Satan in America tells the story of America's complicated relationship with the devil. "New light" evangelists of the eighteenth century, enslaved African Americans, demagogic politicians, and modern American film-makers have used the devil to damn their enemies, explain the nature of evil and injustice, mount social crusades, construct a national identity, and express anxiety about matters as diverse as the threat of war to the dangers of deviant sexuality. The idea of the monstrous and the bizarre providing cultural metaphors that interact with historical change is not new. Poole takes a new tack by examining this idea in conjunction with the concerns of American religious history. The book shows that both the range and the scope of American religiousness made theological evil an especially potent symbol. Satan appears repeatedly on the political, religious, and cultural landscape of the United States, a shadow self to the sunny image of American progress and idealism.

This book contains 11 essays and a comprehensive bibliography. The essays reveal the extent to which Philip K. Dick's personal obsessions pre-figured postmodernist concerns with humanity's self-alienation, cultural and personal paranoia, and the politics of simulation, deceit, and self-deception. The contributors reveal how Dick's ontological concerns, stated in his repeated questioning of "What is real?," are also political concerns. Thus, they examine the philosophical and religious foundations on which his work rests, offering much-needed arguments which reveal both his philosophical depth and the extent to which he drew from esoteric and occult religions. His cultural critique also receives significant exposition, as the contributors reveal how Dick's fiction enacts the larger cultural struggles of cold war America, with its conflicting private visions and public realities, and its personal and political loyalties. The contributors argue for the significance of heretofore neglected or marginalized texts of Dick as well, including in their discussions many early short stories from the early 1950s and neglected novels of the mid-1960s, arguing that there is a need to understand how Dick shaped (or misshaped) his fictions so as to reimagine the life of his society.

The paranormal has gone mainstream.Beliefs are on the rise, with almost half of the British population, and two thirds of Americans, claiming to believe in extra sensory perceptions and hauntings. Psychic magazines like Spirit and Destiny, television shows such as Fringe, Ghost Whisperer and Most Haunted, ghost-cams and e-poltergeists, bestselling books on mind, body and spirit, and magicians like Derren Brown have moved from the outer limits to the centre of popular culture, turning paranormal beliefs and scepticism into revenue streams. Paranormal Media offers a unique, timely exploration of the extraordinary, unexplained and supernatural in popular culture, looking in unusual places in order to understand this phenomenon. Early spirit forms such as magic lantern shows or the spirit photograph are re-imagined as a search for extraordinary experiences in reality TV, ghost tourism, and live shows. Through a popular cultural ethnography, and critical analysis in social and cultural theory, this ground-breaking book by Annette Hill presents an original and rigorous examination of people's experiences of spirits and magic. In popular culture, people are players in an orchestral movement about what happens to us when we die. In a very real sense the audience is the show. This book is the story of audiences and their participation in a show about matters of life and death. Paranormal Media will be a highly interesting read for undergraduate and postgraduate students, as well as academics, on a wide range of television, media, cultural studies, and sociology courses.

This is the first English translation of one of the most important, interesting and comprehensive discussions of the occult sciences ever published. Investigations into Magic" deals not only with magic in all its forms, from the manipulation of angelic and demonic powers to straightforward conjuring and illusion, but also with witchcraft, alchemy, astrology, divination, prophecy, and possession by evil spirits. In addition, Del Rio gives judges and confessors practical advice on the most effective ways of dealing with people who are accused of practising magic, and enlivens his whole discussion with anecdotes drawn from a remarkable range of sources, including his own experience. Nothing so panoramic had ever appeared before, and for the next one hundred and fifty years "Investigations into Magic" was the indispensable reference work on the subject. Modern historians and students of the sixteenth century, as well as readers across many interdisciplinary fields, will likewise find it an invaluable and fascinating guide to certain modes of early modern thought.

