbs; her husband is unfaithful, but they are too unhappy to get a divorce. One day, she is doing chores when she hears strange voices on the radio announcing that a green-skinned sea monster has escaped from the Institute for Oceanographic Research - but little does she expect him to arrive in her kitchen. Muscular, vegetarian, sexually magnetic, Larry the frogman is a revelation - and their passionate affair takes them on a journey beyond their wildest dreams ... Rachel Ingalls's Mrs Caliban is a bittersweet fable, a subversive fairy tale, as magical today as it was four decades ago 'A miracle . A perfect novel.' New Yorker 'Every one of its 125 pages is perfect ... Clear a Saturday, please, and read it in a single sitting.' Harper's What Readers Are Saying: 'Maybe the most gorgeous, lyrical book ever written'***** 'A fantastic wee novel, strange and brilliant, and absolutely the inspiration for The Shape of Water.'***** 'Wonderful, sharp minimal prose offers big truths. Superb - brilliant, in fact.'***** 'Absolutely incredible. It's weird, funny, and heartbreaking, like a Richard Yates novel except with lizardman sex.'***** 'One of the best tongue-in-cheek social satires that I've ever read. It delves into gender politics. It takes a long, hard look at mental health. It addresses female sexual freedom and agency. It asks the reader to examine what it means to be human ... Genius.'***** 'Really brilliant: a deconstruction of suburbia by way of monster movies that examines sad realities with hilarious verve ... Sometimes you need a sexy frog person to break you out of the ties that bind. '***** 'Hooked me so deeply I picked it up and finished it the same night ... Beautiful ... Will stay with me.'***** 'What the hell just happened?'*****

Only one of the world's mythologies has remained essentially unrecognized-the mythology of Judaism. As Howard Schwartz reveals in Tree of Souls, the first anthology of Jewish mythology in English, this mythical tradition is as rich and as fascinating as any in the world. Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adam's diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eve's release of evil into the world with Pandora's). For ease of use, Schwartz divides the volume into ten books: Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah. Schwartz, a renowned collector and teller of traditional Jewish tales, now illuminates the previously unexplored territory of Jewish mythology. This pioneering anthology is essential for anyone interested in the Hebrew Bible, Jewish faith and culture, and world mythology.

Greenbaum examines the use of use of myth as a means of social control and examines the corporate mythology of the Gilded Age. Progressive politicians led the opposition to these myths, arguing that government was not to be used to enrich corporations, but to reduce their economic and political power and to increase equity. The progressive challenge redirected government to serve the larger commonwealth and, thus, transformed ordinary lives. Gilded Age mythology, resurrected in the 1980s, restored corporate domination and economic inequity.

Through his extensive analysis of the lives of six prominent Progressives, Greenbaum seeks to contravene contemporary mythology. He begins with George Norris of Nebraska, a Republican Congressman and Senator from 1906 until 1942; William E. Borah, Republican of Idaho, who served in the Senate from 1906 until his death in 1940; and Hiram Johnson, who was Republican Governor of California, Progressive Vice Presidential candidate in 1912, and Senator from 1916 until his demise in 1945. These chapters are followed by an examination of William Gibbs McAdoo, a New York business promoter, who was Wilson's Secretary of the Treasury, the leading candidate for the 1924 Democratic Presidential nomination, and Senator from California from 1932 until 1938; Bainbridge Colby, a New York legislator, who supported Theodore Roosevelt in 1912 and was Wilson's last Secretary of State; and Edward P. Costigan, Colorado Republican, who became the Progressive appointee to the Tariff Commission and Democratic Senator from 1930 through 1936. The volume concludes with an analysis of the progressive impulse and contrasts progressive views with resurrected Gilded Age mythology, the new ideas of the 1980s. An important study for scholars, students, and other researchers interested in progressivism and the role of government in American socioeconomic life and intelligent readers interested in ideas.

Charles MacKay's groundbreaking examination of a staggering variety of popular delusions, crazes and mass follies is presented here in full with no abridgements. The text concentrates on a wide variety of phenomena which had occurred over the centuries prior to this book's publication in 1841. Mackay begins by examining economic bubbles, such as the infamous Tulipomania, wherein Dutch tulips rocketed in value amid claims they could be substituted for actual currency. As we progress further, the scope of the book broadens into several more exotic fields of mass self-deception. Mackay turns his attention to the witch hunts of the 17th and 18th centuries, the practice of alchemy, the phenomena of haunted houses, the vast and varied practices of fortune telling and the search for the philosopher's stone, to name but a handful of subjects. Today, Extraordinary Popular Delusions and The Madness of Crowds is distinguished as an expansive, well-researched and somewhat eccentric work of social history.