A hands-on guide to using flower essences in magick, spellcraft, alchemy, and healing * Provides detailed instructions for making single-flower essences and magickal and therapeutic essence blends * Shares new magickal uses for flower essences, from creating sacred space to dressing candles to preparing incense, as well as how to use essences in meditation, potions, spells, spagyrics, and ritual * Includes a detailed directory of 100 flower and plant essences, complete with astrological, elemental, and magickal correspondences In this practical guide to using flower essences in witchcraft, alchemy, and healing, Nicholas Pearson provides detailed instructions for making and using flower essences based on traditional Western magick practices. He shares new uses for essences--from creating sacred space to dressing candles to preparing incense--and explains how to use them in meditation, potions, spells, spagyrics, and ritual. He shares exercises for connecting more deeply to the energies of the green world and exploring how essences can be used in traditional sacraments of witchcraft like the Great Rite. In the hands-on formulary, the author provides recipes for essence combinations for the eight sabbats and formulas based on familiar blends like traditional flying ointments of European witchcraft. He shares his method for creating flower essence spagyrics--alchemical preparations made from the body, mind, and soul of the plant that offer the highest vibrational potency for therapeutic and spiritual uses. Pearson also provides a detailed directory of 100 flower and plant essences, complete with astrological, elemental, and magickal correspondences and the therapeutic indications for each essence. Weaving together magickal herbalism, traditional plant lore, and flower essence therapy, this guide allows you to see flower essences not just as vibrational remedies but also as powerful tools for transformation, magick, and spiritual practice.

After coming of age and graduating in the tumultuous sixties, Ahad Cobb found himself wandering without direction. A chance road trip with a friend led him to Ram Dass, thus beginning an enthusiastic journey of spiritual awakening and deep involvement with three spiritual communities originating in the sixties and still thriving today: the Ram Dass satsang, Lama Foundation, and Dances of Universal Peace. Sharing his opening to the inner life, his poetry and dreams, his spiritual passions and astrological insights, Ahad Cobb's memoir begins with his summer with Ram Dass and his satsang, immersed in meditation, devotion, and guru's grace. His path takes him to New Mexico, to a newly established intentional spiritual community, Lama Foundation, where he lives on the land for thirteen years, experiencing the disciplines and rewards of communal living and spiritual practice. At Lama, he is initiated into universal Sufism in the tradition of Hazrat Inayat Khan and the Dances of Universal Peace. He travels overseas to spend time with Sufis in Chamonix, Istanbul, Konya, and Jerusalem. After the birth of his son, Ahad moves off the mountain and serves as sacred dance leader and musician for 35 years in Santa Fe and later Albuquerque. When Lama Foundation is nearly destroyed by a forest fire in 1996, Ahad serves as a trustee, guiding the rebuilding of the community. He imparts insights from his personal work with Jungian analysis and trauma release, shares his search for and discovery of his soul mate, and details his twelve years of study with Hart DeFouw in the wisdom stream of Vedic astrology. Offering a poignant reflection on life lived from the inside out, and the delicate balance between spirituality and psychology, this memoir leads readers on an outer and inner journey steeped in poetry, music, astrology, dreams, inner work, and spiritual practice in the context of community devoted to awakening.

Kentucky has a rich legacy of ghostly visitations. Lynwood Montell has harvested dozens of tales of haunted houses and family ghosts from all over the Bluegrass state. Many of the stories were collected from elders by young people and are recounted exactly as they were gathered. Haunted Houses and Family Ghosts of Kentucky includes chilling tales such as that of the Tan Man of Pike County, who trudges invisibly through a house accompanied by the smell of roses, and the famed Gray Lady of Liberty Hall in Frankfort, a houseguest who never left. Montell tells the story of a stormy night, shortly before Henry Clay's death, when the ghost of the statesman's old friend Daniel Boone calls upon him, and then recounts the more modern story of the ghouls that haunt the rehearsal house of the band The Kentucky Headhunters.

Included are accounts of haunted libraries, mansions, bedrooms, log cabins, bathrooms, college campuses, apartments, furniture, hotels, and distilleries, as well as reports of eerie visitations from ghostly grandmothers, husbands, daughters, uncles, cousins, babies, slaves, Civil War soldiers, dogs, sheep, and even wildcats. Almost all of Kentucky's 120 counties are represented. Though the book emphasizes the stories themselves, Montell offers an introduction discussing how local history, local character, and local flavor are communicated across the generations in these colorful stories.

