An exploration of our extraordinary shift away from materialism toward renewal of the numinous, mysterious, and uncertain * Examines topics that evoke widespread misunderstanding, including the real history of secret societies, the wisdom of the Satanic, Gnosticism, Hermeticism, out-of-body experience, and the contemporary war on witches * Looks at the influence of the founding lights of modern occultism, including mystic Neville Goddard, occult scholar Manly P. Hall, and surrealist filmmaker David Lynch, and debunks famous pseudo-skeptics such as the Amazing Randi * Explores magickal practices, including Anarchic Magick, mind metaphysics, the Law of Attraction, and Ouija boards, and upends hallowed spiritual concepts like forgiveness All of us today dwell in uncertain places--realities in which thoughts make things happen, ESP is provable by the scientific methods once used to debunk it, UFOs are mainstream, and magick no longer requires rite and ritual but is as near as your own mind. Today's leading voice of esotericism and the occult, Mitch Horowitz explores topics that evoke widespread misunderstanding, including the real history of secret societies, the wisdom of the Satanic, the relevance of Gnosticism, and the slender but authentic connection between today's spiritual culture and antiquity, including in areas of Hermeticism, deity worship, out-of-body experience, and magick. He demonstrates the occult roots of wide-ranging facets of modern culture, including politics, abstract art, mind-body healing, self-help, and breakthrough scientific fields such as quantum physics and neuroplasticity. He looks at the influence of the founding lights of modern occultism, including mystic Neville Goddard, occult scholar Manly P. Hall, and surrealist filmmaker David Lynch, and provides a magnificent take-down of famous debunkers and pseudo-skeptics such as the Amazing Randi. He explores magickal practices, including Anarchic Magick, mind metaphysics, the Law of Attraction, and the history of Ouija boards and questions time-honored spiritual values like forgiveness. Mitch also examines the contemporary war on witches around the world and what it is like to be blacklisted. Offering a thought-provoking investigation of the spiritual, the occult, the magickal, and the extra-physical, Mitch lays the groundwork for readers to continue their own journeys into these esoteric streams of consciousness.

Parting company with the trend in recent scholarship to treat the subject in abstract, highly theoretical terms, Magic in Ancient Greece and Rome proposes that the magic-working of antiquity was in reality a highly pragmatic business, with very clearly formulated aims - often of an exceedingly malignant kind. In seven chapters, each addressed to an important arm of Greco-Roman magic, the volume discusses the history of the rediscovery and publication of the so-called Greek Magical Papyri, a key source for our understanding of ancient magic; the startling violence of ancient erotic spells and the use of these by women as well as men; the alteration in the landscape of defixio (curse tablet) studies by major new finds and the confirmation these provide that the frequently lethal intent of such tablets must not be downplayed; the use of herbs in magic, considered from numerous perspectives but with an especial focus on the bizarre-seeming rituals and protocols attendant upon their collection; the employment of animals in magic, the factors determining the choice of animal, the uses to which they were put, and the procuring and storage of animal parts, conceivably in a sorcerer's workshop; the witch as a literary construct, the clear homologies between the magical procedures of fictional witches and those documented for real spells, the gendering of the witch-figure and the reductive presentation of sorceresses as old, risible and ineffectual; the issue of whether ancient magicians practised human sacrifice and the illuminating parallels between such accusations and late 20th century accounts of child-murder in the context of perverted Satanic rituals. By challenging a number of orthodoxies and opening up some underexamined aspects of the subject, this wide-ranging study stakes out important new territory in the field of magical studies.

Naqada is a sleepy little town in Upper Egypt, that gives its name to a crucial period in the prehistory of Egypt. In 1895, William Matthew Flinders Petrie, the 'father' of Egyptian archaeology, stumbled upon a necropolis, belonging to a very ancient city of several thousand inhabitants. With Petrie's usual luck, he'd made yet another archaeological find of seismic proportions -- not just an ancient city a quarter the size of Ur in Mesopotamia, a rare enough find, but the capital of the earliest state established in Egypt! Petrie's fateful walk through the desert led him to a lost city, known to the Greeks as Ombos, the Citadel of Seth. Seth, the Hidden God, once ruled in this ancient place before it was abandoned to the sands of the desert. All this forbidden knowledge was quickly reburied in academic libraries, where its stunning magical secrets had lain, largely unrevealed, for more than a century -- until now.

