Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks.

Cobalt naphtenate/white spirit. Low odour dilutant alternative. Add sparingly to oil colours to accelerate drying.

Free flowing slightly thixotropic medium with an alkyd based. This medium will not increase gloss when added to oil colours. Fast drying and non-yellowing. Use this medium to thin oil paint. Stir before use.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Alkyd Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

A high oil content paste, based on linseed stand oil and bleached beeswax. Increases body of oil colour, with satin-matt finish. Especially useful with opaque colours

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

A high oil content paste, based on linseed stand oil and bleached beeswax. Increases body of oil colour, with satin-matt finish. Especially useful with opaque colours.

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

Winsor & Newton Liquin Oleopasto is a quick drying impasto medium, semi-matt for oil and impasto colours. Soft gel consistency with some brush drag. Allows rapid overpainting. Levels brushmarks. Translucent. Good resistance to yellowing. Extends tube colour.Was discontinued but they brought it back because so many artists loved it. Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Suitable for impasto & texture work.Resists yellowing.Not suitable as a varnish or final coat. pdf=liqoleo.pdf Data Sheet Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

 A low viscosity alkali refined oil of pale colour that dries slowly. Reduces oil colour consistency. Increases gloss & transparency. Add to other oils to slow drying. Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Clean brushes with methylated spirits.