Based on twenty-seven years of original archival research, including the discovery of previously unknown documents, this day-by-day narrative of the hysteria that swept through Salem Village in 1692 and 1693 reveals new connections behind the events, and shows how rapidly a community can descend into bloodthirsty madness. Roach opens her work with chapters on the history of the Puritan colonies of New England, and explains how these people regarded the metaphysical and the supernatural. The account of the days from January 1692 to March 1693 keeps in order the large cast of characters, places events in their correct contexts, and occasionally contradicts earlier assumptions about the gruesome events. The last chapter discusses the remarkable impact of the events, pointing out how the 300th anniversary of the trials made headlines in Japan and Australia.

Naqada is a sleepy little town in Upper Egypt, that gives its name to a crucial period in the prehistory of Egypt. In 1895, William Matthew Flinders Petrie, the 'father' of Egyptian archaeology, stumbled upon a necropolis, belonging to a very ancient city of several thousand inhabitants. With Petrie's usual luck, he'd made yet another archaeological find of seismic proportions -- not just an ancient city a quarter the size of Ur in Mesopotamia, a rare enough find, but the capital of the earliest state established in Egypt! Petrie's fateful walk through the desert led him to a lost city, known to the Greeks as Ombos, the Citadel of Seth. Seth, the Hidden God, once ruled in this ancient place before it was abandoned to the sands of the desert. All this forbidden knowledge was quickly reburied in academic libraries, where its stunning magical secrets had lain, largely unrevealed, for more than a century -- until now.

This volume makes available for the first time in English translation over a thousand texts written between the fifth century BC, and the fifth century AD, of curses inscribed on stone tablets from North Africa, to England, and Syria to Spain. A substantial introduction supplies the full cultural, social and historical context to the ancient Graeco-Roman practice of cursing enemies and rivals by writing an incantation on a tablet and dedicating it to a god or spirit. The selected translations, arranged thematically, are fully annotated and accompanied by extensive commentary.

What do the occult sciences, seances with the souls of the dead, and appeals to saintly powers have to do with rationality? Since the late nineteenth century, modernizing intellectuals, religious leaders, and statesmen in Iran have attempted to curtail many such practices as "superstitious," instead encouraging the development of rational religious sensibilities and dispositions. However, far from diminishing the diverse methods through which Iranians engage with the immaterial realm, these rationalizing processes have multiplied the possibilities for metaphysical experimentation. The Iranian Metaphysicals examines these experiments and their transformations over the past century. Drawing on years of ethnographic and archival research, Alireza Doostdar shows that metaphysical experimentation lies at the center of some of the most influential intellectual and religious movements in modern Iran. These forms of exploration have not only produced a plurality of rational orientations toward metaphysical phenomena but have also fundamentally shaped what is understood as orthodox Shi'i Islam, including the forms of Islamic rationality at the heart of projects for building and sustaining an Islamic Republic. Delving into frequently neglected aspects of Iranian spirituality, politics, and intellectual inquiry, The Iranian Metaphysicals challenges widely held assumptions about Islam, rationality, and the relationship between science and religion.

The Orphic hymns are fascinating historical artifacts 87 devotions, invocations, and entreaties to the Greek gods that are as powerful today as they were when they were originally developed thousands of years ago. Designed to be used in contemporary spiritual practice and spellcrafting, this premium hardcover edition features spectacular new English translations by Patrick Dunn along with the original Greek on facing pages. These translations are complete, accurate, and poetic perfect for integrating into rituals and magical workings for every conceivable purpose, from protection to prosperity and everything in between. Written by a poet and occultist specifically for contemporary practitioners of magic, this must-have book also includes detailed notes to help you understand esoteric passages as well as suggestions for incense selection and the practical use of the hymns.

