* Examines the significant figures and groups of Finland's occult world, including their esoteric practices and the secret societies to which they were connected * Investigates the relationship of nationalism and esotericism in Finland as well as the history of Finnish parapsychology and the Finnish UFO craze * Looks at the unique evolution of Freemasonry in Finland, showing how, when Finland was still part of Russia and the Masonic order was banned, adherents created a number of other secret societies Finland has long been viewed as the land of sorcerers and shamans. Exploring the rich history of Finnish occultism, Perttu Hakkinen and Vesa Iitti examine the significant figures and groups of Finland's occult world from the late 19th century to the present day. They begin with Pekka Ervast, known as the Rudolf Steiner of the North, who was a major figure in Theosophy before starting a Rosicrucian group called Ruusu-Risti, and they look at the Finnish disciples of G. I. Gurdjieff and the grim case of the cult of Tattarisuo. Investigating the relationship of nationalism and esotericism in Finland, the authors tell the stories of Sigurd Wettenhovi-Aspa, who thought that Finns were the root of all Western civilization, and of Yrjoe von Groenhagen, who became a close friend of Heinrich Himmler and Karl Maria Wiligut. They also explore the history of Finnish parapsychology, the Finnish UFO craze, and the unique evolution of Freemasonry in Finland, showing how, when the Masonic order was banned, adherents created a number of other secret societies, such as the Carpenter's Order, the Hypotenuse Order, and the Brotherhood of February 17--which later became hubs for the OTO and AMORC. Unveiling both the light and dark sides of modern esotericism in Finland, the authors show how, because of its unique position as partially European and partially Russian, Finland's occult influence extends into the very heart of left-hand and right-hand occult groups and secret societies around the world.

How was magic practiced in medieval times? How did it relate to the diverse beliefs and practices that characterized this fascinating period? This much revised and expanded new edition of Magic in the Middle Ages surveys the growth and development of magic in medieval Europe. It takes into account the extensive new developments in the history of medieval magic in recent years, featuring new material on angel magic, the archaeology of magic, and the magical efficacy of words and imagination. Richard Kieckhefer shows how magic represents a crossroads in medieval life and culture, examining its relationship and relevance to religion, science, philosophy, art, literature, and politics. In surveying the different types of magic that were used, the kinds of people who practiced magic, and the reasoning behind their beliefs, Kieckhefer shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature, and how the persecution of magic and witchcraft led to changes in the law.

Examining the intersection of occult spirituality, text, and gender, this book provides a compelling analysis of the occult revival in literature from the 1880s through the course of the twentieth century. Bestselling novels such as The Da Vinci Code play with magic and the fascination of hidden knowledge, while occult and esoteric subjects have become very visible in literature during the twentieth century. This study analyses literature by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisits texts with occult motifs by canonical authors such as Sylvia Townsend Warner, Leonora Carrington, and Angela Carter. This material, which has never been analysed in a literary context, covers influential movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality. Wallraven engages with the question of how literature functions as the medium for creating occult worlds and powerful identities, particularly the female Lucifer, witch, priestess, and Goddess. Based on the concept of ancient wisdom, the occult in literature also incorporates topical discourses of the twentieth century, including psychoanalysis, feminism, pacifism, and ecology. Hence, as an ever-evolving discursive universe, it presents alternatives to religious truth claims that often lead to various forms of fundamentalism that we encounter today. This book offers a ground-breaking approach to interpreting the forms and functions of occult texts for scholars and students of literary and cultural studies, religious studies, sociology, and gender studies.

In writing this poem I have attempted to cut through so much of what we now think of as Ancient Egypt, and only the bare bones will remain. Symbolic figureheads such as Osiris and Amon will be discussed, but not elevated, and favoured centres of apparent importance or popularity will be by-passed. This will not be a book for those who wish to play tourist, dropping off here for a quick sensation, or stopping there for an imagined photo-shoot, it will be an experience for all those who wish to embrace the origin and notion of Set, and Set's values. In recording the mythical life of Set, we have applauded him. The strength and warmth of his intellect demand similar warmth in his dramatic performance throughout ancient Egyptian history. To adopt an attitude of detachment, particularly towards the ancient and unknown, can bar from sight those many scenes glimpsed by the historian who approaches the role of reconstructing an era with sympathy, insight and understanding. Neither the truth nor the equilibrium of scholarship is disturbed by controlled imagination and honest praise of this much-maligned Egyptian god. We are portraying the mythological concept and personality of Set not in order to worship a hero, but to recognise him as a leader and a hero. Set strives to take his stand against 5,000 years of a 'drift of history' with the introduction of Osirion and Amonite tradition, and a preconditioning before being replaced by Christianity.

