Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates." "But with "In the Company of Demons," the world's leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies.
Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, we find that these spirits or demons speak through their sudden and striking appearances--their very bodies seen as metaphors to be interpreted. The form of the body, Maggi explains, relies on the spirits' knowledge of their human interlocutors' pasts. But their core trait is compassion, and sometimes their odd, eerie arrivals are seen as harbingers or warnings to protect us. It comes as no surprise then that when spiritual beings distort the natural world to communicate, it is vital that we begin to listen.

In Colonial Transactions Florence Bernault moves beyond the racial divide that dominates colonial studies of Africa. Instead, she illuminates the strange and frightening imaginaries that colonizers and colonized shared on the ground. Bernault looks at Gabon from the late nineteenth century to the present, historicizing the most vivid imaginations and modes of power in Africa today: French obsessions with cannibals, the emergence of vampires and witches in the Gabonese imaginary, and the use of human organs for fetishes. Struggling over objects, bodies, agency, and values, colonizers and colonized entered relations that are better conceptualized as "transactions." Together they also shared an awareness of how the colonial situation broke down moral orders and forced people to use the evil side of power. This foreshadowed the ways in which people exercise agency in contemporary Africa, as well as the proliferation of magical fears and witchcraft anxieties in present-day Gabon. Overturning theories of colonial and postcolonial nativism, this book is essential reading for historians and anthropologists of witchcraft, power, value, and the body.

Magic and Medieval Society presents a thematic approach to the topic of magic and sorcery in Western Europe between the eleventh and the fifteenth century. It aims to provide readers with the conceptual and documentary tools to reach informed conclusions as to the existence, nature, importance and uses of magic in medieval society. Contrary to some previous approaches, the authors argue that magic is inextricably connected to other areas of cultural practice and was found across medieval society. Therefore, the book is arranged thematically, covering topics such as the use of magic at medieval courts, at universities and within the medieval Church itself. Each chapter and theme is supported by additional documents, diagrams and images to allow readers to examine the evidence side-by-side with the discussions in the chapters and to come to informed conclusions on the issues. This book puts forward the argument that the witch craze was not a medieval phenomenon but rather the product of the Renaissance and the Reformation, and demonstrates how the components for the early-modern prosecution of witches were put into place. This new Seminar Study is supported by a comprehensive documents section, chronology, who's who and black-and-white plate section. It offers a concise and thought-provoking introduction for students of medieval history.

2013 Reprint of 1906 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Three Volumes bound into one. Volume contents are: Vol. 1. Prolegomena. -- Vol. 2. Sermons. -- Vol. 3. Excerpts and fragments This work exemplifies all that is best in Mead's dedicated, scholarly, but eminently readable studies of the spiritual roots of Christian Gnosticism and, more generally, of personal religion in the Greco-Roman world. His work encompassed much more than this; Mead was equally at home with Sanskrit texts, Patristic literature, Buddhist thought, and the problems of contemporary philosophy and psychical research. He devoted his intellectual energy to the complex interplay of Gnosticism, Hellenism, Judaism, and Christianity. This three volume set presents his insights into the formation of the Gnostic world-view and establishes him as an outstanding translator of these Hermetic books, and as the first modern scholar of Gnostic tradition.

This book is an analysis of witchcraft and witch hunting as they appeared in southwestern Germany in the sixteenth and seventeenth centuries. Starting from a short analysis of some basic problems in the interpretation of European witchcraft, it proceeds to a study of the shifting denominational views regarding witches and the growth of Catholic orthodoxy. That theoretical vantage yields insight into the patterns in time, space, and confession that characterized all witch hunts in the German Southwest. There follows a narrative analysis of the largest witch hunts and the general crisis of confidence they produced. Analysis is complemented by a summary of what is known about the people accused of witchcraft, as well as an examination of the popular suspicion directed toward old women at the start of most panics and the breakdown of this stereotype as the panics progressed.

The 'Grimoire of Pope Honorius' is the first and most important of the French 'black magic' grimoires which proliferated across Europe in the 17th-19th centuries. Combining a grimoire of conjurations to demons of the four directions and seven days of the week with a Book of Secrets full of simple charms, the 'Grimoire of Pope Honorius' was second only to the Key of Solomon in the influence it exerted on magicians, charmers and cunning-folk in both rural and urban France. 'The Complete Grimoire of Pope Honorius' contains material translated from all four of the different French editions of the 'Grimoire of Pope Honorius'.

