Histories you can trust. This history provides a readable and fresh approach to the extensive and complex story of witchcraft and magic. Telling the story from the dawn of writing in the ancient world to the globally successful Harry Potter films, the authors explore a wide range of magical beliefs and practices, the rise of the witch trials, and the depiction of the Devil-worshipping witch. The book also focuses on the more recent history of witchcraft and magic, from the Enlightenment to the present, exploring the rise of modern magic, the anthropology of magic around the globe, and finally the cinematic portrayal of witches and magicians, from The Wizard of Oz to Charmed and Buffy the Vampire Slayer.

How can we account, in a rigorous way, for alchemy's ubiquity? We think of alchemy as the transformation of a base material (usually lead) into gold, but "alchemy" is a word in wide circulation in everyday life, often called upon to fulfill a metaphoric duty as the magical transformation of materials. Almost every culture and time has had some form of alchemy. This book looks at alchemy, not at any one particular instance along the historical timeline, not as a practice or theory, not as a mode of redemption, but as a theoretical problem, linked to real gold and real production in the world. What emerges as the least common denominator or "intensive property" of alchemy is ambivalence, the impossible and paradoxical coexistence of two incompatible elements. "Alchemical Mercury" moves from antiquity, through the golden age of alchemy in the Dutch seventeenth century, to conceptual art, to alternative fuels, stopping to think with writers such as Dante, Goethe, Hoffmann, the Grimm Brothers, George Eliot, and Marx. Eclectic and wide-ranging, this is the first study to consider alchemy in relation to literary and visual theory in a comprehensive way.

This book presents the story of a unique collection of 140 manuscripts of 'learned magic' that was sold for a fantastic sum within the clandestine channels of the German book trade in the early eighteenth century. The book will interpret this collection from two angles - as an artefact of the early modern book market as well as the longue-duree tradition of Western learned magic -, thus taking a new stance towards scribal texts that are often regarded as eccentric, peripheral, or marginal. The study is structured by the apparent exceptionality, scarcity, and illegality of the collection, and provides chapters on clandestine activities in European book markets, questions of censorship regimes and efficiency, the use of manuscripts in an age of print, and the history of learned magic in early modern Europe. As the collection has survived till this day in Leipzig University Library, the book provides a critical edition of the 1710 selling catalogue, which includes a brief content analysis of all extant manuscripts. The study will be of interest to scholars and students from a variety of fields, such as early modern book history, the history of magic, cultural history, the sociology of religion, or the study of Western esotericism.

Witches are on the go! If we are not living out our day-to-day lives, balancing home life and work, we're organizing rituals and keeping track of spells. The Hectic Witch's Planner is a journal-style planner that not only helps you keep track of appointments and important dates but encourages you to plan out your long-term goals, your rituals and even helps you pause and reflect with journal prompts. This is a planner for witches built by some of the busiest witches around.

This 280-page 12 month weekly-planner is filled with journal prompts, planting guides, holiday information, moon phases, along with monthly suggestions to help you try new witchy things! Full-color with bound pages, you can keep this book in your bag or tote without worrying about pages loosening and falling out like in classic spiral-bound planners. We do not have time for pages falling out. We weren't kidding when we said this is for busy witches!

Telepathy, thought transference, unconscious communication. While some important early psychological theorists such as William James, Frederic W. H. Myers and Sigmund Freud all agreed that the phenomenon exists, their theoretical approaches to it were very different. James's and Myers's interpretations of and experimental investigations into telepathy or thought transference were an inextricable part of their psychical researches. Freud's insistence on the reality of thought transference had nothing to do with psychical research or paranormal phenomena, which he largely repudiated. Thought transference for Freud was located in a theory of the unconscious that was radically different from the subliminal mind embraced by James and Myers. Today thought transference is most commonly described as unconscious communication but was largely ignored by subsequent generations of psychoanalysts until most recently. Nonetheless, the recognition of unconscious communication has persisted as a subterranean, quasi-spiritual presence in psychoanalysis to this day. As psychoanalysis becomes more interested in unconscious communication and develops theories of loosely boundaried subjectivities that open up to transcendent dimensions of reality, it begins to assume the features of a religious psychology. Thus, a fuller understanding of how unconscious communication resonates with mystical overtones may be more deeply clarified, articulated and elaborated in contemporary psychoanalysis in an explicit dialogue with psychoanalytically literate scholars of religion. In Legacies of the Occult Marsha Aileen Hewitt argues that some of the leading theorists of unconscious communication represent a 'mystical turn' that is infused with both a spirituality and a revitalized interest in paranormal experience that is far closer to James and Myers than to Freud.

