Come nose around in the creepier corners of the Grand Rapids of yesteryear. Discover why Hell's Bridge persists as such an oft-told urban legend and what horrific history earned Heritage Hill the title of Michigan's most haunted neighborhood. Mingle with the spooky inhabitants of the Phillips Mansion, Holmdene Manor, San Chez Restaurant and St. Cecilia Music Center. Meet the guests who never quite checked out of the Amway Grand. Read the true stories behind the Michigan Bell Building and the Ada Witch Legend. Nicole Bray, Robert Du Shane and Julie Rathsack illuminate the shadows of local sites you thought you knew.

This unique and fascinating volume features every type of deity from every culture in all regions of the world, from prehistory to the present. Guide to the Gods features the familiar gods and goddesses of the ancient Near East, as well as those of Asia, Africa, Europe, and the Americas: deities associated with creation, with the heavens, with the earth, with the weather, and with nearly every aspect of human life-from love, sex, marriage, and economic endeavors to prophecy, ritual, magic, and healing. The deities are categorized by function and attribute, and entries are alphabetized within each category. Every entry includes at least one citation to a printed primary or secondary source. Guide to the Gods represents a major contribution to the fields of anthropology, religious studies, and folklore. Students, scholars, researchers, and writers will find it an invaluable research tool. This work is an entertaining and important reference source that will be a necessary addition to public, academic, and school library collections. A-Z entries in each category that include at least one citation to a printed primary or secondary source

A pioneer in the strange art and ambiguous science of zophagy-that is, of studying animals by eating them-British natural historian FRANCIS TREVELYAN BUCKLAND (1826-1880) was a wildly popular speaker and writer of the Victorian era. In his classic four-volume Curiosities of Natural History, published between 1857 and 1872, he shared his love of creatures exotic and mysterious with readers who devoured his charming and erudite essays much in the same way he devoured his animal subjects. If there is one person that I would have expected to have captured a sea serpent in the 19th century for the sole purpose of eating it, it would be Frank Buckland, writes cryptozoologist Loren Coleman in his new introduction to Buckland's series. One of the founding grandfathers of cryptozoology, the discipline that investigates animal mysteries, Buckland was not a wild-eyed 'true believer' in anything strange, insists Coleman, but brought, instead, a skeptical, open-minded approach to his work. Indeed, here, in the first series of Curiosities of Natural History, Buckland's erudition is clear in his animated discussions of, among many other things, the stupidity of newts, French sailors eating rats, skinning a boa constrictor, how a fish might drown, and the cunning of monkeys. This new edition, a replica of the original 1858 third edition, is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot : The True Story of Apes in America and Mothman and Other Curious Encounters.

A new, feminist translation of Beowulf by the author of the acclaimed novel The Mere Wife. A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. This radical new verse translation of Beowulf by Maria Dahvana Headley brings to light elements that have never before been translated into English. The familiar elements of the epic poem are seen with a novelist's eye toward gender, genre, and history it has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries, transforming the binary narrative of monsters and heroes into a thrilling tale in which the two categories often entwine.

In "The Story-Time of the British Empire," author Sadhana Naithani examines folklore collections compiled by British colonial administrators, military men, missionaries, and women in the British colonies of Africa, Asia, and Australia between 1860 and 1950. Much of this work was accomplished in the context of colonial relations and done by non-folklorists, yet these oral narratives and poetic expressions of non-Europeans were transcribed, translated, published, and discussed internationally. Naithani analyzes the role of folklore scholarship in the construction of colonial cultural politics as well as in the conception of international folklore studies.

Since most folklore scholarship and cultural history focuses exclusively on specific nations, there is little study of cross-cultural phenomena about empire and/or postcoloniality. Naithani argues that connecting cultural histories, especially in relation to previously colonized countries, is essential to understanding those countries' folklore, as these folk traditions result from both internal and European influence. The author also makes clear the role folklore and its study played in shaping intercultural perceptions that continue to exist in the academic and popular realms today. "The Story-Time of the British Empire" is a bold argument for a twenty-first-century vision of folklore studies that is international in scope and that understands folklore as a transnational entity.

