Forgotten somewhere between Bar Harbor, Maine, and New Brunswick, Canada, lies the most remote and mysterious section of the Eastern Seaboard. It is a region rich in stark beauty--and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.

A dazzlingly inventive tale of troubled legacies, desire and unsung power, inspired by The Scarlet Letter. Glasgow, 1829: Isobel, a young seamstress, and her husband Edward set sail for New England, in flight from his mounting debts and addictions. But, arriving in Salem, Massachusetts, Edward soon takes off again, and Isobel finds herself penniless and alone. Then she meets Nathaniel, a fledgling writer, and the two are instantly drawn to each other: he is haunted by his ancestors, who sent innocent women to the gallows during the Salem witch trials - while she is an unusually gifted needleworker, troubled by her own strange talents. Nathaniel and Isobel grow ever closer. Together, they are dark storyteller and muse; enchanter and enchanted. But which is which?

This book is a collection of essays on Scottish witchcraft. Unlike most such works, it concentrates on witchcraft beliefs rather than witch-hunting. It ranges widely across areas of popular belief, culture, and ritual practice, as well as dealing with intellectual life and incorporating regional and comparative elements. The editors were members of the team responsible for the recently-completed Survey of Scottish Witchcraft, and the book incorporates a number of pioneering findings from this rich online resource.

Le Livre d'Or (The Book of Gold) is a unique 17th century French magical work comprising numerous amulets, charms, prayers, spells and sigils for working with the Biblical Book of the Psalms of King David. Written in a simple style akin to a medieval Book of Secrets combined with magical practices from the ancient world, Le Livre d'Or brings together practices which have their roots in major works from the Dead Sea Scrolls and the Cairo Genizah, to the Greek Magical Papyri and Sepher Shimmush Tehillim (Magical Use of the Psalms). Now translated into English for the first time, this exceptional text demonstrates the significance of the Psalms as a unifying and vital thread throughout the development of Western magic. From Sweden to Syria, Britain to the Baltic, the use of appropriate Psalms has spread as a significant part of popular folk and religious magic, and Le Livre d'Or is an inimitable example of the transmission of divine power through the written and spoken word. Le Livre d'Or was originally bound as part of Lansdowne MS 1202 with a 17th century French copy of the most important of grimoires, the Key of Solomon. The extensive commentary by David Rankine and Paul Harry Barron emphasises the place of the Psalms within the Grimoire tradition, detailing their extensive apotropaic, amuletic and coercive uses in works such as the Book of Abramelin, the Key of Solomon and the Goetia. The editors also illustrate how the magic of the Psalms has underlain and cross-fertilised numerous traditions over the last two thousand years, from Hellenic magicians, early Christians and Jews of the ancient world to practitioners of the medieval Grimoires and Renaissance Cunning-folk. Whether it was for benevolent or malefic results, Le Livre d'Or provided the appropriate Psalm verses and relevant techniques. This previously ignored work is an outstanding example of eminently practical magic which not only draws on such major works as the Heptameron and the Steganographia, but also many of the divine names found in the Kabbalah. From Saints to spirits, characters to Creeds, Le Livre d'Or shines forth as a significant and reclaimed chapter in the Western Esoteric Traditions. There is also a paperback edition available of this book.

This is an original and important study of the significance of witchcraft in English public life in the seventeenth and eighteenth centuries. In this lively account, Ian Bostridge explores contemporary beliefs about witchcraft and shows how it remained a serious concern across the spectrum of political opinion. He concludes that its gradual descent into polite ridicule had as much to do with political developments as with the birth of reason.

"This is a useful collection of material on witchcraft."
--" Journal of World History"

"This is undoubtedly one of the best reference works ever published on witchcraft. Breslaw, fresh from her well-received revisionist history "Tituba: Reluctant Witch of Salem," brings together work by some of the best-known scholars of the field, including Elizabeth Reis, Carol Karlsen, John Demos, Paul Boyer, Stephen Nissenbaum and David Hall. She organizes primary sources (including the 1486 manifesto "Why Women Are Chiefly Addicted to Superstitions") and insightful secondary essays around topics of European, Native American and African witchcraft. The anthology is to be applauded for its commitment to representing cultural variance--showing how, for example, indigenous American magical traditions differed greatly from tribe to tribe. Breslaw's awareness of diverse cultural contexts highlights the multiple functions that witchcraft and anti-witchcraft served in individual communities."
--Publishers Weekly

.,."covers a tremendous amount of spatial and temporal ground."--"Maryland Historical Magazine"

This unique anthology is the first to provide a multicultural perspective on witchcraft from the 15th to 18th century. Featuring primary documents as well as scholarly interpretations," Witches of the Atlantic World" builds upon information regarding both Christian and non-Christian beliefs about possession and the demonic. Elaine G. Breslaw draws on Native American, African, South American, and African-American sources, as well as the European and New England heritage, to illuminate the ways in which witchcraft in early America was an attempt to understand and control evil andmisfortune in the New World.