Perfect for Hallowe'en: haunting accounts of real-life exorcisms through the centuries, from ancient Egypt and the biblical Middle East to colonial America and twentieth-century South Africa Levitation. Feats of superhuman strength. Speaking in tongues. A hateful, glowing stare. The signs of spirit possession have been documented for thousands of years and across religions and cultures, even into our own time. Unsettling and chilling, The Penguin Book of Exorcisms brings together the most astonishing accounts: Saint Anthony set upon by demons in the form of a lion, a bull and a panther, who are no match for his devotion and prayer; the Prophet Muhammad casting an enemy of God out of a young boy; fox spirits in medieval China and Japan; a headless bear assaulting a woman in sixteenth-century England; the possession of an entire convent of Ursuline nuns in a French town; a Zulu woman who daily floated to a height of five feet; the exorcism in Earling, Iowa, in 1928 that inspired the film The Exorcist; a Filipina girl 'bitten by devils'; and a rare example of a priest's letter requesting permission of a bishop to perform an exorcism - after witnessing a boy walk backwards up a wall. . .

'I really enjoyed this read. It was well written with a captivating storyline and well developed characters . . . [An] evocative and tender book . . . everyone who reads it will be enchanted like I was' reader review 'Propulsive and poignant, Black Candle Women concocts an intoxicating potion of warmth, wisdom, and wonder. This gorgeous debut novel is a sweepingly fashioned love story where romance and rebellion intertwine with fear and family. And the stakes are epic. I was completely and gladly under Ms. Brown's spell' AVA DUVERNAY 'A big-hearted debut, with complex, flawed, and compelling characters I was rooting for every step of the way' E.M. TRAN 'Richly imagined and elegantly told, with plenty of satisfying secrets, heartaches, and twists' SADEQA JOHNSON 'A spellbinding romp. The Montrose women will have you clutching your pearls on this rollercoaster of a debut' CAROLYN HUYNH 'Written with warmth and an eye for detail, Diane Marie Brown's Black Candle Women explores the bonds of family and the magical power of belief to transform our lives' SHAUNA J. EDWARDS & ALYSON RICHMAN 'Black Candle Women is a compassionate novel about motherhood, sisterhood, independence, and the reflection and forgiveness required to break generational curses' DE'SHAWN CHARLES WINSLOW 'Brown deftly portrays an insular family of women in all of its complicated glory . . . The spiritual angle gives this powerful family drama a magical twist that will delight readers' BOOKLIST (starred review) 'Black Candle Women is a bold and tender story about three generations of women each attempting to find their way amidst the gifts and curses they've inherited . . . This novel is a wondrous celebration of womanhood' CLEYVIS NATERA ************************************* 'All of you are cursed, you hear me? An ugly death for the ones with whom you fall in love' For generations, the Montrose women have lived alone with their secrets, their delicate peace depending on the unspoken bond that underpins their family life - Voodoo and hoodoo magic, and a decades-old curse that will kill anyone they fall for. When seventeen-year-old Nickie Montrose brings home a boy for the first time, this careful balance is thrown into disarray. For the other women have been keeping the curse from Nickie, and revealing it means that they must reckon with their own choices and mistakes. As new truths emerge, the Montrose women are set on a collision course that echoes back to New Orleans' French Quarter, where a crumbling book of spells may hold the answers that all of them have been looking for... Rich in its sense of character and place, Black Candle Women is a haunting and magical debut from a talented new storyteller. ************************************* Early readers are LOVING Black Candle Women! 'I LOVED IT SO SO MUCH. Magic? A cursed family tree? Badass women? This was an adventure from start to finish and it was my pleasure to read' 'What a fascinating story about some amazing women. I was caught on page one and stayed captivated until the very end. Bravo!!' 'This book was amazing from start to finish. I was so captivated by each of the characters' 'I was invested from the first page and really loved these characters and their story'

"A pioneer work in . . . the sexual structuring of society. This is not just another book about witchcraft."--Edmund S. Morgan, Yale University

Confessing to "Familiarity with the Devils," Mary Johnson, a servant, was executed by Connecticut officials in 1648. A wealthy Boston widow, Ann Hibbens, was hanged in 1656 for casting spells on her neighbors. In 1662, Ann Cole was "taken with very strange Fits" and fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events in Salem took place.

More than three hundred years later the question still haunts us: Why were these and other women likely witches? Why were they vulnerable to accusations of witchcraft? In this work Carol Karlsen reveals the social construction of witchcraft in seventeenth-century New England and illuminates the larger contours of gender relations in that society.

