Selected by "Choice" magazine as an Outstanding Academic Book for 2001The highly-acclaimed first edition of this book chronicled the rise and fall of witchcraft in Europe between the twelfth and the end of the seventeenth centuries. Now greatly expanded, the classic anthology of contemporary texts reexamines the phenomenon of witchcraft, taking into account the remarkable scholarship since the book's publication almost thirty years ago.Spanning the period from 400 to 1700, the second edition of "Witchcraft in Europe" assembles nearly twice as many primary documents as the first, many newly translated, along with new illustrations that trace the development of witch-beliefs from late Mediterranean antiquity through the Enlightenment. Trial records, inquisitors' reports, eyewitness statements, and witches' confessions, along with striking contemporary illustrations depicting the career of the Devil and his works, testify to the hundreds of years of terror that enslaved an entire continent.Thomas Aquinas, Martin Luther, Thomas Hobbes, and other thinkers are quoted at length in order to determine the intellectual, perceptual, and legal processes by which "folklore" was transformed into systematic demonology and persecution. Together with explanatory notes, introductory essays--which have been revised to reflect current research--and a new bibliography, the documents gathered in "Witchcraft in Europe" vividly illumine the dark side of the European mind.

"Sociologist Victor began his involvement with satanic-cult phenomena by investigating a local panic centered in southwestern New York state. After an introductory section, his book begins with a description of this research, then proceeds with an excellent general review of recent fear about satanic cults in the U.S. He concludes that there is no evidence for the actual existence of organized satanic cults." -- Choice

Often regarded as an artistic movement of interwar Paris, Surrealism comprised an international community of artists, writers, and intellectuals who have aspired to change the conditions of life itself over the course of the past century. Consisting of a wide range of dedicated case studies from the 1920s to the 1970s, this book highlights the international dimensions of the Surrealist Movement, and the radical chains of thought that linked its followers across the globe: from France to Romania, and from Canada to the former Czechoslovakia. From very early on, the surrealists approached magic as a means of bypassing, discrediting, and combatting rationalism, capitalism, and other institutionalized systems and values that they saw to be constraining influences upon modern life. Surrealist Sorcery maps out how this interest in magic developed into a major area of surrealist research that led not only to theoretical but also practical explorations of the subject. Taking an international perspective, Atkin surveys this important quality of the movement and how it's remained an important element in the surrealist project and its ongoing legacy.

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake (""the devil's music""), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as ""the crossroads"" in 1999, claiming Johnson and the devil as their own.

'A wonderful book by a fabulous author, very highly recommended.' Louise DouglasA tale as old as time. A spirit that has never rested.Present day As a love affair comes to an end, and with it her dreams for her future, artist Selena needs a retreat. The picture-postcard Sloe Cottage in the Somerset village of Ashcombe promises to be the perfect place to forget her problems, and Selena settles into her new home as spring arrives. But it isn't long before Selena hears the past whispering to her. Sloe Cottage is keeping secrets which refuse to stay hidden. 1682 Grace Cotter longs for nothing more than a husband and family of her own. Content enough with her work on the farm, looking after her father, and learning the secrets of her grandmother Bett's healing hands, nevertheless Grace still hopes for love. But these are dangerous times for dreamers, and rumours and gossip can be deadly. One mis-move and Grace's fate looks set... Separated by three hundred years, two women are drawn together by a home bathed in blood and magic. Grace Cotter's spirit needs to rest, and only Selena can help her now. USA Today bestselling author Judy Leigh writing as Elena Collins, brings you this unforgettable, heart-breaking, gripping timeslip novel set in a world when women were hung as witches, and fates could be sealed by a wrong word. Perfect for fans of Barbara Erskine, Diana Gabaldon and Louise Douglas. Praise for Elena Collins: 'A profoundly moving, beautifully written and emotional story that skilfully combines two time frames into one unputdownable book. I was completely immersed in Grace's story from the beginning: despite it taking place 400 years ago. The modern day storyline was also delightful with some wonderful characters. In short a wonderful book by a fabulous author, very highly recommended.' Louise Douglas

While the evolution of contemporary Witchcraft has produced many powerful variations, traditional Wicca can offer unique experiences for spiritual seekers. This book explores structured, coven-based styles of Wicca, in which the practitioners typically trace initiatory lineages back to Wicca s early founders. Exploring covens, initiations, lineages, practices, ethics, and more, Traditional Wicca shares tips and ideas on how to get the most from this profound approach to Witchcraft. Discover how to recognize healthy, reputable covens. Learn how to navigate the process of asking for training and succeeding in an outer court. This book also includes contributions from several practitioners, providing first-person perspectives on what it s like to be on the traditional Wiccan path.