Parting company with the trend in recent scholarship to treat the subject in abstract, highly theoretical terms, Magic in Ancient Greece and Rome proposes that the magic-working of antiquity was in reality a highly pragmatic business, with very clearly formulated aims - often of an exceedingly malignant kind. In seven chapters, each addressed to an important arm of Greco-Roman magic, the volume discusses the history of the rediscovery and publication of the so-called Greek Magical Papyri, a key source for our understanding of ancient magic; the startling violence of ancient erotic spells and the use of these by women as well as men; the alteration in the landscape of defixio (curse tablet) studies by major new finds and the confirmation these provide that the frequently lethal intent of such tablets must not be downplayed; the use of herbs in magic, considered from numerous perspectives but with an especial focus on the bizarre-seeming rituals and protocols attendant upon their collection; the employment of animals in magic, the factors determining the choice of animal, the uses to which they were put, and the procuring and storage of animal parts, conceivably in a sorcerer's workshop; the witch as a literary construct, the clear homologies between the magical procedures of fictional witches and those documented for real spells, the gendering of the witch-figure and the reductive presentation of sorceresses as old, risible and ineffectual; the issue of whether ancient magicians practised human sacrifice and the illuminating parallels between such accusations and late 20th century accounts of child-murder in the context of perverted Satanic rituals. By challenging a number of orthodoxies and opening up some underexamined aspects of the subject, this wide-ranging study stakes out important new territory in the field of magical studies.

Mephistopheles is the fourth and final volume of a critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure that has been called the second most famous personage in Christianity.In his first three volumes Jeffrey Burton Russell brought the history of Christian diabology to the end of the Middle Ages, showing the development of a degree of consensus, even in detail, on the concept of the Devil. Mephistopheles continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, he describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modem times.Emphasizing key figures and movements, Russell covers the apogee of the witch craze in the Renaissance and Reformation, the effects of the Enlightenment's rationalist philosophy, the Romantic image of Satan, and the cynical or satirical literary treatments of the Devil in the late nineteenth century. He concludes that although today the Devil may seem an outworn metaphor, the very real horrors of the twentieth century suggest the continuing need for some vital symbol of radical evil.A work of great insight and learning, Mephistopheles deepens our understanding of the ways in which people in Western societies have dealt with the problem of evil.

"Evil—the infliction of pain upon sentient beings—is one of the most long-standing and serious problems of human existence. Frequently and in many cultures evil has been personified. This book is a history of the personification of evil, which for the sake of clarity I have called 'the Devil.' I am a medievalist, but when I began some years ago to work with the concept of the Devil in the eleventh and twelfth centuries, I came to see that I could not understand the medieval Devil except in terms of its historical antecedents. More important, I realized that I could not understand the Devil at all except in the context of the problem of evil. I needed to face the issue of evil squarely, both as a historian and as a human being."—from the Preface This lively and learned book traces the history of the concept of evil from its beginnings in ancient times to the period of the New Testament. A remarkable work of synthesis, it draws upon a vast number of sources in addressing a major historical and philosophical problem over a broad span of time and in a number of diverse cultures, East and West. Jeffrey Burton Russell probes the roots of the idea of evil, treats the development of the idea in the Ancient Near East, and then examines the concept of the Devil as it was formed in late Judaism and early Christianity. Generously illustrated with fifty black-and-white photographs, this book will appeal to a wide range of readers, from specialists in religion, theology, sociology, history, psychology, anthropology, and philosophy to anyone with an interest in the demonic, the supernatural, and the question of good and evil.

Evil is an intrinsically fascinating topic. In Lucifer, Jeffrey Burton Russell continues his compelling study of the personification of evil in the figure of the Devil. The previous two volumes in this remarkable tertalogy—The Devil and Satan—trace the history of the concept of the devil comparatively as it emerged in diverse cultures and followed its development in Western thought from the ancient Hebrew religion through the first five centuries of the Christian era.The present volume charts the evolution of the concept of the devil from the fifth century through the fifteenth. Drawing on an impressive array of sources from popular religion, art, literature, and drama, as well as from scholastic philosophy, mystical theology, homiletics, and hagiography, Russell provides a detailed treatment of Christian diabology in the Middle Ages. Although he focuses primarily on Western Christian thought, Russell also includes, for the sake of comparison, material on the concept of the devil in Greek Orthodoxy during the Byzantine period as well as in Muslim thought.Russell recounts how the Middle Ages saw a refinement in detail rather than a radical alteration of diabological theory. He shows that the medieval concept of the devil, fundamentally unchanged over the course of the centuries, eventually gave rise to the unyielding beliefs that resulted in the horrifying cruelties of the witch-hunting craze in the 1500s and 1600s. This major contribution to the history of the Middle Ages and to the history of religion will enlighten scholars and students alike and will appeal to anyone concerned with the problem of evil in our world.

From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.

In 1634 Urbain Grandier, a handsome and successful seducer of women and priest of the parish of Loudun, was tried, tortured and burnt at the stake. He had been found guilty of being in league with the devil and seducing an entire convent of nuns in what was the most sensational case of mass possession and sexual hysteria in history. Grandier maintained his innocence to the end and four years after his death the nuns were still being subjected to exorcisms to free them from their demonic bondage. Huxley's vivid account of this bizarre tale of religious and sexual obsession transforms our understanding of the medieval world.

