This 12-month perpetual planner for good witches provides a place to plan and track everything from daily tasks and key rituals to the sacred holidays and solstices on the Wheel of the Year. It's chock-full of notes on holistic Wiccan magickal tips, spells, lore and recipes distilled from the popular `The Good Witch's Guide' by Shawn Robbins and Charity Bedell. And because it is perpetual you can jump in at any time of the year.

The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.

Recent years have seen a significant shift in the study of new religious movements. In Satanism studies, interest has moved to anthropological and historical work on groups and inviduals. Self-declared Satanism, especially as a religion with cultural production and consumption, history, and organization, has largely been neglected by academia. This volume, focused on modern Satanism as a practiced religion of life-style, attempts to reverse that trend with 12 cutting-edge essays from the emerging field of Satanism studies. Topics covered range from early literary Satanists like Blake and Shelley, to the Californian Church of Satan of the 1960s, to the radical developments that have taken place in the Satanic milieu in recent decades. The contributors analyze such phenomena as conversion to Satanism, connections between Satanism and political violence, 19th-century decadent Satanism, transgression, conspiracy theory, and the construction of Satanic scripture. A wide array of methods are employed to shed light on the Devil's disciples: statistical surveys, anthropological field studies, philological examination of The Satanic Bible, contextual analysis of literary texts, careful scrutiny of obscure historical records, and close readings of key Satanic writings. The book will be an invaluable resource for everyone interested in Satanism as a philosophical or religious position of alterity rather than as an imagined other.

Henrik Bogdan and Martin P. Starr offer the first comprehensive examination of one of the twentieth century's most distinctive occult iconoclasts. Aleister Crowley (1875-1947) was a study in contradictions. He was born into a Fundamentalist Christian family, then educated at Cambridge where he experienced both an intellectual liberation from his religious upbringing and a psychic awakening that led him into the study of magic. He was a stock figure in the tabloid press of his day, vilified during his life as a traitor, drug addict and debaucher; yet he became known as the perhaps most influential thinker in contemporary esotericism. The practice of the occult arts was understood in the light of contemporary developments in psychology, and its advocates, such as William Butler Yeats, were among the intellectual avant-garde of the modernist project. Crowley took a more drastic step and declared himself the revelator of a new age of individualism. Crowley's occult bricolage, Magick, was a thoroughly eclectic combination of spiritual exercises drawing from Western European ceremonial magical traditions as practiced in the nineteenth-century Hermetic Order of the Golden Dawn. Crowley also pioneered in his inclusion of Indic sources for the parallel disciplines of meditation and yoga. The summa of this journey of self-liberation was harnessing the power of sexuality as a magical discipline, an instance of the "sacrilization of the self " as practiced in his co-masonic magical group, the Ordo Templi Orientis. The religion Crowley created, Thelema, legitimated his role as a charismatic revelator and herald of a new age of freedom under the law of ''Do what thou wilt.'' The influence of Aleister Crowley is not only to be found in contemporary esotericism-he was, for instance, a major influence on Gerald Gardner and the modern witchcraft movement-but can also be seen in the counter-culture movement of the late 1960s and early 1970s, and in many forms of alternative spirituality and popular culture. This anthology, which features essays by leading scholars of Western esotericism across a wide array of disciplines, provides much-needed insight into Crowley's critical role in the study of western esotericism, new religious movements, and sexuality.

Witchcraft holds a continued fascination for readers around the world, and the Scottish witch hunts have recently received renewed media attention, especially with the BBC 2 show Lucy Worsley Investigates, bringing attention to Edinburgh's witches. Expert Mary Craig explores the unusual story of Agnes Finnie, a middle class shopkeeper who lived in the tenements of Edinburgh. After arrest, most witches were tried within a matter of days but not Agnes. Her unusual case took months with weeks of deliberation of the jury. Mary explains why and gives her expert insight into the political and religious tensions that led to her burning. The book will interest a variety of readers, academics and non-academics alike - those interested in witchcraft, British and Scottish history, religious studies and women's studies. Mary Craig works as a historian with museums, archives and schools and hosts regular, well-attended events on the subject of witchcraft in the Scottish Borders. We expect strong media coverage. The Witches of Scotland campaign has recently gained traction and the attention of first minister Nicola Sturgeon, calling for a pardon and apology to those accused during the witch hunts.

