First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Church of Satan was founded by Anton LaVey on April 30, 1966. In his hands, Satan became a provocative symbol for indulgence, vital existence, natural wisdom and the human being's true animal nature. At present, religious Satanism exists primarily as a decentralized subculture with a strong internet presence within a larger Satanic milieu in Western culture. Though most are inspired by LaVey, the majority of contemporary Satanists are not members of the Church of Satan. The various expressions of modern Satanism all navigate in today's detraditionalized religious market through the creative appropriation of popular culture, philosophy, literature and religion. The concrete solutions are varied; but they all understand the power of transgression allying oneself with a most powerful symbol of resistance, namely Satan. Thus, contemporary religious Satanism could be understood as a complex negotiation of atheism, secularism, esotericism and self: A "self-religion" in the modern age. Despite the fascinating nature of religious Satanism, it has attracted little scholarship until relatively recently. This book brings together a group of international scholars to produce the first serious book-length study of religious Satanism, presenting a collection that will have wide appeal to specialists and non-specialists alike. The first part contains broader studies of influential groups and important aspects of the Satanic milieu, especially regarding historical developments, the construction of tradition and issues of legitimacy. The second part narrows the view to regional variations, especially with studies on Northern and Eastern Europe. The third part consists of primary documents selected for their representational and informational value.

Throughout the nineteenth and early twentieth centuries, Shakespeare's ghost appeared again and again at seance tables in London, Paris, Melbourne, and Cape Town, as well as in smaller, rural settings. This study concerns itself with a now-forgotten religious group, Spiritualists, and how its ensuing discussions of Shakespeare's meaning, his writing practices, his possible collaborations, and the supposed purity and/or corruption of his texts anticipated, accompanied, or silhouetted similar debates in Shakespeare studies.

How did the witch become wicked? This is the central question of Crafting the Witch, which documents and analyzes the gendered transformation of magical figures that occurred in Arthurian romance as it developed from its earliest continental manifestations in the twelfth century to its flowering in fifteenth- and sixteenth-century England. In particular, while wizard-figures remained repositories of privileged knowledge throughout these periods, representations of witches mitigated cultural anxieties prompted by nascent capitalist economics through a rigid circumscription of femininity within the domain of the maternal. Though there are innumerable studies of witchcraft, few explore the development of the witch-figure within a continuing literary tradition that spans both the medieval and early modern periods, a process which offers a unique glimpse into the history of this powerful figure. Arthurian texts serve as a particularly useful case study for mapping the intersection of medieval and early modern discourses of literature, religion, science, and law which formed the notorious and familiar wicked witch. The witch still functions as a warning to women who reject normative conventions of ideal femininity, reminding us that while opportunity may knock, wickedness taints those who try to answer.

Personifications of evil in the form of demons, devils, spirits, vampires, and other malign entities can be found across the popular cultural spectrum. One only has to peruse the shelves of music and book stores or view the content of some of the most successful films and television series to discover evidence for the phenomenal popular fascination with the demonic other. However, rather surprisingly, this is not an area in which much research has been done. The aim of this volume is to examine the demonic foil within popular culture. Moreover, it will bring together an international team of some of most important and creative scholars in the areas of Biblical Studies, Religious Studies, and Christian Theology currently exploring the religious significance of popular culture.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

Witch-Hunting in Scotland presents a fresh perspective on the trial and execution of the hundreds of women and men prosecuted for the crime of witchcraft, an offence that involved the alleged practice of maleficent magic and the worship of the devil, for inflicting harm on their neighbours and making pacts with the devil.

Brian P. Levack draws on law, politics and religion to explain the intensity of Scottish witch-hunting. Topics discussed include:

• the distinctive features of the Scottish criminal justice system
• the use of torture to extract confessions
• the intersection of witch-hunting with local and national politics
• the relationship between state-building and witch-hunting and the role of James VI
• Scottish Calvinism and the determination of zealous Scottish clergy and magistrates to achieve a godly society.

