Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Michael Harding Miracle Medium Beeswax Paste (MM4) is a solvent-free, plant-based alternative to traditional beeswax pastes. It features a high oil content crafted from linseed stand oil and bleached beeswax that increases the body of oil colour while providing a rich, satin finish. Add between 5 to 10% of medium to colours as required.

This solvent-free paint medium eliminates exposure to harmful fumes commonly associated with traditional mediums for a safer working environment without compromising on quality and performance.

Michael Harding Miracle Oil Paint Medium (MM1) is a non-toxic, plant-based alternative to traditional oil painting mediums. This eco-friendly, biodegradable oil paint medium will improve the flow of oil paints while enhancing gloss, transparency, and depth and will accentuate the beauty of oil pigments.

Miracle Oil Paint Medium is made from renewable vegetable sources and is odourless and non-flammable, making it a safer alternative for the oil painter’s studio. This exceptional quality oil paint medium. Add between 10 to 20% of this medium to oil colours as needed.

This non-toxic paint medium eliminates exposure to harmful fumes commonly associated with traditional mediums for a safer working environment without compromising on quality and performance.

Michael Harding Miracle Medium (MM0) is a low-toxic, plant-based alternative to traditional oil painting solvents such as turpentine and white spirit. This eco-friendly, biodegradable oil paint thinner will enhance the flow of oil paints for excellent blending capabilities, superb brush control, and effortless clean-up.

Miracle Medium is made from renewable vegetable sources and is odourless and non-flammable, making it a safer alternative for the oil painter’s studio. As well as being an exceptional quality oil paint thinner it can also be used to clean brushes and remove excess oil from palettes and painting surfaces.

This low-toxic paint medium eliminates exposure to harmful fumes commonly associated with traditional solvents for a safer working environment without compromising on quality and performance.

M. Graham Walnut Alkyd Oil Medium makes paints more transparent and increases flow. This Alkyd Oil will dry much faster than the non-alkyd alternative, M. Graham Walnut Oil Medium.

Diluted with distilled water, PVA size is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. Gamblin PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles.

pdf=Gamblin PVA Glue Data Sheet.pdf Gamblin PVA Glue Size Safety Data Sheet

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Increases the gloss and transparency• Makes the brush stroke run slightly• No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Makes the brush stroke run slightly • Increases the gloss and transparency • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water•Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhIpdf=CobraGlazingMediumSDS.pdf Safety Data Sheet for Cobra Glazing Medium.

Composition: Vegetable oils, synthetic resins and water.  Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Makes the brush stroke run slightly • Increases the gloss and transparency • No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water•Yellows slightly A great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhIpdf=CobraGlazingMediumSDS.pdf Safety Data Sheet for Cobra Glazing Medium.

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

Composition: Vegetable oils, synthetic resins and water. Purpose: Increasing the flow and/or transparency, makes the paint fatter.Qualities:• Increases the gloss and transparency• Makes the brush stroke run slightly• No influence on drying time of the paint• Increases the durability of the paint film• Can be thinned with water• Yellows slightlyA great video from Cobra that explains the different uses for the three painting mediums and how they can help you maintain the 'fat-over-lean' principle: youtube=pMz5vuG0FhI

Gamblin Solvent-Free Fluid Safflower-Alkyd Painting Medium offers you a range of possibilities without draw backs, it increases the flow of your paint and their transparency. Increases flow of oil colours Non-toxic Fast drying time Increased gloss Use in moderation with oil colours, at a ratio of no more than 25% of medium to oil Completely non-toxic, containing no gamsol or petroleum distillates Increased flow and transparency but also holds brush marks.

Sennelier’s Green For Oil Liquid Medium can be used to replace universal mediums that contain harmful substances. It is a plant-based alternative that you can use like a classic medium to improve the consistency of your paint and create glazes. It can be used in cold temperatures and speeds up drying time while adding a slight gloss to your work.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Schmincke Mussini Oil Medium 2 is a slow drying medium. It reduces the drying speed of the paint and allows for an extended working period.
This oil rich medium is suitable for wet-in-wet painting and blending techniques.

The high content of oil and resin in the medium improves the gloss of the paint.
It dries to a smooth elastic film.

Schmincke Mussini Oil Medium 3 is a fast drying medium. The volatile solvent and siccatives in this medium cause rapid drying. The resin rich content increases gloss, depth effect and refraction and makes the color layers more resistant.

Use sparingly to prevent excessive gloss. Close immediately after use.

Contains: Ketone and alkyd resin, mineral spirit, siccative.

