Connect to the magic of the world around you for healing, empowerment and self-care Nature is filled with hidden, elusive energies: the growth spirals of sunflowers, the electromagnetic spectrum of rainbows, the bio-energy of trees and the sound waves of thunder. Working with the potent energy of nature's bounty, you will learn to nurture and embrace your inner guardian witch through spell work. Brimming with rituals, wishes and enchantments to encourage spiritual growth, abundance and prosperity, and featuring beautiful illustrations from the author, this book is an illuminating guide to harnessing the earth's power for personal reflection. It reveals how magic can be used as a reciprocal force for good that protects and promotes our well-being, as well as that of our planet. The Little Book of Earth Magic is for those who seek to form a meaningful connection with nature and take their spiritual practice to a new level.

With his philosophical and scientific training, Steiner brought a new systematic discipline to the field of spiritual research, allowing for fully conscious methods and comprehensive results. A natural seer, he cultivated his spiritual vision to a high degree, enabling him to speak with authority on previously veiled mysteries.

The Zohar is the great medieval compendium of Jewish esoteric and mystical teaching, and the basis of the kabbalistic faith. It is, however, a notoriously difficult text, full of hidden codes, concealed meanings, obscure symbols, and ecstatic expression. This illuminating study, based upon the last several decades of modern Zohar scholarship, unravels the historical and intellectual origins of this rich text and provides an excellent introduction to its themes, complex symbolism, narrative structure, and language. A Guide to the Zohar is thus an invaluable companion to the Zohar itself, as well as a useful resource for scholars and students interested in mystical literature, particularly that of the west, from the Middle Ages to the present.

Film is a kind of magic, a world of shadows and light, where anything is possible and the dead come back to life. Film can persuade us to believe in anything and special effects can work miracles. It is therefore the perfect medium for expressing occult phenomena, and since the beginnings of cinema history, film has done just that. Movie Magick explores the way in which films have been inspired by Alesiter Crowley's famous definition of "Magick" as "the Science and Art of causing Change to occur in conformity with Will." This naturally encompasses classic occult movies, such as Hammer's adaptations of Dennis Wheatley's The Devil Rides Out, but also ventures further afield into the cultural background of the modern occult revival, exploring the way in which occult movies have responded to the esthetics of fin de siecle decadence, the symbolist writings of Villiers de l'Isle Adam, Wagnerian music drama, the Faust legend, the pseudo-science of Theosophy, the occult psychedelia of the 1960s, occult conspiracy theories and some of the more arcane aspects of animation. The result is a cinematic grimoire, which will appeal to both sorcerers and apprentices of movie magick.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.
The volume challenges presumed associations of women and magic by probing the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.
By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates gendered stereotypes that are as relevant now as for understanding antiquity or the early modern witch hunts.

This book will guide you if you wish to read more about hedge witchcraft as a pathway, or are already following such a path and wish to progress. It only has a little about hedge riding as this book has too small a scope to include it. Please read the accompanying book in the Pagan Portal series, Hedge Riding.

Magic, miracles, daemonology, divination, astrology, and alchemy were the arcana mundi, the "secrets of the universe," of the ancient Greeks and Romans. In this path-breaking collection of Greek and Roman writings on magic and the occult, Georg Luck provides a comprehensive sourcebook and introduction to magic as it was practiced by witches and sorcerers, magi and astrologers, in the Greek and Roman worlds.

In this new edition, Luck has gathered and translated 130 ancient texts dating from the eighth century BCE through the fourth century CE. Thoroughly revised, this volume offers several new elements: a comprehensive general introduction, an epilogue discussing the persistence of ancient magic into the early Christian and Byzantine eras, and an appendix on the use of mind-altering substances in occult practices. Also added is an extensive glossary of Greek and Latin magical terms.

In Arcana Mundi Georg Luck presents a fascinating -- and at times startling -- alternative vision of the ancient world. "For a long time it was fashionable to ignore the darker and, to us, perhaps, uncomfortable aspects of everyday life in Greece and Rome," Luck has written. "But we can no longer idealize the Greeks with their 'artistic genius' and the Romans with their 'sober realism.' Magic and witchcraft, the fear of daemons and ghosts, the wish to manipulate invisible powers -- all of this was very much a part of their lives."

Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates." "But with "In the Company of Demons," the world's leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies.
Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, we find that these spirits or demons speak through their sudden and striking appearances--their very bodies seen as metaphors to be interpreted. The form of the body, Maggi explains, relies on the spirits' knowledge of their human interlocutors' pasts. But their core trait is compassion, and sometimes their odd, eerie arrivals are seen as harbingers or warnings to protect us. It comes as no surprise then that when spiritual beings distort the natural world to communicate, it is vital that we begin to listen.

