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Arts & Crafts > Fine Art Supplies > Brushes > Oil and Acrylic
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made of hog bristle, this brush is traditionally used in oil painting. The white Chinese bristle from Chungking is of the highest quality. Its natural hardness responds perfectly to more or less dense oil painting technique and acrylic.
Made from Chungking bristle, but in its natural colour (unbleached). These brushes have traditionally been used by professional decorators, but have become popular with oil and acrylic artists. Escoda's Series 7040 brush is a full-bodied, filbert bristle brush for murals, decorative work, and faux finishing. It tapers to a soft, rounded tip and provides excellent control, for a bristle brush. The short handle is ideal for a brush that will be transported to plein air locations.
Made from Chungking bristle, but in its natural colour (unbleached). These brushes have traditionally been used by professional decorators, but have become popular with oil and acrylic artists. Escoda's Series 7040 brush is a full-bodied, filbert bristle brush for murals, decorative work, and faux finishing. It tapers to a soft, rounded tip and provides excellent control, for a bristle brush. The short handle is ideal for a brush that will be transported to plein air locations.
A synthetic brush with remarkable similarities to sable hair. It not only imitates its colour, but it also its spring and absorption of liquids. Thanks to the perfect combination of three different diameters and three lengths in the fibres, the brushstrokes created are indistinguishable from those made by natural hair. Ferrule Diameter: 1.1mm Brush Head Length: 5mm
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics. Ferrule Diameter: 1.66mm Brush Head Length: 6mm
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics. Ferrule Diameter: 22.3mm Brush Head Length: 29mm
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics. Ferrule Diameter: 4.81mm Brush Head Length: 9mm
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics. Ferrule Diameter: 13.9mm Brush Head Length: 19mm
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics. Ferrule Diameter: 19.7mm Brush Head Length: 26mm
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics. Ferrule Diameter: 22.3mm Brush Head Length: 29mm
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics.
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics.
From this synthetic hair, an ideal tool is achieved that provides a good brushstroke on canvas. This Takatsu fiber maintains a level of toughness, yet unusual softness for work in oil painting and acrylics.
This imitation of the natural bristle has been one of the latest fashions in synthetics. The fiber's thickness is similar enough and ample enough to a natural bristle to provide a brushstroke that is both soft yet tough. Ferrule Diameter: 1.1mm Brush Head Length: 5mm |
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