The natural dammar resin crystals in Sennelier Dammar Gum are source dammar fir trees in Indonesia and Malaysia. Dammar crystals are soaked in gum turpentine to make dammar varnish, a beautiful and transparent removable high-gloss picture varnish. Dammar gum can also used as an ingredient in oil paint glazing mediums and retouching varnish.

A high oil content paste, based on linseed stand oil and bleached beeswax. Increases body of oil colour, with satin-matt finish. Especially useful with opaque colours.

Michael Harding Miracle Oil Paint Medium (MM1) is a non-toxic, plant-based alternative to traditional oil painting mediums. This eco-friendly, biodegradable oil paint medium will improve the flow of oil paints while enhancing gloss, transparency, and depth and will accentuate the beauty of oil pigments.

Miracle Oil Paint Medium is made from renewable vegetable sources and is odourless and non-flammable, making it a safer alternative for the oil painter’s studio. This is an exceptional quality oil paint medium. Add between 10 to 20% of this medium to oil colours as needed.

This non-toxic paint medium eliminates exposure to harmful fumes commonly associated with traditional mediums for a safer working environment without compromising on quality and performance.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh size: Fine (100)

Colour: Genuine White

Schmincke’s Medium W allows oil colours to be mixed with water instead of with turpentine and linseed oil. Brushes and painting tools that have been used with Medium W mixed oils can be cleaned with soap and water. Medium W should be mixed with oil paints in a 1 part medium to 2 parts oil ratio using a palette knife or a spatula. Water can then be added to the mixture to thin the paint and, if necessary, more Medium W.

Medium W increases the gloss and transparency of paints and harmonises drying process. This odourless, low solvent additive will reduce the mess and smell of oil painting. When mixed with oils and water the alkyd resin in Medium W will undergo a shift in colour, however oils will be restored to their original brilliance and vibrancy on drying.

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic 'gesso' and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity.

Because the percentage of pigments is so much higher than in acrylic 'gesso', painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week

pdf=Gamblin Ground Data Sheet.pdf Gamblin Ground Safety Data Sheet

Rabbit Skin Glue Granules. For sizing canvas prior to priming with an oil based primer. Not suitable for use under acrylic primer.Soak overnight in water. Heat in bain-marie / double boiler (do not boil). Ratio water:size is 13:1. Use while still warm. Can be used for sizing canvas, for making traditional gesso (along with whiting) or as an adhesive.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Cobalt naphtenate/white spirit. Low odour dilutant alternative. Add sparingly to oil colours to accelerate drying.

Cobalt naphtenate/white spirit. Low odour dilutant alternative. Add sparingly to oil colours to accelerate drying.

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

"Increases gloss reduces consistency and slows drying time."Specifications..

Increases gloss, reduces consistency and slows drying time.

Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks.

More viscous than refined linseed oil. Slows drying time

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Clean brushes with methylated spirits.

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Clean brushes with methylated spirits.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Free flowing slightly thixotropic medium with an alkyd based. This medium will not increase gloss when added to oil colours. Fast drying and non-yellowing. Use this medium to thin oil paint. Stir before use.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Alkyd Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Darker than linseed oil. Helps oil to flow and increases brightness. Good drying. May yellow over time.

Cobalt naphtenate/white spirit. Low odour dilutant alternative. Add sparingly to oil colours to accelerate drying.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.