In the second haft of the nineteenth century, Jewish nationalism developed in Europe. One vital form of this nationalism that took root at the beginning of the twentieth century in Eastern Europe was the Yiddishist movement, which held that the Yiddish language and culture should be at the center of any Jewish nationalist efforts. As with most European concepts of folklore, the romantic-nationalist ideas of J. G. Herder on the volk were crucial in the formulation of the study and collection of Yiddish folklore.

Herder's volk, however, denoted the peasantry, whereas Polish Jewry were an urban population. This difference determined the focus and pioneering work that this group of collectors accomplished. Defining the Yiddish Nation examines how these folklorists sought to connect their identity with the Jewish past but simultaneously develop Yiddishism, a movement whose eventual outcome would be an autonomous Jewish national culture and a break with the biblical past.

Itzik Nakhmen Gottesman analyzes the evolution of Yiddish folklore and its role in the creation of Yiddish nationalism in Poland between the two world wars. Gottesman studies three important folklore circles in Poland: the Warsaw group led by Noyekh Prilutski, the S. Ansky Vilne Jewish Historic-Ethnographic Society, and the Ethnographic Commission d the Yivo Institute in Vilne.

This book is much more than a study of the evolution of one particular folklore tradition, it is a look into the formation of a nationalist movement. Defining the Yiddish Nation will prove invaluable for scholars of Jewish studies and Yiddish folklore.

From Ritual to Romance is a 1920 landmark study of anthropology and folklore that examines the roots of the King Arthur-Holy Grail legends. Jessie Weston's revolutionary theory holds that most elements of the Grail story are actually the remnants of incredibly old fertility rites -- with the lance and the cup serving as sexual symbols.Drawing on James George Frazer's seminal works on folklore, magic, and religion, Weston seeks to make connections between the legend's early pagan elements and its later Christian influences, uniting the quest for fertility with the striving for mystical oneness with God. T.S. Elliot cited this work as a major influence for his famous epic poem, "The Waste Land." JESSIE LAIDLAY WESTON (1850-1928) was an independent scholar and folklorist who specialized in mediaeval Arthurian texts.

An important reintroduction to this literature, this compilation of Thomas Crane's original translations of Italian folk stories includes new critical analysis. For 19th-century folklorist Thomas Crane, the value of collecting, translating, and reproducing folktales lay in their "internationalism"-their capacity to reveal how the customs of a particular group, no matter how unique, are linked to many others. In his classic collection, edited and updated by contemporary folklorist Jack Zipes, Crane traces the roots of Italian folktales to their origins, often in the Orient, then shows how they diffused in unpredictable and marvelous ways throughout Italy and over the centuries. A contemporary of the brothers Grimm, Crane offers a richer, more complex selection of oral and literary tales. Unlike the Grimms, he doesn't edit or modify the tales, which deal openly with surprisingly contemporary subjects: murder, adultery, incest, child abuse, and brutal vengeance. The first English translations of Italian folktales, now available after more than a century of neglect Critical analysis and notes by the original editor, 19th-century folklorist Thomas Crane

The magical bestseller: a classic story to read again and again Winner of the Waterstones Children's Book Prize Winner of the British Book Awards Children's Book of the Year Shortlisted for the Branford Boase Award Shortlisted for the Jhalak Prize Beautiful, thrilling and magical, Sunday Times bestselling-author Kiran Millwood Hargrave's debut novel has all the makings of a modern classic. 'Absolutely loved it from start to finish' TOM FLETCHER 'I read it, I loved it' MALORIE BLACKMAN 'Kiran Millwood Hargrave creates a spellbinding world of magic, myth and adventure' EMMA CARROLL Forbidden to leave her island, Isabella dreams of the faraway lands her cartographer father once mapped. When her friend disappears, she volunteers to guide the search. The world beyond the walls is a monster-filled wasteland - and beneath the dry rivers and smoking mountains, a fire demon is stirring from its sleep. Soon, following her map, her heart and an ancient myth, Isabella discovers the true end of her journey: to save the island itself. A beautifully written, multi award-winning story of friendship, discovery, myths and magic for any age - perfect for fans of Philip Pullman, Frances Hardinge or Katherine Rundell From the author of Julia and the Shark and The Mercies, chosen for the Richard & Judy Book Club Set in an extensive and stunningly-imagined parallel world imbued with magical realism A gorgeous gift for readers young and old - will stay with you long after reading