Tales of alien abductions, miraculous relics, and haunted castles have attracted believers and skeptics across the globe for centuries. Paranormal investigator Joe Nickell tackles the world's most seemingly inexplicable myths in Adventures in Paranormal Investigation.

With four decades of experience in the field, Nickell employs skepticism and scientific analysis to pull truth from the mires of false evidence and trickery that surround both old and new legends and mysteries. Unlike authors who engage in hype and sensationalism in order to foster or debunk myths, Nickell approaches each case with a rational and scientific approach intended to find the truth. Occam's Razor -- all things being equal, the simplest solution is the best one -- is a principal instrument in his investigative toolbox, as well as the belief that it is the claimant's responsibility to provide the extraordinary proof required in such extraordinary cases.

Adventures in Paranormal Investigation features Nickell's on-site explorations in unusual phenomena. Among the forty unique cases, Nickell examines mysteries ranging from snake charmers who purport to hold influence over the reptiles, to the Holocaust victims who reportedly haunt a gas chamber in Dachau, to Lake Simcoe's resident lake monster Igopogo in Canada. In addition to the case studies, Nickell analyzes how the propensity to fantasize can affect human perceptions of and belief in paranormal activity and how his personal experience with the paranormal was altered when intuition led to the discovery of a daughter he didn't know existed.

More than just another myth-busting text, Adventures in Paranormal Investigation brings together reason and scientific analyses to explain both the phenomena and the role of human perception therein, establishing Nickell as the foremost paranormal investigator of our time.

"Witches and Neighbours "is a highly original and unconventional analysis of a fascinating historical phenomenon. Unlike other studies of the subject which focus on the mechanisms of persecution, this book presents a rich picture of witchcraft as an all-pervasive aspect of life in early modern Europe.

Robin Briggs combines recent research with his own investigations to produce a brilliant and compelling account of the central role of witchcraft in the past. Although the history of witchcraft can only be studied through records of persecutions, these reveal that trials were unusual in everyday life and that witchcraft can be viewed as a form of therapy. Witchcraft was also an outlet and expression of many fundamental anxieties of society and individuals in a time when life was precarious. The book argues that witchcraft - its belief and persecutions - cannot be explained by general causes but was as complex and changing as the society of which it formed a vital part.

Since its original publication in 1996, this book has become the standard work on the subject of witchcraft. It now appears in a revised edition with an updated bibliography.

This book is not available from Blackwell in the United States and the Philippines.

Demonology - the intellectual study of demons and their powers - contributed to the prosecution of thousands of witches. But how exactly did intellectual ideas relate to prosecutions? Recent scholarship has shown that some of the demonologists' concerns remained at an abstract intellectual level, while some of the judges' concerns reflected popular culture. This book brings demonology and witch-hunting back together, while placing both topics in their specific regional cultures. The book's chapters, each written by a leading scholar, cover most regions of Europe, from Scandinavia and Britain through to Germany, France and Switzerland, and Italy and Spain. By focusing on various intellectual levels of demonology, from sophisticated demonological thought to the development of specific demonological ideas and ideas within the witch trial environment, the book offers a thorough examination of the relationship between demonology and witch-hunting. Demonology and Witch-Hunting in Early Modern Europe is essential reading for all students and researchers of the history of demonology, witch-hunting and early modern Europe.

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

The presentation of the magical and mantic in Celtic literature has persistently been dogged by misunderstanding and over-romanticized readings. Among the misconceptions about the ancient and medieval Celtic peoples, the notion of a specifically 'Celtic' astrology remains widespread in the popular mind. This study aims to counter such myth-making, and to demonstrate how a number Irish and Welsh literary writers in the medieval and Early Modern period conceived of portents in the heavens - comets, blood-coloured moons, darkened suns - and what they knew of the complex art of astrology.
Early Irish churchmen felt that the end of the world was imminent, and this book explores the ways in which they saw signs in the heavens as evidence of impending apocalypse, and how they adapted such millenarian imagery for use in native sagas in Irish. It then moves on to an extended discussion of the cloud-divination ascribed to Irish druids in high medieval literary texts; this has sometimes naively been taken as evidence for the actual customs of the druidic caste, but it is shown here to be a development of the later Middle Ages, long after the druids' disappearance. Turning to Wales, the cosmological knowledge of two linked figures is scrutinized: the super-poet Taliesin, and King Arthur's prophet Merlin, whom Geoffrey of Monmouth represented in the mid 12th century as an astrological sage with a purpose-built observatory. Evidence for the knowledge of astrology amongst the learned poets of later medieval Wales is then laid out, with an analysis of a powerful late 15th century poem indicting the evil influence of the planet Saturn; such knowledge seems to have been largely medical in nature, and the book concludes with an examination of a number of Welsh astrological texts in manuscript, setting them against the longest astrological poem in a Celtic language, the mid 17th century Puritan mystic Morgan Llwyd's spiritualizing and evangelical 'Heavenly Science'.

