Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Clean brushes with methylated spirits.

Sennelier’s Green For Oil Liquid Medium can be used to replace universal mediums that contain harmful substances. It is a plant-based alternative that you can use like a classic medium to improve the consistency of your paint and create glazes. It can be used in cold temperatures and speeds up drying time while adding a slight gloss to your work.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency & improves flow. Suitable for oiling out & enriching dull patches. Resistant to yellowing.

Rabbit Skin Glue Granules. For sizing canvas prior to priming with an oil based primer. Not suitable for use under acrylic primer.Soak overnight in water. Heat in bain-marie / double boiler (do not boil). Ratio water:size is 13:1. Use while still warm. Can be used for sizing canvas, for making traditional gesso (along with whiting) or as an adhesive.

This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. pdf=liqli.pdf Data Sheet Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

Schmincke’s Medium W allows oil colors to be mixed with water instead of with turpentine and linseed oil. Brushes and painting tools that have been used with Medium W mixed oils can be cleaned with soap and water. Medium W should be mixed with oil paints in a 1 part medium to 2 parts oil ratio using a palette knife or a spatula. Water can then be added to the mixture to thin the paint and, if necessary, more Medium W.

Medium W increases the gloss and transparency of paints and harmonises drying process. This odourless, low solvent additive will reduce the mess and smell of oil painting. When mixed with oils and water the alkyd resin in Medium W will undergo a shift in color, however oils will be restored to their original brilliance and vibrancy on drying.

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Clean brushes with methylated spirits.

Daler Rowney Linseed Stand Oil reduces the consistency of oil colours and enhances flow.

This medium is viscous and dries slowly to a tough elastic film. It is faster drying than pure Linseed Oil. It also reduces brush marks in your paint film.

Clear medium based on a synthetic resin accelerates drying of oil colour and improves their weather resistance. Ideal for glazing and extending colours while retaining gloss, viscosity and structure of paint. Fast drying.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 1 litre tins.

Slightly thinner than Liquin or other Alkyd gel mediums, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Alkyd flow medium reduces drying time.

W&N Artist Cold-Pressed Linseed Oil is slightly yellow oil, which is extracted without the use of heat & dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency & brushstrokes. Ideal for grinding pigments Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colours. You can add it with a brush or knife to achieve extra body. It has an average drying speed and increases the transparency of oil colours. Pigment can be added and ground to make your own oil paints. It has a pleasant linseed oil smell and is available in 3 sizes: 100ml, 250ml and 1000ml. This is a 100ml container of Michael Harding's Oleo Impasto Medium.

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

The natural dammar resin crystals in Sennelier Dammar Gum are source dammar fir trees in Indonesia and Malaysia. Dammar crystals are soaked in gum turpentine to make dammar varnish, a beautiful and transparent removable high-gloss picture varnish. Dammar gum can also used as an ingredient in oil paint glazing mediums and retouching varnish.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh size: Fine (100)

Colour: Genuine White

Slows drying rate while increasing durability of the film. Gives smooth enamel effect finish with no brush marks. Ideal for glazing and fine detail if mixed with solvent

Some Artisan colours, whites and other pale colours contain Safflower Oil instead of or in addition to Linseed Oil. As it is a paler yellow, the paler pigments maintain their brightness. If painting a lot with pale colours, you may choose to use Artisan Water Mixable Safflower Oil instead of Linseed to reduce their consistency. It also increases gloss and transparency. Safflower Oil is slow drying and should not be used under faster drying layers, e.g. Fast Drying Medium, umbers etc.

Winsor & Newton : 75ml : Artist Linseed Stand Oil Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

Pressed from American flax seeds. This is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colours or as an ingredient in traditional painting mediums.

pdf=Gamblin Traditional Oils Data Sheet.pdf Gamblin Traditional Oils Data Sheet

More viscous than refined linseed oil. Slows drying time

Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh size: Fine (100)

Colour: Genuine White