Who is Lucifer? The orthodox Christian view tells us that he challenged God, fell from Heaven, tempted Eve and created death and suffering. Then he became Satan, horned king of Hell. Yet as Lynn Picknett explains, Devil was only a new incarnation of the old woodland deity Pan, while Lucifer was a personification of the Morning Star, the planet Venus and its goddess. 'He' was therefore originally 'she', and a divine representation of love, beauty and human warmth. Indeed, many ancient goddesses were known as Lucifera, or 'Light-bringer' - an honour extended to Mary Magdalene in her true role as goddess-worshipping priestess and Christ's successor. While thousands follow Lucifer in order to achieve earthly wealth and power, Picknett explains that such misguided behaviour is far from true Luciferan principles - the audacious pushing ever outwards of the limits of human knowledge, startlingly exemplified by the little-known heresies of Leonardo da Vinci. Ironically, controversial modern scientists, who see no proof of a God, much less of a Devil, may possess the key to the existence of the old archetypal adversaries.; Urging a radical shift in both religious and scientific paradigms, Pi

Find a penny, pick it up All day long you'll have good luck Whether hopping over cracks, saluting magpies or knocking on wood, we all seek good fortune through performing curious rituals. But is there ancient wisdom behind the folklore of superstition? In this exquisitely illustrated tour through thousands of years of tradition, Willow Winsham explores the mysterious origins behind 100 of the most intriguing superstitions from across the globe.

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

This is the first systematic exploration of the intriguing connections between Victorian physical sciences and the study of the controversial phenomena broadly classified as psychic, occult and paranormal. These phenomena included animal magnetism, spirit-rapping, telekinesis and telepathy. Richard Noakes shows that psychic phenomena interested far more Victorian scientists than we have previously assumed, challenging the view of these scientists as individuals clinging rigidly to a materialistic worldview. Physicists, chemists and other physical scientists studied psychic phenomena for a host of scientific, philosophical, religious and emotional reasons, and many saw such investigations as exciting new extensions to their theoretical and experimental researches. While these attempted extensions were largely unsuccessful, they laid the foundations of modern day explorations of the connections between physics and psychic phenomena. This revelatory study challenges our view of the history of physics, and deepens our understanding of the relationships between science and the occult, and science and religion.

Based on perhaps the richest surviving archive of witchcraft trials to be found in Europe, The Witches of Lorraine reveals the extraordinary stories held within those documents. They paint a vivid picture of life amongst the ordinary people of a small duchy on the borders of France and the Holy Roman Empire, and allow a very close analysis of the beliefs, social tensions, and behavior patterns underlying popular attitudes to witchcraft.
Intense persecution occurred in the period 1570-1630, but the focus of this book is more on how suspects interacted with their neighbors over the years preceding their trials. One of the mysteries is why people were so slow to use the law to eliminate these supposedly vicious and dangerous figures. Perhaps the most striking and unexpected conclusion is that witchcraft was actually perceived as having strong therapeutic possibilities; once a person was identified as the cause of a sickness, they could be induced to take it off again. Other aspects studied include the more fantastic beliefs in sabbats, shapeshifting, and werewolves, the role of the devins or cunning-folk, and the characteristics attributed to the significant proportion of male witches. This regional study makes a vital contribution to historical understanding of one of the most dramatic phenomena in early modern Europe, and to witchcraft studies as a whole, as well as illuminating related topics in social and religious history.