This book represents the first comprehensive record of all legal documents pertaining to the Salem witch trials, in chronological order. Numerous newly discovered manuscripts, as well as records published in earlier books that were overlooked in other editions, offer a comprehensive narrative account of the events of 1692-93, with supplementary materials stretching as far as the mid - 18th century. The book may be used as a reference book or read as an unfolding narrative. All legal records are newly transcribed, and errors in previous editions have been corrected. Included in this edition is a historical introduction, a legal introduction, and a linguistic introduction. Manuscripts are accompanied by notes that, in many cases, identify the person who wrote the record. This has never been attempted, and much is revealed by seeing who wrote what, when.
Publication made possible with generous support by the National Historical Publications and Records Commission.
http: //www.archives.gov/nhprc/index.html

"I never killed Raoul Loveday with a magical spell". Aleister Crowley, otherwise known as the Beast 666, shared membership of the Golden Dawn with W B Yeats, and publishers with D H Lawrence. Now in a beyond-the-grave autobiography, he recounts his own vocation, his practice of sex magic, and his bruising encounters with his contemporaries. The great magus, whose own world-conquering creed The Book of the Law was written in Cairo in 1904, was according to him, no murderer, but a prophet and practitioner of all kinds of sexual freedom and new magical systems.

First published in 2002. The power of magical names, spells, and talismans was of utmost importance to the ancient Egyptians and their religion. Here, in another classic by the foremost Egyptian scholar of the Victorian era, E. A. Wallis Budge describes and explains the magical practices in Egypt, many of which predate the belief in gods and goddesses. Illustrated with twenty line drawings, this volume is one more key needed to unlock the secrets of this great ancient civilization.

Before Gerald Gardner ever thought to write his first book, there was an explorer named Charles Leland who felt he could discover and preserve the secrets of Italian Witchcraft. Leland's original quest was to make contact with practicing Italian Witches. After years of trying he met one by the name of Maddelena, who transmitted to him the teachings he was searching for. The words (stories) have become Aradia or the Gospel of the Witches. This manuscript, reportedly handed down in an oral tradition, was later translated and published in the late 1800's.

Today, a great amount of debate exists over whether or not Aradia was an authentic representation of Italian Witchcraft at the time Leland published the manuscript. Some go so far as to argue that Maddelena never really existed. While it is true that Maddelena's involvement with Leland can not be proven the fact remains that even with an uncertain origin, Aradia is one of the most important manuscripts available to the Pagan community. Even if it does not reflect the ideology of a hidden tradition of Italian Witchcraft, it most definitely presents such a powerful message that even today its words are found repeatedly in various literature. In fact, it is the foundation for one of the most powerful and well-known documents in modern Pagan lore, The Charge of the Goddess.

A perfect entry point for anyone interested in green magick, this all-in-one guide explains everything you need to know before beginning your own nature-inspired practice. Author Annabel Margaret runs the popular YouTube channel, The Green Witch, where she teaches everyday tools and techniques for leading a more magickal life. In this must-have handbook, she'll guide your on your green witchcraft journey from embracing intent and intuition to creating and casting spells, all utilizing easy-to-find items and simple methods. Ward the home with protective herbs; bake love, abundance or luck into tasty treats; create purpose-infused spell bags or craft soothing salves, energizing sprays and cleansing infusions. With clear instruction, straightforward information on foundational principles and tons of witchy wisdom, the magickal opportunities are endless.

