Such are the observations that filter through the galleries
during Tom Palmore's exhibitions in which animals steal the
show.
Born in Ada and living in Oklahoma, Palmore emerged from the
1970s Photorealist movement as a maverick. His career includes more
than a decade on the East Coast, where he refined his skills at the
Pennsylvania Academy of Fine Arts and exhibited in New York's
prominent contemporary galleries. Palmore used his technical
virtuosity to explore his passion for the animal kingdom. Then as
today, his monumental paintings received critical acclaim, and his
incongruous juxtapositions of realistic primates in silk-and-velvet
interiors earned him the nickname Gorilla Man.
Palmore's fidelity to an animal's visage is intended to make it
proud. However, the contexts in which he places them are pure
Palmore, infused with his penchant for wit and the unexpected. His
portrait of Oscar, the famed rodeo bull, is set against
Palmore-designed wallpaper of cowboys catapulted into the air. A
rooster surveys its Grant Wood countryside, and an imposing lion is
oblivious to the diminutive monarch butterfly that shares its
epithet. In all cases, Palmore's paintings loom large not only in
scale but also in raised consciousness of the "earthlings with whom
we share this planet," as he says.
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