"This colection brings together two generations of scholarship on many important topics in African-American religious history. . . . A useful and judiciously chosen compilation that should serve well in the classroom."
-- "Religious Studies Review"

"It serves as a smorgasbord of the study of black spirituality."
-- "Black Issues Book Review"

Down by the Riverside provides an expansive introduction to the development of African American religion and theology. Spanning the time of slavery up to the present, the volume moves beyond Protestant Christianity to address a broad diversity of African American religion from Conjure, Orisa, and Black Judaism to Islam, African American Catholicism, and humanism.

This accessible historical overview begins with African religious heritages and traces the transition to various forms of Christianity, as well as the maintenance of African and Islamic traditions in antebellum America. Preeminent contributors include Charles Long, Gayraud Wilmore, Albert Raboteau, Manning Marable, M. Shawn Copeland, Vincent Harding, Mary Sawyer, Toinette Eugene, Anthony Pinn, and C. Eric Lincoln and Lawrence Mamiya. They consider the varieties of religious expression emerging from migration from the rural South to urban areas, African American women's participation in Christian missions, Black religious nationalism, and the development of Black Theology from its nineteenth-century precursors to its formulation by James Cone and later articulations by black feminist and womanist theologians. They also draw on case studies to provide a profile of the Black Christian church today.

This thematic history of the unfolding of religious life in AfricanAmerica provides a window onto a rich array of African American people, practices, and theological positions.

In Middle-Class Pentecostalism in Argentina: Inappropriate Spirits Jens Koehrsen offers an intriguing account of how the middle class relates to Latin Americas most vibrant religious movement. Based on pervasive field research, this study suggests that Pentecostalism stands in tension with the social imaginary of the middle class and is perceived as an inappropriate lower class practice. As such, middle class Pentecostals negotiate the appropriateness of their religious belonging by demonstrating distinctive tastes and styles of Pentecostalism. Abstaining from the expressiveness, emotionality, and strong spiritual practice that have marked the movement, they create a milder and socially more acceptable form of Pentecostalism. Increasingly turning into a middle class movement, this style has the potential to embody the future shape of Pentecostalism.

In the 1970s, mainly in response to Roe v. Wade, evangelicals and conservative Catholics put aside their longstanding historical prejudices and theological differences and joined forces to form a potent political movement that swept across the country-or so conventional wisdom would have us think. In this provocative book, Neil J. Young argues that most of this widely accepted story of the creation of the Religious Right is not true. We Gather Together examines evangelicals, Catholics, and Mormons (who are usually ignored in the story) in the early days of the religious right and paints a much different picture. Tracing the interactions among these three groups from the 1950s to the present day, Young shows that the emergence of the Religious Right was not a brilliant political strategy of compromise and coalition-building hatched on the eve of a history-altering election. Rather, it was the latest iteration of a much-longer religious debate that had been going on for decades in reaction to the building of a mainline Protestant consensus. This "restructuring" of interfaith relations took place alongside American political developments of the time, and evangelicals, Catholics, and Mormons found common cause and pursued similar ends in debates about abortion, school prayer, the Equal Rights Amendment, and tax exemptions for religious schools. They did so together at times but more often separately, and it is the latter part that historians have all but ignored. While these social and political issues were the objects of their displeasure, they weren't its source; far from setting aside their divisions to create a unified movement, cracks in the alliance shaped the movement from the very beginning. This provocative book will reshape our understanding of the most important religious and political movement of the last 30 years.

Nineteenth-century American writers frequently cast the Mormon as a stock villain in various genres of popular fiction. The Mormons were depicted as a violent and perverse people. Applying the methods of literary criticism, Givens shows how the image of the Mormon as a religious and social `Other' was constructed.

While there are many diatribes against the modern Word of Faith Movement and as many defenses of it, little scholarly work has investigated, analyzed, and compared and contrasted modern faith teaching with earlier evangelical writers. Only Believe is such a ground-breaking book written for non-specialists and scholars. Among its many accomplishments, Only Believe . . . * theologically engages both the teachings of the Word of Faith Movement and their critics, examining from the unique viewpoint of the elliptical nature of truth the counter-polarities of faith teaching and practice; * traces the origins of faith teachings such as revelation knowledge, logos and rhema, point of contact, seed faith, faith as a law and a force, covenant rights and inheritance, positive confession, and attitudes toward doctors and medicine through the church fathers, mystics, reformers, Pietists, Puritans, and the 19th-century Wesleyan, Keswick, and Higher Life holiness and healing movements; * draws upon the faith teachings and practices of a wide variety of theological and denominational backgrounds: Methodist, Baptist, Presbyterian/Reformed, Episcopalian/Anglican, Lutheran, Congregationalist, holiness, Brethren, Catholic, Pentecostal/charismatic, and many others; * highlights positive, balanced principles and models of faith of respected evangelical leaders, guiding the reader away from questionable teaching and practice and yet encouraging a walk by faith that is both strong and sound; * contains a treasure house of preaching, teaching, Bible study, examples of faith, and research material.

For the past twenty years, evangelical prophecy novels have been a powerful presence on American bestseller lists. Emerging from a growing conservative culture industry, the genre dramatizes events that many believers expect to occur at the end of the age - the rapture of the saved, the rise of the Antichrist, and the fearful tribulation faced by those who are "left behind."
Seeking the forces that drove the unexpected success of the Left Behind novels, Crawford Gribben traces the gradual development of the prophecy fiction genre from its eclectic roots among early twentieth-century fundamentalists. The first rapture novels came onto the scene at the high water mark of Protestant America. From there, the genre would both witness the defeat of conservative Protestantism and participate in its eventual reconstruction and return, providing for the renaissance of the evangelical imagination that would culminate in the Left Behind novels.
Yet, as Gribben shows, the rapture genre, while vividly expressing some prototypically American themes, also serves to greatly complicate the idea of American modernity-assaulting some of its most cherished tenets. Gribben concludes with a look at "post-Left Behind" rapture fiction, noting some works that were written specifically to counter the claims of the best-selling series. Along the way, he gives attention not just to literary fictions, but to rapture films and apocalyptic themes in Christian music. Writing the Rapture is an indispensable guide to this flourishing yet little understood body of literature.