Alkali refined linseed oil, low acid and pale in colour. Increases gloss, thins paint and slows drying time. Add to painting mediums to increase 'fat'.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Clean brushes with White Spirit.

Use for thinning and speeding u the drying time of oil colours.

Dilutes oil colour to create thin, quick-drying washes in the early stages of painting. Also used to clean brushes.

Gamblin Refined Linseed oil is one of the favourite artist oil mediums. It slows down painting time and allows you to paint in layers with more ease, following the slow over fast rule you add more of the slow medium into each layer you subsequently create. Can be used in small amounts to thin oil colours and as an ingredient in traditional painting mediums Slows drying time Makes layering and balancing drying times easier As light and pure as industrially possible Made from pressed American flax seeds.

Gamblin Solvent-Free Safflower Oil is perfect for cleaning brushes while you're working or using to increase flow and drying time of oil colours. You can then continue to clean the brushes after use with soap and water or Gamsol. A pale, slow drying oil increases flow of colours and slows down drying time. Can be used sparingly or in an equal mix with Gamsol to create a traditional slow-drying, low-viscosity painting medium.

Gamblin Solvent-Free Safflower Oil is perfect for cleaning brushes while you're working or using to increase flow and drying time of oil colours. You can then continue to clean the brushes after use with soap and water or Gamsol. A pale, slow drying oil increases flow of colours and slows down drying time. Can be used sparingly or in an equal mix with Gamsol to create a traditional slow-drying, low-viscosity painting medium.

Langridge Safe-clean-up is a solvent free, non-toxic hand and brush cleaner for safely removing oil and acrylic paint.

It can be worked into the brush bristles and washed under running water to remove paint. Even dried paint can be removed by soaking brushes in Safe-Clean-up overnight.

Sennelier’s Green For Oil Thinner can be used to replace the harmful substances and spirits you use to thin your oil paints. It is a plant-based alternative that you can use like a classic thinner, enabling fluid paint application and thin first draft underpainting.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Sennelier’s Green For Oil Thinner can be used to replace the harmful substances and spirits you use to thin your oil paints. It is a plant-based alternative that you can use like a classic thinner, enabling fluid paint application and thin first draft underpainting.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Renewably sourced natural materials
Eco-friendly
Thins oil paint effectively
Useful for the early stages of painting

Sennelier’s Green For Oil Brush Cleaner is a non-toxic liquid cleaner that is perfect for deep cleaning brushes, knives, palettes and containers.

Sennelier’s range Green For Oil has been designed to be a safer, greener alternative to traditional solvents with all the ingredients being part of the bio-solvent family. These eco-friendly solvents are created from renewable raw materials that are found naturally. They are sourced, keeping biomass and sanitary and environmental standards in mind, from plant, animal or mineral based materials. The careful science and construction means they work very similarly to their traditional counterparts and produce a synonymous result.

Bob Ross Odorless Thinner makes the whole brush cleaning process easy. It is a highly effective top quality thinner which cleans oil paint from brushes quickly and thoroughly. When used in brush bath it can be re-used indefinitely. It can also thin oil paints.

It is one of the products artists need to start painting in the same style as Joy of Painting host Bob Ross. This range of Bob Ross artists’ materials has been exclusively designed to create beautiful oil paintings using the successful wet-on-wet techniques made popular by the late leading TV artist Bob Ross.

Bob Ross products are part of a unique system that help even complete beginners to create realistic landscapes, animals or flowers in oil within a few hours. The system uses a special, slow-drying primer ideal for wet in wet techniques, special brushes and painting knives, and a comprehensive range of instruction manuals and videos.

Gamsol is the safest solvent that allows oil painters to utilise all traditional painting techniques without compromise.

Primary Uses for Gamsol: Thinning oil colours. A little goes a long way; stiff oil colours relax immediately when a little Gamsol is added. Be careful not to thin oil colours too much with solvent alone, this can compromise the ability of the paint to form a paint film. Modifying painting mediums. Gamblin's Galkyd line of painting mediums is formulated with Gamsol, so they readily accept Gamsol as a thinning agent.

Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.

Studio clean up: brushes, palettes, palette knives, etc.

How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Aromatic solvents are the most harmful types of petroleum solvents. These facts are detailed in the MSDS for Gamsol, this document shows that it has an Exposure Limit Value higher than most solvents available to artists. All of these factors have lead to Gamsol being used widely in oil painting classrooms; in those classes there are no solvent odours, only the wonderful smell of oil colours.

Use for thinning and speeding u the drying time of oil colours.

Michael Harding Refined Walnut Oil dries at the same rate as linseed oil, but it does not yellow as much. Michael Harding use it as the binder for their lead whites where the brightness of the colour demands the clearest possible oil binder, without compromise on production costs. Use it to thin whites and to bring out the brightness in other colours.The use of walnut oil in paint can be traced back even further than that of linseed. When 15th century artists began to add oil to their tempera colours it was walnut oil that seemed the obvious choice. Jan van Eyck in Flanders and Antonello da Messina in Italy both knew of its handling properties.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Portuguese Turpentine is a colourless solvent distilled from pine sap. It is used to thin oil paint and to clean various printmaking tools of oil-based ink. Michael Harding use this genuine Portuguese Maritime Turpentine to produce their oil mediums. It generally speeds the drying time of oil paint, and thus is especially useful for underpainting. Paints mixed with this Turpentine will dry slightly matte.

Turpentine is a volatile and toxic material; please exercise due caution when using this product.

Linseed Stand Oil is a viscous, pale oil medium extracted from Linseed. It will level out brushstrokes in oil paint and slow the drying process. It has a honey-like viscosity and should be used sparingly.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Safflower oil is a pale, slow-drying oil which can be used to brighten and thin oil paints. As it is a paler yellow than linseed oil, paler pigments (whites and pale blues especially) maintain their brightness when mixed with safflower oil.Paints thinned with this product should not be used under faster drying layers, e.g. Fast Drying Medium, earth colours etc.

Linseed Stand Oil is a viscous, pale oil medium extracted from Linseed. It will level out brushstrokes in oil paint and slow the drying process. It has a honey-like viscosity and should be used sparingly.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Use for thinning and speeding u the drying time of oil colours.

Michael Harding Refined Walnut Oil dries at the same rate as linseed oil, but it does not yellow as much. Michael Harding use it as the binder for their lead whites where the brightness of the colour demands the clearest possible oil binder, without compromise on production costs. Use it to thin whites and to bring out the brightness in other colours.The use of walnut oil in paint can be traced back even further than that of linseed. When 15th century artists began to add oil to their tempera colours it was walnut oil that seemed the obvious choice. Jan van Eyck in Flanders and Antonello da Messina in Italy both knew of its handling properties.

Safflower oil is a pale, slow-drying oil which can be used to brighten and thin oil paints. As it is a paler yellow than linseed oil, paler pigments (whites and pale blues especially) maintain their brightness when mixed with safflower oil.Paints thinned with this product should not be used under faster drying layers, e.g. Fast Drying Medium, earth colours etc.

Dala Artists' Turpentine is a diluent for artists' oil colourIt allows for the alteration of the paints consistency. It reduces the paints gloss and accelerates drying time. It can be useful in diluting other oil painting mediums as well as cleaning brushes.

Dala Artists' White Spirit is a petroleum based diluent for artists' oil colour. It is used as a paint thinner and improves the transparency and fluidity of the paint. It also accelerates drying time. It is very useful in the removal of oil based colour from surfaces, as well as brushes.

Dala Artists' Turpentine is a diluent for artists' oil colourIt allows for the alteration of the paints consistency. It reduces the paints gloss and accelerates drying time. It can be useful in diluting other oil painting mediums as well as cleaning brushes.

Dalas Artists' linseed Oil is a diluent for artists' oil colourIt is a carrier oil for the alteration of the paints consistency. It enhances the paints transparency, flow and gloss while speeding up the drying time.