This original survey combines broad interpretations of the rise and fall of Scottish witchcraft prosecutions with detailed case studies of specific witch-hunts. Witch-Hunting in Scotland makes fascinating reading for anyone with an interest in witchcraft or in the political, legal and religious history of the early modern period.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons. The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be. The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons.
The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be.
The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

In writing this poem I have attempted to cut through so much of what we now think of as Ancient Egypt, and only the bare bones will remain. Symbolic figureheads such as Osiris and Amon will be discussed, but not elevated, and favoured centres of apparent importance or popularity will be by-passed. This will not be a book for those who wish to play tourist, dropping off here for a quick sensation, or stopping there for an imagined photo-shoot, it will be an experience for all those who wish to embrace the origin and notion of Set, and Set's values. In recording the mythical life of Set, we have applauded him. The strength and warmth of his intellect demand similar warmth in his dramatic performance throughout ancient Egyptian history. To adopt an attitude of detachment, particularly towards the ancient and unknown, can bar from sight those many scenes glimpsed by the historian who approaches the role of reconstructing an era with sympathy, insight and understanding. Neither the truth nor the equilibrium of scholarship is disturbed by controlled imagination and honest praise of this much-maligned Egyptian god. We are portraying the mythological concept and personality of Set not in order to worship a hero, but to recognise him as a leader and a hero. Set strives to take his stand against 5,000 years of a 'drift of history' with the introduction of Osirion and Amonite tradition, and a preconditioning before being replaced by Christianity.

THERE IS POWER IN SILENCE East Anglia, 1645. Martha Hallybread, a midwife, healer and servant, has lived peacefully for more than four decades in her beloved Cleftwater. Everyone in the village knows Martha, but no one has ever heard her speak. One bright morning, Martha becomes a silent witness to a witch hunt, led by sinister new arrival Silas Makepeace. As a trusted member of the community, she is enlisted to search the bodies of the accused women for evidence. But whilst she wants to help her friends, she also harbours a dark secret that could cost her own freedom. In desperation, Martha revives a wax witching doll that she inherited from her mother, in the hope that it will bring protection. But the doll's true powers are unknowable, the tide is turning, and time is running out . . . A spellbinding and intoxicating novel inspired by true events, The Witching Tide is a magnificent debut from a writer to watch. 'A beautiful, haunting and utterly transporting novel that takes the reader back to a terrifyingly real witching England' NAOMI WOOD 'I absolutely devoured The Witching Tide. To read this book is to step inside time . . . a powerful, riveting read, each sentence pristine and haunting' ELIZABETH MACNEAL

Rosie Strange is back in the latest of the fabulously creepy Essex Witch Museum Mysteries Secretly Rosie Strange has always thought herself a little bit more interesting than most people – the legacy her family has bequeathed her is definitely so, she’s long believed. But then life takes a peculiar turn when the Strange legacy turns out not just to be the Essex Witch Museum, but perhaps some otherworldly gifts that Rosie finds difficult to fathom. Meanwhile Sam Stone, Rosie’s curator, is oddly distracted as breadcrumb clues into what happened to his missing younger brother and other abducted boys from the past are poised to lead him and Rosie deep into a dark wood where there lurks something far scarier than Hansel and Gretel’s witch… Praise for the Essex Witch Museum Mysteries: ‘I gleefully submitted to a tale of witchcraft, feminism, mysterious strangers, historical atrocities, plucky heroines and ghastly apparitions – and came away more proud than ever to be an Essex girl.’ Sarah Perry, author of The Essex Serpent ‘Confident, down-to-earth Essex girl Rosie is an appealing character, and there is plenty of spooky fun in this spirited genre mashup.’ Guardian

Conjure calm and summon serenity with Calming Magic, a soothing introduction to the healing energy of mystical practices, aromatherapy blends, crystal rituals, and more. Use the power of intention, ritual, and spellwork to craft a more peaceful, connected life with Calming Magic. Harnessing ancient wisdom and profound magic, this enchanted guide pairs mindfulness with mysticism to help readers support the body, mind, and heart in times of stress. Organized into three sections -- Peace, Clarity and Creativity -- Calming Magic offers a pathway to tranquility, from quieting anxious thoughts and focusing the mind to cultivating the imagination. Each section incorporates magical practice that fortify the body (with teas, yoga practices and home remedies), the mind (with meditations, spells and feng shui), and the heart (with crystals, tarot readings and rituals). With primers on the foundations of mystical practices, and creative DIYs to customize rituals and spells, this beautiful volume brings magic and harmony into today's hectic world.

