Using in-depth examples of 'magical' practice such as exorcisms, love rites, alchemy and the transformation of humans into divine beings, this lively volume demonstrates that the word 'magic' was used widely in late antique texts as part of polemics against enemies and sometimes merely as a term for other people's rituals. Professor Janowitz shows that 'magical' activities were integral to late antique religious practice, and that they must be understood from the perspective of those who employed them.

This remarkable work contains the original texts with translations and descriptions of a series of Egyptian, Sumerian, Assyrian, Hebrew, Christian, Gnostic, and Muslim amulets and magical devices and figures. Man through the ages has widely held the importance of being able to hold the evil eye at bay.

Spirituality and the Occult argues against the widely held view that occult spiritualities are marginal to Western culture. Showing that the esoteric tradition is unfairly neglected in Western culture and that much of what we take to be 'modern' derives at least in part from this tradition, it casts a fresh, intriguing and persuasive perspective on intellectual and cultural history in the West. Brian Gibbons identifies the influence and continued presence of esoteric mystical movements in disciplines such as:
* medicine
* science
* philosophy
* Freudian and Jungian psychology
* radical political movements
* imaginative literature.

Originally published in 1978, The Occult Sourcebook has been compiled primarily for the many people who are for the first time becoming engrossed by the numerous and often confusing possibilities underlying the occult sciences. It consists of a series of articles on key areas, providing the reader with easy access to basic facts, together with a carefully planned guide to further reading. Critical comments on the recommended books allow the reader to select those which best suit their interests. The authors have also included a 'Who's Who of the occult' to provide short biographies of some of the more amazing figures who have already travelled down the mystic path. The book offers a programmed system of exploration into the realms of the unknown. It will be invaluable to the increasing number of people who are concerned with the exploration of enlarging human consciousness.

Originally published in 1982, The Shaman and the Magician draws on the author's wide experience of occultism, western magic and anthropological knowledge of shamanism, to explore the interesting parallels between traditional shamanism and the more visionary aspects of magic in modern western society. In both cases, as the author shows, the magician encounters profound god-energies of the spirit, and it is up to the individual to interpret these experiences in psychological or mythological terms. The book demonstrates that both shamanism and magic offer techniques of approaching the visionary sources of our culture.

Parting company with the trend in recent scholarship to treat the subject in abstract, highly theoretical terms, Magic in Ancient Greece and Rome proposes that the magic-working of antiquity was in reality a highly pragmatic business, with very clearly formulated aims - often of an exceedingly malignant kind. In seven chapters, each addressed to an important arm of Greco-Roman magic, the volume discusses the history of the rediscovery and publication of the so-called Greek Magical Papyri, a key source for our understanding of ancient magic; the startling violence of ancient erotic spells and the use of these by women as well as men; the alteration in the landscape of defixio (curse tablet) studies by major new finds and the confirmation these provide that the frequently lethal intent of such tablets must not be downplayed; the use of herbs in magic, considered from numerous perspectives but with an especial focus on the bizarre-seeming rituals and protocols attendant upon their collection; the employment of animals in magic, the factors determining the choice of animal, the uses to which they were put, and the procuring and storage of animal parts, conceivably in a sorcerer's workshop; the witch as a literary construct, the clear homologies between the magical procedures of fictional witches and those documented for real spells, the gendering of the witch-figure and the reductive presentation of sorceresses as old, risible and ineffectual; the issue of whether ancient magicians practised human sacrifice and the illuminating parallels between such accusations and late 20th century accounts of child-murder in the context of perverted Satanic rituals. By challenging a number of orthodoxies and opening up some underexamined aspects of the subject, this wide-ranging study stakes out important new territory in the field of magical studies.

Magic is a universal phenomenon. Everywhere we look people perform ritual actions in which desirable qualities are transferred by means of physical contact and objects or persons are manipulated by things of their likeness. In this book Sorensen embraces a cognitive perspective in order to investigate this long-established but controversial topic. Following a critique of the traditional approaches to magic, and basing his claims on classical ethnographic cases, the author explains magic's universality by examining a number of recurrent cognitive processes underlying its different manifestations. He focuses on how power is infused into the ritual practice; how representations of contagion and similarity can be used to connect otherwise distinct objects in order to manipulate one by the other; and how the performance of ritual prompts representations of magical actions as effective. Bringing these features together, the author proposes a cognitive theory of how people can represent magical rituals as purposeful actions and how ritual actions are integrated into more complex representations of events. This explanation, in turn, yields new insights into the constitutive role of magic in the formation of institutionalised religious ritual.

