Oil paint is such a responsive and versatile medium that no two painters need use it in exactly the same way, and since its invention in Renaissance times it has never lost its popularity with artists. Amateurs also find it appealing, both because it is enjoyable to use and because mistakes can be so easily rectified. This compact book explains all the materials, techniques and different approaches to painting with oils. Step-by-step sequences show how to paint a range of themes, from still life to portraits and landscapes, with advice on more difficult subjects. There are also suggestions for presenting your finished paintings and how to go about getting your work seen and exhibited.

Stimulating, informative guide by noted teacher covers painting technique, painting from life, materials (paints, varnishes, oils and mediums, grounds, etc.), a painter's training, more. Expert analysis of work of Velasquez, Reynolds, Gainsborough, Hals, Rembrandt, etc. 64 photos. 5 line drawings.

Known for incorporating happy little clouds, mountains, and trees in paintings he would create in just 26 television minutes, Bob Ross had an encouraging and soothing demeanour that made his instructional television shows the most recognized and watched in television history. Ross created nearly 30,000 paintings in his lifetime, most using the wet-on-wet method employed by Caravaggio, Cezanne, and Monet. This fully authorized collection of more than 300 pieces of his art features his most famous quotes about painting and life, including And success with painting leads to success with many things. It carries over into every part of your life as well as techniques that will inspire readers to create their own art. Originally airing in 1982 on PBS in the United States and various outlets throughout Canada, Latin America, and Europe, the more than 400 episodes of Bob Ross s two series, The Joy of Painting and Beauty Is Everywhere are now available on YouTube and Netflix. He is a figure beloved by multiple generations and is seen as an icon rivalling, if not surpassing, any other modern-day painter in terms of the scope of his work, societal influence, and popularity.

These pages practically glow with Kevin Macpherson's rich and powerful paintings He shares his techniques for quickly capturing the mood of a scene in bold, direct brushstrokes, with step-by-step instructions that make it easy--simply a matter of painting the colors you see. Follow his lead and you too, can create landscapes and still lives in a vibrant, impressionistic style.

In the latest addition to the Color Mixing Recipes family of books, artist William F. Powell provides instruction on color mixing as it relates to landscape painting in oil and acrylic. Following the format of the other books in the series, Color Mixing Recipes for Landscapes offers a robust index of landscape subjects that correspond to the featured color mixing swatches. This useful book also discusses how color is influenced by the time of day, the angle of the sun, and changing seasons, making it a must-have in every oil and acrylic artist's reference library.

Learn how use oil paints with this clear and simple guide. Accomplished artist and teacher Norman Long explains all the basics and shows you how to master this versatile, vibrant medium so you can produce beautiful paintings full of life and color. Oils has a handy front section covering all the practical stuff, from choosing the right materials to essential techniques. 10 step-by-step tutorials each broken down into key stages range of subject matter from still life to landscapes to figures clear step-by-step photography and instructions includes special features on painting people, painting outdoors and composition tips and practical advice to help make the most of your paints

One of the most unexpectedly useful things we can do when we're feeling glum or out of sorts is to look at pictures. The best works of art can lift our spirits, remind us of what we love and return perspective to our situation. A few moments in front of the right picture can rescue us. This is a collection of 100 of the world's most consoling and uplifting images, accompanied by small essays that talk about the works in a way that offers us comfort and inspiration. The images in the book range wildly across time and space: from ancient to modern art, east to west, north to south, taking in photography, painting, abstract and figurative art. All the images have been carefully chosen to help us with a particular problem we might face: a broken heart, a difficulty at work, the meanness of others, the challenges of family and friends We're invited to look at art with unusual depth and then find our way towards new hope and courage. This is a portable museum dedicated to beauty and consolation, a unique book about art which is also about psychology and healing: a true piece of art therapy.