Organized into sections on folklore and magic, diabolical possession, Christian perspectives, and the question of gender, the volume includes selections by Cotton Mather, Matthew Hopkins, and Samuel Willard, among others; Salem trial testimonies; and commentary by a host of distinguished scholars.

Together the materials demonstrate how the Protestant and Catholic traditions shaped American concepts, and how multicultural aspects played a key role in the Salem experience. Witches of the Atlantic World sheds new light on one of the most perplexing aspects of American history and provides important background for the continued scholarly and popular interest in witches and witchcraft today.

The Book of Black Magic is Arthur Edward Waite's magnum opus of occult lore; this edition contains the author's original icons, symbols, seals and drawings. This supreme guide to occultist history, lore, magick, and ceremony is split into two parts: The first is entitled ""The Literature of Ceremonial Magic."" Here, Waite examines the ritualistic traditions which surrounding the occult movement for centuries. He notes various texts, and how these had a bearing upon the practice of the occult and of magical ceremony. The second part, ""The Complete Grimoire,"" concerns how those who practice black magic and occult ritual become versed in the craft. The stringent physical and mental requirements, and the need to practice a spiritual attunement and inner ablution, is detailed. Astronomical knowledge of the planets and their movements is a necessity, as is possession of a variety of instruments, plus a deep knowledge of the various symbols and scripts used in occultism.

In this powerful book, the renowned exorcist of Rome tells of his many experiences in his ministry as an exorcist doing battle with Satan to relieve the great suffering of people in the grip of evil. The importance of the ministry to "expel demons" is clearly seen in the Gospels, from the actions of the Apostles, and from Church history. Fr. Amorth allows the reader to witness the activities of the exorcist, to experience what an exorcist sees and does. He also reveals how little modern science, psychology, and medicine can do to help those under Satan's influence, and that only the power of Christ can release them from this kind of mental, spiritual or physical suffering. An Exorcist Tells His Story has been a European best-seller that has gone through numerous printings and editions. No other book today so thoroughly and concisely discusses the topic of exorcism.

Original and comprehensive, "Magic in the Ancient Greek World "takes the reader inside both the social imagination and the ritual reality that made magic possible in ancient Greece.
Explores the widespread use of spells, drugs, curse tablets, and figurines, and the practitioners of magic in the ancient world
Uncovers how magic worked. Was it down to mere superstition? Did the subject need to believe in order for it to have an effect?
Focuses on detailed case studies of individual types of magic
Examines the central role of magic in Greek life

Investigating the impact of Arabic medieval astrological and magical theories on early modern occult philosophy, this book argues that they provided a naturalistic explanation of astral influences and magical efficacy based on Aristotelian notions of causality.

Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.

Wangerin examines one small symbolic revolution against American capitalist culture. It was carried out by youth who were painfully and personally aware of the problems of what they called the System, though they did not necessarily understand the underlying causes of their problems. They called themselves the Children of God. Wangerin studied the Children of God from 1973-1978 in the United States, Mexico, and Italy and has kept in touch with some of them ever since. This is one of the most thorough studies of the controversial cult founded in 1968 by David Berg, and the only ethnography that treats it as a mystical utopian socialist movement.

"This is a scholarly and provocative study of Satanism yesterday and today."--"Nove Religio"

"Medway's book is a breath of fresh air in this field of murk, delusion and deception."
-- "Fortean Times"

"The first truly authoritative book on the subject"
"--New York Press, Nov. 14-20, 2001"

"This is an excellent study of an emotional and difficult subject and it is required reading for the open-minded. Highly recommended."
-- "The Cauldron"

Rumors of Devil-worship, or Satanism, have circulated for centuries. Tales of Black Masses, demonic possession, mysterious nighttime ceremonies, and human sacrifices have captured the popular consciousness, prompting the Christian Church to move aggressively to root out Satanism and its practioners through often extraordinarily brutal means of detection and interrogation.