They flew through the air, consorted with animals, and made pacts with the devil. Witches were as unquestioned as alchemy or astrology in medieval England; yet it wasn't until the midsixteenth century that laws were passed against them. Now a leading historian of crime and society in early modern England offers the first scholarly overview of witchcraft in that country in over eighty years, examining how tensions between church, state, and society produced widespread distrust among fearful people.
"Instruments of Darkness" takes readers back to a time when witchcraft was accepted as reality at all levels of society. James Sharpe draws on legal records and other sources to reveal the interplay between witchcraft beliefs in different partts in the social hierarchy. Along the way, he offers disturbing accounts of witch-hunts, such as the East Anglian trials of 1645-47 that sent more than 100 people to the gallows. He tells how poor, elderly women were most often accused of witchcraft and challenges feminist claims that witch-hunts represented male persecution by showing that many accusers were themselves women.
Prosecution of witches gradually declined with increasing skepticism among jurists, new religious attitudes, and scientific advances that explained away magic. But for two hundred years, thousands participated in one of history's most notorious persecutions. "Instruments of Darkness" is a fascinating case study that deepens our understanding of this age-old cultural phenomenon and sheds new light on one society in which it occurred.

There are a lot of things in the universe that we don't understand. When something is meant to happen, it will whether you cast a spell or not. But you can help it on its way by guiding and encouraging it and maybe even tweaking events a little too. A spell can be worked in many ways, from a simple pointing of the finger to a complicated ritual involving lots of herbs and crystals and, of course, any variation in between. What will happen for sure is the boost of confidence and happy buzz you will receive as you cast the spell, as well as the positive vibe you get from putting something into action. Kitchen Witchcraft: Spells & Charms is a the first in a series of books which delves into the world of the Kitchen Witch. Each book breaks down the whys and wherefores of the subject and includes practical guides and exercises. Other titles include Garden Magic, Altars & Rituals and The Elements.

The Italian folklore tradition is one of the most ancient unbroken chains of wisdom on earth. Discover the previously unwritten secrets of an Italian American family's magical tradition passed down from generation to generation. This spellbook provides easy, step-by-step introductions to the basics of authentic Italian American magical practice. Discover how to: Run a magical household, including creating a family altar and connecting with your ancestors Enhance your wellbeing for self and family through Buona Fortuna Perform transformative candle magic Diagnose, cure and ward away malocchio Learn time-tested health remedies from relieving symptoms of viruses to maintaining healthy skin and sleep routines Develop your most important magical tool - your mind Master divination through cartomancy, dreams, pendulums and more With Tarot and folk Italian magic expert Dee Norman as your guide, build your magical toolkit and discover one of humanity's longest-lasting traditions for good fortune, a happy home and self-care.

Investigation of literary and archaeological evidence in search of pagan sources for the Arthurian legend. `Darrah makes the valid point that episodes in the Arthurian romances read like motifs from the ancient mythologies...[he] reconstructs a lost British paganism, grounded in the rivers, hills and woods, and especially those grey monoliths...reminders of a cosmology vanished from this island. NIKOLAI TOLSTOY, DAILY TELEGRAPH `Contends, with a good deal of evidence, that the impact of pre-Christian Welsh, Irish, Scottish, Cornish and Breton religion is greater than has been previously thought... Extensively researched and well written.' CHOICE The origins of Arthurian romance will always be a hotly disputed subject. The great moments of the legends belong partly to dimly-remembered history, partly to the poets' imagination down the ages, yet there is another strand to the stories which goes back deeper and further: the traces of ancient pagan religion, found both in Arthurian heroes who have inherited the attributes of gods, and in episodes which reflect ancient religious rituals. Darrah's careful study of the thematic relationships of, particularly, the more obscure episodes of the romances and his identification of the relative geography of Arthurian Britain as portrayed in the romances will be valuable even to those who differ with his conclusions. His most original contribution to an unravelling of a pagan Arthurian past lies in his appropriation of the fascinating evidence of standing stones and pagan cultic sites. This is dark and difficult territory, but building on elusive clues, and tracing a range of sites, especially in south-west Britain, John Darrah hasadded a significant new dimension to the search for the sources of the legends of Arthur and his court. JOHN DARRAH has also written The Real Camelot.