Exploring occultist, magician, poet, painter, and writer Aleister Crowley's longstanding and intimate association with Paris, Tobias Churton provides the first detailed account of Crowley's activities in the City of Light. Using previously unpublished letters and diaries, Churton explores how Crowley was initiated into the Golden Dawn's Inner Order in Paris in 1900 and how, in 1902, he relocated to Montparnasse. Soon engaged to Anglo-Irish artist Eileen Gray, Crowley pontificates and parties with English, American, and French artists gathered around sculptor Auguste Rodin: all keen to exhibit at Paris's famed Salon d'Automne. In 1904--still dressed as "Prince Chioa Khan" and recently returned from his Book of the Law experience in Cairo--Crowley dines with novelist Arnold Bennett at Paillard's. In 1908 Crowley is back in Paris to prove it's possible to attain Samadhi (or "knowledge and conversation of the Holy Guardian Angel") while living a modern life in a busy metropolis. In 1913 he organizes a demonstration for artistic and sexual freedom at Oscar Wilde's tomb. Until war spoils all in 1914, Paris is Crowley's playground. The author details how, after returning from America in 1920, and though based at his "Abbey of Thelema" in Sicily, Crowley can't leave Paris alone. When Mussolini expels him from Italy, Paris becomes home from 1924 until 1929. Churton reveals Crowley's part in the jazz-age explosion of modernism, as the lover of photographer Berenice Abbott, and many others, and how he enjoyed camaraderie with Man Ray, Nancy Cunard, Andre Gide, and Aimee Crocker. The author explores Crowley's adventures in Tunisia, Algeria, the Riviera, his battle with heroin addiction, his relationship with daughter Astarte Lulu--raised at Cefalu--and finally, a high-level ministerial conspiracy to get him out of Paris. Reconstructing Crowley's heyday in the last decade and a half of France's Belle Epoque and the "roaring Twenties," this book illuminates Crowley's place within the artistic, literary, and spiritual ferment of the great City of Light.

What secret power is hiding within you? There is an untamed wildness within each of us. Once found and nurtured, this wild power can lead to true and boundless freedom, creativity and purpose. In Wild Once, internationally renowned High Wiccan Priestess, Vivianne Crowley, reveals the secret riches to be found on a hidden path. This is the extraordinary and inspiring guide to a life lived magically, of adventures into the unknown and of finding spiritual nourishment. It shows what can happen when you have the courage to step into the unexplainable and live untamed. It is also an evocative, intricate account of a hidden world, a rich tour of modern magical practices, from meditation to manifestation, shamanism to spellwork. Magic is waiting to be discovered. It is here, just beneath the surface, if only you know where to look... We all have wild magic within us; this book will inspire you to find it. ___________________ PRAISE FOR WILD ONCE 'Utterly contemporary, yet drawing on ancient wisdom' - Philip Carr-Gomm, author of The Prophecies and DruidCraft: The Magic of Wicca & Druidry 'A memoir of beautifully told tales about her magical and well-lived life that will awaken the magic within and guide you to the enchanted adventure that awaits' - Phyllis Curott, Priestess of Ara, author of The Witches' Wisdom Tarot 'The best book on the experience of magic that I have ever read' - Ronald Hutton, author of The Pagan Religions of the Ancient British Isles 'Heartfelt and often beautiful ... Witches, look no further! This is the guide you need' - Diane Purkiss 'Wonderfully inspirational and highly practical - if you have ever wondered what it's like to be a witch in Real Life, just read this book!' - Rodney Orpheus, author of Abrahadabra and founding member of The Cassandra Complex

On September 20, 1587, Walpurga Hausmannin of Dillingen in southern Germany was burned at the stake as a witch. Although she had confessed to committing a long list of "maleficia" (deeds of harmful magic), including killing forty--one infants and two mothers in labor, her evil career allegedly began with just one heinous act--sex with a demon. Fornication with demons was a major theme of her trial record, which detailed an almost continuous orgy of sexual excess with her diabolical paramour Federlin "in many divers places, . . . even in the street by night."
As Walter Stephens demonstrates in "Demon Lovers," it was not Hausmannin or other so-called witches who were obsessive about sex with demons--instead, a number of devout Christians, including trained theologians, displayed an uncanny preoccupation with the topic during the centuries of the "witch craze." Why? To find out, Stephens conducts a detailed investigation of the first and most influential treatises on witchcraft (written between 1430 and 1530), including the infamous "Malleus Maleficarum" ("Hammer of Witches").
Far from being credulous fools or mindless misogynists, early writers on witchcraft emerge in Stephens's account as rational but reluctant skeptics, trying desperately to resolve contradictions in Christian thought on God, spirits, and sacraments that had bedeviled theologians for centuries. Proof of the physical existence of demons--for instance, through evidence of their intercourse with mortal witches--would provide strong evidence for the reality of the supernatural, the truth of the Bible, and the existence of God. Early modern witchcraft theory reflected a crisis of belief--a crisis that continues tobe expressed today in popular debates over angels, Satanic ritual child abuse, and alien abduction.

