Dalas Artists' linseed Oil is a diluent for artists' oil colourIt is a carrier oil for the alteration of the paints consistency. It enhances the paints transparency, flow and gloss while speeding up the drying time.

Dalas Artists' linseed Oil is a diluent for artists' oil colourIt is a carrier oil for the alteration of the paints consistency. It enhances the paints transparency, flow and gloss while speeding up the drying time.

Artists' Oil Painting Medium is a drying medium for artists oil colour. It increases gloss and transparency, while accelerating drying time.

Dala Artists' Impasto Medium is a relief agent used for exaggerating textures and coloursIt is a matt; quick drying medium that adds texture and body to paint. It also extends paint colour and is yellow resistant. Suitable for relief and textural work, and most suited to work with artists oil colour, though can be used successfully in conjunction with acrylic colour. Artists Impasto Medium will help to accelerate the paints drying time (touch dry in 1-6 days) though this is dependent on colour of the paint, thickness at which it is applied and weather conditions.

Dala Marble Dust is a white powder product that can be added to paint
to thicken it, improving the opacity, texture and hiding power of the
paint. It is very opaque, and will affect the colour of the medium it
is mixed into, making colours more pastel.

Artists' Oil Painting Medium is a drying medium for artists oil colour. It increases gloss and transparency, while accelerating drying time.

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

"Increases gloss reduces consistency and slows drying time."Specifications..

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Clean brushes with methylated spirits.

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

This medium gives soft delicate coverage with just a small amount on the brush. It helps to glide colour onto the canvas and is for use with the Bob Ross Floral Painting Techniques.

This medium is for thinning and mixing slow-drying oil colours. You should not mix it with any other retarder.

Bob Ross mediums are an excellent choice for artists who are painting in the same style as Joy of Painting host Bob Ross. This range of Bob Ross artists’ materials has been exclusively designed to create beautiful oil paintings using the successful wet-on-wet techniques made popular by the late leading TV artist Bob Ross.

Bob Ross products are part of a unique system that help even complete beginners to create realistic landscapes, animals or flowers in oil within a few hours. The system uses a special, slow-drying primer ideal for wet in wet techniques, special brushes and painting knives, and a comprehensive range of instruction manuals and videos.

Contains: petroleum distillates, linseed oil.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colors. You can add it with a brush or knife to achieve extra body.

It has an average drying speed and increases the transparency of oil colors. Pigment can be added and ground to make your own oil paints and has a pleasant linseed oil smell.

The R&F Blending Medium is designed to be used with R&F Pigment Sticks and is available in jars or in stick form. Both the jars and the sticks are made from an uncoloured version of the base for the R&F pigment sticks (a solvent-free blend of Linseed Oil and Natural Waxes). Used with coloured sticks, they increase transparency, add body, extend and blend the oil paint. They are available with or without a cobalt siccative which will speed the drying time of any oil paint or paint stick. The blending medium with the added drier will have an effect on the colour of any oil paint or oil bar it is used with, so it is advisable to apply the medium to the painting support, followed by the paint.This is a 473ml (16oz) tub of R&F Blending Medium with an added cobalt drier.youtube=xBeGfwlJRM8

The R&F Blending Medium is designed to be used with R&F Pigment Sticks and is available in jars or in stick form. Both the jars and the sticks are made from an uncoloured version of the base for the R&F pigment sticks (a solvent-free blend of Linseed Oil and Natural Waxes). Used with coloured sticks, they increase transparency, add body, extend and blend the oil paint. They are available with or without a cobalt siccative which will speed the drying time of any oil paint or paint stick. The blending medium with the added drier will have an effect on the colour of any oil paint or oil bar it is used with, so it is advisable to apply the medium to the painting support, followed by the paint.This is a 473ml (16oz) tub of R&F Blending Medium (without the cobalt drier).youtube=xBeGfwlJRM8

The R&F Blending Medium is designed to be used with R&F Pigment Sticks and is available in jars or in stick form. Both the jars and the sticks are made from an uncoloured version of the base for the R&F pigment sticks (a solvent-free blend of Linseed Oil and Natural Waxes). Used with coloured sticks, they increase transparency, add body, extend and blend the oil paint. They are available with or without a cobalt siccative which will speed the drying time of any oil paint or paint stick. The blending medium with the added drier will have an effect on the colour of any oil paint or oil bar it is used with, so it is advisable to apply the medium to the painting support, followed by the paint. This is a 237ml (8oz) tub of R&F Blending Medium (without the cobalt drier). youtube=xBeGfwlJRM8

Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colours. You can add it with a brush or knife to achieve extra body. It has an average drying speed and increases the transparency of oil colours. Pigment can be added and ground to make your own oil paints. It has a pleasant linseed oil smell and is available in 3 sizes: 100ml, 250ml and 1000ml. This is a 100ml container of Michael Harding's Oleo Impasto Medium.

Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.

This product dramatically speeds up the drying time for oil paint and is ideal for use when working on a wet-on-wet painting. This product helps to ‘wet’ or thin the oil paint for a smoother ink like consistency.

Jackson’s Wet-In-Wet Fast-Dry Oil Painting Medium creates an even paint film without dry spots. It thins paint without making it brittle and allows paint to be moved without the colour becoming muddy. Wet-in-Wet medium gives a slightly glossy finish to a dry painting.

It is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 500ml

Jackson's Wet in Wet Oil Paint Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

This product dramatically speeds up the drying time for oil paint and is ideal for use when working on a wet-on-wet painting. This product helps to ‘wet’ or thin the oil paint for a smoother ink like consistency.

Jackson’s Wet-In-Wet Fast-Dry Oil Painting Medium creates an even paint film without dry spots. It thins paint without making it brittle and allows paint to be moved without the colour becoming muddy. Wet-in-Wet medium gives a slightly glossy finish to a dry painting.

It is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 500ml

Jackson's Wet in Wet Oil Paint Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Sennelier’s Green For Oil Medium Gel is designed for impasto effects, where you an build up layers and create an impressive sense of depth. It maintains the consistency of oil paints and allows you to add thick layers later without thinning the initial bottom layers.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.