Offers a full introduction to and survey of runes and runology: their history, how they were used, and their interpretation. Runes, often considered magical symbols of mystery and power, are in fact an alphabetic form of writing. Derived from one or more Mediterranean prototypes, they were used by Germanic peoples to write different kinds of Germanic language, principally Anglo-Saxon and the various Scandinavian idioms, and were carved into stone, wood, bone, metal, and other hard surfaces; types of inscription range from memorials to the dead, through Christian prayers and everyday messages to crude graffiti. First reliably attested in the second century AD, runes were in due course supplanted by the roman alphabet, though in Anglo-Saxon England they continued in use until the early eleventh century, inScandinavia until the fifteenth (and later still in one or two outlying areas). This book provides an accessible, general account of runes and runic writing from their inception to their final demise. It also covers modern uses of runes, and deals with such topics as encoded texts, rune names, how runic inscriptions were made, runological method, and the history of runic research. A final chapter explains where those keen to see runic inscriptions can most easily find them. Professor MICHAEL P, BARNES is Emeritus Professor of Scandinavian Studies, University College London.

The Routledge History of Witchcraft is a comprehensive and interdisciplinary study of the belief in witches from antiquity to the present day, providing both an introduction to the subject of witchcraft and an overview of the on-going debates. This extensive collection covers the entire breadth of the history of witchcraft, from the witches of Ancient Greece and medieval demonology through to the victims of the witch hunts, and onwards to children's books, horror films, and modern pagans. Drawing on the knowledge and expertise of an international team of authors, the book examines differing concepts of witchcraft that still exist in society and explains their historical, literary, religious, and anthropological origin and development, including the reflections and adaptions of this belief in art and popular culture. The volume is divided into four chronological parts, beginning with Antiquity and the Middle Ages in Part One, Early Modern witch hunts in Part Two, modern concepts of witchcraft in Part Three, and ending with an examination of witchcraft and the arts in Part Four. Each chapter offers a glimpse of a different version of the witch, introducing the reader to the diversity of witches that have existed in different contexts throughout history. Exploring a wealth of texts and case studies and offering a broad geographical scope for examining this fascinating subject, The Routledge History of Witchcraft is essential reading for students and academics interested in the history of witchcraft.

Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music.

This is the first book to examine extensively the religious aspects of Chinese alchemy. Its main focus is the relation of alchemy to the Daoist traditions of the early medieval period (third to sixth centuries). It shows how alchemy contributed to and was tightly integrated into the elaborate body of doctrines and practices that Daoists built at that time, from which Daoism as we know it today evolved. The book also clarifies the origins of Chinese alchemy and the respective roles of alchemy and meditation in self-cultivation practices. It contains full translations of three important medieval texts, all of them accompanied by running commentaries, making available for the first time in English the gist of the early Chinese alchemical corpus.

First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.

A complete introduction to modern magic and witchcraft with spells and incantations for love, happiness, and success. The Practical Witch's Spell Book is an enchanting handbook for anyone with a penchant for the magical and who wants to add joy to their daily life. To practice witchcraft is to be purposeful whether it's to help heal, bring about prosperity, imbue your home with positivity, or even to fall in love. To be a practical witch is to tap into an inner place of intention, energy, and magic to bring about positive change in your life and those of your loved ones. With life's increasingly frenetic pace, a magical approach to living is more important now than ever. In this must-have guide for spell-casters of all levels you will find hundreds of spells, blessings, and incantations for love and romance, contentment and happiness, success and prosperity, health and healing, work and vocation, and money and wealth, all to enrich your mind and spirit, and to improve your life and the world around you. Also included are ritual resources, magical correspondences, lucky colors and numbers, moon spells, and all the essential tools you need for making magic.

In this major new book, Wolfgang Behringer surveys the phenomenon of witchcraft past and present. Drawing on the latest historical and anthropological findings, Behringer sheds new light on the history of European witchcraft, while demonstrating that witch-hunts are not simply part of the European past. Although witch-hunts have long since been outlawed in Europe, other societies have struggled with the idea that witchcraft does not exist. As Behringer shows, witch-hunts continue to pose a major problem in Africa and among tribal people in America, Asia and Australia. The belief that certain people are able to cause harm by supernatural powers endures throughout the world today.

