This study examines the relationship between elite and popular beliefs in witchcraft, magic and superstition in England, analyzing such beliefs against the background of political, religious and social upheaval characteristic of the Civil War, Interregnum and Restoration periods. Belief in witchcraft received new impulses because of the general ferment of religious ideas and the tendency of participants in the Civil Wars to resort to imagery drawn from beliefs about the devil and witches; or to use portents to argue for the wrongs of their opponents. Throughout the work, the author stresses that deeply held superstitions were fundamental to belief in witches, the devil, ghosts, apparitions and supernatural healing. Despite the fact that popular superstitions were often condemned, it was recognized that their propaganda value was too useful to ignore. A host of pamphlets and treatises were published during this period which unashamedly incorporated such beliefs. Valletta here explores the manner in which political and religious authorities somewhat cynically used demonic imagery and language to discredit their opponents and to manipulate popular opinion.

The author of The Green Witch, shows you how you can create your own green witch grimoire to record your favourite spells, recipes, rituals, and more. A grimoire is essential for any witch wanting to capture and record spells, rituals, and secret ingredients. And for a green witch, a perfect place to reflect upon the power of nature, and document the stones, plants, flowers, oils, and herbs used in her practice. The Green Witch's Grimoire finally is a place for all your prized knowledge. Experienced witch Arin Murphy-Hiscock guides you on your path to creating your own personal book of your most cherished magic. Continue to hone your craft and grow into the green witch you've always dreamed of as you personalize your own Green Witch's Grimoire.

The author has undertaken extensive research on the history of folk beliefs connected with communication with the supernatural sphere. In this text, she examines the relics of European shamanism in early modern sources, and the techniques and belief-systems of mediators found in the records of witchcraft trials from the sixteenth to the eighteenth century. Pocs also explores the kinds of communication systems known to early modern Hungarians, the role of these systems in everyday village life, and how they were connected to contemporary European systems. On the basis of her material and analysis, she contributes a number of details and identifies types of mediators and systems which function up to the twentieth century.

Witchcraft and paganism exert an insistent pressure from the margins of midcentury British detective fiction. This Element investigates the appearance of witchcraft and paganism in the novels of four of the most popular female detective authors of the era: Agatha Christie, Margery Allingham, Ngaio Marsh and Gladys Mitchell. The author approaches the theme of witchcraft and paganism not simply as a matter of content but as an influence which shapes the narrative and its possibilities. The 'witchy' detective novel, as the author calls it, brings together the conventions of Golden Age fiction with the images and enchantments of witchcraft and paganism to produce a hitherto unstudied mode of detective fiction in the midcentury.

How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790-1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.

After discussing the terminology of talismanic magic (or necromancy) and its position in divisions of science in the Middle Ages, this book traces the history of talismanic texts from the Classical period through the Arabic world to the Latin Middle Ages. The principal authorities are Hermes and Aristotle, and the search for the 'secret knowledge' of these ancient sages is shown to have been a catalyst for the translating activity from Arabic into Latin in 12th-century Spain. The second half of the volume is devoted to examples of the kinds of divination prevalent in Arabic and Latin-reading societies: chiromancy, onomancy, scapulimancy, geomancy and fortune-telling. The book ends with advice on when to practice alchemy and a prophetic letter of supposed Arabic provenance, warning of the coming of the Mongols. Several editions of previously unedited texts are included, with translations.

To me, Wicca will always be about experiencing the earth, working with what you can find and practising the craft for its true meaning. It promotes equality in all and has brought me many benefits: acceptance, kindness and self-love. Harmony Nice is at the heart of a growing community of modern-day wiccans who practise natural magic to improve their own lives and the world around them. In Wicca she encourages you to explore the positive impact that ritual, meditation and embracing nature can have on your creativity, confidence and sense of self-worth. Discover how to cast spells, start your own Book of Shadows, join a coven and feel empowered to follow a path that feels good and true to you.

This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century.

Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages - from roadside memorials and love-lock bridges, to wishing fountains and coin-trees - emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.

The etiology of the Wimbum people in the Western Grassfields of Cameroon is described through an examination of the way in which the meanings of key concepts, used to interpret and explain illness and other forms of misfortune, are continually being produced and reproduced in the praxis of everyday communication. During the course of numerous dialogues, witchcraft, a highly ambivalent force, gradually emerges as the prime mover. As destructive cannibals or respectable elders the witches are the ultimate cause of all significant illness, misfortune and death, and as diviners they are also the ultimate judges who apportion moral responsibility. Even the ancestors and the traditional gods turn out to be fronts behind which the witches hide their activities.The study is on three levels: a medical anthropological exploration of explanations of illness and misfortune; a detailed ethnography of traditional African cosmology and witchcraft; and an examination of recent theoretical issues in anthropology such as the nature of ethnographic fieldwork and the possibility of dialogical or postmodern ethnography.