A deluxe, new edition of a classical esoteric text with unparalleled color plates.

Offering a new template for future exploration, Susan Greenwood examines and develops the notion that the experience of magic is a panhuman orientation of consciousness, a form of knowledge largely marginalized in Western societies. In this volume she aims to form a "bridge of communication" between indigenous magical or shamanic worldviews and rationalized Western cultures. She outlines an alternative mythological framework for the latter to help develop a magical perception, as well as giving practical case studies derived from her own research. The form of magic discussed here is not fantastic or virtual, but ecological and sensory. Magical knowledge infiltrates the body in its deepest levels of the subconscious, and unconscious, as well as conscious awareness; it is felt and understood through the connection with an inspirited world that includes the consciousness of other beings, including those of plant, animal and the physical environment. This is anthropology from the heart rather than the head, and it engages with the messy area of emotions, an embodiment of the senses, and struggles to find a common language of listening to one another across a void of differences. The aim is to provide a non-reductive structure for the creative interplay of both magical and analytical modes of thought. Passion is a motivator for change, and a change in attitude to magic as an integrative force of human understanding is the main thread of this work.

Originally published in 1992, Channeling is a comprehensive bibliography on the subject of channeling. The book defines channeling as any message received or conveyed from transcendent entities and covers material on the history of channeling, those that have claimed to transcend death, contact with UFOs and contemporary channeling groups. The book acts as a research guide and seeks to outline the historical roots of channeling, explaining its major teachings and considers its significance as a spiritual movement. It provides sources from books, booklets, articles, and ephemeral material and offers a comprehensive list of both primary and secondary materials related to channeling, the bibliography takes the most diverse and useful sources of the time. This volume although published almost 30 years ago, still provides a unique and insightful collection for academics of religion, in particular those researching spiritualism and the occult.

• Describes the arcane rituals, ancient beliefs, and secret rites of the Welsh Marches, including those of the Sin Eaters, Eye Biters, and Spirit Hunters • Includes a Grimoire of the Welsh Marches, a wide collection of spells and magical workings along with practical instruction on crafting and casting In this collaboration between a Druid and a Witchcraft researcher, Jon G. Hughes and Sophie Gallagher describe in intricate detail the arcane rituals, ancient beliefs, and secret rites of the Welsh Marches, the borderlands between Celtic Wales and Anglo-Saxon England--one of the oldest and most significant locations for early Witchcraft and a lasting repository for ancient Druidic lore. Drawing on their personal access to the archives of the National Museum of Wales, as well as the local museums found within the Welsh Marches, the authors share extracts from ancient texts, along with original photographs of related artifacts. In the second half of the book, the authors present a Grimoire of the Welsh Marches, a wide collection of spells and magical workings along with practical instruction on crafting and casting. Offering a comprehensive look at the earth-based beliefs and practices of primal Witchcraft and Druidic lore, the authors show not only how the traditions of the Welsh Marches had a profound influence on the cultural and spiritual history of the British Isles, but how their influence was exported to all corners of the world.

Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages - from roadside memorials and love-lock bridges, to wishing fountains and coin-trees - emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.

A bold exploration of the reintegration of rationality and intuition, science and soul, to foster individual and planetary healing During the scientific revolution, science and soul were drastically separated, propelling humanity into four centuries of scientific exploration based solely on empiricism and rationality. But, as scientist and ecologist Stephan Harding, Ph.D., demonstrates in detail, by reintegrating science with profound personal experiences of psyche and soul, we can reclaim our lost sacred wholeness and help heal ourselves and our planet. The book begins with compelling introductions to depth psychology, alchemy, and Gaia theory--the science of seeing the Earth as an intelligent, self-regulating system, a theory pioneered by the author's mentor James Lovelock. Harding then explores how alchemy, as understood through the depth psychology of C. G. Jung, offers us powerful methods of reuniting rationality and intuition, science and soul. He examines the integration of important alchemical engravings, including those from L'Azoth des Philosophes and the Rosarium Philosophorum, with Gaian science. He shows how the seven key alchemical operations in the Azoth image can help us develop deeply transformative experiences and insights into our interconnectedness with Gaia. He then looks at how the four components of the living Earth--biosphere, atmosphere, hydrosphere, and lithosphere--mesh not only with the four elements of alchemical theory but also with the four functions of consciousness from depth psychology. Woven throughout with the author's own experiences of Gaia alchemy, the book also offers guided meditations and contemplative exercises to open your receptivity to messages from the biosphere and help you develop your own Gaian alchemical way of life, full of wonder and healing.