The world’s leading psychiatric authority on demonic possession delves into the hidden world of exorcisms and his own transformation from cynic to believer over the course of his twenty-five-year career. Successful New York psychiatrist Richard Gallagher was skeptical yet intrigued when a hard-nosed, no-nonsense Catholic priest asked him to examine a woman for a possible exorcism. Meeting her, Gallagher was astonished. The woman’s behavior defied logic. In an instant, she could pinpoint a person’s secret weaknesses. She knew how individuals she’d never known had died, including Gallagher’s own mother, who passed away after a lengthy battle with ovarian cancer. She spoke fluently in multiple languages, including Latin—but only when she was in a trance. This was not psychosis, Gallagher concluded. It was, in his scientific estimation, what could only be describe as paranormal ability. The woman wasn’t mentally disturbed—she was possessed. This remarkable case was the first of many that Gallagher would encounter. Sought after today by leaders of all faiths—ministers, priests, rabbis and imams, Gallagher has spent a quarter-century studying demonic activity and exorcisms throughout history and has witnessed more cases than any other psychiatrist in the world today. In this eerie and enthralling book, Gallagher chronicles his most famous cases for the first time, including: A professional who claimed her spiritualist mother had “assigned� her a spirit who “turned on her.� A petite woman—�90 pounds soaking wet�—who threw a 200-pound Lutheran deacon across the room to the horror of onlookers in a church hall; And “Julia,� the so-called Satanic queen and self-described witch, who exhibited “the most harrowing� case, a “once-in-a-century� possession. Going beyond horror movies and novels, Demonic Foes takes you deep into this hidden world, sharing in full details of these true-life tales of demonic possession.

Beginning with an introduction to the methodology, "Parapsychology" provides the reader with a sympathetic yet critical overview of current research into unexplained phenomena including visions, telepathy, psychokinesis, divination, and out-of-body experiences. Each chapter describes the phenomena, outlines the main lines of research, discusses possible explanations for such anomalies of cognitive function, and provides suggestions for relevant further reading.
"Parapsychology"'s detailed, yet accessible coverage of the psychological study of unexplained phenomena will be welcomed by psychology and social science students and researchers.

From Nikki Van De Car, the best-selling author of Practical Magic, comes a fully-illustrated, enchanted introduction to the witch's world of modern potions, including tinctures, infusions, herbal DIYs, and magically-infused craft cocktails. Witchcraft meets cocktail craft in Potions, a contemporary introduction to the world of infusions, tisanes and herbal teas, homemade tinctures, and expertly mixed alcoholic beverages, all imbued with a healthy dose of everyday enchantment. As with all magic, intention is what makes a potion a potion, and author Nikki Van De Car uses her signature blend of holistic remedies, DIY projects, and accessible magical rituals to guide readers through the wide world of potion-making. From homebrewed kombuchas to crystal-charged cocktails, this fully illustrated guide is an essential addition to the arsenal of kitchen witches and enchanted mixologists. Organized around a series of intentions -- including Creativity, Calm, Love, Harmony, and Protection -- the chapters in this book each include teas, cocktails, kombuchas, non-alcoholic beverages, and DIY components like bitters, shrubs, and infusions, that enhance the reader's spellwork. Every recipe will involve a brief ritual of some kind, whether setting an intention, or using a crystal, sun magic, or moon magic, and each recipe will involve some form of herbal magic. Each cocktail is accompanied by a vibrant, full-color illustration, and each chapter includes longer mystical rituals to support the reader's overall magical practice.

Psychic and other exceptional experiences are surprisingly common but opinions as to their causes vary widely. Can tricks of the mind such as hallucinations, mistaken perception and errors of judgement explain such phenomena or does some yet to be understood non-sensory means of communication come into play? In Parapsychology, leading researchers from both the UK and the USA combine their expertise to form a lucid account of research into the science of psychic experience. Beginning with an introduction to the methodology, Parapsychology addresses topics including coincidence, telepathy, precognition, psychokinesis, healing, apparitions, reincarnation and out-of-body experiences. Each chapter describes the phenomenon, outlines the main lines of research and discusses the merits of possible explanations for such anomalies of cognitive function. Extensive suggestions for relevant further reading on each individual subject are provided, along with a detailed glossary of terms. Parapsychology provides an accessible and succinct overview of the research and current thinking on the subject of psychic and allied experiences. This balanced account of work in this fascinating area will be of great interest to students and researchers in psychology as well as anyone with an interest in the field.