An examination of the beliefs and history of the secretive Yezidi sect * Explains how the Yezidis worship Melek Ta'us, the Peacock Angel, an enigmatic figure often identified as "the devil" or Satan, yet who has been redeemed by God to rule a world of beauty and spiritual realization * Examines Yezidi antinomian doctrines of opposition, their cosmogony, their magical lore and taboos, the role of angels, ritual, and symbology, and how the Yezidi faith relates to other occult traditions such as alchemy * Presents the first English translation of the poetry of Caliph Yazid ibn Muawiya, venerated by the Yezidis as Sultan Ezi The Yezidis are an ancient people who live in the mountainous regions on the borders of Turkey, Syria, Iraq, and Iran. This secretive culture worships Melek Ta'us, the Peacock Angel, an enigmatic figure often identified as "the devil" or Satan, hence the sect is known as devil-worshippers and has long been persecuted. Presenting a study of the interior, esoteric dimensions of Yezidism, Peter Lamborn Wilson examines the sect's antinomian doctrines of opposition, its magical lore and taboos, and its relation to other occult traditions such as alchemy. He explains how the historical founder of this sect was a Sufi of Ummayad descent, Sheik Adi ibn Musafir, who settled in this remote region around 1111 AD and found a pre-Islamic sect already settled there. Sheik Adi was so influenced by the original sect that he departed from orthodox Islam, and by the 15th century the sect was known to worship the Peacock Angel, Melek Ta'us, with all its "Satanic" connotations. Revealing the spiritual flowering that occurs in an oral culture, the author examines Yezidi cosmogony, how they are descended from the androgynous Adam--before Eve was created--as well as the role of angels, ritual, alchemy, symbology, and color in Yezidi religion. He also presents the first English translation of the poetry of Caliph Yazid ibn Muawiya, venerated by the Yezidis as Sultan Ezi. Showing the Yezidi sect to be a syncretic faith of pre-Islamic, Zoroastrian, Christian, Pagan, Sufi, and other influences, Wilson reveals how these worshippers of the Peacock Angel do indeed worship "the Devil"--but the devil is not "evil." God has redeemed him, and he rules a world of beauty and spiritual realization.

In 1634 Urbain Grandier, a handsome and successful seducer of women and priest of the parish of Loudun, was tried, tortured and burnt at the stake. He had been found guilty of being in league with the devil and seducing an entire convent of nuns in what was the most sensational case of mass possession and sexual hysteria in history. Grandier maintained his innocence to the end and four years after his death the nuns were still being subjected to exorcisms to free them from their demonic bondage. Huxley's vivid account of this bizarre tale of religious and sexual obsession transforms our understanding of the medieval world.

From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.

Witchcraft, Witch-hunting, and Politics in Early Modern England constitutes a wide-ranging and original overview of the place of witchcraft and witch-hunting in the broader culture of early modern England. Based on a mass of new evidence extracted from a range of archives, both local and national, it seeks to relate the rise and decline of belief in witchcraft, alongside the legal prosecution of witches, to the wider political culture of the period. Building on the seminal work of scholars such as Stuart Clark, Ian Bostridge, and Jonathan Barry, Peter Elmer demonstrates how learned discussion of witchcraft, as well as the trials of those suspected of the crime, were shaped by religious and political imperatives in the period from the passage of the witchcraft statute of 1563 to the repeal of the various laws on witchcraft. In the process, Elmer sheds new light upon various issues relating to the role of witchcraft in English society, including the problematic relationship between puritanism and witchcraft as well as the process of decline.

