Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.

Wangerin examines one small symbolic revolution against American capitalist culture. It was carried out by youth who were painfully and personally aware of the problems of what they called the System, though they did not necessarily understand the underlying causes of their problems. They called themselves the Children of God. Wangerin studied the Children of God from 1973-1978 in the United States, Mexico, and Italy and has kept in touch with some of them ever since. This is one of the most thorough studies of the controversial cult founded in 1968 by David Berg, and the only ethnography that treats it as a mystical utopian socialist movement.

There have been many grimoires attributed to St Cyprian of Antioch due to his reputation as a consummate magician before his conversion to Christianity, but perhaps none so intriguing as the present manuscript. This unique manuscript (unlike the more rustic examples attributed to St Cyprian called the Black Books of Wittenburg, as found in Scandinavia, or the texts disseminated under his name in Spain and Portugal) is directly in line with the Solomonic tradition, and therefore relevant to our present series of Sourceworks of Ceremonial Magic. It is unique in that instead of being weighed down with many prayers and conjurations it addresses the summoning and use of both the four Archangels, Michael, Raphael, Gabriel and Uriel as well as their opposite numbers, the four Demon Kings, Paymon, Maimon, Egyn and Oriens. The later are shown in their animal and human forms along with their sigils, a resource unique amongst grimoires. The text is in a mixture of three magical scripts, Greek, Hebrew, cipher, Latin, (and reversed Latin) with many contractions and short forms, but expanded and made plain by the editors. The title literally means 'The Key of Hell with white and black magic as proven by Metatron'.

"This is a scholarly and provocative study of Satanism yesterday and today."--"Nove Religio"

"Medway's book is a breath of fresh air in this field of murk, delusion and deception."
-- "Fortean Times"

"The first truly authoritative book on the subject"
"--New York Press, Nov. 14-20, 2001"

"This is an excellent study of an emotional and difficult subject and it is required reading for the open-minded. Highly recommended."
-- "The Cauldron"

Rumors of Devil-worship, or Satanism, have circulated for centuries. Tales of Black Masses, demonic possession, mysterious nighttime ceremonies, and human sacrifices have captured the popular consciousness, prompting the Christian Church to move aggressively to root out Satanism and its practioners through often extraordinarily brutal means of detection and interrogation.

Until recently the stuff of myths and stories, allegations of occult worship have of late taken the form of police investigations concerning ritual child abuse, teens involved in Satanic cults, and serial killings. Unsubstantiated rumors have found their way into the popular and serious press and have been reported as fact, often with little or no verification. Obsessive anti-Satanists find evidence of Satanic lyrics in rock music from Led Zeppelin's "Stairway to Heaven" to Live Aid's "We are the World," while the numbers "666" are found in barcodes in supermarkets.

The Lure of the Sinister draws on a remarkable range of sources, from newspapers and pulp literature to early modern works on demonology to explore the entire history of Satanism from the origins of the Devil in pre-Christian theology through the Inquisition to the life and times of AleisterCrowley, "the "wickedest man in the world." The book also investigates modern charges of Satanism, the psychology of the people who make the allegations, and the legal and religious contexts in which they arise, showing how rumors of Devil-worship come to take on a life of their own. Lively and wittily written, The Lure of the Sinister reveals a strange tapestry of dark and fearful beliefs which have haunted our imagination for centuries.

A fascinating and enlightening celebration of mushrooms and the magic of the forest for those who revel in mushroom imagery and lore. Mushrooms--as a decorative element, as a signifier of the mystery of the forest, and as an adorable emblem of witchy cottagecore dreams--have proliferated in the collective consciousness as of late. Mushroom Magick is a whimsical collection of mushroom facts and fables divided into three sections: first, profiles of 22 well-known mushrooms include information on biology and common uses as well as a rundown of their energetic properties and suggestions for incorporating them into spellwork. Section two provides a world-spanning collection of mushroom myths and fables. The final section is a taste of the spells and rituals that you can perform with common mushrooms such as creminis, shiitakes, and portobellos--carved candles, floor washes, teas, and even some yummy meals can improve your love life, super-charge your good fortune, or even cast a well-deserved hex upon your most hated enemy.

Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.

'A wonderful book by a fabulous author, very highly recommended.' Louise DouglasA tale as old as time. A spirit that has never rested.Present day As a love affair comes to an end, and with it her dreams for her future, artist Selena needs a retreat. The picture-postcard Sloe Cottage in the Somerset village of Ashcombe promises to be the perfect place to forget her problems, and Selena settles into her new home as spring arrives. But it isn't long before Selena hears the past whispering to her. Sloe Cottage is keeping secrets which refuse to stay hidden. 1682 Grace Cotter longs for nothing more than a husband and family of her own. Content enough with her work on the farm, looking after her father, and learning the secrets of her grandmother Bett's healing hands, nevertheless Grace still hopes for love. But these are dangerous times for dreamers, and rumours and gossip can be deadly. One mis-move and Grace's fate looks set... Separated by three hundred years, two women are drawn together by a home bathed in blood and magic. Grace Cotter's spirit needs to rest, and only Selena can help her now. USA Today bestselling author Judy Leigh writing as Elena Collins, brings you this unforgettable, heart-breaking, gripping timeslip novel set in a world when women were hung as witches, and fates could be sealed by a wrong word. Perfect for fans of Barbara Erskine, Diana Gabaldon and Louise Douglas. Praise for Elena Collins: 'A profoundly moving, beautifully written and emotional story that skilfully combines two time frames into one unputdownable book. I was completely immersed in Grace's story from the beginning: despite it taking place 400 years ago. The modern day storyline was also delightful with some wonderful characters. In short a wonderful book by a fabulous author, very highly recommended.' Louise Douglas