Wolfgang Behringer explores the idea of witchcraft as an anthropological phenomenon with a historical dimension, aiming to outline and to understand the meaning of large-scale witchcraft persecutions in early modern Europe and in present-day Africa. He deals systematically with the belief in witchcraft and the persecution of witches, as well as with the process of outlawing witch-hunts. He examines the impact of anti-witch-hunt legislation in Europe, and discusses the problems caused in societies where European law was imposed in colonial times. In conclusion, the relationship between witches old and new is assessed.

This book will make essential reading for all those interested in the history and anthropology of witchcraft and magic.

Isaac Luria (1534-1572) is one of the most extraordinary and influential mystical figures in the history of Judaism, a visionary teacher who helped shape the course of nearly all subsequent Jewish mysticism. Given his importance, it is remarkable that this is the first scholarly work on him in English. Most studies of Lurianic Kabbalah focus on Luria's mythic and speculative ideas or on the ritual and contemplative practices he taught. The central premise of this book is that Lurianic Kabbalah was first and foremost a lived and living phenomenon in an actual social world. Thus the book focuses on Luria the person and on his relationship to his disciples. What attracted Luria's students to him? How did they react to his inspired and charismatic behavior? And what roles did Luria and his students see themselves playing in their collective quest for repair of the cosmos and messianic redemption?

Gender at stake critiques historians' assumptions about witch-hunting as well as their explanations for this complex and perplexing phenomenon. The authors insist on the centrality of gender, tradition and ideas about witches in the construction of the witch as a dangerous figure. They challenge the marginalisation of male witches by feminist and other historians. The book shows that large numbers of men were accused of witchcraft in their own right, in some regions, more men were accused than women. The authors analyse ideas about witches and witch prosecution as gendered artefacts of patriarchal societies under which both women and men suffered. They challenge recent arguments and current orthodoxies by applying crucial insights from feminist scholarship on gender to a selection of statistical arguments, social-historical explanations, traditional feminist history and primary sources, including trial records and demonological literature. The authors assessment of current orthodoxies concerning the causes and origins of witch-hunting will be of particular interest to scholars and students in undergraduate and graduate courses in early modern history, religion, culture, gender studies and methodology.

'Romance, mystery, and a family curse - The Ladies of the Secret Circus has it all' Popsugar From the author of A Witch in Time comes a magical story spanning from Jazz Age Paris to modern-day America of family secrets, sacrifice, and lost love set against the backdrop of a mysterious circus. Perfect for fans of The Night Circus and The Invisible Life of Addie LaRue. The surest way to get a ticket to Le Cirque Secret is to wish for it . . . Paris, 1925: To enter the Secret Circus is to enter a world of wonder - a world where women weave illusions, carousels take you back in time, and trapeze artists float across the sky. Bound to her family's circus, it's the only world Cecile Cabot knows until she meets a charismatic young painter and embarks on a passionate affair that could cost her everything. Virginia, 2004: Lara Barnes is on top of the world, but when her fiance disappears on their wedding day every plan she has for the future comes crashing down. Desperate, Lara's search for answers unexpectedly lead to her great-grandmother's journals. Swept into a story of a dark circus and ill-fated love, secrets about Lara's family history come to light and reveal a curse that has been claiming payment from the women in her family for generations. A curse that might be tied to her fiance's mysterious fate . . . Why readers love The Ladies of the Secret Circus . . . 'A spellbinding historical fantasy . . . Fans of Erin Morgenstern's The Night Circus will love this page-turning story of dark magic, star-crossed love, and familial sacrifice' Publishers Weekly (starred review) 'At times decadent and macabre, The Ladies of the Secret Circus is a mesmerizing tale of love, treachery, and depraved magic percolating through four generations of Cabot women' Luanne G. Smith, author of The Vine Witch 'Ambitious and teeming with magic, Sayers creates a fascinating mix of art, The Belle Epoque, and more than a little murder' Erika Swyler, author of The Book of Speculation 'The Ladies of the Secret Circus is a dazzling tale, laced with sinister magic, blood and beauty, love and loss. This is a book that will haunt you long after the last page is turned' Alyssa Palombo, author of The Spellbook of Katrina Van Tassel 'Spellbinding. The Ladies Of The Secret Circus is a dazzling, high-wire feat of storytelling' Catherine Taylor, author of Beyond the Moon 'The Ladies of the Secret Circus is a book to get lost in' BookPage