Children of Lucifer explores the historical origins of Satanism, the "anti-religion" that adopts Satan, the Judeo-Christian representative of evil, as an object of veneration. Ruben van Luijk traces its development from a concept invented by the Christian church to demonize its internal and external competitors, to a positive (anti-)religious identity embraced to varying degrees by groups in the modern West. Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory; a story that involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, culminating in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet, he argues, this story is more than just a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes towards Satan proves to be intimately linked to the Western Revolution-the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process during which western culture spontaneously renounced its traditional gods in order to enter into a self-imposed state of religious indecision. Children of Lucifer, thus, makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it.

Heinrich Cornelius Agrippa (1486 1535) was a controversial Renaissance theologian and writer who published work on the occult and magic, and his writings influenced later leading literary figures such as Goethe. Agrippa, although born near Cologne, spent his life travelling around Europe, to Italy, Spain, France, England, Switzerland and the Netherlands. He wrote his De occulta philosophia in 1511 (though it was not published until twenty years later) and its three volumes are the best-known works on Renaissance magic, though Agrippa tried to distance himself from the occult side and instead stress more metaphysical aspects. In Henri Corn lis Agrippa, published in 1911, writer Joseph Orsier examines Agrippa's life. The first part of the work discusses Agrippa's travels, writings, thoughts and controversies. The second part is a translation collection of seventy of his letters, dating from 1509 to 1532, to and from a range of correspondents, including Erasmus.

The image of the witch - crook-nosed, unpleasant of disposition and with a penchant for harming her neighbours - is well established in the popular imagination. For hundreds of years the accusation of witchcraft has been levelled against women throughout the British Isles: such women were feared, persecuted, revered and reviled, with many ending their journeys at the stake or noose. Far from a mass of pitiable, faceless victims however, each case tells its own story, with a distinct woman at its heart, spanning the centuries down to the present. What did it really mean to be accused as a witch? Why, and by whom, were such accusations made? Was it possible to survive, and what awaited those who did? Prepare to delve into the captivating history of witchcraft with an in-depth exploration of some of the most fascinating and notorious women accused of being witches from across the British Isles. On a journey from 14th century Ireland to 20th century Hampshire, Accused examines the why, the how, and, most importantly, the who of these tantalising and evocative cases. Using trial documents, contemporary pamphlets, church and census records and a wealth of other sources, eleven accused women are brought to life in a biographical approach that will take the reader back in time. Meticulously researched and skilfully and painstakingly woven, this book will be indispensable to anyone with an interest in the popular topic of the history of witchcraft and a love of fascinating and diverse individuals. Setting each of the accused in their social and historical context, Willow Winsham delivers a fresh and revealing look at her subjects, bringing her unique style and passion for detail to this captivating read.

Beginning in January 1692, Salem Village in colonial Massachusetts witnessed the largest and most lethal outbreak of witchcraft in early America. Villagers--mainly young women--suffered from unseen torments that caused them to writhe, shriek, and contort their bodies, complaining of pins stuck into their flesh and of being haunted by specters. Believing that they suffered from assaults by an invisible spirit, the community began a hunt to track down those responsible for the demonic work. The resulting Salem Witch Trials, culminating in the execution of 19 villagers, persists as one of the most mysterious and fascinating events in American history.
Historians have speculated on a web of possible causes for the witchcraft that stated in Salem and spread across the region-religious crisis, ergot poisoning, an encephalitis outbreak, frontier war hysteria--but most agree that there was no single factor. Rather, as Emerson Baker illustrates in this seminal new work, Salem was "a perfect storm": a unique convergence of conditions and events that produced something extraordinary throughout New England in 1692 and the following years, and which has haunted us ever since.
Baker shows how a range of factors in the Bay colony in the 1690s, including a new charter and government, a lethal frontier war, and religious and political conflicts, set the stage for the dramatic events in Salem. Engaging a range of perspectives, he looks at the key players in the outbreak--the accused witches and the people they allegedly bewitched, as well as the judges and government officials who prosecuted them--and wrestles with questions about why the Salem tragedy unfolded as it did, and why it has become an enduring legacy.
Salem in 1692 was a critical moment for the fading Puritan government of Massachusetts Bay, whose attempts to suppress the story of the trials and erase them from memory only fueled the popular imagination. Baker argues that the trials marked a turning point in colonial history from Puritan communalism to Yankee independence, from faith in collective conscience to skepticism toward moral governance. A brilliantly told tale, A Storm of Witchcraft also puts Salem's storm into its broader context as a part of the ongoing narrative of American history and the history of the Atlantic World.