The R&F Blending Medium is designed to be used with R&F Pigment Sticks and is available in jars or in stick form. Both the jars and the sticks are made from an uncoloured version of the base for the R&F pigment sticks (a solvent-free blend of Linseed Oil and Natural Waxes). Used with coloured sticks, they increase transparency, add body, extend and blend the oil paint. They are available with or without a cobalt siccative which will speed the drying time of any oil paint or paint stick. The blending medium with the added drier will have an effect on the colour of any oil paint or oil bar it is used with, so it is advisable to apply the medium to the painting support, followed by the paint. This is a 237ml (8oz) tub of R&F Blending Medium (without the cobalt drier). youtube=xBeGfwlJRM8

The R&F Blending Medium is designed to be used with R&F Pigment Sticks and is available in jars or in stick form. Both the jars and the sticks are made from an uncoloured version of the base for the R&F pigment sticks (a solvent-free blend of Linseed Oil and Natural Waxes). Used with coloured sticks, they increase transparency, add body, extend and blend the oil paint. They are available with or without a cobalt siccative which will speed the drying time of any oil paint or paint stick. The blending medium with the added drier will have an effect on the colour of any oil paint or oil bar it is used with, so it is advisable to apply the medium to the painting support, followed by the paint.This is a 473ml (16oz) tub of R&F Blending Medium (without the cobalt drier).youtube=xBeGfwlJRM8

The R&F Blending Medium is designed to be used with R&F Pigment Sticks and is available in jars or in stick form. Both the jars and the sticks are made from an uncoloured version of the base for the R&F pigment sticks (a solvent-free blend of Linseed Oil and Natural Waxes). Used with coloured sticks, they increase transparency, add body, extend and blend the oil paint. They are available with or without a cobalt siccative which will speed the drying time of any oil paint or paint stick. The blending medium with the added drier will have an effect on the colour of any oil paint or oil bar it is used with, so it is advisable to apply the medium to the painting support, followed by the paint.This is a 473ml (16oz) tub of R&F Blending Medium with an added cobalt drier.youtube=xBeGfwlJRM8

Schmincke’s Medium W allows oil colors to be mixed with water instead of with turpentine and linseed oil. Brushes and painting tools that have been used with Medium W mixed oils can be cleaned with soap and water. Medium W should be mixed with oil paints in a 1 part medium to 2 parts oil ratio using a palette knife or a spatula. Water can then be added to the mixture to thin the paint and, if necessary, more Medium W.

Medium W increases the gloss and transparency of paints and harmonises drying process. This odourless, low solvent additive will reduce the mess and smell of oil painting. When mixed with oils and water the alkyd resin in Medium W will undergo a shift in color, however oils will be restored to their original brilliance and vibrancy on drying.

This medium gives soft delicate coverage with just a small amount on the brush. It helps to glide colour onto the canvas and is for use with the Bob Ross Floral Painting Techniques.

This medium is for thinning and mixing slow-drying oil colours. You should not mix it with any other retarder.

Bob Ross mediums are an excellent choice for artists who are painting in the same style as Joy of Painting host Bob Ross. This range of Bob Ross artists’ materials has been exclusively designed to create beautiful oil paintings using the successful wet-on-wet techniques made popular by the late leading TV artist Bob Ross.

Bob Ross products are part of a unique system that help even complete beginners to create realistic landscapes, animals or flowers in oil within a few hours. The system uses a special, slow-drying primer ideal for wet in wet techniques, special brushes and painting knives, and a comprehensive range of instruction manuals and videos.

Contains: petroleum distillates, linseed oil.

Free flowing slightly thixotropic medium with an alkyd based. This medium will not increase gloss when added to oil colours. Fast drying and non-yellowing. Use this medium to thin oil paint. Stir before use.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Alkyd Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Clear medium based on a synthetic resin accelerates drying of oil colour and improves their weather resistance. Ideal for glazing and extending colours while retaining gloss, viscosity and structure of paint. Fast drying.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 1 litre tins.

Clear medium based on a synthetic resin accelerates drying of oil colour and improves their weather resistance. Ideal for glazing and extending colours while retaining gloss, viscosity and structure of paint. Fast drying.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 1 litre tins.

This product dramatically speeds up the drying time for oil paint and is ideal for use when working on a wet-on-wet painting. This product helps to ‘wet’ or thin the oil paint for a smoother ink like consistency.

Jackson’s Wet-In-Wet Fast-Dry Oil Painting Medium creates an even paint film without dry spots. It thins paint without making it brittle and allows paint to be moved without the colour becoming muddy. Wet-in-Wet medium gives a slightly glossy finish to a dry painting.

It is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 500ml

Jackson's Wet in Wet Oil Paint Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

This product dramatically speeds up the drying time for oil paint and is ideal for use when working on a wet-on-wet painting. This product helps to ‘wet’ or thin the oil paint for a smoother ink like consistency.

Jackson’s Wet-In-Wet Fast-Dry Oil Painting Medium creates an even paint film without dry spots. It thins paint without making it brittle and allows paint to be moved without the colour becoming muddy. Wet-in-Wet medium gives a slightly glossy finish to a dry painting.

It is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 500ml

Jackson's Wet in Wet Oil Paint Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.