Alkali refined linseed oil, low acid and pale in colour. Increases gloss, thins paint and slows drying time. Add to painting mediums to increase 'fat'.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Clean brushes with White Spirit.

Gamblin Solvent-Free Gel Oil Painting Mediums offer you a range of possibilities without draw backs, it increases the flow of your paint and its transparency. Fast drying time Increased gloss Use in moderation with oil colours, at a ratio of no more than 25% of medium to oil Completely non-toxic, containing no gamsol or petroleum distillates Increased flow and transparency but also holds brush marks Made from safflower oil and alkyd resin.

Diluted with distilled water, PVA size is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. Gamblin PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles.

pdf=Gamblin PVA Glue Data Sheet.pdf Gamblin PVA Glue Size Safety Data Sheet

Dalas Artists' linseed Oil is a diluent for artists' oil colourIt is a carrier oil for the alteration of the paints consistency. It enhances the paints transparency, flow and gloss while speeding up the drying time.

Artists' Oil Painting Medium is a drying medium for artists oil colour. It increases gloss and transparency, while accelerating drying time.

Dala Marble Dust is a white powder product that can be added to paint
to thicken it, improving the opacity, texture and hiding power of the
paint. It is very opaque, and will affect the colour of the medium it
is mixed into, making colours more pastel.

Dalas Artists' linseed Oil is a diluent for artists' oil colourIt is a carrier oil for the alteration of the paints consistency. It enhances the paints transparency, flow and gloss while speeding up the drying time.

Gamblin Solvent-Free Fluid Safflower-Alkyd Painting Medium offers you a range of possibilities without draw backs, it increases the flow of your paint and their transparency. Increases flow of oil colours Non-toxic Fast drying time Increased gloss Use in moderation with oil colours, at a ratio of no more than 25% of medium to oil Completely non-toxic, containing no gamsol or petroleum distillates Increased flow and transparency but also holds brush marks.

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic 'gesso' and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity.

Because the percentage of pigments is so much higher than in acrylic 'gesso', painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week

pdf=Gamblin Ground Data Sheet.pdf Gamblin Ground Safety Data Sheet

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic 'gesso' and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth, while Titanium dioxide gives Gamblin Ground its opacity.

Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week.Because the percentage of pigments is so much higher than in acrylic 'gesso', painters need only apply two coats of Gamblin Ground instead of the recommended four coats of acrylic.

The first, thin coat should be touch-dry before the second coat is applied; this should normally occur overnight. After the second coat, it is best to wait five days for the primer to dry properly before commencing with your painting. Additional coats can be added for smoother painting surfaces.Please remember that any absorbent substrate such as canvas or paper should be sized before the application of Gamblin Oil Painting Ground. This will seal the surface so that the oil does not leech into it or cause it to rot.

You can use acrylic size, rabbit skin glue, or acrylic primer for this purpose; Gamblin recommend you use the Gamblin PVA size. Wooden supports do not need to be sized before the application of Gamblin Oil Painting Ground.
Please note, Gamsol Odourless Mineral Spirit can be added to thin to the desired consistency.

This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness). Resists yellowing. Not suitable as a varnish or final coat.

This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness). Resists yellowing. Not suitable as a varnish or final coat.

This product dramatically speeds up the drying time for oil paint and is ideal for use when working on a wet-on-wet painting. This product helps to ‘wet’ or thin the oil paint for a smoother ink like consistency.

Jackson’s Wet-In-Wet Fast-Dry Oil Painting Medium creates an even paint film without dry spots. It thins paint without making it brittle and allows paint to be moved without the colour becoming muddy. Wet-in-Wet medium gives a slightly glossy finish to a dry painting.

It is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 500ml

Jackson's Wet in Wet Oil Paint Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

This product dramatically speeds up the drying time for oil paint and is ideal for use when working on a wet-on-wet painting. This product helps to ‘wet’ or thin the oil paint for a smoother ink like consistency.

Jackson’s Wet-In-Wet Fast-Dry Oil Painting Medium creates an even paint film without dry spots. It thins paint without making it brittle and allows paint to be moved without the colour becoming muddy. Wet-in-Wet medium gives a slightly glossy finish to a dry painting.

It is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 500ml

Jackson's Wet in Wet Oil Paint Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Free flowing slightly thixotropic medium with an alkyd based. This medium will not increase gloss when added to oil colours. Fast drying and non-yellowing. Use this medium to thin oil paint. Stir before use.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Alkyd Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Alkali refined linseed oil is a pale oil extracted from the seeds of the flax plant. It is used in many of Michael Harding's paints because it produces the strongest paint film during the drying process and ensures the longevity of each painting.When mixed with oil paint, linseed oil will increase the gloss and transparency of the paint, and will thin the paint so that it flows more easily and does not hold brushmarks. It will also slow the drying time of the paint. Linseed oil is also highly suitable for use with dry ground pigments.Please note soft materials which have absorbed linseed oil should be stored in sealed containers, as the oil will oxidise when exposed to the air. This chemical reaction releases so much heat that the rags may spontaneously combust. Make sure the lid of the container is closed securely and store in a cool place. Brushes and tools used with linseed oil should be cleaned with white spirit.

Reduces the consistency of oil colour and slows down drying time. In its raw state, it gives colour a high gloss. Diluted 50/50 with turpentine or low-odour thinners, it creates an excellent medium for most types of painting.

Linseed Stand Oil is a viscous, pale oil medium extracted from Linseed. It will level out brushstrokes in oil paint and slow the drying process. It has a honey-like viscosity and should be used sparingly.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Free flowing slightly thixotropic medium with an alkyd based. This medium will not increase gloss when added to oil colours. Fast drying and non-yellowing. Use this medium to thin oil paint. Stir before use.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Alkyd Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh Size: Fine (100)

Colour: Genuine White

Artist Blending & Glazing Medium slows drying & improves flow. It is ideal for blending, glazing, stroke work, antiquing and staining.