The Routledge History of Witchcraft is a comprehensive and interdisciplinary study of the belief in witches from antiquity to the present day, providing both an introduction to the subject of witchcraft and an overview of the on-going debates. This extensive collection covers the entire breadth of the history of witchcraft, from the witches of Ancient Greece and medieval demonology through to the victims of the witch hunts, and onwards to children's books, horror films, and modern pagans. Drawing on the knowledge and expertise of an international team of authors, the book examines differing concepts of witchcraft that still exist in society and explains their historical, literary, religious, and anthropological origin and development, including the reflections and adaptions of this belief in art and popular culture. The volume is divided into four chronological parts, beginning with Antiquity and the Middle Ages in Part One, Early Modern witch hunts in Part Two, modern concepts of witchcraft in Part Three, and ending with an examination of witchcraft and the arts in Part Four. Each chapter offers a glimpse of a different version of the witch, introducing the reader to the diversity of witches that have existed in different contexts throughout history. Exploring a wealth of texts and case studies and offering a broad geographical scope for examining this fascinating subject, The Routledge History of Witchcraft is essential reading for students and academics interested in the history of witchcraft.

The European Witch-Hunt seeks to explain why thousands of people, mostly lower-class women, were deliberately tortured and killed in the name of religion and morality during three centuries of intermittent witch-hunting throughout Europe and North America. Combining perspectives from history, sociology, psychology and other disciplines, this book provides a comprehensive account of witch-hunting in early modern Europe. Julian Goodare sets out an original interpretation of witch-hunting as an episode of ideologically-driven persecution by the 'godly state' in the era of the Reformation and Counter-Reformation. Full weight is also given to the context of village social relationships, and there is a detailed analysis of gender issues. Witch-hunting was a legal operation, and the courts' rationale for interrogation under torture is explained. Panicking local elites, rather than central governments, were at the forefront of witch-hunting. Further chapters explore folk beliefs about legendary witches, and intellectuals' beliefs about a secret conspiracy of witches in league with the Devil. Witch-hunting eventually declined when the ideological pressure to combat the Devil's allies slackened. A final chapter sets witch-hunting in the context of other episodes of modern persecution. This book is the ideal resource for students exploring the history of witch-hunting. Its level of detail and use of social theory also make it important for scholars and researchers.

Wonder and Skepticism in the Middle Ages explores the response by medieval society to tales of marvels and the supernatural, which ranged from firm belief to outright rejection, and asks why the believers believed, and why the skeptical disbelieved. Despite living in a world whose structures more often than not supported belief, there were still a great many who disbelieved, most notably scholastic philosophers who began a polemical programme against belief in marvels. Keagan Brewer reevaluates the Middle Ages' reputation as an era of credulity by considering the evidence for incidences of marvels, miracles and the supernatural and demonstrating the reasons people did and did not believe in such things. Using an array of contemporary sources, he shows that medieval responders sought evidence in the commonality of a report, similarity of one event to another, theological explanations and from people with status to show that those who believed in marvels and miracles did so only because the wonders had passed evidentiary testing. In particular, he examines both emotional and rational reactions to wondrous phenomena, and why some were readily accepted and others rejected. This book is an important contribution to the history of emotions and belief in the Middle Ages.

This book approaches witchcraft and demonology through literary records. The works discussed deal with the contemporary theories propounded by those who sought either to justify, or to refute persecution. Eight contributors of differing interests,a nd with different approaches to their subject, examine a selection of important, representative witchcraft texts - published in England, France, Germany, Italy and America - setting them within their intellectual context and analysing both their style and argument.

Clues to T.C. Lethbridge's books lie in their subtitles. Witches: Investigating an Ancient Religion is no exception. In his study of the old pagan gods of Britain, Lethbridge believed that witch cults had their roots in prehistory and eventually became a religion of the suppressed classes.Similarities between eastern and ancient western religions provided him with evidence of ancient collusion. He believed Britain's island status acted as a filter for external inflences and ideas. No belief on the continent ever arrived intact which made the study of British customs so intriguing.His study of Dianic belief and the transmigration of souls led him to believe in a universal, controlling intelligence. He linked the concept of the evolving mind with the Laws of Karma, the Avatars and other religious teachings of the world and concluded that Druidic belief was not a million miles away from modern psychical research.