A fully illustrated, comprehensive, and scholarly catalogue of the paintings in the Ashmolean Museum's collection by French artists born between 1775 and 1875 The only complete catalogue of French paintings of the period in the Ashmolean Museum, this comprehensive and scholarly study explores their rich collection of nineteenth-century French art. Continuing a convention set by earlier Ashmolean catalogues that mirrors the concept of the long nineteenth century, the book defines nineteenth-century French artists as those born between 1775 and 1875. Stretching into the twentieth century, it covers a fascinating range of paintings including works by Louis-Leopold Boilly, Camille, Lucien, and Fe lix Pissarro, Henri Fantin-Latour, Edouard Manet, Pierre-Auguste Renoir, Paul Ce zanne, Claude Monet, and Henri Matisse. The catalogue was compiled by the late distinguished art historian Jon Whiteley. In each entry, Whiteley draws upon his encyclopaedic knowledge of French art and the Ashmolean holdings. Provenance, literature, and exhibition history are recorded as well as extensive technical notes and information on frames. The entries on each work are accompanied by new, high-quality photography and comparative images, resulting in a complete and thorough documentation of this important part of the Ashmolean collection of Western art, providing an informative contribution to existing scholarship. Distributed for Modern Art Press

This new edition of a revered guide to the technical aspects of painting marks the 40th anniversary of its original publication. Fully revised by author Jack Faragasso, the highly sought-after but long-unavailable book features improved imagery, materials, and edits, including a new chapter on working in natural sunlight. The revisions are guided by extensive notes by Faragasso, an expert in the Frank J. Reilly method of understanding how color works in various realistic lighting conditions and how to make paint replicate those visual impressions.

A former Director of the Reilly School of Art and an instructor at the Art Students League, Faragasso offers a full treatment of the Reilly techniques in clear, coherent terms. His exposition of the principles of painting and color applies to all subject matter — including portraits, figures, and still life — and under any lighting conditions. Anyone wishing to paint effectively in a traditional manner will benefit from this volume, including serious beginners, intermediate to advanced students, and teachers of art and painting.

Over the centuries, landscape painting has attracted countless artists. Its diversity, enhanced by the weather, special lighting conditions and seasonal change, offers the painter an infinite variety of subject matter. Oils are an extremely versatile and immediate medium, enabling artists to express themselves in a variety of creative ways. They are relatively easy to use, suitable for both the beginner and the more experienced painter.

Learning to paint using oils, acrylics and gouache requires training in specific painting skills. This practical guide is an ideal introduction to all three media for beginners, as well as including exercises and projects to challenge more experienced artists. The introduction details the materials and equipment necessary before demonstrating key techniques such as wet into wet with gouache, impasto with acrylics, and glazing with oils. There then follows 25 beautiful painting projects ranging from landscapes and portraits to still lifes and abstract canvases. Step-by-step photographs guide you through every stage, enabling you to paint with confidence. Discover the pleasures and practicalities of painting with this fully-illustrated artist’s manual. A how-to introduction to all aspects of painting with oils, acrylics and gouache, from beginners to intermediates, with full technical instruction. There is guidance on the most common paint techniques with small-scale practice exercises to try, including wet into wet, drybrush, alla prima, glazing, scumbling, impasto, and removing paint. The 25 original full-scale step-by-step projects cover a range of popular subjects and treatments, from a simple study of a young child and a sun-dappled woodland path to a sweeping beach landscape and a sleeping cat.

Many an art student and BFA graduate arrive at the sorry state that despite all their classes and books on painting, they still don't understand the rudiments of oil painting - the basics of colour mixing and creating the illusion of form. That's where "The Oil Painting Course You've Always Wanted" comes in, an invaluable primer on oil painting that sets itself apart from other books on this subject. First, this book is a course - a composite of lessons that the author, Kathleen Staiger, has developed over many years of teaching. Structured so that each detailed lesson builds on the previous one, the book reinforces the learning process with fully explained diagrams, illustrations, exercises, and demonstrations. Second, there is a logical, workable method of sure-fire colour mixing. Third, the book is tailored to the insecurity of the beginner; skills are built slowly, with precise guidance and logical explanations. Staiger has been teaching this course for years with amazing results. Students who have never touched a paintbrush are now exhibiting and selling their paintings. Experienced painters find they learn something new in every lesson. This book is organized around a progressive set of lessons: Class 1: How to Create the Illusion of Three Dimension; Class 2: Making Your Brush Behave; Class 3: Foolproof Colour Mixing; Class 4: Putting It All Together Class 5: Still Life Painting; Class 6: Landscape Painting; and Class 7: Portrait Painting. The features include: a complete, foolproof primer; includes author's sure-fire method of colour mixing; and step-by-step lessons, complete with diagrams, exercises, and demonstrations.