This monograph focuses on "Christian Goddess Spirituality" (CGS), the phenomenon of (mostly) women who combine Christianity and Goddess Spirituality, including Wicca/Witchcraft. Mary Ann Beavis's study provides ethnographic data and analysis on the lived religious experience of CGS practitioners, drawing on interviews of over 100 women who self-identify as combining Christianity and Goddess spirituality. Although CGS also has implications for Goddess Spirituality and related traditions (e.g., Neopaganism, Wicca), here, CGS is considered primarily as a phenomenon within Christianity. However, the study also shows that the fusion of Christian and Goddess spiritualties has had an impact on non-Christian feminist spirituality, since Goddess-worshippers have often constructed Christianity as the diametrical opposite and enemy of the Goddess, to the point that some refuse to admit the possibility that CGS is a valid spiritual path, or that it is even possible. In addition, biblical, Jewish and Christian images of the divine such as Sophia, Shekhinah, the Virgin Mary, and even Mary Magdalene, have found their way into the "Pagan" Goddess pantheon. The main themes of the study include: overlaps and differences between Christian feminist theology and CGS; the routes to CGS for individual practitioners, and their beliefs, practices and experiences; proto-denominational classifications ("spiritual paths") within CGS; CGS thealogy (Christian discourse about the female divine); and the future of CGS in social scientific and ecclesiological context. Christian Goddess Spirituality will be of interest to scholars of religion, especially those with interests in women and religion, feminist spiritualities, feminist theology/thealogy, alternative spiritualities, New Religious Movements, and emergent Christianities.

This is a highly original study of demon possession and the ritual of exorcism, both of which were rife in early modern times, and which reached epidemic proportions in France.
Catholics at the time believed that the Devil was everywhere present, in the rise of the heretics, in the activities of witches, and even in the bodies of pious young women. The rite of exorcism was intended to heal the possessed and show the power of the Church - but it generated as many problems as it resolved. Possessed nuns endured frequently violent exorcisms, exorcists were suspected of conjuring devils, and possession itself came to be seen as a form of holiness, elevating several women to the status of living saints.
Sarah Ferber offers a challenging study of one of the most intriguing phenomena of early modern Europe. Looking towards the present day, the book also argues that early modern conflicts over the Devil still carry an unexpected force and significance for Western Christianity.

This is a highly original study of demon possession and the ritual of exorcism, both of which were rife in early modern times, and which reached epidemic proportions in France.
Catholics at the time believed that the Devil was everywhere present, in the rise of the heretics, in the activities of witches, and even in the bodies of pious young women. The rite of exorcism was intended to heal the possessed and show the power of the Church - but it generated as many problems as it resolved. Possessed nuns endured frequently violent exorcisms, exorcists were suspected of conjuring devils, and possession itself came to be seen as a form of holiness, elevating several women to the status of living saints.
Sarah Ferber offers a challenging study of one of the most intriguing phenomena of early modern Europe. Looking towards the present day, the book also argues that early modern conflicts over the Devil still carry an unexpected force and significance for Western Christianity.

Contents:
Preface 1. Introduction 2. Approaches to witchcraft 3. Feminists and witches 4. Feminists and the Goddess 5. Researching witches: Becoming enchanted 6. Feminist witchcraft in New Zealand: Origins and development 7. The attraction of witchcraft 8. The attraction of the Goddess: Witches' worldview 9. What witches do 10. Ritual as artefact 11. How magic works 12. Re-membering the witch and the Goddess References

Written by Joseph L. Henderson, one of the first generation of Jungian analysts, and Dyane N. Sherwood, a practising analyst, this book is a striking and unique contribution to the resurgence of interest in alchemy for its way of representing the phenomenology of creative experience.

Transformation of the Psyche is organized around 22 illuminated paintings from the early Renaissance alchemical manuscript the Splendor Solis, and is further illustrated by over 50 colour figures. The images of the Splendor Solis are possibly the most beautiful and evocative alchemical paintings to be found anywhere, and they are widely known to students of alchemy. Jung reproduced several Splendor Solis images in his works, yet prior to this book no one has explored the symbolism of the paintings as a series in relation to the process of depth psychological transformation. This book is the first scholarly study of the paintings in their entirety, and of the mythological and historical allusions contained within the images. Transformation of the Psyche does not simply explain or analyze the pictures, but invites the reader to participate in the creative and transforming process evoked by these images.

Transformation of the Psyche is a truly unique book that will be of immense value and interest to analysts and psychotherapists, as well as scholars of mediaeval and renaissance intellectual history and students of spiritual disciplines.

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