This book represents the first systematic study of the role of the Devil in English witchcraft pamphlets for the entire period of state-sanctioned witchcraft prosecutions (1563-1735). It provides a rereading of English witchcraft, one which moves away from an older historiography which underplays the role of the Devil in English witchcraft and instead highlights the crucial role that the Devil, often in the form of a familiar spirit, took in English witchcraft belief. One of the key ways in which this book explores the role of the Devil is through emotions. Stories of witches were made up of a complex web of emotionally implicated accusers, victims, witnesses, and supposed perpetrators. They reveal a range of emotional experiences that do not just stem from malefic witchcraft but also, and primarily, from a witch's links with the Devil. This book, then, has two main objectives. First, to suggest that English witchcraft pamphlets challenge our understanding of English witchcraft as a predominantly non-diabolical crime, and second, to highlight how witchcraft narratives emphasized emotions as the primary motivation for witchcraft acts and accusations.

This collection brings together new papers addressing the philosophical challenges that the concept of a Devil presents, bringing philosophical rigor to treatments of the Devil. Contributors approach the idea of the Devil from a variety of philosophical traditions, methodologies, and styles, providing a comprehensive philosophical overview that contemplates the existence, nature, and purpose of the Devil. While some papers take a classical approach to the Devil, drawing on biblical exegesis, other contributors approach the topic of the Devil from epistemological, metaphysical, phenomenological, and ethical perspectives. This volume will be relevant to researchers and scholars interested in philosophical conceptions of the Devil and related areas, such as philosophers of religion, theologians, and scholars working in philosophical theology and demonology.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

A dazzlingly inventive tale of troubled legacies, desire and unsung power, inspired by The Scarlet Letter. Glasgow, 1829: Isobel, a young seamstress, and her husband Edward set sail for New England, in flight from his mounting debts and addictions. But, arriving in Salem, Massachusetts, Edward soon takes off again, and Isobel finds herself penniless and alone. Then she meets Nathaniel, a fledgling writer, and the two are instantly drawn to each other: he is haunted by his ancestors, who sent innocent women to the gallows during the Salem witch trials - while she is an unusually gifted needleworker, troubled by her own strange talents. Nathaniel and Isobel grow ever closer. Together, they are dark storyteller and muse; enchanter and enchanted. But which is which?

This book began with a simple question: when readers such as us encounter the term magic or figures of magicians in early modern texts, dramatic or otherwise, how do we read them? In the twenty-first century we have recourse to an array of genres and vocabulary from magical realism to fantasy fiction that does not, however, work to read a historical figure like John Dee or a fictional one he inspired in Shakespeare's Prospero. Between longings to transcend human limitation and the actual work of producing, translating, and organizing knowledge, figures such as Dee invite us to re-examine our ways of reading magic only as metaphor. If not metaphor then what else? As we parse the term magic, it reveals a rich context of use that connects various aspects of social, cultural, religious, economic, legal and medical lives of the early moderns. Magic makes its presence felt not only as a forms of knowledge but in methods of knowing in the Renaissance. The arc of dramatists and texts that this book draws between Doctor Faustus, The Tempest, The Alchemist and Comus: A Masque at Ludlow Castle offers a sustained examination of the epistemologies of magic in the context of early modern knowledge formation. This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

Between 1645-7, John Stearne led the most significant outbreak of witch-hunting in England. As accusations of witchcraft spread across East Anglia, Stearne and Matthew Hopkins were enlisted by villagers to identify and eradicate witches. After the trials finally subsided in 1648, Stearne wrote his only publication, A confirmation and discovery of witchcraft, but it had a limited readership. Consequently, Stearne and his work fell into obscurity until the 1800s, and were greatly overshadowed by Hopkins and his text. This book is the first study which analyses Stearne's publication and contextualises his ideas within early modern intellectual cultures of religion, demonology, gender, science, and print in order to better understand the witch-finder's beliefs and motives. The book argues that Stearne was a key player in the trials, that he was not a mainstream 'puritan', and that his witch-finding availed from contemporary science. It traces A confirmation's reception history from 1648 to modern day and argues that the lack of research focusing on Stearne has resulted in misrepresentations of the witch-finder in the historiography of witchcraft. This book redresses the imbalance and seeks to provide an alternative reading of the East Anglian witch-hunt and of England's premier witch-hunter, John Stearne.

