Dala Artists' Impasto Medium is a relief agent used for exaggerating textures and coloursIt is a matt; quick drying medium that adds texture and body to paint. It also extends paint colour and is yellow resistant. Suitable for relief and textural work, and most suited to work with artists oil colour, though can be used successfully in conjunction with acrylic colour. Artists Impasto Medium will help to accelerate the paints drying time (touch dry in 1-6 days) though this is dependent on colour of the paint, thickness at which it is applied and weather conditions.

Artists' Oil Painting Medium is a drying medium for artists oil colour. It increases gloss and transparency, while accelerating drying time.

Artists' Oil Painting Medium is a drying medium for artists oil colour. It increases gloss and transparency, while accelerating drying time.

Dalas Artists' linseed Oil is a diluent for artists' oil colourIt is a carrier oil for the alteration of the paints consistency. It enhances the paints transparency, flow and gloss while speeding up the drying time.

Dalas Artists' linseed Oil is a diluent for artists' oil colourIt is a carrier oil for the alteration of the paints consistency. It enhances the paints transparency, flow and gloss while speeding up the drying time.

Dala Marble Dust is a white powder product that can be added to paint
to thicken it, improving the opacity, texture and hiding power of the
paint. It is very opaque, and will affect the colour of the medium it
is mixed into, making colours more pastel.

"Increases gloss reduces consistency and slows drying time."Specifications..

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.

This medium gives soft delicate coverage with just a small amount on the brush. It helps to glide colour onto the canvas and is for use with the Bob Ross Floral Painting Techniques.

This medium is for thinning and mixing slow-drying oil colours. You should not mix it with any other retarder.

Bob Ross mediums are an excellent choice for artists who are painting in the same style as Joy of Painting host Bob Ross. This range of Bob Ross artists’ materials has been exclusively designed to create beautiful oil paintings using the successful wet-on-wet techniques made popular by the late leading TV artist Bob Ross.

Bob Ross products are part of a unique system that help even complete beginners to create realistic landscapes, animals or flowers in oil within a few hours. The system uses a special, slow-drying primer ideal for wet in wet techniques, special brushes and painting knives, and a comprehensive range of instruction manuals and videos.

Contains: petroleum distillates, linseed oil.

Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colors. You can add it with a brush or knife to achieve extra body.

It has an average drying speed and increases the transparency of oil colors. Pigment can be added and ground to make your own oil paints and has a pleasant linseed oil smell.

The R&F Blending Medium is designed to be used with R&F Pigment Sticks and is available in jars or in stick form. Both the jars and the sticks are made from an uncoloured version of the base for the R&F pigment sticks (a solvent-free blend of Linseed Oil and Natural Waxes). Used with coloured sticks, they increase transparency, add body, extend and blend the oil paint. They are available with or without a cobalt siccative which will speed the drying time of any oil paint or paint stick. The blending medium with the added drier will have an effect on the colour of any oil paint or oil bar it is used with, so it is advisable to apply the medium to the painting support, followed by the paint.This is a 473ml (16oz) tub of R&F Blending Medium with an added cobalt drier.youtube=xBeGfwlJRM8

This product dramatically speeds up the drying time for oil paint and is ideal for use when working on a wet-on-wet painting. This product helps to ‘wet’ or thin the oil paint for a smoother ink like consistency.

Jackson’s Wet-In-Wet Fast-Dry Oil Painting Medium creates an even paint film without dry spots. It thins paint without making it brittle and allows paint to be moved without the colour becoming muddy. Wet-in-Wet medium gives a slightly glossy finish to a dry painting.

It is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 500ml

Jackson's Wet in Wet Oil Paint Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Sennelier’s Green For Oil Medium Gel is designed for impasto effects, where you an build up layers and create an impressive sense of depth. It maintains the consistency of oil paints and allows you to add thick layers later without thinning the initial bottom layers.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Sennelier’s Green For Oil Medium Gel is designed for impasto effects, where you an build up layers and create an impressive sense of depth. It maintains the consistency of oil paints and allows you to add thick layers later without thinning the initial bottom layers.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Sennelier’s Green For Oil Liquid Medium can be used to replace universal mediums that contain harmful substances. It is a plant-based alternative that you can use like a classic medium to improve the consistency of your paint and create glazes. It can be used in cold temperatures and speeds up drying time while adding a slight gloss to your work.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Sennelier’s Green For Oil Liquid Medium can be used to replace universal mediums that contain harmful substances. It is a plant-based alternative that you can use like a classic medium to improve the consistency of your paint and create glazes. It can be used in cold temperatures and speeds up drying time while adding a slight gloss to your work.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Medium for oil and alkyd colours. Oil modified alkyd resin. Improves flow & transparency for glazes, detail work & smooth brushwork. Good resistance to yellowing. It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product. Colour and viscosity may vary in storage.

Alkali refined linseed oil, low acid and pale in colour. Increases gloss, thins paint and slows drying time. Add to painting mediums to increase 'fat'.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Clean brushes with White Spirit.

Ideal for thin glazes, fine detail and smooth brush work. Mix with oil colour to increase translucency & flow. This product is made up of a blend of resins: stand linseed oil, damar resin, turpentine cobalt driers. Jackson's Glaze Medium has a slower drying than the Jackson's Fast Drying Medium.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Glaze Medium should be quite a fluid medium. If you find it getting too thick, here is a good way to keep it workable:

Maintenance of Alkyd Mediums
Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium.

Rescuing Thickened Alkyd Medium
If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Schmincke Mussini Oil Medium 2 is a slow drying medium. It reduces the drying speed of the paint and allows for an extended working period.
This oil rich medium is suitable for wet-in-wet painting and blending techniques.

The high content of oil and resin in the medium improves the gloss of the paint.
It dries to a smooth elastic film.

Clear medium based on a synthetic resin accelerates drying of oil colour and improves their weather resistance. Ideal for glazing and extending colours while retaining gloss, viscosity and structure of paint. Fast drying.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 1 litre tins.

Clear medium based on a synthetic resin accelerates drying of oil colour and improves their weather resistance. Ideal for glazing and extending colours while retaining gloss, viscosity and structure of paint. Fast drying.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Available in 2 sizes: 250ml and 1 litre tins.

Free flowing slightly thixotropic medium with an alkyd based. This medium will not increase gloss when added to oil colours. Fast drying and non-yellowing. Use this medium to thin oil paint. Stir before use.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Jackson's Alkyd Medium should be quite a fluid medium.

Maintenance of Alkyd Mediums - Like all alkyd-based mediums, the introduction of air space in the bottle allows for solvent evaporation and drying - even with the lid closed. To compensate, add a little solvent of your choice to the bottle immediately after use and shake it well to maintain the desired thickness of the medium. We tested a variety of types of solvent and they all worked.

Rescuing Thickened Alkyd Medium - If your painting medium has thickened but is still fluid, add in a small amount of solvent and shake thoroughly. Continue adding more solvent and shaking until the medium is close to its original consistency. If a fluid alkyd painting medium has thickened to a gelled consistency, it will no longer help to add solvent - unfortunately it cannot be rescued.

Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.