This collection brings together new papers addressing the philosophical challenges that the concept of a Devil presents, bringing philosophical rigor to treatments of the Devil. Contributors approach the idea of the Devil from a variety of philosophical traditions, methodologies, and styles, providing a comprehensive philosophical overview that contemplates the existence, nature, and purpose of the Devil. While some papers take a classical approach to the Devil, drawing on biblical exegesis, other contributors approach the topic of the Devil from epistemological, metaphysical, phenomenological, and ethical perspectives. This volume will be relevant to researchers and scholars interested in philosophical conceptions of the Devil and related areas, such as philosophers of religion, theologians, and scholars working in philosophical theology and demonology.

The ancient world as a whole believed in the existence of a world of spirits beyond, or alongside, the visible, tangible world. They believed also that communications between these two worlds frequently took place: everywhere we find diviners and prophets, oracles and visionaries. First published in 1928, Sibyls and Seers investigates the various aspects of this 'superstition' in the Ancient Near East, in Homer, the Greek tragedians, and the myriad religions of the Roman Empire. The theophanies of Yahweh in the Old Testament - Enoch, Jeremiah, Ezekiel - are given some attention, as is the tradition in Christian theology and literature: St Paul, Pope Gregory the Great, Dionysius the Areopagite, and the Scholastics. These lectures are clearly written, broad in scope and full of insight for contemporary students of religion, theology and anthropology.

This monograph focuses on "Christian Goddess Spirituality" (CGS), the phenomenon of (mostly) women who combine Christianity and Goddess Spirituality, including Wicca/Witchcraft. Mary Ann Beavis's study provides ethnographic data and analysis on the lived religious experience of CGS practitioners, drawing on interviews of over 100 women who self-identify as combining Christianity and Goddess spirituality. Although CGS also has implications for Goddess Spirituality and related traditions (e.g., Neopaganism, Wicca), here, CGS is considered primarily as a phenomenon within Christianity. However, the study also shows that the fusion of Christian and Goddess spiritualties has had an impact on non-Christian feminist spirituality, since Goddess-worshippers have often constructed Christianity as the diametrical opposite and enemy of the Goddess, to the point that some refuse to admit the possibility that CGS is a valid spiritual path, or that it is even possible. In addition, biblical, Jewish and Christian images of the divine such as Sophia, Shekhinah, the Virgin Mary, and even Mary Magdalene, have found their way into the "Pagan" Goddess pantheon. The main themes of the study include: overlaps and differences between Christian feminist theology and CGS; the routes to CGS for individual practitioners, and their beliefs, practices and experiences; proto-denominational classifications ("spiritual paths") within CGS; CGS thealogy (Christian discourse about the female divine); and the future of CGS in social scientific and ecclesiological context. Christian Goddess Spirituality will be of interest to scholars of religion, especially those with interests in women and religion, feminist spiritualities, feminist theology/thealogy, alternative spiritualities, New Religious Movements, and emergent Christianities.

The Witch-Hunt in Early Modern Europe, now in its fourth edition, is the perfect resource for both students and scholars of the witch-hunts written by one of the leading names in the field. For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. This new edition includes the most recent research on children, gender, male witches and demonic possession as well as broadening the exploration of the geographical distribution of witch prosecutions to include recent work on regions, cities and kingdoms enabling students to identify comparisons between countries. Now fully integrated with Brian Levack's The Witchcraft Sourcebook, there are links to the sourcebook throughout the text, pointing students towards key primary sources to aid them in their studies. The two books are drawn together on a new companion website with supplementary materials for those wishing to advance their studies, including an extensive guide to further reading, a chronology of the history of witchcraft and an interactive map to show the geographical spread of witch-hunts and witch trials across Europe and North America. A long-standing favourite with students and lecturers alike, this new edition of The Witch-Hunt in Early Modern Europe will be essential reading for those embarking on or looking to advance their studies of the history of witchcraft

