Scheherazade's Children gathers together leading scholars to
explore the reverberations of the tales of the Arabian Nights
across a startlingly wide and transnational range of cultural
endeavors. The contributors, drawn from a wide array of
disciplines, extend their inquiries into the book's metamorphoses
on stage and screen as well as in literature--from India to Japan,
from Sanskrit mythology to British pantomime, from Baroque opera to
puppet shows. Their highly original research illuminates
little-known manifestations of the Nights, and provides unexpected
contexts for understanding the book's complex history. Polemical
issues are thereby given unprecedented and enlightening
interpretations.
Organized under the rubrics of Translating, Engaging, and
Staging, these essays view the Nights corpus as a uniquely
accretive cultural bundle that absorbs the works upon which it has
exerted influence. In this view, the Arabian Nights is a dynamic,
living and breathing cross-cultural phenomenon that has left its
mark on fields as disparate as the European novel and early Indian
cinema. While scholarly, the writers' approach is also lively and
entertaining, and the book is richly illustrated with unusual
materials to deliver a sparkling and highly original exploration of
the Arabian Nights' radiating influence on world literature,
performance, and culture.
Philip F. Kennedy is Associate Professor of Middle Eastern and
Islamic Studies and Comparative Literature at New York University,
and General Editor of the Library of Arabic Literature series at
NYU Press.
Marina Warner is Professor of Literature, Film, and Theatre
Studies at the University of Essex and Fellow of the British
Academy. Her most recent book, Stranger Magic: Charmed States and
the Arabian Nights, has won several awards, including the 2012
National Book Critics Circle Award for Criticism and the Shaykh
Zayed Book Award.
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