"The Secret Source" reveals the actual occult doctrines that gave birth to "The Law of Attraction" and later inspired the media phenomenon known as "The Secret." Follow the trail into ancient Egypt to uncover where the law of attraction was first recorded, and how it was brought back to America to foment the New Thought movement and the prosperity cults of modern times.

The new, enlarged edition will have a new section on Sex Magic and its relationship with the law of attraction.

Maja D'Aoust conducts popular lectures on esoterica.

Adam Parfrey is releasing this fall a visual history of fraternal orders, "Ritual America."

Do you want to charm the love of your life, instigate a promotion at work or banish a bad friend? With this fun book and card set, get in touch with your inner witch and ensure life goes as planned! Do you want to charm the love of your life, instigate a promotion at work or banish a bad friend? With this fun book and card set, get in touch with your inner witch and ensure life goes as planned! The 52 charming cards come in two suits - Good Witches and Bad Witches - and the book explains their meanings. You can lay them out like tarot cards to predict the future, and cast the spell that accompanies each card to weave magic, both white and dark. Just remember that the Good Witch spells turn toads into princes, and the Bad Witch spells turn princes into toads...

Magic, miracles, daemonology, divination, astrology, and alchemy were the arcana mundi, the "secrets of the universe," of the ancient Greeks and Romans. In this path-breaking collection of Greek and Roman writings on magic and the occult, Georg Luck provides a comprehensive sourcebook and introduction to magic as it was practiced by witches and sorcerers, magi and astrologers, in the Greek and Roman worlds.

In this new edition, Luck has gathered and translated 130 ancient texts dating from the eighth century BCE through the fourth century CE. Thoroughly revised, this volume offers several new elements: a comprehensive general introduction, an epilogue discussing the persistence of ancient magic into the early Christian and Byzantine eras, and an appendix on the use of mind-altering substances in occult practices. Also added is an extensive glossary of Greek and Latin magical terms.

In Arcana Mundi Georg Luck presents a fascinating -- and at times startling -- alternative vision of the ancient world. "For a long time it was fashionable to ignore the darker and, to us, perhaps, uncomfortable aspects of everyday life in Greece and Rome," Luck has written. "But we can no longer idealize the Greeks with their 'artistic genius' and the Romans with their 'sober realism.' Magic and witchcraft, the fear of daemons and ghosts, the wish to manipulate invisible powers -- all of this was very much a part of their lives."

These 840+ magical tables are the most complete set of tabular correspondences covering magic, astrology, divination, Tarot, I Ching, Kabbalah, gematria, angels, demons, Graeco-Egyptian magic, pagan pantheons, Christian, Muslim, Jewish, Buddhist, Taoist and mystical correspondences ever printed. It is over five times larger and more wide ranging than Crowleys Liber 777. New columns include the spirits from Fausts Hoellenzwang and Trithemius Steganographia. Types of magic and their Greek identification headwords; the meanings of a wide range of nomina magica; planetary incenses; and the secret names for ingredients, all from the Greek magical papyri. Also the names of the gods of the hours and the months which must be used for successful evocation. The source of the data in these tables ranges over 2000 years, from the Graeco-Egyptian papyri, Byzantine Solomonike, unpublished manuscript mediaeval grimoires and Kabbalistic works, Peter de Abano, Abbott Trithemius, Albertus Magnus, Henry Cornelius Agrippa, Dr John Dee, Dr Thomas Rudd, Tycho Brahe, MacGregor Mathers (and the editors of Mathers work, Aleister Crowley and Israel Regardie), to the mage of classical geometric shapes, modern theories of prime numbers and atomic weights. The sources include many key grimoires such the Sworn Book, Liber Juratus, the Lemegeton (Goetia, Theurgia-Goetia, Almadel, Pauline Art), Abramelin, and in the 20th century the grimoire of Franz Bardon. All this material has been grouped and presented in a consistent and logical way covering the whole Western Mystery tradition and some relevant parts of the Eastern tradition. This is the final update of this volume.

