Almost two decades after writing his famous The Occult, Colin Wilson re-examined the whole spectrum of the mystical and paranormal, producing a general occult theory that remains as compelling as the evidence of atomic particles. Originally published in 1988, Beyond the Occult contains a huge amount of new material and evidence, which came to light following publication of The Occult. It combines scientific thinking on the nature of physical reality with a wide range of fascinating case studies, from the Swiss dowser who located the body of a missing woman to the lucky American whose dreams foretold the winning horses in multiple races to scores of accounts of mystical experiences of the Divine, of spirit possession and of poltergeists. Part One covers the amazing hidden powers of the human mind: ESP, clairvoyance, psychometry, precognition, psychokinesis, and dowsing. Part Two considers the more mysterious forces for good or evil - poltergeists, spirit possession, and reincarnation - that convinced Colin Wilson of the reality of disembodied spirits. In Beyond the Occult, Colin Wilson puts forward a convincing case that our so-called 'normal' experience may, in fact, be subnormal, and that evolution may have brought us near the edge of a quantum leap into a hugely expanded human consciousness. This new edition includes a foreword by Colin Wilson's biographer, Colin Stanley.

This thought-provoking collection of magical texts from ancient Egypt shows the exotic rituals, esoteric healing practices, and incantatory and supernatural dimensions that flowered in early Christianity. These remarkable Christian magical texts include curses, spells of protection from "headless powers" and evil spirits, spells invoking thunderous powers, descriptions of fire baptism, and even recipes from a magical "cookbook." Virtually all the texts are by Coptic Christians, and they date from about the 1st-12th centuries of the common era, with the majority from late antiquity. By placing these rarely seen texts in historical context and discussing their significance, the authors explore the place of healing, prayer, miracles, and magic in the early Christian experience, and expand our understanding of Christianity and Gnosticism as a vital folk religion.

"David Frankfurter's valuable, well-written study takes us to the far reaches of demonology. In documenting the harm done by labeling others evil, he poses a challenge to those of us who believe, however regretfully, in the necessity of the concept."--Robert Jay Lifton, author of "The Nazi Doctors" and "The Genocidal Mentality"

"David Frankfurter has taken a sensationalist topic and given it a serious, sober, and thoroughly enlightening treatment. At the heart of moral panics--witch crazes, red scares, rumors of Satanic ritual abuse, and others--he perceives not evil as an entity or sinister force, but rather a discourse of evil that draws on old traditions and common fantasies to stimulate horror, shock, and also prurient pleasure. Repeatedly, this volatile mix proves capable of inflaming passions and spawning violent campaigns whose excesses all too predictably fall on society's most marginal, and therefore most vulnerable, members. Drawing on a great many examples and much prior research, he makes a strong--and profoundly moral--argument."--Bruce Lincoln, University of Chicago

"David Frankfurter's valuable, well-written study takes us to the far reaches of demonology. In documenting the harm done by labeling others evil, he poses a challenge to those of us who believe, however regretfully, in the necessity of the concept."--Robert Jay Lifton, M.D., Distinguished Professor Emeritus, City University of New York

"Challenging the idea of evil being a reality beyond human comprehension, David Frankfurter's sharp and original analysis explores how this very idea produces a terrifying, unsettling reality of its own. The great merit of this elegantly written, substantial book isthat it moves us beyond a rather particularistic attitude toward separate, locally bounded cases and shows that there is a system in the variegated realm of evil."--Birgit Meyer, Free University Amsterdam

"A significant contribution to several fields including comparative religions, ancient and contemporary religious history, and even literary criticism. Frankfurter's approach--looking at evil not as some force or essence but as a discourse--is highly original."--Hugh Urban, Ohio State University

"Engrossing and well-informed, "Evil Incarnate" presents a cornucopia of amazing material in lucid prose, cogently organized and constructed into an engaging argument. Few authors have the range, the vision, and the boldness to break through the disciplinary and chronological boundaries to bring off a book like this."--Charles Stewart, University College London

This excellent little book is a wonderful introduction to the story of the trial of the witches of Pendle in 1612. In a very lively and readable style, Christine Goodier provides a who's who of the events, as well as an interesting angle on the trials themselves. She emphasises that the accused were merely flesh and blood, not demons, arguing that they were poor, uneducated people who were at worst misguided. Her inevitable conclusion is that a terrible injustice was done 400 years ago when they were famously convicted of witchcraft and hanged.

Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought? In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths' workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe's literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India. Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history.

In Obeah, Race and Racism, Eugenia O'Neal vividly discusses the tradition of African magic and witchcraft, traces its voyage across the Atlantic and its subsequent evolution on the plantations of the New World, and provides a detailed map of how English writers, poets and dramatists interpreted it for English audiences. The triangular trade in guns and baubles, enslaved Africans and gold, sugar and cotton was mirrored by a similar intellectual trade borne in the reports, accounts and stories that fed the perceptions and prejudices of everyone involved in the slave trade and no subject was more fascinating and disconcerting to Europeans than the religious beliefs of the people they had enslaved. Indeed, African magic made its own triangular voyage; starting from Africa, Obeah crossed the Atlantic to the Caribbean, then journeyed back across the ocean, in the form of traveller's narratives and plantation reports, to Great Britain where it was incorporated into the plots of scores of books and stories which went on to shape and form the world view of explorers and colonial officials in Britain's far-flung empire. O'Neal examines what British writers knew or thought they knew about Obeah and discusses how their perceptions of black people were shaped by their perceptions of Obeah. Translated or interpreted by racist writers as a devil-worshipping religion, Obeah came to symbolize the brutality, savagery and superstition in which blacks were thought to be immured by their very race. For many writers, black belief in Obeah proved black inferiority and justified both slavery and white colonial domination. The English reading public became generally convinced that Obeah was evil and that blacks were, at worst, devil worshippers or, at best, extremely stupid and credulous. And because books and stories on Obeah continued to promulgate either of the two prevailing perspectives, and sometimes both together until at least the 1950s, theories of black inferiority continue to hold sway in Great Britain today.