This book takes what is often referred to as the "supernatural" to be normal natural phenomena that are closely linked to the neurobiology of the human species. Reflecting the neurocultural and biocultural perspective, the chapters cover phenomena such as out-of-body experiences, ghosts, and experiences of spirit entities. The contributors consider the "supernatural" as emerging from innate neurobiological structures and functions, and reflecting known neurobiological processes that explain their universality and persistence.

In this original study of witchcraft, Gibson explores the stories told by and about witches and their 'victims' through trial records, early news books, pamphlets and fascinating personal accounts. The author discusses the issues surrounding the interpretation of original historical sources and demonstrates that their representations of witchcraft are far from straight forward or reliable. Innovative and thought-provoking, this book sheds new light on early modern people's responses to witches and on the sometimes bizarre flexibility of the human imagination.

This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.

This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.

Reading Witchcraft explores the stories told by and about `witches' and their `victims', and questions what can be recovered from their trial records, early news books, pamphlets and personal accounts. In her wide-ranging selection of original sources, Marion Gibson seeks to discover the truthfulness of stories of witchcraft. Who told them and why? How were they recorded? And how they might have been distorted or stereotyped?
Reading Witchcraft looks closely at these legal documents and printed pamphlets and shows that their representations of witchcraft are far from straightforward. Even the simplest story can mask a complex creative process which sometimes led to the deaths of innocent people. We are left with a challenging record of the power of the human imagination.
Reading Witchcraft is an exciting and invaluable study of witchcraft stories. It offers innovative, nuanced discussion of original historical sources and the issues which surround their interpretation.

This volume presents a chronological series of essays on various demonic traits and traditions handed down from classical antiquity, reinterpreted and systematized in the Middle Ages in Europe, and extending their influences to our present day and culture. The main focus lies on the adaptation and reformulation of specific demonological constellations in the fifteenth and sixteenth centuries, combining ethnological approaches with concepts of cultural history and their reflection in the arts and in literature. These superhuman and supernatural entities present us with a multitude of forms, figures, and functions - from helpful messengers and mediators to frightful and devilish antagonists of the humans they encounter. As model explanations of that which may not be explained in any other way they offer answers and interpretations of the 'Other' outside humanity as well as inside the human being.

Sales restricted to North America paperback only due to co-publication agreement with Koninklijke Brill NV. Brill retains the cloth rights in all remaining countries.English language rights only.

How was magic practiced in medieval times? How did it relate to the diverse beliefs and practices that characterized this fascinating period? This much revised and expanded new edition of Magic in the Middle Ages surveys the growth and development of magic in medieval Europe. It takes into account the extensive new developments in the history of medieval magic in recent years, featuring new material on angel magic, the archaeology of magic, and the magical efficacy of words and imagination. Richard Kieckhefer shows how magic represents a crossroads in medieval life and culture, examining its relationship and relevance to religion, science, philosophy, art, literature, and politics. In surveying the different types of magic that were used, the kinds of people who practiced magic, and the reasoning behind their beliefs, Kieckhefer shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature, and how the persecution of magic and witchcraft led to changes in the law.

Histories of witchcraft continue to fascinate us in the late twentieth century. Looking at texts from colonial narratvies to court masques, trial records to folktales, and Shakespeare to Sylvia Plath, this book shows how the witch acts as a carrier for the fears, desires and fantasies of women and men both now and in the early modern period.
Among other topics, The Witch in History discusses:
* the way the fantasy body of the witch, viewed as both hard and boundless, represents fear of the maternal body;
* how Macbeth and other Renaissance dramas are exploitative and sensationalist representations of witchcraft;
* how the representations of witchcraft in Europe were influenced by encounters in the New World with Native American religion, and vice versa;
* how radical feminists, modern witches and academic historians have appropriated the figure of the witch to construct their own identities. This extraordinary and fascinating study goes beyond the exploration of the figure of the witch, comprising an innovative contribution to all early modern studies.

Related link: Reviews in History
eBook available with sample pages: 0203359720

This classic text of the Nine Great Keys details the invocation of the Archangels, the full hierarchy of spiritual beings (including Olympic Spirits and Elementals) and the evocation of the four Demon Princes.

Highly sought-after, this edition of a rare early seventeenth century grimioire has never before appeared in English. Occult scholar Stephen Skinner, along with magician and author David Rankine, trace the history of the Keys and offer full transcriptions of four key seventeenth century manuscripts in the British Library and in the Bodleian Library.