"A remarkable achievement. The 'witches' come alive in this book, not as stereotypes, but as real women living in a society that suspected and feared their independence and combativeness."--Mary Beth Norton, Mary Donlon Alger Professor of American History, Cornell University

In the middle of the fourteenth century, the Franciscan friar John of Rupescissa sent a dramatic warning to his followers: the last days were coming; the apocalypse was near. Deemed insane by the Christian church, Rupescissa had spent more than a decade confined to prisons--in one case wrapped in chains and locked under a staircase--yet ill treatment could not silence the friar's apocalyptic message. Religious figures who preached the end times were hardly rare in the late Middle Ages, but Rupescissa's teachings were unique. He claimed that knowledge of the natural world, and alchemy in particular, could act as a defense against the plagues and wars of the last days. His melding of apocalyptic prophecy and quasi-scientific inquiry gave rise to a new genre of alchemical writing and a novel cosmology of heaven and earth. Most important, the friar's research represented a remarkable convergence between science and religion. In order to understand scientific knowledge today, Leah DeVun asks that we revisit Rupescissa's life and the critical events of his age--the Black Death, the Hundred Years' War, the Avignon Papacy--through his eyes. Rupescissa treated alchemy as medicine (his work was the conceptual forerunner of pharmacology) and represented the emerging technologies and views that sought to combat famine, plague, religious persecution, and war. The advances he pioneered, along with the exciting strides made by his contemporaries, shed critical light on later developments in medicine, pharmacology, and chemistry.

Many of the herbal and magical practices of the Scots are echoed in traditional Norwegian folk medicine and magic. This is a valuable resource book not only for the serious folklorist, but also for a wider audience interested in a deeper look at rural Scottish practices. Ms. Hopman has done an amazing amount of research, and her Scottish herbalism section is far more detailed than I've seen elsewhere. A "must have" for the northern European folklorist's library.
Jane T. Sibley, Ph.D., author of "The Hammer of the Smith" and "The Divine Thunderbolt: Missile of the Gods."
Through her books, Ellen Evert Hopman lifts the veil between worlds of the present and the past. She guides the reader on a fascinating journey to our ancient Celtic history, simultaneously restoring lost knowledge and entertaining the reader. Be prepared to be educated and delighted.
Wendy Farley, Clan McKleod
The first things is WOW Ellen Hopman has given us a volume that belongs in Harry Potter's library. This wonderful collection of enchantments, faery lore and herbal potions, is presented by a practicing herbalist and (I suspect) magician. It is a useful manual of magic, an unusual tourist guide to Scotland, certainly a delightful read, and at the very least, a comprehensive and thoroughly footnoted collection of folk lore for humorless librarians and scholars.
Matthew Wood MS (Scottish School of Herbal Medicine) Registered Herbalist (American Herbalists Guild)
Every now and again, a book emerges from the waves of occult and magical authorship that delves into the deep and ancestral waters of old magic This book is one of those rare occasions. From the lore of herbs to the blessing of stones; from avioding the elf-blast to healing through Faerie blessing - Ellen guides the reader through ancient groves of oral lore to discover a power and spirit that connects the reader to the oldest of magics, the earth and her elements. I am confident that the Scottish Ancestral Wise Ones, are renewed through this book and the old ways live once again
Orion Foxwood, Traditional Witch Elder, Conjurer in Southern Root-Doctoring and Faery Seer (www.orionfoxwood.com), author of "The Faery Teachings" (R.J. Stewart Books) and "The Tree of Enchantment" (Weiser Books).

This book analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. This project explores both the literary and the social motivations for this transformation, seeking an answer to the question, 'why did the witch become wicked?' Heidi Breuer traverses both the medieval and early modern periods and considers the way in which the representation of literary witches interacted with the culture at large, ultimately arguing that a series of economic crises in the fourteenth century created a labour shortage met by women. As women moved into the previously male-dominated economy, literary backlash came in the form of the witch, and social backlash followed soon after in the form of Renaissance witch-hunting. The witch figure serves a similar function in modern American culture because late-industrial capitalism challenges gender conventions in similar ways as the economic crises of the medieval period.

By the spring of 1645, civil war had exacted a terrible toll upon England. Disease was rife, apocalyptic omens appeared in the skies, and idolators detected in every shire. In a remote corner of Essex, two obscure gentlemen began interrogating women suspected of witchcraft, triggering the most brutal witch-hunt in English history. Witchfinders is a spellbinding study of how Matthew Hopkins, 'the Witchfinder General', and John Stearne extended their campaign across East Anglia, driven by godly zeal. Exploiting the anxiety and lawlessness of the times, and cheered on by ordinary folk, they extracted confessions of satanic pacts resulting in scores of executions.