Kimberly B. Stratton investigates the cultural and ideological motivations behind early imaginings of the magician, the sorceress, and the witch in the ancient world. Accusations of magic could carry the death penalty or, at the very least, marginalize the person or group they targeted. But Stratton moves beyond the popular view of these accusations as mere slander. In her view, representations and accusations of sorcery mirror the complex struggle of ancient societies to define authority, legitimacy, and Otherness. Stratton argues that the concept "magic" first emerged as a discourse in ancient Athens where it operated part and parcel of the struggle to define Greek identity in opposition to the uncivilized "barbarian" following the Persian Wars. The idea of magic then spread throughout the Hellenized world and Rome, reflecting and adapting to political forces, values, and social concerns in each society. Stratton considers the portrayal of witches and magicians in the literature of four related periods and cultures: classical Athens, early imperial Rome, pre-Constantine Christianity, and rabbinic Judaism. She compares patterns in their representations of magic and analyzes the relationship between these stereotypes and the social factors that shaped them. Stratton's comparative approach illuminates the degree to which magic was (and still is) a cultural construct that depended upon and reflected particular social contexts. Unlike most previous studies of magic, which treated the classical world separately from antique Judaism, Naming the Witch highlights the degree to which these ancient cultures shared ideas about power and legitimate authority, even while constructing and deploying those ideas in different ways. The book also interrogates the common association of women with magic, denaturalizing the gendered stereotype in the process. Drawing on Michel Foucault's notion of discourse as well as the work of other contemporary theorists, such as Homi K. Bhabha and Bruce Lincoln, Stratton's bewitching study presents a more nuanced, ideologically sensitive approach to understanding the witch in Western history.

The dark side of the dark side ...He has everything he should want in life. A good job. A nice home. A nice car. A beautiful wife and family. A retirement plan. An active social life. A prestigious reputation. Envious neighbours. A pet dog. Yet there remains emptiness inside. In a search for meaning, he begins a journey from which he cannot return. Grasping at everything he can, experiments in ritual magick lead him into the realms of sex, drugs, organised crime, aliens and angels as his life spirals further and further up and down the paths of initiation and illumination while grappling with insanity, annihilation and transformation.

In a culture where the supernatural possessed an immediacy now strange to us, magic was of great importance both in the literary and mythic tradition and in ritual practice. Recently, ancient magic has hit a high in popularity, both as an area of scholarly inquiry and as one of general, popular interest. In Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds Daniel Ogden presents three hundred texts in new translations, along with brief but explicit commentaries. This is the first book in the field to unite extensive selections from both literary and documentary sources. Alongside descriptions of sorcerers, witches, and ghosts in the works of ancient writers, it reproduces curse tablets, spells from ancient magical recipe books, and inscriptions from magical amulets. Each translation is followed by a commentary that puts it in context within ancient culture and connects the passage to related passages in this volume. Authors include the well known (Sophocles, Herodotus, Plato, Aristotle, Virgil, Pliny) and the less familiar, and extend across the whole of Greco-Roman antiquity.
The second edition includes a new preface, an updated bibliography, and new source-passages, such as the earliest use of the word "mage" in Greek" (fr. Aeschylus' Persians ), a werewolf tale (Aesop's Fables), and excerpts from the most systematic account of ancient legislation against magic (Theodosian Code).

'Gripping ... a story of loss, ambition, misogyny, family love and what it means to belong ... evocative and atmospheric' Irish Times 1324, Kilkennie: A time of suspicion and conspiracy. A place where zealous men rage against each other - and even more against uppity women A woman finds refuge with her daughter in the household of a childhood friend. The friend, Alice Kytler, gives her former companion a new name, Petronelle, a job as a servant, and warns her to hide their old connection. But in aligning herself with a powerful woman, Petronelle and her child are in more danger than they ever faced in the savage countryside ... Tense, moving and atmospheric Her Kind is vivid reimagining of the events leading to the Kilkenny Witch Trial. __________ 'Masterful ... Boyce delicately unfolds this atmospheric, magical thriller with pace and juice, while also making sure that the sentiments (vilification of women, policing of female biology) echo through time' Sunday Independent 'Shines a light on women who have been silenced. This tightly paced novel confirms Boyce as an important voice in Irish literature' Louise O'Neill 'Sings of these modern times' RTE Guide 'Pulls us into a world both seductively alien, yet uneasily, all-too-humanly, familiar' Mia Gallagher 'The plot is pacey and menacing, and the writing is clear, sharp and studded with glistening phrases ... a wonderful shout through time' Nuala O'Connor 'Beautifully absorbing ... highly recommended' Hot Press 'Moving and atmospheric' Irish Country Magazine 'Enthralling' Irish Examiner 'Niamh Boyce has taken a bleak and dismal period and sent a bolt of beautiful and revealing light into the darkness' John MacKenna