This book reflects on Western humanity's efforts to escape from history and its terrors--from the existential condition and natural disasters to the endless succession of wars and other man-made catastrophes. Drawing on historical episodes ranging from antiquity to the recent past, and combining them with literary examples and personal reflections, Teofilo Ruiz explores the embrace of religious experiences, the pursuit of worldly success and pleasures, and the quest for beauty and knowledge as three primary responses to the individual and collective nightmares of history. The result is a profound meditation on how men and women in Western society sought (and still seek) to make meaning of the world and its disturbing history.

In chapters that range widely across Western history and culture, "The Terror of History" takes up religion, the material world, and the world of art and knowledge. "Religion and the World to Come" examines orthodox and heterodox forms of spirituality, apocalyptic movements, mysticism, supernatural beliefs, and many forms of esotericism, including magic, alchemy, astrology, and witchcraft. "The World of Matter and the Senses" considers material riches, festivals and carnivals, sports, sex, and utopian communities. Finally, "The Lure of Beauty and Knowledge" looks at cultural productions of all sorts, from art to scholarship.

Combining astonishing historical breadth with a personal and accessible narrative style, "The Terror of History" is a moving testimony to the incredibly diverse ways humans have sought to cope with their frightening history.

Timothy d'Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious. For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success--thus new editions of Crowley's writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions. Timothy d'Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on: *Oxford's demonologist Montague Summers; *R A Caton and his Fortune Press; *Sexual prophet Ralph Chubb; *Florence Farr; *The British Library Private Case; *and Timothy d'Arch Smith. *For this new edition, he also adds an extra chapter on Crowley. ''...one could hardly wish for a more stimulating guide...'' -The London Magazine ''One of the more immediately striking things about the book is its gentle humour.'' - Time Out

Based on twenty-seven years of original archival research, including the discovery of previously unknown documents, this day-by-day narrative of the hysteria that swept through Salem Village in 1692 and 1693 reveals new connections behind the events, and shows how rapidly a community can descend into bloodthirsty madness. Roach opens her work with chapters on the history of the Puritan colonies of New England, and explains how these people regarded the metaphysical and the supernatural. The account of the days from January 1692 to March 1693 keeps in order the large cast of characters, places events in their correct contexts, and occasionally contradicts earlier assumptions about the gruesome events. The last chapter discusses the remarkable impact of the events, pointing out how the 300th anniversary of the trials made headlines in Japan and Australia.

A multidisciplinary, peer-reviewed print publication, covering all areas of magic, witchcraft, paganism etc; all geographical regions and all historical periods. Issue 3: Hannah Sanders - Buffy and Beyond: Language and Resistance in Contemporary Teenage Witchcraft / Amy Lee - A Language of Her Own: Witchery as a New Language of Female Identity/ Dave Green - Creative Revolution: Bergsonisms and Modern Magic / Mary Hayes - Discovering the Witch's Teat: Magical Practices, Medical Superstitions in The Witch of Edmonton / Penny Lowery - The Re-enchantment of the Medical: An examination of magical elements in healing. / Jonathan Marshall - Apparitions, Ghosts, Fairies, Demons and Wild Events: Virtuality in Early Modern Britain / Kate Laity - Living the Mystery: Sacred Drama Today / Research Articles: David Geall - 'A half-choked meep of cosmic fear' Is there esoteric symbolism in H.P.Lovecraft's The Dream-Quest of Unknown Kadath? / Susan Gorman - Becoming a Sorcerer: Jean-Pierre Bekolo's Quartier Mozart and the Magic of Deleuzian and Guattarian Becoming / Book Reviews

Naqada is a sleepy little town in Upper Egypt, that gives its name to a crucial period in the prehistory of Egypt. In 1895, William Matthew Flinders Petrie, the 'father' of Egyptian archaeology, stumbled upon a necropolis, belonging to a very ancient city of several thousand inhabitants. With Petrie's usual luck, he'd made yet another archaeological find of seismic proportions -- not just an ancient city a quarter the size of Ur in Mesopotamia, a rare enough find, but the capital of the earliest state established in Egypt! Petrie's fateful walk through the desert led him to a lost city, known to the Greeks as Ombos, the Citadel of Seth. Seth, the Hidden God, once ruled in this ancient place before it was abandoned to the sands of the desert. All this forbidden knowledge was quickly reburied in academic libraries, where its stunning magical secrets had lain, largely unrevealed, for more than a century -- until now.

Steiner immerses the reader in the evolving stream of 11 mystics who appeared in central Europe between the 13th and 17th centuries, who resolved the conflict between their inner perceptions and beginnings of modern science.