New collection of essays promising to re-energize the debate on Nazism's occult roots and legacies and thus our understanding of German cultural and intellectual history over the past century. Scholars have debated the role of the occult in Nazism since it first appeared on the German political landscape in the 1920s. After 1945, a consensus held that occultism - an ostensibly anti-modern, irrational blend of pseudo-religious and -scientific practices and ideas - had directly facilitated Nazism's rise. More recently, scholarly debate has denied the occult a role in shaping the Third Reich, emphasizing the Nazis' hostility to esoteric religion and alternative forms of knowledge. Bringing together cutting-edge scholarship on the topic, this volume calls for a fundamental reappraisal of these positions. The book is divided into three chronological sections. The first,on the period 1890 to 1933, looks at the esoteric philosophies and occult movements that influenced both the leaders of the Nazi movement and ordinary Germans who became its adherents. The second, on the Third Reich in power, explores how the occult and alternative religious belief informed Nazism as an ideological, political, and cultural system. The third looks at Nazism's occult legacies. In emphasizing both continuities and disjunctures, this book promises to re-open and re-energize debate on the occult roots and legacies of Nazism, and with it our understanding of German cultural and intellectual history over the past century. Contributors: Monica Black; Jeff Hayton; Oded Heilbronner; Eric Kurlander; Fabian Link and J. Laurence Hare; Anna Lux; Perry Myers; John Ondrovcik; Michael E. O'Sullivan; Jared Poley; Uwe Schellinger, Andreas Anton, and Michael T. Schetsche; Peter Staudenmaier. Monica Black is Associate Professor and Associate Head of the Department of History at the University of Tennessee, Knoxville. Eric Kurlander is J. Ollie Edmunds Chair and Professor of Modern European History at Stetson University.

Adam Ashforth, an Australian who has spent many years in Soweto, finds his longtime friend Madumo in dire circumstances: his family has accused him of using witchcraft to kill his mother and has thrown him out on the street. Convinced that his life is cursed, Madumo seeks help among Soweto's bewildering array of healers and prophets. An inyanga, or traditional healer, confirms that he has indeed been bewitched. Ashforth, skeptical yet supportive, remains by Madumo's side as he embarks upon a physically grueling treatment regimen that he follows religiously - almost to the point of death. Asforth's beautifully written account of Madumo's struggle shows that the problem of witchcraft is not simply superstition but a complex response to spiritual insecurity in a troubling time of political and economic upheaval. Through Madumo's story, Ashforth opens up a world that few have seen, a deeply unsettling place where the question, "Do you believe in witchcraft?" is not a simple one at all. The insights that emerge as Ashforth accompanies his friend on an odyssey through Soweto's supernatural perils have profound implications even for those of us who live in worlds without witches.

Magic, dreams, and prophecy played important roles in ancient Egypt, as recent scholarship has increasingly made clear. In this volume, eminent international Egyptologists come together to explore such divination across a wide period.

Tormented girls writhing in agony, stern judges meting out harsh verdicts, nineteen bodies swinging on Gallows Hill. The stark immediacy of what happened in 1692 has obscured the complex web of human passion, individual and organized, which had been growing for more than a generation before the witch trials. Salem Possessed explores the lives of the men and women who helped spin that web and who in the end found themselves entangled in it. From rich and varied sources-many previously neglected or unknown-Paul Boyer and Stephen Nissenbaum give us a picture of the events of 1692 more intricate and more fascinating than any other in the already massive literature on Salem. "Salem Possessed," wrote Robin Briggs in The Times Literary Supplement, "reinterprets a world-famous episode so completely and convincingly that virtually all the previous treatments can be consigned to the historical lumber-room." Not simply a dramatic and isolated event, the Salem outbreak has wider implications for our understanding of developments central to the American experience: the breakup of Puritanism, the pressures of land and population in New England towns, the problems besetting farmer and householder, the shifting role of the church, and the powerful impact of commercial capitalism.

Mephistopheles is the fourth and final volume of a critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure that has been called the second most famous personage in Christianity.In his first three volumes Jeffrey Burton Russell brought the history of Christian diabology to the end of the Middle Ages, showing the development of a degree of consensus, even in detail, on the concept of the Devil. Mephistopheles continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, he describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modem times.Emphasizing key figures and movements, Russell covers the apogee of the witch craze in the Renaissance and Reformation, the effects of the Enlightenment's rationalist philosophy, the Romantic image of Satan, and the cynical or satirical literary treatments of the Devil in the late nineteenth century. He concludes that although today the Devil may seem an outworn metaphor, the very real horrors of the twentieth century suggest the continuing need for some vital symbol of radical evil.A work of great insight and learning, Mephistopheles deepens our understanding of the ways in which people in Western societies have dealt with the problem of evil.