First published in 1986. Independent Spirits is about the intellectual world of the humbly-born in late nineteenth- and early twentieth-century Britain, focussing on plebeian, or working- and lower middle-class spiritualists. This book is an important study which throws light on the idealism and search for knowledge that were so central in plebeian circles and in certain, very important parts of the labour movement during the nineteenth and early twentieth centuries. This title will be of interest to students of history.

Power over Satan Can Be Yours...This book is written for all those children of God who hunger and thirst after a close personal relationship with Him. It is for those who long to hear His voice in their innermost being, who will not be satisfied with anything less than the experience of His presence and glory. It is for those who value such a relationship with our wonderful Creator enough to be willing to pay the price in their own lives to achieve it--the pain of daily carrying the cross. This book is for those who are willing to strive for holiness in obedience to our beloved Master, the Lord Jesus Christ.The purpose of this book is to help you understand the rapidly expanding world of the occult so that you can not only cleanse yourself from any involvement in it, but also so that you can avoid its traps.--Rebecca BrownSubjects include: * The key to spiritual power--personal holiness* The armor of God--how to use it effectively* The sin nature--how to understand it and control it* Defilement of God's temple--how to avoid it* The Holy Spirit vs. demon guides--knowing the difference* Deliverance--case studies and guidelinesThis book contains secret satanic war plans previously not found in print. It reveals how the followers of Satan are openly confronting the followers of Jesus Christ. You must learn the key to spiritual power before you need it!A must for every child of God!

Rediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the 'Witch Finder Generall' Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare's Macbeth and Middleton's The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.

A leading figure in the Theosophical Society, Leadbeater was a prolific author, writing on subjects ranging from Buddhism, Masonic history and the origins of Christianity through to the power of thought and the fourth dimension. Leadbeater was also the force behind Annie Besant, the discoverer and educator if Krishnamurti, and became Presiding Bishop of the Liberal Catholic Church. For all his influence Charles Leadbeater remains largely unknown as a man. This biography, first published in 1982, dispels many of the mysteries surrounding his life, and Leadbeater emerges as neither evil degenerate or infallible saint, but as a complex and eccentric adventurer into the realm of the occult. This title will be of particular interest to students of history and theology.

With their dramatic descriptions of black masses and cannibalistic feasts, the records generated by the Basque witch-craze of 160914 provide us with arguably the most demonologically-stereotypical accounts of the witches sabbath or akelarre to have emerged from early modern Europe. While the trials have attracted scholarly attention, the most substantial monograph on the subject was written nearly forty years ago and most works have focused on the ways in which interrogators shaped the pattern of prosecutions and the testimonies of defendants. Invoking the Akelarre diverts from this norm by employing more recent historiographical paradigms to analyze the contributions of the accused. Through interdisciplinary analyses of both French- and Spanish-Basque records, it argues that suspects were not passive recipients of elite demonological stereotypes but animated these received templates with their own belief and experience, from the dark exoticism of magical conjuration, liturgical cursing and theatrical misrule to the sharp pragmatism of domestic medical practice and everyday religious observance. In highlighting the range of raw materials available to the suspects, the book helps us to understand how the fiction of the witches sabbath emerged to such prominence in contemporary mentalities, whilst also restoring some agency to the defendants and nuancing the historical thesis that stereotypical content points to interrogatorial opinion and folkloric content to the voices of the accused. In its local context, this study provides an intimate portrait of peasant communities as they flourished in the Basque region in this period and leaves us with the irony that Europes most sensationally-demonological accounts of the witches sabbath may have evolved out of a particularly ardent commitment, on the part of ordinary Basques, to the social and devotional structures of popular Catholicism.

THERE IS POWER IN SILENCE East Anglia, 1645. Martha Hallybread, a midwife, healer and servant, has lived peacefully for more than four decades in her beloved Cleftwater. Everyone in the village knows Martha, but no one has ever heard her speak. One bright morning, Martha becomes a silent witness to a witch hunt, led by sinister new arrival Silas Makepeace. As a trusted member of the community, she is enlisted to search the bodies of the accused women for evidence. But whilst she wants to help her friends, she also harbours a dark secret that could cost her own freedom. In desperation, Martha revives a wax witching doll that she inherited from her mother, in the hope that it will bring protection. But the doll's true powers are unknowable, the tide is turning, and time is running out . . . A spellbinding and intoxicating novel inspired by true events, The Witching Tide is a magnificent debut from a writer to watch. 'A beautiful, haunting and utterly transporting novel that takes the reader back to a terrifyingly real witching England' NAOMI WOOD 'I absolutely devoured The Witching Tide. To read this book is to step inside time . . . a powerful, riveting read, each sentence pristine and haunting' ELIZABETH MACNEAL

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.