Al-Minhaj Al-Sawi is a milestone work, the first work of its kind for many centuries. It is a compendium of Prophetic Hadiths, categorised under a number of headings and compiled with clear relevance to the lives and situation of Muslims in the modern age. The work is authenticated by a rigorous and detailed process of Takhreej - referencing each hadith to its sources - from a study of over 300 authentic works of hadith. This work will be useful for academics in many relevant fields, whether researching the basis of orthodox Sunni belief and practice, or examining the contemporary Muslim response to religious extremism. It is split into 2 volumes: Prophetic Virtues and Miracles and Righteous Character and Social Interactions. The first part Prophetic Virtues and Miracles will prove invaluable to readers who wish to understand, in the light of the most authenticated and sourced classical Islamic materials, the responsibilities of Muslims in modern age, and the rights of others, and will provide clarity in relation to the Prophet Muhammad's virtues and life, his methods of worship and spiritual practice and other aspects of his Sunnah.

This book examines the role of tradition and discursive knowledge transmission on the formation of the 'ulama', the learned scholarly class in Islam, and their approach to the articulation of the Islamic disciplines. This book argues that a useful framework for evaluating the intellectual contributions of post-classical scholars such as Ahmad ibn Muhammad al-Dardir involves preserving, upholding, and maintaining the Islamic tradition, including the intellectual "sub-traditions" that came to define it.

A Boundless Tale of Love. Replenishing the Sea of Galilee is a sweeping story of love, loss and the power of loyalty in the face of conflicting ideologies and religious beliefs. The story begins in 1940s Palestine where twins Rasheed and Rasheeda Dinar work in their family inns. Educated by a Jesuit priest about the essence of his own Muslim religion, relative to love and sex, Rasheed follows closely the teachings of his mentor and includes Rasheeda, so that she learns those teachings as well. When Rasheed falls in love with Natalia, a Jewish woman, he is able to apply what he learned from the priest to his budding relationship. However, it is the 1940s, and relations between Arabs and Jews are tense. Before long, those tensions come to a breaking point. Natalia mysteriously disappears, and Rasheed and Rasheeda are chased out of Palestine to Beirut, Lebanon. Years pass, and though Rasheed continues to miss his beloved Natalia, he gets word of a surprising visitor-someone he didn't even know existed. Rasheed's life is upended, but in the most wonderful way. As the Dinar family expands and enters the 1970s, their convictions are tested. In a dramatic final scene, the family reunites and proves once again that the thin line separating people because of their differences is powerless against the strength of family, love, and loyalty.

A Feminist Mythology takes us on a poetic journey through the canonical myths of femininity, testing them from the point of view of our modern condition. A myth is not an object, but rather a process, one that Chiara Bottici practises by exploring different variants of the myth of "womanhood" through first- and third-person prose and poetry. We follow a series of myths that morph into each other, disclosing ways of being woman that question inherited patriarchal orders. In this metamorphic world, story-telling is not just a mix of narrative, philosophical dialogues and metaphysical theorizing: it is a current that traverses all of them by overflowing the boundaries it encounters. In doing so, A Feminist Mythology proposes an alternative writing style that recovers ancient philosophical and literary traditions from the pre-Socratic philosophers and Ovid's Metamorphoses to the philosophical novellas and feminist experimental writings of the last century.