Beginning in the fifth century A.D., various Indian mystics began to innovate a body of techniques with which to render themselves immortal. These people called themselves Siddhas, a term formerly reserved for a class of demigods, revered by Hindus and Buddhists alike, who were known to inhabit mountaintops or the atmospheric regions. Over the following five to eight hundred years, three types of Hindu Siddha orders emerged, each with its own specialized body of practice. These were the Siddha Kaula, whose adherents sought bodily immortality through erotico-mystical practices; the Rasa Siddhas, medieval India's alchemists, who sought to transmute their flesh-and-blood bodies into immortal bodies through the ingestion of the mineral equivalents of the sexual fluids of the god Siva and his consort, the Goddess; and the Nath Siddhas, whose practice of hatha yoga projected the sexual and laboratory practices of the Siddha Kaula and Rasa Siddhas upon the internal grid of the subtle body. For India's medieval Siddhas, these three conjoined types of practice led directly to bodily immortality, supernatural powers, and self-divinization; in a word, to the exalted status of the semidivine Siddhas of the older popular cults. In The Alchemical Body, David Gordon White excavates and centers within its broader Indian context this lost tradition of the medieval Siddhas. Working from a body of previously unexplored alchemical sources, he demonstrates for the first time that the medieval disciplines of Hindu alchemy and hatha yoga were practiced by one and the same people, and that they can only be understood when viewed together. Human sexual fluids and the structures of the subtle body aremicrocosmic equivalents of the substances and apparatus manipulated by the alchemist in his laboratory. With these insights, White opens the way to a new and more comprehensive understanding of the entire sweep of medieval Indian mysticism, within the broader context of south Asian Hinduism, Buddhism, Jainism, and Islam. This book is an essential reference for anyone interested in Indian yoga, alchemy, and the medieval beginnings of science.

Make your sabbat celebrations more meaningful and enjoyable with this exceptional book full of unique rituals designed to perfectly fit your needs, whether you re a solitary practitioner or part of a group. Jason Mankey provides three all-new rituals for every sabbat one for solitaries, one for covens, and one for large gatherings. Each ritual is flexible enough for you to pick and choose the components that best suit your intentions. Explore the history and traditions of all eight sabbats and discover why and how rituals became such an important part of Witchcraft. Learn the ins and outs of ritual practice, including guidance on planning, decorating, presenting, and adapting. Witch s Wheel of the Year is incredibly versatile for any Witch looking to enhance their craft and their connection to the sacred sabbats.

Encuentre una fuente magica en su jardin. Este es un libro sobre magia tan antigua como el conocimiento sobre las plantas. Aprenda a preparar amuletos y encantamientos, bolsas con hierbas magicas, inciensos y aceites aromaticos, infusiones y unguentos. Las hierbas son faciles de conseguir en las tiendas, el campo o en su propio jardin. Sus aplicaciones son infinitas: para ayudar a la vision psiquica, obtener proteccion, despertar la pasion y para mantener la salud y la felicidad. Puntos de venta -Contiene informacion sobre 118 hierbas principales, reglas astrologicas y planetarias, nivel de vibracion, nombre comun y cientifico, polvos magicos y usos especiales -Escrito por el autor de La casa magica; Enciclopedia de cristales, gemas y metales magicos; Enciclopedia de las hierbas magicas; Inciensos, aceites e infusiones; Poderes terrenales; Que es la wicca?; Suenos divinos; y La verdad sobre la brujeria. - Find potent magic in your own backyard. This is a book about magic as old as our knowledge of plants, an art anyone can practice and enjoy. It is the magic of amulets and charms; sachets and herbal pillows; incenses; and scented oils, infusions, and anointments. The herbs are easy to find in stores, the wild, or in your own garden. Their uses are endless: as aids to psychic vision, for protection, and for arousing passion and maintaining health and happiness. Selling Features -Contains an encyclopedia of 118 major herbs, with astrological and planetary rulership, vibrational level, folk and technical names, magical powers, and special uses-Written by the author of La casa magica; Enciclopedia de cristales, gemas y metales magicos; Enciclopedia de las hierbas magicas; Inciensos, aceites e infusiones; Poderes terrenales; Que es la wicca?; Suenos divinos; and La verdad sobre la brujeria

