Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet. Because of its slow drying properties, it is not advisable to use this oil when underpainting.

Walnut Oil is used by M. Graham in the manufacture of their oil paints. When used as a painting medium, it makes paints more transparent, increases flow and makes paints more 'fat'. In these characteristics it is similar to Linseed Oil, which is widely used as a painting medium, though Walnut Oil dries more slowly than Linseed Oil and has less of a tendency to yellow or streak.

Artists who wish to use a faster drying Walnut Oil medium might prefer to try M. Graham Walnut Alkyd Oil Medium.

Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.

Gamblin Solvent-Free Gel Oil Painting Mediums offer you a range of possibilities without draw backs, it increases the flow of your paint and its transparency. Fast drying time Increased gloss Use in moderation with oil colours, at a ratio of no more than 25% of medium to oil Completely non-toxic, containing no gamsol or petroleum distillates Increased flow and transparency but also holds brush marks Made from safflower oil and alkyd resin.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh size: Fine (100)

Colour: Genuine White

Vacuum bodied linseed oil

pdf=Gamblin Traditional Oils Data Sheet.pdf Gamblin Traditional Oils Data Sheet

Gamblin Solvent-Free Fluid Safflower-Alkyd Painting Medium offers you a range of possibilities without draw backs, it increases the flow of your paint and their transparency. Increases flow of oil colours Non-toxic Fast drying time Increased gloss Use in moderation with oil colours, at a ratio of no more than 25% of medium to oil Completely non-toxic, containing no gamsol or petroleum distillates Increased flow and transparency but also holds brush marks.

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Michael Harding Miracle Medium Beeswax Paste (MM4) is a solvent-free, plant-based alternative to traditional beeswax pastes. It features a high oil content crafted from linseed stand oil and bleached beeswax that increases the body of oil colour while providing a rich, satin finish. Add between 5 to 10% of medium to colours as required.

This solvent-free paint medium eliminates exposure to harmful fumes commonly associated with traditional mediums for a safer working environment without compromising on quality and performance.

Michael Harding Miracle Oil Paint Medium (MM1) is a non-toxic, plant-based alternative to traditional oil painting mediums. This eco-friendly, biodegradable oil paint medium will improve the flow of oil paints while enhancing gloss, transparency, and depth and will accentuate the beauty of oil pigments.

Miracle Oil Paint Medium is made from renewable vegetable sources and is odourless and non-flammable, making it a safer alternative for the oil painter’s studio. This exceptional quality oil paint medium. Add between 10 to 20% of this medium to oil colours as needed.

This non-toxic paint medium eliminates exposure to harmful fumes commonly associated with traditional mediums for a safer working environment without compromising on quality and performance.

Michael Harding Miracle Medium (MM0) is a low-toxic, plant-based alternative to traditional oil painting solvents such as turpentine and white spirit. This eco-friendly, biodegradable oil paint thinner will enhance the flow of oil paints for excellent blending capabilities, superb brush control, and effortless clean-up.

Miracle Medium is made from renewable vegetable sources and is odourless and non-flammable, making it a safer alternative for the oil painter’s studio. As well as being an exceptional quality oil paint thinner it can also be used to clean brushes and remove excess oil from palettes and painting surfaces.

This low-toxic paint medium eliminates exposure to harmful fumes commonly associated with traditional solvents for a safer working environment without compromising on quality and performance.

M. Graham Walnut Alkyd Oil Medium makes paints more transparent and increases flow. This Alkyd Oil will dry much faster than the non-alkyd alternative, M. Graham Walnut Oil Medium.

Diluted with distilled water, PVA size is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. Gamblin PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles.

pdf=Gamblin PVA Glue Data Sheet.pdf Gamblin PVA Glue Size Safety Data Sheet

Composition: Vegetable oils and thickening agents.  Purpose: Increasing the transparency, while retaining the viscosity.Qualities:• Increases the transparency• Degree of gloss is retained • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightly A great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Composition: Vegetable oils and thickening agents.  Purpose: Increasing the transparency, while retaining the viscosity.Qualities:• Increases the transparency• Degree of gloss is retained • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightly A great video from Cobra that explains the different uses for the three painting mediums and how they can help you mainain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Increases the gloss and transparency• Makes the brush stroke run slightly• No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Makes the brush stroke run slightly • Increases the gloss and transparency • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water•Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhIpdf=CobraGlazingMediumSDS.pdf Safety Data Sheet for Cobra Glazing Medium.

Composition: Vegetable oils, synthetic resins and water.  Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Makes the brush stroke run slightly • Increases the gloss and transparency • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water•Yellows slightly A great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhIpdf=CobraGlazingMediumSDS.pdf Safety Data Sheet for Cobra Glazing Medium.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.

Sennelier’s Green For Oil Medium Gel is designed for impasto effects, where you an build up layers and create an impressive sense of depth. It maintains the consistency of oil paints and allows you to add thick layers later without thinning the initial bottom layers.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Cobalt naphtenate/white spirit. Low odour dilutant alternative. Add sparingly to oil colours to accelerate drying.

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

More viscous than refined linseed oil. Slows drying time