The author presents with this intellectual biography of the Lutheran alchemist Count Michael Maier an academic study of western esotericism in general and to the study of alchemy and rosicrucianism in particular. The author charts the development of Maier's Hermetic worldview in the context of his service at the courts of Emperor Rudolf II and Moritz of Hessen-Kassel. The problem of the nature of early Rosicrucianism is addressed in detail with reference to Maier's role in the promotion of this "serious jest" in the years immediately prior to the outbreak of the Thirty Years' War. The work is set in the context of ongoing debates concerning the nature of early modern alchemy and its role in the history of Western esotericism.

Witchcraft: The Basics is an accessible and engaging introduction to the scholarly study of witchcraft, exploring the phenomenon of witchcraft from its earliest definitions in the Middle Ages through to its resonances in the modern world. Through the use of two case studies, this book delves into the emergence of the witch as a harmful figure within western thought and traces the representation of witchcraft throughout history, analysing the roles of culture, religion, politics, gender and more in the evolution and enduring role of witchcraft. Key topics discussed within the book include: The role of language in creating and shaping the concept of witchcraft The laws and treatises written against witchcraft The representation of witchcraft in early modern literature The representation of witchcraft in recent literature, TV and film Scholarly approaches to witchcraft through time The relationship between witchcraft and paganism With an extensive further reading list, summaries and questions to consider at the end of each chapter, Witchcraft: The Basics is an ideal introduction for anyone wishing to learn more about this controversial issue in human culture, which is still very much alive today.

Fragments of ancient belief have been incorporated into folklore and Christian dogma with the result that its original tenets have merged with the myths and psychologies of the intervening years. Hilda Ellis Davidson sifts through centuries of cultural and religious influences to locate evidence of these "lost" pagan beliefs.
Davidson illustrates how northern pagan religions have been represented and misinterpreted by the Christian tradition and throws light on the nature of such beliefs and how they have been preserved. "The Lost Beliefs of" "Northern Europe" stresses both the possibilities and the difficulties of investigating pre-Christian faiths and emphasizes the need to separate speculation from scientific proof.
This book will be a useful tool for students with a serious interest in archaeology as it illustrates with examples how objectivity is not necessarily the driving force in forming our supposedly scientific view of the past. It will also appeal to the general reader who wants to understand the true nature of Northern European pagan belief as opposed to the oversimplified view popularized by the media.
"The Lost Beliefs of Northern Europe" argues for intellectual rigorousness rather than romanticization of the past, and challenges the reader to rethink accepted interpretations.

Fragments of ancient belief mingle with folklore and Christian dogma until the original tenets are lost in the myths and psychologies of the intervening years. Hilda Ellis Davidson illustrates how pagan beliefs have been represented and misinterpreted by the Christian tradition, and throws light on the nature of pre-Christian beliefs and how they have been preserved. The Lost Beliefs of Northern Europe stresses both the possibilities and the difficulties of investigating the lost religious beliefs of Northern Europe.

In the Western world, magic has often functioned as an umbrella term for various religious beliefs and ritual practices that seek to influence events by harnessing supernatural power. The definition of these myriad occult and esoteric traditions have, however, usually come from those that are opposed to its practice; notably authorities in religious, legal and intellectual spheres. This book seeks to provide a new perspective, directly from the practitioners of modern Western magic, by exploring how a distinctive mode of embodiment and consciousness can produce a transition from an 'ordinary' to a 'magical' worldview. Starting with an introduction to the study of magic in the Western academy, the book then presents the author's own participant observation of five ethnographic case studies of modern Western magic. The focus of these ethnographic case studies is directed towards ideas and methods the informants employ to self-legitimise and self-represent as 'magicians'. It concludes by discussing the phenomenological implications and issues around embodiment that are inherent to the contemporary practice of magic. This is a unique insight into the lived experience of practitioners of modern magic. As such, it will be of keen interest to scholars of the Occult and New Religious Movements, as well as Religious Studies academics examining issues around the embodiment and the anthropology of religion.

This highly original, engaging book is a journey through time and space in search of the changing perception and significance of the devil in western culture. Written by French historian Robert Muchembled, the book begins with the thirteenth century, when visual images of Satan began to appear, and looks forward to the twentieth century, dealing with the films of Stanley Kubrick, including "Eyes Wide Shut. The book reveals that changing figures of evil correlate over time with the ways in which conceive of their destinies and the future of their civilization. Fascination with the diabolical having reached its height in the witch hunts of the fifteenth and sixteenth centuries, it began to show signs of decline by the Enlightenment, a process that has continued up to today. The result of this process, for modern western society, is a subtle metamorphosis of the notion of the devil from fear of Satan into an eternal demon, "the demon within" characterized by distrust of oneself and one's desires. This conception of the diabolical is visible today in our interest in the supernatural and exorcism. "A History of the Devil is a rich, vivid account of a topic that never ceases to intrigue.