The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist Alexander Roob. The roots of surrealism and many other more recent artistic movements can be found in this treasure trove. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

THE FINAL FREY & McGRAY MYSTERY All will be revealed... * * * * * The Devil Has Come to Edinburgh... An ill-fated grave-robbery unearths a corpse with a most disturbing symbol on it. When a patient in Edinburgh's lunatic asylum is murdered, the same sign is daubed in blood on the walls - the mark of the devil. The prime suspect: inmate Amy McGray, notorious for killing her parents years before. Her brother, Detective 'Nine-Nails' McGray, must prove her innocence - with the help of an old friend . . . Inspector Ian Frey insists he is retired. But when called upon, he reluctantly agrees to their final case. As twists follow bombshells, leading to secrets that have been waiting in the shadows all along, all will be revealed . . . This rollicking Victorian sensationalist melodrama is the epic conclusion to the marvellous Frey & McGray mysteries.

The Parlement of Paris was the largest secular court in Christendom. Although its criminal archives have been preserved virtually intact, historians of the period of the great witch trials, as well as scholars of the Ancien Regime in general, have been discouraged by the notorious difficulties of research into them, and have effectively avoided these records. Alfred Soman was the first historian to have undertaken the task. In the fifteen articles republished here, which include both detailed investigations of particular cases and broad-ranging overviews, he contends that criminal justice in the 16th- and 17th-century France was far more humane and less severe than traditional assumptions would suggest. As early as 1588, the High Court began to take steps to restrain indiscriminate witch hunting, particularly in the eastern provinces where prosecutions were instigated not in conformity with, but in defiance of, the highest judicial authority in the land. Le Parlement de Paris, la plus grande cour de justice de l'Occident, nous a legue ses archives criminelles quasiment intactes. Pourtant les historiens des proces de sorcellerie, ainsi que les specialistes des aspects institutionnels et sociaux de l'Ancien Regime, decourages par les difficultes notoires de la recherche, ont evite l'exploitation de ces documents. Alfred Soman est le premier chercheur A en avoir releve de defi. Dans cette serie de quinze articles, qui comprennent des enquAtes detailles, ainsi que des essais de synthese, il soutient que l'ancienne justice a ete beaucoup plus clemente et moins 'injuste' que de vieilles idees reAues ne le pretendent. Des 1588, la Haute Cour commenAa A reprimer les nombreuses poursuites pour faits de sorcellerie, plus particulierement dans l'Est du royaume, oA(1) certains sieges subalternes entamaient des actions criminelles intempestatives, prenant le contre-pied de la politique mise en place par le Pouvoir judiciaire central.

How was magic practiced in medieval times? How did it relate to the diverse beliefs and practices that characterized this fascinating period? This much revised and expanded new edition of Magic in the Middle Ages surveys the growth and development of magic in medieval Europe. It takes into account the extensive new developments in the history of medieval magic in recent years, featuring new material on angel magic, the archaeology of magic, and the magical efficacy of words and imagination. Richard Kieckhefer shows how magic represents a crossroads in medieval life and culture, examining its relationship and relevance to religion, science, philosophy, art, literature, and politics. In surveying the different types of magic that were used, the kinds of people who practiced magic, and the reasoning behind their beliefs, Kieckhefer shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature, and how the persecution of magic and witchcraft led to changes in the law.

Throughout history, magic has been as widely and passionately practiced as religion. But while religion continues to flourish, magic stumbles towards extinction. What is magic? What does it do? Why do people believe in magic? Ariel Glucklich finds the answers to these questions in the streets of Banaras, India's most sacred city, where hundreds of magicians still practice ancient traditions, treating thousands of Hindu and Muslim patients of every caste and sect. Through study and interpretation of the Banarsi magical rites and those who partake in them, the author presents fascinating living examples of magical practice, and contrasts his findings with the major theories that have explained (or explained away) magic over the last century. These theories, he argues, ignore an essential sensory phenomenon which he calls "magical experience": an extraordinary, though perfectly natural, state of awareness through which magicians and their clients perceive the effects of magic rituals.

L'ouvrage presente la premiere edition critique, traduction annotee et etude du Kitab da'irat al-ahruf al-abjadiyya attribue a Hermes, texte de magie pratique basee sur la science des lettres ('ilm al-huruf). This book provides a critical edition and translation of the Kitab da'irat al-ahruf al-abjadiyya, a treatise of practical letter magic attributed to Hermes, giving anyone interested in magical traditions a way to understand the intricacies of the science of letters ('ilm al-huruf).

The strix was a persistent feature of the folklore of the Roman world and subsequently that of the Latin West and the Greek East. She was a woman that flew by night, either in an owl-like form or in the form of a projected soul, in order to penetrate homes by surreptitious means and thereby devour, blight or steal the new-born babies within them. The motif-set of the ideal narrative of a strix attack - the 'strix-paradigm' - is reconstructed from Ovid, Petronius, John Damascene and other sources, and the paradigm's impact is traced upon the typically gruesome representation of witches in Latin literature. The concept of the strix is contextualised against the longue-duree notion of the child-killing demon, which is found already in the ancient Near East, and shown to retain a currency still as informing the projection of the vampire in Victorian fiction.