Poison Prescriptions is a stunningly illustrated grimoire of some of the most notorious plants: henbane, datura, belladonna, among others. It is also a practical guide to plant magic, medicine and ritual, offering advice to professional and home herbalists, to those interested in forgotten lore and the old ways, and to all those who wish to reclaim control of their own wellbeing. This book urges the resurrection of the ancient tradition of using these witching herbs in ritual and medicine. Now is the time to relink magic and medicine in the context of modern herbalism and contemporary witchcraft. Discover: Safe ways of interacting with the witching herbs to usher in wellbeing and healing. Practical activities ranging from meditations and folklore writing to wreath making and beer brewing. Step-by-step instructions to creating the powerful witches' Flying Ointment and using it in ritual, sex magic and lucid dreaming.

The Salem witch hunt of 1692 is among the most infamous events in early American history; however, it was not the only such episode to occur in New England that year. Escaping Salem reconstructs the "other witch hunt" of 1692 that took place in Stamford, Connecticut. Concise and accessible, the book takes students on a revealing journey into the mental world of early America, shattering the stereotype of early New Englanders as quick to accuse and condemn.
Drawing on eyewitness testimony, Richard Godbeer tells the story of Kate Branch, a seventeen-year-old afflicted by strange visions and given to blood-chilling wails of pain and fright. Branch accused several women of bewitching her, two of whom were put on trial for witchcraft. Escaping Salem takes us inside the Connecticut courtroom and into the minds of the surprisingly skeptical Stamford townspeople. Were the pain and screaming due to natural or supernatural causes? Was Branch simply faking the symptoms? And if she was indeed bewitched, why believe her specific accusations, since her information came from demons who might well be lying? For the judges, Godbeer shows, the trial was a legal thicket. All agreed that witches posed a real and serious threat, but proving witchcraft (an invisible crime) in court was another matter. The court in Salem had become mired in controversy over its use of dubious evidence. In an intriguing chapter, Godbeer examines Magistrate Jonathan Selleck's notes on how to determine the guilt of someone accused of witchcraft, providing an illuminating look at what constituted proof of witchcraft at the time. The stakes were high--if found guilty, the two accused women would be hanged.
In the afterword, Godbeer explains how he used the trial evidence to build his narrative, offering an inside perspective on the historian's craft. Featuring maps, photos, and a selected bibliography, Escaping Salem is ideal for use in undergraduate U.S. survey courses. It can also be used for courses in colonial American history, culture, and religion; witchcraft in the early modern world; and crime and society in early America.

In this provocative book, Marla Segol explores the development of the kabbalistic cosmology underlying Western sex magic. Drawing extensively on Jewish myth and ritual, Segol tells the powerful story of the relationship between the divine and the human body in late antique Jewish esotericism, in medieval kabbalah, and in New Age ritual practice. Kabbalah and Sex Magic traces the evolution of a Hebrew microcosm that models the powerful interaction of human and divine bodies at the heart of both kabbalah and some forms of Western sex magic. Focusing on Jewish esoteric and medical sources from the fifth to the twelfth century from Byzantium, Persia, Iberia, and southern France, Segol argues that in its fully developed medieval form, kabbalah operated by ritualizing a mythos of divine creation by means of sexual reproduction. She situates in cultural and historical context the emergence of Jewish cosmological models for conceptualizing both human and divine bodies and the interactions between them, arguing that all these sources position the body and its senses as the locus of culture and the means of reproducing it. Segol explores the rituals acting on these models, attending especially to their inherent erotic power, and ties these to contemporary Western sex magic, showing that such rituals have a continuing life. Asking questions about its cosmology, myths, and rituals, Segol poses even larger questions about the history of kabbalah, the changing conceptions of the human relation to the divine, and even the nature of religious innovation itself. This groundbreaking book will appeal to students and scholars of Jewish studies, religion, sexuality, and magic.

This book gives the beginner and experienced practitioner alike a modern, 21st century view into the powerful and often misunderstood magical current called 'Chaos Magick'. Written in a clear and easily accessible style it examines the theory behind many techniques used in magical, artistic, religious and scientific systems of thought; then links and applies them towards desired goals. Separated into two volumes the book can be used by the reader as a workbook with rituals, techniques and exercises to be followed, as a window into contemporary magical thought at the turn of the century or simply as a rollercoaster of a good read! However you choose to use it, this book will leave you feeling positive, inspired and ready to apply any of the methods presented to your own life.