This thought-provoking collection of magical texts from ancient Egypt shows the exotic rituals, esoteric healing practices, and incantatory and supernatural dimensions that flowered in early Christianity. These remarkable Christian magical texts include curses, spells of protection from "headless powers" and evil spirits, spells invoking thunderous powers, descriptions of fire baptism, and even recipes from a magical "cookbook." Virtually all the texts are by Coptic Christians, and they date from about the 1st-12th centuries of the common era, with the majority from late antiquity. By placing these rarely seen texts in historical context and discussing their significance, the authors explore the place of healing, prayer, miracles, and magic in the early Christian experience, and expand our understanding of Christianity and Gnosticism as a vital folk religion.

Undeniably, evil exists in our world; we ourselves commit evil acts. How can one account for evil's ageless presence, its attraction, and its fruits? The question is one that Jeffrey Burton Russell addresses in his history of the concept of the Devil—the personification of evil itself. In the predecessor to this book, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity, Russell traced the idea of the Devil in comparative religions and examined its development in Western thought through ancient Hebrew religion and the New Testament. This volume follows its course over the first five centuries of the Christian era. Like most theological problems, the question of evil was largely ignored by the primitive Christian community. The later Christian thinkers who wrestled with it for many centuries were faced with a seemingly irreconcilable paradox: if God is benevolent and omnipotent, why does He permit evil? How, on the other hand, can God be all-powerful if one adopts a dualist stance, and posits two divine forces, one good and one evil? Drawing upon a rich variety of literary sources as well as upon the visual arts, Russell discusses the apostolic fathers, the apologetic fathers, and the Gnostics. He goes on to treat the thought of Irenaeus and Tertullian, and to describe the diabology of the Alexandrian fathers, Clement and Origen, as well as the dualist tendencies in Lactantius and in the monastic fathers. Finally he addresses the syntheses of the fifth century, especially that of Augustine, whose view of the Devil has been widely accepted in the entire Christian community ever since. Satan is both a revealing study of the compelling figure of the Devil and an imaginative and persuasive inquiry into the forces that shape a concept and ensure its survival.

'Gripping ... a story of loss, ambition, misogyny, family love and what it means to belong ... evocative and atmospheric' Irish Times 1324, Kilkennie: A time of suspicion and conspiracy. A place where zealous men rage against each other - and even more against uppity women A woman finds refuge with her daughter in the household of a childhood friend. The friend, Alice Kytler, gives her former companion a new name, Petronelle, a job as a servant, and warns her to hide their old connection. But in aligning herself with a powerful woman, Petronelle and her child are in more danger than they ever faced in the savage countryside ... Tense, moving and atmospheric Her Kind is vivid reimagining of the events leading to the Kilkenny Witch Trial. __________ 'Masterful ... Boyce delicately unfolds this atmospheric, magical thriller with pace and juice, while also making sure that the sentiments (vilification of women, policing of female biology) echo through time' Sunday Independent 'Shines a light on women who have been silenced. This tightly paced novel confirms Boyce as an important voice in Irish literature' Louise O'Neill 'Sings of these modern times' RTE Guide 'Pulls us into a world both seductively alien, yet uneasily, all-too-humanly, familiar' Mia Gallagher 'The plot is pacey and menacing, and the writing is clear, sharp and studded with glistening phrases ... a wonderful shout through time' Nuala O'Connor 'Beautifully absorbing ... highly recommended' Hot Press 'Moving and atmospheric' Irish Country Magazine 'Enthralling' Irish Examiner 'Niamh Boyce has taken a bleak and dismal period and sent a bolt of beautiful and revealing light into the darkness' John MacKenna