Poison Prescriptions is a stunningly illustrated grimoire of some of the most notorious plants: henbane, datura, belladonna, among others. It is also a practical guide to plant magic, medicine and ritual, offering advice to professional and home herbalists, to those interested in forgotten lore and the old ways, and to all those who wish to reclaim control of their own wellbeing. This book urges the resurrection of the ancient tradition of using these witching herbs in ritual and medicine. Now is the time to relink magic and medicine in the context of modern herbalism and contemporary witchcraft. Discover: Safe ways of interacting with the witching herbs to usher in wellbeing and healing. Practical activities ranging from meditations and folklore writing to wreath making and beer brewing. Step-by-step instructions to creating the powerful witches' Flying Ointment and using it in ritual, sex magic and lucid dreaming.

In this major re-evaluation of Isaac Newton's intellectual life, Betty Jo Teeter Dobbs shows how his pioneering work in mathematics, physics, and cosmology was intertwined with his study of alchemy. Directing attention to the religious ambience of the alchemical enterprise of early modern Europe, Dobbs argues that Newton understood alchemy - and the divine activity in micromatter to which it spoke - to be a much needed corrective to the overly mechanized system of Descartes. The same religious basis underlay the rest of his work. To Newton it seemed possible to obtain partial truths from many different approaches to knowledge, be it textual work aimed at the interpretation of prophecy, the study of ancient theology and philosophy, creative mathematics, or experiments with prisms, pendulums, vegetating minerals, light, or electricity. Newton's work was a constant attempt to bring these partial truths together, with the larger goal of restoring true natural philosophy and true religion.

In the living room of a London flat, a man stands naked and blindfolded. His wrists are bound together behind his back with red cord, which is looped round his neck and holds his arms up to make a triangle. A white cord is tied round his right ankle. What do witches do? What is it like to be a witch? Experience the process through the eyes of Stewart Farrar, author, journalist and witch, as he describes in detail in this new paperback edition for 2021 the activities and practices of modern-day witches. Principles of healing and clairvoyance as well as rituals, invocations and initial rites are covered in depth as Farrar accompanies the reader into the personal life of his own coven.

'A breathtaking page-turner of a mystery' Susi Holliday Don't trust everyone you meet here...A young British backpacker goes missing on the West Coast Trail. No one is sure whether she died or simply disappeared. Apart from Laura. Twenty years later, a body has been found. And there's only one person who could reveal the secret that Laura's been hiding all this time. But she knows that two can keep a secret. IF ONE OF THEM IS DEAD. A tense and suspenseful thriller perfect for fans of M.J. Ford and Susi Holliday. Praise for Jenny Blackhurst'Electrifying' Woman's Own 'Fabulously tense' Prima 'Addictive stuff' Woman & Home 'An addictive thriller' Good Housekeeping 'A thoroughly twisty treat' Heat 'Utterly gripping' Clare Mackintosh 'Jenny is an evil genius' Lisa Hall 'Hooked from the first page' Claire Douglas 'This talented writer knows a thing or two about her craft' Amanda Jennings 'Compelling, disturbing and thoroughly enjoyable' Sharon Bolton 'An outstanding and original thriller' B A Paris 'Gripping and hugely enjoyable' Jane Casey 'Had me hooked from the very first line. Tense, dark and highly compelling' B.P Walter 'A dark, clever, and twisty read... I devoured it' A.A. Chaudhuri 'A twisting tale... I was gripped until the final page' Sophie Flynn What readers are saying about The Hiking Trip 'A heart pounding thriller that left me on the edge of my seat.' Reader review 'A clever and enthralling story that I could not put down. Highly recommend this author as a whole as all her books are just brilliant.' Reader review 'A brilliant book by one of my favourite authors. I knew there was a twist coming and thought I had it all figured out until another twist blew me away! It's not often a book blindsides me so this was an amazing surprise.' Reader review 'The story is fast paced, the writing was really great, the thriller itself is unputdownable with twists and turns.' Reader review 'Definitely one of her best. I raced through it, just had to know how it was going to end and it did not disappoint.' Reader review 'I'd easily say this is one of my favourite thrillers of the year! It's modern and fresh and the main character makes smart choices. There are plenty twists and turns and it is a really fascinating story that unfolds at such a good pace.' Reader review 'As usual Jenny Blackhurst never disappoints. What a great book, I could not put this one down.' Reader review 'I raced through this... It is a fast paced psychological thriller which will keep you on the edge with the twists and turns. Will definitely be recommending this book to all.' Reader review 'This novel of mystery and intrigue is difficult to put down. I usually can guess the ending of a mystery story, but not in this case...' Reader review 'I was absolutely delighted to read another Jenny Blackhurst thriller... I was hooked from the opening paragraph. Jenny's books are always wonderful to read and so deftly written.' Reader review