Alchemy of the Word is a study of the literary, philosophical, and cultural ramifications of Cabala during the Renaissance. Important intellectual figures from 1490 to 1690 are considered, including Agrippa, Dee, Spenser, Shakespeare, Browne, and Milton; Cabalas more recent impact is also discussed. Cabala, a hermeneutic style of Biblical commentary of Jewish origin, is based on the notion that, along with an inscribed Decalogue, Moses received a secret, oral supplement that provides a symbolic, allegorical, and moral qualification of the literal law of religion.

Building on the work of Gershom Scholem, Joseph Blau, Harold Bloom, Francois Secret, Michel de Certeau, and Arthur Waite, Beitchman takes a fresh look at the "mystical" text through the lens of postmodernist theory. In a model developed from Deleuze-Guattari's "nomadology" to explore issues related to the Zohar, he shows that Cabala was a deconstruction of Renaissance authority. Like deconstruction, Cabala presents familiar material from novel and sometimes provocative perspectives. It allows space for modifiability, tolerance and humanity, by widening the margins between the letter of the law and the demands of an existence whose rules were so rapidly changing.

An exercise in the literary analysis of "sacred texts" and an examination of the mystical element in literary works, Alchemy of the Word is also an experiment in new historicism. It shows how the reincarnation theories of E M. Van Helmont, which impacted heavily on the seventeenth century English cabalistic circle of Henry More and Ann Conway, demonstrate at once the originality and boldness of Cabala, but also its desperation, constituting a theoretical parallel tothe continental "acting out" of the Sabbatian heresy.

San Antonio is such an interesting and fascinating place to live, it seems a lot of folks just don't want to leave when it's their time to go: so, those Spirits of San Antonio just keep on returning--most often "When Darkness Falls". Once again, well-known ghost story writer Docia Williams brings us a new book about recent ghost sightings and mysterious happenings in the Alamo City. A chilling book for those wanting a guide to places where spirits are known to rendezvous or for those who just like a good ghost story.

After providing a terrifying look into the most secret workings of the occult, and after divulging the methods by which man may have immense power over the physical world through spiritual methods, Koetting now unveils the one written work in existence which unabashedly draws the straight line between the upper and the lower, between the finite and the infinite, and between man and God.

Satan worship. Witches. New Age channelers. The last two decades have witnessed a vast upsurge in occult activity. Scores of popular books have warned Christians of the dangers and urged them to do battle against these spiritual forces. Few books, however, have developed a careful biblical theology on demons, principalities and powers. Clinton Arnold seeks to fill this gap, providing an in-depth look at Paul's letters and what they teach on the subject. For perspective, he examines first-century Greek, Roman and Jewish beliefs as well as Jesus' teaching about magic, sorcery and divination. Arguing against many recent interpretations that have seen principalities and powers as impersonal social, economic and political structures, Arnold contends that the New Testament view is that such forces are organized, personal beings which Jesus defeated at the cross and will bring into full subjection at his return. In his concluding section Arnold suggests practical ways in which Christians today can contend with the forces of evil. A thoughtful, biblical look at an urgent challenge facing the church.

This book argues that the world has sold its soul to Satan. To make this case, Hawkes undertakes a careful, precise analysis of what the terms 'soul' and 'Satan' have meant historically. Focusing on the story of Dr. Faustus, which he argues is the definitive myth of the modern era, Hawkes claims that the autonomous, individual human subject has become dissolved in a sea of representation. The system of performative signs that we call 'the market' functions today as an openly magical power, existing only in our minds, but ruling the world nonetheless, and systematically extinguishing the essence of humanity. Hawkes describes how this situation has arisen using a wide-ranging, trans-national account of the versions of Faust presented by Marlowe, Calderon, Milton, Moliere, Goethe, Byron, Dostoevsky, Wilde, Thomas Mann, Ngugi Wa'Thiongo and Salman Rushdie. Literary scholars, historians, philosophers and even economists will find fascination and instruction in this comprehensive, original book.

Werewolf Histories is the first academic book in English to address European werewolf history and folklore from antiquity to the twentieth century. It covers the most important werewolf territories, ranging from Scandinavia to Germany, France and Italy, and from Croatia to Estonia.