In this powerful book, the renowned exorcist of Rome tells of his many experiences in his ministry as an exorcist doing battle with Satan to relieve the great suffering of people in the grip of evil. The importance of the ministry to "expel demons" is clearly seen in the Gospels, from the actions of the Apostles, and from Church history. Fr. Amorth allows the reader to witness the activities of the exorcist, to experience what an exorcist sees and does. He also reveals how little modern science, psychology, and medicine can do to help those under Satan's influence, and that only the power of Christ can release them from this kind of mental, spiritual or physical suffering. An Exorcist Tells His Story has been a European best-seller that has gone through numerous printings and editions. No other book today so thoroughly and concisely discusses the topic of exorcism.

An investigation into the underpinnings and superstructures of the Pagan world view Pagan religions have tended to be more concerned with practice that with theory and in a system that has no dogma - no legislated doctrine - that is as it should be. Yet as the movement grows and matures, it is inevitable that we will begin to think in a more abstract way about our models and systems. John Michael Greer has provided a primer on the kinds of ideas and themes that must be included in any discussion of the theology and philosophy of Neo-pagan religions.  Much of the book takes shape in a dialogue with existing ideas in theology, philosophy, and comparative religion. It looks to find a middle ground between too much and too little reference to the work of other scholars to find a comprehensible yet intellectually rigorous middle ground. It aims to be part of a conversation, that stretches out over the centuries.  Voices of polytheist spirituality have had little place in that conversation for many years, but much of value has been said in their absence. The rebirth of polytheism as a living religious tradition in the Western world will inevitably force a reassessment of much of that heritage, and pose challenges to some of its most cherished assumptions.  Yet reassessment is not necessarily rejection, and the traditions of modern polytheism are deeply enough indebted to legacies from the past that an attentive ear to earlier phases of the conversation is not out of place.

Phyllis Curott’s first book, Book of Shadows, was an inspirational, spiritual memoir that chronicled her journey from Ivy League-educated, New York City attorney to Wiccan High Priestess. By inviting readers of all faiths to share in her own personal transformation, Phyllis debunked many of the myths surrounding Wicca and revealed it for what it really is: a spiritual movement whose tenets of Goddess worship and reverence for Nature were a great deal more accessible and familiar than she’d ever expected. In Witch Crafting, Phyllis digs deep into the practices and principles of Witchcraft to provide a comprehensive guidebook that anyone "novices and seasoned practitioners alike" can use to incorporate the beauty and power of Wicca into their own daily lives.
Far from being just another mechanical spell book, Witch Crafting is the first book to offer readers not only the how-to of Witchcraft, but also the why-to, explaining the profound spiritual tenets behind Wiccan techniques. Filled with both traditional and innovative shamanic practices, Phyllis also provides an empowering new definition of magic and reexamines the ethics under which Witchcraft is practiced, offering a groundbreaking alternative to the Threefold Law. With enchanting stories from Curott’s own experiences, Witch Crafting will also teach you how to:
• Master the secret arts of effective spellcasting

• Create sacred space and personal rituals

• Perform divinations for spiritual insight and earthly success

• Tap into the power of altered states, such as dreaming, meditation, prayer, and trance

• Keep a magical journal and create your own Book of Shadows ·Keep a magical

Rich with detailed advice for making magic, working with Nature, and finding the Divine within, as well as thought-provoking evaluations of this remarkable spirituality, Witch Crafting is the special volume that you’ve been searching for. Whether you are a beginner or have been practicing Witchcraft for years, whether you worship in a coven or on your own, Witch Crafting is the ideal handbook for you, or anyone seeking to unlock the divine power that makes real magic happen and experience the ecstasy, energy, and gifts of the Universe more fully.


From the Hardcover edition.