Witchcraft, Witch-hunting, and Politics in Early Modern England constitutes a wide-ranging and original overview of the place of witchcraft and witch-hunting in the broader culture of early modern England. Based on a mass of new evidence extracted from a range of archives, both local and national, it seeks to relate the rise and decline of belief in witchcraft, alongside the legal prosecution of witches, to the wider political culture of the period. Building on the seminal work of scholars such as Stuart Clark, Ian Bostridge, and Jonathan Barry, Peter Elmer demonstrates how learned discussion of witchcraft, as well as the trials of those suspected of the crime, were shaped by religious and political imperatives in the period from the passage of the witchcraft statute of 1563 to the repeal of the various laws on witchcraft. In the process, Elmer sheds new light upon various issues relating to the role of witchcraft in English society, including the problematic relationship between puritanism and witchcraft as well as the process of decline.

This book provides a practical introduction to Chaos Magic, one of the fastest growing areas of Western Occultism. Through it you can change your circumstances, live according to a developing sense of personal responsibility, effect change around you, and stop living as a helpless cog in some clockwork universe. All acts of personal/collective liberation are magical acts. Magic leads us into exhilaration and ecstasy; into insight and understanding; into changing ourselves and the world in which we participate. Through magic we may come to explore the possibilities of freedom.

The image of the witch - crook-nosed, unpleasant of disposition and with a penchant for harming her neighbours - is well established in the popular imagination. For hundreds of years the accusation of witchcraft has been levelled against women throughout the British Isles: such women were feared, persecuted, revered and reviled, with many ending their journeys at the stake or noose. Far from a mass of pitiable, faceless victims however, each case tells its own story, with a distinct woman at its heart, spanning the centuries down to the present. What did it really mean to be accused as a witch? Why, and by whom, were such accusations made? Was it possible to survive, and what awaited those who did? Prepare to delve into the captivating history of witchcraft with an in-depth exploration of some of the most fascinating and notorious women accused of being witches from across the British Isles. On a journey from 14th century Ireland to 20th century Hampshire, Accused examines the why, the how, and, most importantly, the who of these tantalising and evocative cases. Using trial documents, contemporary pamphlets, church and census records and a wealth of other sources, eleven accused women are brought to life in a biographical approach that will take the reader back in time. Meticulously researched and skilfully and painstakingly woven, this book will be indispensable to anyone with an interest in the popular topic of the history of witchcraft and a love of fascinating and diverse individuals. Setting each of the accused in their social and historical context, Willow Winsham delivers a fresh and revealing look at her subjects, bringing her unique style and passion for detail to this captivating read.

Heinrich Cornelius Agrippa (1486 1535) was a controversial Renaissance theologian and writer who published work on the occult and magic, and his writings influenced later leading literary figures such as Goethe. Agrippa, although born near Cologne, spent his life travelling around Europe, to Italy, Spain, France, England, Switzerland and the Netherlands. He wrote his De occulta philosophia in 1511 (though it was not published until twenty years later) and its three volumes are the best-known works on Renaissance magic, though Agrippa tried to distance himself from the occult side and instead stress more metaphysical aspects. In Henri Corn lis Agrippa, published in 1911, writer Joseph Orsier examines Agrippa's life. The first part of the work discusses Agrippa's travels, writings, thoughts and controversies. The second part is a translation collection of seventy of his letters, dating from 1509 to 1532, to and from a range of correspondents, including Erasmus.

The most detailed analysis of the techniques of Solomonic magic from the seventh to the nineteenth century ever published. This volume explores the methods of Solomonic magic in Alexandria, tracing how the tradition passed through Byzantium (the Hygromanteia) to the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Discover specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, and the construction of the circle and lamen. The use of amulets, talismans, and phylacteries is outlined along with their methods of construction. Also included are explanations of the structures and steps of Solomonic evocation, the facing directions, practical considerations, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding and the binding, imprisoning, and licensing of spirits.

On February 3, 1913, the first General Meeting of the newly formed Anthroposophical Society was convened in Berlin. Six weeks later, in Holland, Rudolf Steiner spoke for the first time to an anthroposophical audience in a detailed, intimate way of the esoteric schooling of the individual human being in earthly life. Hence the fundamental importance of these lectures for anthroposophical inner development. Steiner deals here with the subtle effects of spiritual development at every level of the human being. Beginning with straightforward questions relating to the body's experience of foodstuff - meat, coffee, alcohol, and so forth - he unfolds the universe of anthroposophical spiritual striving until it includes direct perception of Paradise and the Holy Grail, as well as the role of the human being as evolving between the forces of Lucifer and Ahriman. This edition also includes as a prologue Steiner's crucial lecture on "The Being of Anthroposophy," which has never before appeared in English. In this, Steiner says: Sophia will become objective again, but she will take with her what humanity is, and objectively present herself in this form. Thus, she will present herself not only as Sophia, but as Anthroposophia - as the Sophia who, after passing through the human soul, through the very being of the human being, henceforth bears that being within her, and in this form she will confront enlightened human beings as the objective being Sophia who once stood before the Greeks.