Until recently the stuff of myths and stories, allegations of occult worship have of late taken the form of police investigations concerning ritual child abuse, teens involved in Satanic cults, and serial killings. Unsubstantiated rumors have found their way into the popular and serious press and have been reported as fact, often with little or no verification. Obsessive anti-Satanists find evidence of Satanic lyrics in rock music from Led Zeppelin's "Stairway to Heaven" to Live Aid's "We are the World," while the numbers "666" are found in barcodes in supermarkets.

The Lure of the Sinister draws on a remarkable range of sources, from newspapers and pulp literature to early modern works on demonology to explore the entire history of Satanism from the origins of the Devil in pre-Christian theology through the Inquisition to the life and times of AleisterCrowley, "the "wickedest man in the world." The book also investigates modern charges of Satanism, the psychology of the people who make the allegations, and the legal and religious contexts in which they arise, showing how rumors of Devil-worship come to take on a life of their own. Lively and wittily written, The Lure of the Sinister reveals a strange tapestry of dark and fearful beliefs which have haunted our imagination for centuries.

Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.

There have been many grimoires attributed to St Cyprian of Antioch due to his reputation as a consummate magician before his conversion to Christianity, but perhaps none so intriguing as the present manuscript. This unique manuscript (unlike the more rustic examples attributed to St Cyprian called the Black Books of Wittenburg, as found in Scandinavia, or the texts disseminated under his name in Spain and Portugal) is directly in line with the Solomonic tradition, and therefore relevant to our present series of Sourceworks of Ceremonial Magic. It is unique in that instead of being weighed down with many prayers and conjurations it addresses the summoning and use of both the four Archangels, Michael, Raphael, Gabriel and Uriel as well as their opposite numbers, the four Demon Kings, Paymon, Maimon, Egyn and Oriens. The later are shown in their animal and human forms along with their sigils, a resource unique amongst grimoires. The text is in a mixture of three magical scripts, Greek, Hebrew, cipher, Latin, (and reversed Latin) with many contractions and short forms, but expanded and made plain by the editors. The title literally means 'The Key of Hell with white and black magic as proven by Metatron'.

A fascinating and enlightening celebration of mushrooms and the magic of the forest for those who revel in mushroom imagery and lore. Mushrooms--as a decorative element, as a signifier of the mystery of the forest, and as an adorable emblem of witchy cottagecore dreams--have proliferated in the collective consciousness as of late. Mushroom Magick is a whimsical collection of mushroom facts and fables divided into three sections: first, profiles of 22 well-known mushrooms include information on biology and common uses as well as a rundown of their energetic properties and suggestions for incorporating them into spellwork. Section two provides a world-spanning collection of mushroom myths and fables. The final section is a taste of the spells and rituals that you can perform with common mushrooms such as creminis, shiitakes, and portobellos--carved candles, floor washes, teas, and even some yummy meals can improve your love life, super-charge your good fortune, or even cast a well-deserved hex upon your most hated enemy.

Kim Krans's NEW YORK TIMES bestseller THE WILD UNKNOWN TAROT (375K copies sold) launched a culture-shifting brand that redefined tarot for the twenty-first century. Now comes Krans's next deck in her bestselling series, THE WILD UNKNOWN ALCHEMY DECK AND GUIDEBOOK. This stunning oracle deck reveals insights into the ancient mysteries of alchemy: the metaphorical process of turning lead (unconsciousness) into gold (enlightenment). Alchemy is the doorway to the imagination and self-discovery. You do not need to be an expert in metals, symbols, astrology, or Latin to become an alchemist. Whether a baker, mechanic, surgeon, seamstress, or surfer-those who become masters of their materials are all alchemists. The magic of Alchemy is available to anyone who is willing to explore, observe, and invoke transformation. Paired with a 224-page, hand-lettered, fully illustrated guidebook written and designed by Kim Krans, THE WILD UNKNOWN ALCHEMY DECK includes 71 beautiful, easy-to-shuffle hexagon cards divided into six suits: The Cosmic Forces, The Colors, The Seasons, The Materials, The Mysteries, and The Operations. Illustrated in Krans's iconic style of elegant line art and lush watercolor painting, each full-color card offers a tool for self-study and exploration, expressed through symbol, image, and language. The unique shape of the cards allows edges to meet and images to meld and transform, with all-new connecting spreads, including readings for revealing energetic and emotional blockages, identifying what is serving and what is draining, and much more. Through this profound experience of observing image, color, and materials with an alchemical perspective, new gifts and discoveries are revealed. This deck is a journey to awakening and reuniting us with what may be dormant or unseen as we begin to weave together the physical and mystical aspects of our lives.