The notion of "magic" is a current popular culture phenomenon. Harry Potter, the Lord of the Rings, the commercial glamour of the footballer and the pop idol surround us with their charisma, enchantment, and charm. But magic also exerts a terrifying political hold upon us: bin Laden's alleged March 28 e-mail message spoke of the attacks on America in form of "crushing its towers, disgracing its arrogance, undoing its magic." The nine scholars included in this volume consider the cultural power of magic, from early Christianity and the ancient Mediterranean to the curious film career of Buffalo Bill, focusing on topics such as Surrealism, France in the classical age, alchemy, and American fundamentalism, ranging from popular to elite magic, from theory to practice, from demonology to exoticism, from the magic of memory to the magic of the stage. As these essays show, magic defines the limit of both science and religion but as such remains indefinable.

The Path of the Devil is organized around three fundamental theories: witch hunts as functional sacrificial ceremonies, realistic conflict and strategic persecution, and scapegoat phenomena. All conjectures point to the role of epidemic disease, war, and climactic and economic hardships as considerable factors. However, such crises have to be differentiated: when war is measured as a quantitative characteristic it is found to inhibit witch hunts, while epidemic disease and economic hardship encourages them. The book integrates the sociologies of collective behavior, contentious conflict, and deviance with cross-disciplinary theory and research. The final chapters examine the Salem witch trials as 'a perfect storm, ' and illustrate the general patterns found for early modern witch hunts and 'modern witch hunts, ' which exhibit similarities that are found to be more than metaphorica

The study of the ideas and practices associated with occultism is a rapidly growing branch of contemporary scholarship. However, most research has focused on English and French speaking areas and has not addressed the wider spread and significance of occultism. Occultism in a Global Perspective presents a broad international overview. Essays range across the German magical order of the Fraternitas Saturni, esoteric Satanism in Denmark, sexual magic in Colombia and the reception of occultism in modern Turkey, India and the former Yugoslavia. As any other form of cultural practice, the occult is not isolated from its social, discursive, religious, and political environment. By studying occultism in its global context, the book offers insights into the reciprocal relationships that colour and shape regional occultism.

The Witchcraft Sourcebook, now in its second edition, is a fascinating collection of documents that illustrates the development of ideas about witchcraft from ancient times to the eighteenth century. Many of the sources come from the period between 1400 and 1750, when more than 100,000 people - most of them women - were prosecuted for witchcraft in Europe and colonial America. During these years the prominent stereotype of the witch as an evil magician and servant of Satan emerged. Catholics and Protestants alike feared that the Devil and his human confederates were destroying Christian society. Including trial records, demonological treatises and sermons, literary texts, narratives of demonic possession, and artistic depiction of witches, the documents reveal how contemporaries from various periods have perceived alleged witches and their activities. Brian P. Levack shows how notions of witchcraft have changed over time and considers the connection between gender and witchcraft and the nature of the witch's perceived power. This second edition includes an extended section on the witch trials in England, Scotland and New England, fully revised and updated introductions to the sources to include the latest scholarship and a short bibliography at the end of each introduction to guide students in their further reading. The Sourcebook provides students of the history of witchcraft with a broad range of sources, many of which have been translated into English for the first time, with commentary and background by one of the leading scholars in the field.

Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.

This is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. Much of this importance can be traced back to Freud's extraordinary essay of 1919, 'The Uncanny' (Das Unheimliche). As a ghostly feeling and concept, however, the uncanny has a complex history going back to at least the Enlightenment. Royle offers a detailed account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on literature, teaching, psychoanalysis, deconstruction, film, the death drive, deja vu, silence, solitude and darkness, the fear of being buried alive, the double, ghosts, cannibalism, telepathy, madness and religion. -- .

This volume presents students and scholars with a comprehensive overview of the fascinating world of the occult. It explores the history of Western occultism, from ancient and medieval sources via the Renaissance, right up to the nineteenth and twentieth centuries and contemporary occultism. Written by a distinguished team of contributors, the essays consider key figures, beliefs and practices as well as popular culture.