Daler Rowney Linseed Stand Oil reduces the consistency of oil colours and enhances flow.

This medium is viscous and dries slowly to a tough elastic film. It is faster drying than pure Linseed Oil. It also reduces brush marks in your paint film.

Cobalt naphtenate/white spirit. Low odour dilutant alternative. Add sparingly to oil colours to accelerate drying.

This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. pdf=liqli.pdf Data Sheet Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

Slows drying rate while increasing durability of the film. Gives smooth enamel effect finish with no brush marks. Ideal for glazing and fine detail if mixed with solvent

More viscous than refined linseed oil. Slows drying time

Clear medium based on a synthetic resin accelerates drying of oil colour and improves their weather resistance. Ideal for glazing and extending colours while retaining gloss, viscosity and structure of paint. Fast drying.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 1 litre tins.

A high oil content paste, based on linseed stand oil and bleached beeswax. Increases body of oil colour, with satin-matt finish. Especially useful with opaque colours.

Pressed from American flax seeds. This is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colours or as an ingredient in traditional painting mediums.

pdf=Gamblin Traditional Oils Data Sheet.pdf Gamblin Traditional Oils Data Sheet

Volcanic rock in powdered form. Used to provide tooth to grounds.

The natural dammar resin crystals in Sennelier Dammar Gum are source dammar fir trees in Indonesia and Malaysia. Dammar crystals are soaked in gum turpentine to make dammar varnish, a beautiful and transparent removable high-gloss picture varnish. Dammar gum can also used as an ingredient in oil paint glazing mediums and retouching varnish.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh size: Fine (100)

Colour: Genuine White

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh size: Fine (100)

Colour: Genuine White

Cobalt naphtenate/white spirit. Low odour dilutant alternative. Add sparingly to oil colours to accelerate drying.

Volcanic rock in powdered form. Used to provide tooth to grounds.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Increases gloss, reduces consistency and slows drying time.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.