In the living room of a London flat, a man stands naked and blindfolded. His wrists are bound together behind his back with red cord, which is looped round his neck and holds his arms up to make a triangle. A white cord is tied round his right ankle. What do witches do? What is it like to be a witch? Experience the process through the eyes of Stewart Farrar, author, journalist and witch, as he describes in detail in this new paperback edition for 2021 the activities and practices of modern-day witches. Principles of healing and clairvoyance as well as rituals, invocations and initial rites are covered in depth as Farrar accompanies the reader into the personal life of his own coven.

"The Gates of the Necronomicon" is another important and invaluable companion book to the Necro. To properly utilise the magick of the Necro, an occultist must decipher the deep complex world that the Mad Arab describes, and for many a reader, the complexity and nuance are overwhelming. Here Simon gives a detailed and compelling history of the importance of the constellations, especially the Big Dipper - the Bear constellation. Ancient cultures from Asia, Africa and South America all have myths that point to the importance of the Bear constellation, and Simon convincingly argues that this universal acknowledgment suggests that this constellation is deeply rooted in the origin of the human race. Hence the importance of the location of the Bear constellation in the night sky for the efficacy of the spells found in the Necro. This book will be an invaluable resource for practitioners of the occult for years to come.

Universities And The Occult Rituals Of The Corporate World explores the metaphorical parallels between corporatised, market-oriented universities and aspects of the occult. In the process, the book shows that the forms of mystery, mythmaking and ritual now common in restructured institutions of higher education stem from their new power structures and procedures, and the economic and sociopolitical factors that have generated them.

Wood argues that universities have acquired occult aspects, as the beliefs and practices underpinning present-day market-driven academic discourse and practice weave spells of corporate potency, invoking the bewildering magic of the market and the arcane mysteries of capitalism, thriving on equivocation and evasion. Making particular reference to South African universities, the book demonstrates the ways in which apparently rational features of contemporary Western and westernised societies have acquired occult aspects. It also includes discussion of higher education institutions in other countries where neoliberal economic agendas are influential, such as the UK, the USA, the Eurozone states and Australia.

Providing a unique and thought-provoking look at the impact of the marketisation of Higher Education, this book will be essential reading for academics, researchers and postgraduate students engaged in the study of higher education, educational policy and neoliberalism. It should also be of great interest to academics in the fields of anthropology, folklore and cultural studies, as well as business, economics and management.

Suppose you could ask God the most puzzling questions about existence--questions about love and faith, life and death, good and evil.

Supose God provided clear, understandable answers.

It happened to Neale Donald Walsch. It can happen to you.

You are about to have a conversation.


Walsch's fascinating three-year conversation with God about every aspect of life and living began in 1992, Walsch says, when he was struggling financially and his health and relationships were suffering. Out of frustration, he composed an angry, passionate letter to God demanding to know why his life was in such turmoil. To his amazement, when he was finished, he was moved to continue writing as God answered back. The book that grew from that first experience addresses the real life issues we all face at work, at home, and out in the world, as well as the larger questions of the nature of God and his relationship to man.

How does Walsch know that God was actually talking to him? "The book contains concepts and information beyond anything I've ever thought of," says Walsch. "But more importantly, I've found out through other readers that there are hundreds of people that have had this same experience. This book has allowed them to speak out."

Walsch claims that God speaks to everyone all the time, that we're just not listening. "Have you ever been struck by a song lyric or the cover story of a magazine you suddenly pass on a newsstand that seems to answer a question you've had? Have you ever met someone for the first time and had that person mention something out of the blue that's been on your mind? Have you ever gone to church and thought the minister must have read your mail, because he seems to be talking directly to you? We often write things off to coincidence that we should give God credit for."

Magic, witches, and demons have drawn interest and fear throughout human history. In this comprehensive primary source reader, Martha Rampton traces the history of our fascination with magic and witchcraft from the first through to the seventeenth century. In over 80 readings presented chronologically, Rampton demonstrates how understandings of and reactions toward magic changed and developed over time, and how these ideas were influenced by various factors such as religion, science, and law. The wide-ranging texts emphasize social history and include early Merovingian law codes, the Picatrix, Lombard's Sentences, The Golden Legend, and A Midsummer Night's Dream. By presenting a full spectrum of source types including hagiography, law codes, literature, and handbooks, this collection provides readers with a broad view of how magic was understood through the medieval and early modern eras. Rampton's introduction to the volume is a passionate appeal to students to use tolerance, imagination, and empathy when travelling back in time. The introductions to individual readings are deliberately minimal, providing just enough context so that students can hear medieval voices for themselves.

Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought? In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths' workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe's literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India. Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history.