This work introduces not only the techniques of oil painting but also the underlying principles of figure drawing. The book features 32 full-colour pages and an introduction by James Gurney.

This is a glorious 25th anniversary reissue of this classic book. Illuminating & fascinating, it covers the classic art techniques perfected by 16th and 17th century masters. These include Caravaggio, Rembrandt, Titian & Reuben, all enhanced with full-colour demonstrations.This illuminating and fascinating book, reissued for the 25th anniversary of its publication, covers the techniques perfected by 16th and 17th century masters, studying protraits by Titian, Caravaggio, Reubens and Rembrandt and many more. In this unique book, Joseph Sheppard, a leading contemporary painter, shows you in detailed, full-colour demonstrations the variety of oil painting techniques perfected by the old masters. The techniques Sheppard describes cover the full spectrum from the direct painting (alla prima) of Rubens and Hals to the elaborate underpainting and glazing methods of Rembrandt and Titian. Each chapter is devoted to a different master covering his background, style and techniques.

In 1855, Asher B. Durand, a founder of the National Academy of Design and a leading member of the Hudson River School, wrote a series of articles for his son's art magazine, The Crayon. The nine articles, Letters on Landscape Painting, outlined Durand's thoughts on learning how to paint landscapes. They are considered by many to be the textbook for the Hudson River School. In the early 1900s, Birge Harrison, a prominent figure in the American Tonalist movement and a director of the landscape school of the Art Students League, gave a series of lectures to the students at the League's summer school in Woodstock, New York. He later compiled those twenty-one lectures into the book, Landscape Painting. Then, as now, the book was considered to be a standard work for students. This volume presents Durand's and Harrison's writings together for the first time. We will never know what each might have thought of their words being combined in such a way, however, over the years hundreds of budding landscape painters and professionals alike have found value in these writings. It only seems fitting that the textbooks of two of America's great landscape painting movements be made available in a single work.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Such are the observations that filter through the galleries during Tom Palmore's exhibitions in which animals steal the show.

Born in Ada and living in Oklahoma, Palmore emerged from the 1970s Photorealist movement as a maverick. His career includes more than a decade on the East Coast, where he refined his skills at the Pennsylvania Academy of Fine Arts and exhibited in New York's prominent contemporary galleries. Palmore used his technical virtuosity to explore his passion for the animal kingdom. Then as today, his monumental paintings received critical acclaim, and his incongruous juxtapositions of realistic primates in silk-and-velvet interiors earned him the nickname Gorilla Man.

Palmore's fidelity to an animal's visage is intended to make it proud. However, the contexts in which he places them are pure Palmore, infused with his penchant for wit and the unexpected. His portrait of Oscar, the famed rodeo bull, is set against Palmore-designed wallpaper of cowboys catapulted into the air. A rooster surveys its Grant Wood countryside, and an imposing lion is oblivious to the diminutive monarch butterfly that shares its epithet. In all cases, Palmore's paintings loom large not only in scale but also in raised consciousness of the "earthlings with whom we share this planet," as he says.

This is the first extensive art historical study on the discoloration of old master paintings, concentrating on oil paintings from the 15th to the 17th centuries.

The nude has inspired artists for centuries and continues to inspire us today. Alongside a historical study of the nude in painting, this book introduces oil paint and gives advice on techniques when using this challenging and rewarding medium. Capturing the beauty of form and the delicate colours of the figure, it celebrates the powerful images that examine human relationships, personality and psychology. Some of the topics included in this book are instructions on materials, the colour palette and stretching your own canvas; the practicalities of working with a model in the studio; colour-mixing exercises that explore colour relationships and temperature, and finally step-by-step examples that demonstrate the progression of a painting.

Oils give a rich, majestic quality to a painting but may often be deemed too tricky or ambitious to try. This practical book puts the joy of painting with oils within reach of all who want to develop their skills. Examples of landscape, marine, nude and equestrian paintings will inspire and show the rich diversity, texture and depth that oil painting can achieve. Written by a professional painter, it encourages artists of all levels to experiment with the medium and to develop their art.