Stephen A. Mitchell here offers the fullest examination available of witchcraft in late medieval Scandinavia. He focuses on those people believed to be able-and who in some instances thought themselves able-to manipulate the world around them through magical practices, and on the responses to these beliefs in the legal, literary, and popular cultures of the Nordic Middle Ages. His sources range from the Icelandic sagas to cultural monuments much less familiar to the nonspecialist, including legal cases, church art, law codes, ecclesiastical records, and runic spells. Mitchell's starting point is the year 1100, by which time Christianity was well established in elite circles throughout Scandinavia, even as some pre-Christian practices and beliefs persisted in various forms. The book's endpoint coincides with the coming of the Reformation and the onset of the early modern Scandinavian witch hunts. The terrain covered is complex, home to the Germanic Scandinavians as well as their non-Indo-European neighbors, the Sami and Finns, and it encompasses such diverse areas as the important trade cities of Copenhagen, Bergen, and Stockholm, with their large foreign populations; the rural hinterlands; and the insular outposts of Iceland and Greenland. By examining witches, wizards, and seeresses in literature, lore, and law, as well as surviving charm magic directed toward love, prophecy, health, and weather, Mitchell provides a portrait of both the practitioners of medieval Nordic magic and its performance. With an understanding of mythology as a living system of cultural signs (not just ancient sacred narratives), this study also focuses on such powerful evolving myths as those of "the milk-stealing witch," the diabolical pact, and the witches' journey to Blakulla. Court cases involving witchcraft, charm magic, and apostasy demonstrate that witchcraft ideologies played a key role in conceptualizing gender and were themselves an important means of exercising social control.

Ranging from the pre-Christian era to Robert Boyle and Isaac Newton at the end of the seventeenth century, this Reader covers a broad range of alchemical authors and works. Organized chronologically, it includes around thirty selections in authoritative but lightly-modernized versions. The selections will provide the reader with a basic introduction to the field and its interdisciplinary links with science and medicine, philosophy, religion, and literature and the arts.

Le Livre d'Or (The Book of Gold) is a unique 17th century French magical work comprising numerous amulets, charms, prayers, spells and sigils for working with the Biblical Book of the Psalms of King David. Written in a simple style akin to a medieval Book of Secrets combined with magical practices from the ancient world, Le Livre d'Or brings together practices which have their roots in major works from the Dead Sea Scrolls and the Cairo Genizah, to the Greek Magical Papyri and Sepher Shimmush Tehillim (Magical Use of the Psalms). Now translated into English for the first time, this exceptional text demonstrates the significance of the Psalms as a unifying and vital thread throughout the development of Western magic. From Sweden to Syria, Britain to the Baltic, the use of appropriate Psalms has spread as a significant part of popular folk and religious magic, and Le Livre d'Or is an inimitable example of the transmission of divine power through the written and spoken word. Le Livre d'Or was originally bound as part of Lansdowne MS 1202 with a 17th century French copy of the most important of grimoires, the Key of Solomon. The extensive commentary by David Rankine and Paul Harry Barron emphasises the place of the Psalms within the Grimoire tradition, detailing their extensive apotropaic, amuletic and coercive uses in works such as the Book of Abramelin, the Key of Solomon and the Goetia. The editors also illustrate how the magic of the Psalms has underlain and cross-fertilised numerous traditions over the last two thousand years, from Hellenic magicians, early Christians and Jews of the ancient world to practitioners of the medieval Grimoires and Renaissance Cunning-folk. Whether it was for benevolent or malefic results, Le Livre d'Or provided the appropriate Psalm verses and relevant techniques. This previously ignored work is an outstanding example of eminently practical magic which not only draws on such major works as the Heptameron and the Steganographia, but also many of the divine names found in the Kabbalah. From Saints to spirits, characters to Creeds, Le Livre d'Or shines forth as a significant and reclaimed chapter in the Western Esoteric Traditions.

Most scholarship on sorcery and witch-craft has narrowly focused on specific times and places, particularly early modern Europe and twentieth-century Africa. And much of that research interprets sorcery as merely a remnant of premodern traditions. Boldly challenging these views, "Sorcery in the Black Atlantic" takes a longer historical and broader geographical perspective, contending that sorcery is best understood as an Atlantic phenomenon that has significant connections to modernity and globalization. A distinguished group of contributors here examine sorcery in Brazil, Cuba, South Africa, Cameroon, and Angola. Their insightful essays reveal the way practices and accusations of witchcraft spread throughout the Atlantic world from the age of discovery up to the present, creating an indelible link between sorcery and the rise of global capitalism. Shedding new light on a topic of perennial interest, "Sorcery in the Black Atlantic" will be provocative, compelling reading for historians and anthropologists working in this growing field.

The remarkable discussions in this volume took place between Rudolf Steiner and workers at the Goetheanum, Switzerland. The varied subject-matter was chosen by his audience at Rudolf Steiner's instigation. Steiner took their questions and usually gave immediate answers. The astonishing nature of these responses - their insight, knowledge and spiritual depth - is testimony to his outstanding ability as a spiritual initiate and profound thinker. Accessible, entertaining and stimulating, the records of these sessions will be a delight to anybody with an open mind. In this particular collection, Rudolf Steiner deals with topics ranging from limestone to Lucifer! He discusses, among other things, technology; the living earth; natural healing powers; colour and sickness; rainbows; whooping cough and pleurisy; seances; sleep and sleeplessness; dreams; reincarnation; life after death; the physical, ether and astral bodies and the 'I'; the two Jesus children; Ahriman and Lucifer; the death, resurrection and ascension of Christ; Dante and Copernicus.