The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.

If you think ghosts are only responsible for hauntings, think again. The Demonologist reveals the grave religious process behind supernatural events and how it can happen to you. Used as a text in seminaries and classrooms, this is one book you can't put down. Illustrated with photos of phenomena in progress from the Warrens' private collection.

For over five decades Ed and Lorraine Warren have been known as the world's most renowned paranormal investigators. Lorraine is a gifted clairvoyant, while Ed is the only non-ordained demonologist recognized by the Catholic Church. Together they have investigated thousands of hauntings in their career.

Who is Lucifer? The orthodox Christian view tells us that he challenged God, fell from Heaven, tempted Eve and created death and suffering. Then he became Satan, horned king of Hell. Yet as Lynn Picknett explains, Devil was only a new incarnation of the old woodland deity Pan, while Lucifer was a personification of the Morning Star, the planet Venus and its goddess. 'He' was therefore originally 'she', and a divine representation of love, beauty and human warmth. Indeed, many ancient goddesses were known as Lucifera, or 'Light-bringer' - an honour extended to Mary Magdalene in her true role as goddess-worshipping priestess and Christ's successor. While thousands follow Lucifer in order to achieve earthly wealth and power, Picknett explains that such misguided behaviour is far from true Luciferan principles - the audacious pushing ever outwards of the limits of human knowledge, startlingly exemplified by the little-known heresies of Leonardo da Vinci. Ironically, controversial modern scientists, who see no proof of a God, much less of a Devil, may possess the key to the existence of the old archetypal adversaries.; Urging a radical shift in both religious and scientific paradigms, Pi

Walkern, 1712. England has been free from witch-hunts for decades until Jane Wenham is blamed for a tragic death and charged with witchcraft. A terrifying ordeal begins, as the village is torn between those who want to save Jane's life and those who claim they want to save her soul. Inspired by events in a Hertfordshire village, the play explores sex and society's hunger to find and create witches. Rebecca Lenkiewicz's Jane Wenham: The Witch of Walkern premiered at Watford Palace Theatre before going on UK tour in September 2015, in an Out of Joint, Watford Palace Theatre and Arcola Theatre co-production, in association with Eastern Angles.

September 1613. In Belvoir Castle, the heir of one of England's great noble families falls suddenly and dangerously ill. His body is 'tormented' with violent convulsions. Within a few short weeks he will suffer an excruciating death. Soon the whole family will be stricken with the same terrifying symptoms. The second son, the last male of the line, will not survive. It is said witches are to blame. And so the Earl of Rutland's sons will not be the last to die. Witches traces the dramatic events which unfolded at one of England's oldest and most spectacular castles four hundred years ago. The case is among those which constitute the European witch craze of the 15th-18th centuries, when suspected witches were burned, hanged, or tortured by the thousand. Like those other cases, it is a tale of superstition, the darkest limits of the human imagination and, ultimately, injustice - a reminder of how paranoia and hysteria can create an environment in which nonconformism spells death. But as Tracy Borman reveals here, it is not quite typical. The most powerful and Machiavellian figure of the Jacobean court had a vested interest in events at Belvoir.He would mastermind a conspiracy that has remained hidden for centuries.

Witchcraft's legacy is full of myth, magick and ancient archetypes. In the 21st century, these may feel more distant than ever, but in uncertain times, harnessing the energy of the maiden, the mother, and the crone are more empowering than ever. A guide to all things magick, Bewitched snakes through the types of witches, deities, astrological influences, and how to harness the powers within. Simmering with spells and beautiful illustration, this book is a visual guide through the world of witchcraft. Accessible and lavish, this book is the perfect artefact for any altar (with guidance on how to build one).

Now you can find love faster than ever with this complete guide to magical matchmaking! The Witch's Book of Love has all the spells and solutions to help you on your quest for love-and shows you how to make your relationship grow and prosper into the love you've always dreamed of! The Witch's Book of Love has all you need to know about attracting the perfect partner with everything from spells and palmistry to astrology and numerology. Check your compatibility and seal your new relationship with charms and other magical mojo so you can make your love last a lifetime.

