Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colors. You can add it with a brush or knife to achieve extra body.

It has an average drying speed and increases the transparency of oil colors. Pigment can be added and ground to make your own oil paints and has a pleasant linseed oil smell.

Alkali refined linseed oil, low acid and pale in colour. Increases gloss, thins paint and slows drying time. Add to painting mediums to increase 'fat'.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Clean brushes with White Spirit.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks.

Ideal for thin glazes, fine detail and smooth brush work. Mix with oil colour to increase translucency & flow. This product is made up of a blend of resins: stand linseed oil, damar resin, turpentine cobalt driers. Jackson's Glaze Medium has a slower drying than the Jackson's Fast Drying Medium.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Glaze Medium should be quite a fluid medium. If you find it getting too thick, here is a good way to keep it workable:

Maintenance of Alkyd Mediums
Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium.

Rescuing Thickened Alkyd Medium
If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh size: Fine (100)

Colour: Genuine White

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

More viscous than refined linseed oil. Slows drying time

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Composition: Vegetable oils and thickening agents.  Purpose: Increasing the transparency, while retaining the viscosity.Qualities:• Increases the transparency• Degree of gloss is retained • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightly A great video from Cobra that explains the different uses for the three painting mediums and how they can help you mainain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Free flowing slightly thixotropic medium with an alkyd based. This medium will not increase gloss when added to oil colours. Fast drying and non-yellowing. Use this medium to thin oil paint. Stir before use.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Alkyd Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Makes the brush stroke run slightly • Increases the gloss and transparency • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water•Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhIpdf=CobraGlazingMediumSDS.pdf Safety Data Sheet for Cobra Glazing Medium.

Sennelier’s Green For Oil Medium Gel is designed for impasto effects, where you an build up layers and create an impressive sense of depth. It maintains the consistency of oil paints and allows you to add thick layers later without thinning the initial bottom layers.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Sennelier’s Green For Oil Liquid Medium can be used to replace universal mediums that contain harmful substances. It is a plant-based alternative that you can use like a classic medium to improve the consistency of your paint and create glazes. It can be used in cold temperatures and speeds up drying time while adding a slight gloss to your work.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Increases the gloss and transparency• Makes the brush stroke run slightly• No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Sennelier’s Green For Oil Medium Gel is designed for impasto effects, where you an build up layers and create an impressive sense of depth. It maintains the consistency of oil paints and allows you to add thick layers later without thinning the initial bottom layers.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Sennelier’s Green For Oil Liquid Medium can be used to replace universal mediums that contain harmful substances. It is a plant-based alternative that you can use like a classic medium to improve the consistency of your paint and create glazes. It can be used in cold temperatures and speeds up drying time while adding a slight gloss to your work.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Clear medium based on a synthetic resin accelerates drying of oil colour and improves their weather resistance. Ideal for glazing and extending colours while retaining gloss, viscosity and structure of paint. Fast drying.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 1 litre tins.

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Increases the gloss and transparency• Makes the brush stroke run slightly• No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Composition: Vegetable oils, synthetic resins and water.  Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Makes the brush stroke run slightly • Increases the gloss and transparency • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water•Yellows slightly A great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhIpdf=CobraGlazingMediumSDS.pdf Safety Data Sheet for Cobra Glazing Medium.

Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colours. You can add it with a brush or knife to achieve extra body. It has an average drying speed and increases the transparency of oil colours. Pigment can be added and ground to make your own oil paints. It has a pleasant linseed oil smell and is available in 3 sizes: 100ml, 250ml and 1000ml. This is a 100ml container of Michael Harding's Oleo Impasto Medium.

Gamblin Solvent-Free Gel Oil Painting Mediums offer you a range of possibilities without draw backs, it increases the flow of your paint and its transparency. Fast drying time Increased gloss Use in moderation with oil colours, at a ratio of no more than 25% of medium to oil Completely non-toxic, containing no gamsol or petroleum distillates Increased flow and transparency but also holds brush marks Made from safflower oil and alkyd resin.

Schmincke Mussini Oil Medium 2 is a slow drying medium. It reduces the drying speed of the paint and allows for an extended working period.
This oil rich medium is suitable for wet-in-wet painting and blending techniques.

The high content of oil and resin in the medium improves the gloss of the paint.
It dries to a smooth elastic film.