This is the second, and extensively revised, edition of the first full-scale scholarly study of what is arguably the only fully-formed religion that England has ever given the world: that of modern pagan witchcraft, which has now spread from English shores across four continents. Ronald Hutton examines the nature of that religion and its development, and offers a history of attitudes to witchcraft, paganism and magic in British society since 1800. Its pages reveal village cunning folk, Victorian ritual magicians, classicists and archaeologists, leaders of woodcraft and scouting movements, Freemasons, and members of rural secret societies. We also find some of the leading figures of English literature, from the Romantic poets to W. B. Yeats, D. H. Lawrence and Robert Graves, as well as the main personalities who have represented pagan witchcraft to the public world since 1950. Thriller writers like Dennis Wheatley, and films and television programmes, get similar coverage, as does tabloid journalism. The material is by its very nature often sensational, and care is taken throughout to distinguish fact from fantasy, in a manner not hitherto applied to most of the stories involved. Consistently densely researched, Triumph of the Moon presents an authoritative insight into an aspect of modern cultural history which has attracted sensational publicity but has hitherto been little understood. This edition incorporates all of the new research carried out into the subject by the author, and by others who have often been inspired by this book, during the twenty years since it was first published.

This volume makes available for the first time in English translation over a thousand texts written between the fifth century BC, and the fifth century AD, of curses inscribed on stone tablets from North Africa, to England, and Syria to Spain. A substantial introduction supplies the full cultural, social and historical context to the ancient Graeco-Roman practice of cursing enemies and rivals by writing an incantation on a tablet and dedicating it to a god or spirit. The selected translations, arranged thematically, are fully annotated and accompanied by extensive commentary.

What do the occult sciences, seances with the souls of the dead, and appeals to saintly powers have to do with rationality? Since the late nineteenth century, modernizing intellectuals, religious leaders, and statesmen in Iran have attempted to curtail many such practices as "superstitious," instead encouraging the development of rational religious sensibilities and dispositions. However, far from diminishing the diverse methods through which Iranians engage with the immaterial realm, these rationalizing processes have multiplied the possibilities for metaphysical experimentation. The Iranian Metaphysicals examines these experiments and their transformations over the past century. Drawing on years of ethnographic and archival research, Alireza Doostdar shows that metaphysical experimentation lies at the center of some of the most influential intellectual and religious movements in modern Iran. These forms of exploration have not only produced a plurality of rational orientations toward metaphysical phenomena but have also fundamentally shaped what is understood as orthodox Shi'i Islam, including the forms of Islamic rationality at the heart of projects for building and sustaining an Islamic Republic. Delving into frequently neglected aspects of Iranian spirituality, politics, and intellectual inquiry, The Iranian Metaphysicals challenges widely held assumptions about Islam, rationality, and the relationship between science and religion.

Kimberly B. Stratton investigates the cultural and ideological motivations behind early imaginings of the magician, the sorceress, and the witch in the ancient world. Accusations of magic could carry the death penalty or, at the very least, marginalize the person or group they targeted. But Stratton moves beyond the popular view of these accusations as mere slander. In her view, representations and accusations of sorcery mirror the complex struggle of ancient societies to define authority, legitimacy, and Otherness. Stratton argues that the concept "magic" first emerged as a discourse in ancient Athens where it operated part and parcel of the struggle to define Greek identity in opposition to the uncivilized "barbarian" following the Persian Wars. The idea of magic then spread throughout the Hellenized world and Rome, reflecting and adapting to political forces, values, and social concerns in each society. Stratton considers the portrayal of witches and magicians in the literature of four related periods and cultures: classical Athens, early imperial Rome, pre-Constantine Christianity, and rabbinic Judaism. She compares patterns in their representations of magic and analyzes the relationship between these stereotypes and the social factors that shaped them. Stratton's comparative approach illuminates the degree to which magic was (and still is) a cultural construct that depended upon and reflected particular social contexts. Unlike most previous studies of magic, which treated the classical world separately from antique Judaism, Naming the Witch highlights the degree to which these ancient cultures shared ideas about power and legitimate authority, even while constructing and deploying those ideas in different ways. The book also interrogates the common association of women with magic, denaturalizing the gendered stereotype in the process. Drawing on Michel Foucault's notion of discourse as well as the work of other contemporary theorists, such as Homi K. Bhabha and Bruce Lincoln, Stratton's bewitching study presents a more nuanced, ideologically sensitive approach to understanding the witch in Western history.