The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Their descriptive power and vivid imagery have attracted considerable interest on both academic and popular levels. Among historians, the confessions are celebrated for providing a unique insight into the way fairy beliefs and witch beliefs interacted in the early modern mind; more controversially, they are also cited as evidence for the existence of Shamanistic visionary traditions, of pre-Christian origin, in Scotland in this period. On a popular level the confessions of Isobel Gowdie have, above any other British witch-trial records, influenced the formation of the ritual traditions of Wicca. The author's discovery of the original trial records (currently being authenticated by the National Archives of Scotland), deemed lost for nearly 200 years, provides a starting point for an interdisciplinary look at the confessions and the woman behind them. Using historical, psychological, comparative religious and anthropological perspectives this book sets out to separate the voice of Isobel Gowdie from that of her interrogators, and to determine the experiences and beliefs which may have generated her confessions. The book explores: How far did those accused of witchcraft self-consciously practice harmful magic? Did they really believe themselves to have made a Pact with an envisioned Devil? Did they ever participate in ecstatic cult rituals? The author argues that close analysis of Isobel's testimony supports the view that in seventeenth-century Britain popular spirituality was shaped by a deep interaction between Christian teachings and shamanistic visionary traditions, of pre-Christian origin. These findings confirm the value of witchcraft confessions as unique windows into the complexities of the early modern religious imagination.

An array of original stories from around the world bring a new and exciting twist to one of the most beloved figures in fiction: witches. Witches! Whether you know them from Shakespeare or from WICKED, there is no staple more beloved in folklore, fairy tale, or fantasy than these magical beings. Witches are everywhere, and at the heart of stories that resonate with many people around the world. This dazzling, otherworldly collection gathers new stories of witches from all walks of life. Whether they be maiden, mother, crone, or other; funny, fierce, light and airy, or dark and disturbing; witches are a vital part of some of the greatest stories we have, and new ones start here! Bringing together twenty-nine stories and poems from some of the greatest science fiction and fantasy writers working today, including three tales from a BIPOC-only open submission period, THE BOOK OF WITCHES features Linda Addison, C.L. Clark, P Djeli Clark, Indrapramit Das, Amal El Mohtar, Andrea Hairston, Millie Ho, Saad Hossain, Kathleen Jennings, Alaya Dawn Johnson, Cassandra Khaw, Fonda Lee, Darcie Little Badger, Ken Liu, Usman T. Malik, Maureen F. McHugh, Premee Mohammed, Garth Nix, Tobi Ogundiran, Tochi Onyebuchi, Miyuki Jane Pinckard, Kelly Robson, Angela Slatter, Andrea Stewart, Emily Teng, Sheree Renée Thomas, Tade Thompson, and E. Lily Yu—and contains illustrations from three-time Hugo award-nominated artist Alyssa Winans throughout. This extraordinary anthology vividly breathes life into one of the most captivating and feared magical sorceresses and will become a treasured keepsake for fans of fantasy, science fiction, and fairy tales everywhere.

Industry of Magic & Light is a love letter to the counterculture of the 1960s and a requiem for its passing. The much-anticipated prequel to Keenan's cult classic debut, This is Memorial Device, Industry of Magic & Light is set in the same mythical Airdrie in the 1960s and early 70s and centres on a group of hippies running their own psychedelic light show. Told in two halves - the first in the form of an inventory of the contents of a caravan abandoned by one of the hippies, the second in the form of a tarot card reading - it is not so much a book about the 1960s as a direct channelling of the decade's energies, bringing to life how even the smallest and dreariest of working class towns felt so full of possibility in the wake of the psychedelic moment. Via artefacts from the time - everything from poetry chapbooks, record reviews and musical instruments through bubblegum wrappers, bicycle repair kits and mysterious cassette recordings - the book opens out into adventures along the hippy trail in Afghanistan and behind the Iron Curtain that leads a cast of new and returning characters - as well as the authorities - to believe that they are literally making magic. Simultaneously a forensics of the 1960s, a detective novel, an occult thriller, a vision quest, and the hallucinatory exposition of a moment where it felt like anything was possible, Industry of Magic & Life brings to life the streets of small working class towns as transformational sites of utopian joy.