Including a Foreword by The Rt Revd Dr Graham Tomlin, this volume examines the theology and practice of baptism. It contains a narrative introduction that highlights the different approaches taken to baptism, and the various issues that come with them. The volume also covers how the changing cultural context within Britain has influenced responses to baptism. At the heart of the book is a detailed examination of the theme of covenant running through the Bible and how this shapes its understanding of baptism. Gordon Kuhrt and his son Stephen explore several controversial issues associated with baptism. Believing in Baptism contains an in-depth discussion of the sacramental issues surrounding baptismal 'efficacy', for instance, as well as infant or family baptism. The authors also examine the 'Baptist' view, discrimination in Baptism and the issue of 'Rebaptism'. Finally, they consider the issue of 'Baptism and its Completion?', and make practical recommendations on the ways in which baptism should be taught and lived in the local church.

The Book of Mormon is an influential and controversial book. It launched a religious movement, has been believed by millions to be scripture, and has been derided by others as fraudulent. Despite this (or perhaps as a result), the book's contents have been subject to both academic neglect and popular myth. This book challenges some of that neglect by examining the Book of Mormon through the lens of its relationship with the Bible: a work which the Book of Mormon openly quotes and expects to be read alongside, and the only text which everyone agrees is connected to the Book of Mormon. Through close examination of the Book of Mormon text and biblical parallels, including three substantial case studies, this book examines the ways in which the Book of Mormon draws upon and interprets the biblical text. This book demonstrates the complexity with which the Book of Mormon handles biblical material, and the close correlation between its reading of the Bible and the Book of Mormon's own core themes.

In this groundbreaking book, William Kostlevy presents a fascinating study of the Metropolitan Church Association (MCA), a religious community founded in Chicago in the early 1890s. The MCA was one of the most controversial societies of the era. Its members were called "jumpers" because of their acrobatic worship style, and "Burning Bushers" after their caustic periodical, the Burning Bush. They objected to the concept of private property, rejected "elite" denominations, and professed an alternative, radical vision of Christianity, using modern music and folk art to spread their message.
A product of the holiness revival of the late nineteenth century and a catalyst for Pentecostalism, the MCA played a vital role in the twentieth century growth of evangelical Christianity, yet it has long been ignored in studies of American radicalism, of communal societies, and even of holiness and Pentecostal Christianity. Kostlevy rectifies this omission, providing a valuable new context for understanding the origins of Pentecostalism. He investigates the internal struggles of the Holiness Movement, showing how radically divergent theological currents came to dominate a major segment of the American evangelical community. He also shows how deeply the MCA impacted the lives of twentieth century evangelists Bud Robinson and Seth C. Rees, self-designated first woman bishop Alma White, and Pentecostal evangelists A. G. Garr and Glenn Cook. As Holy Jumpers demonstrates, Holiness Christians, and the MCA in particular, played a profoundly formative role in the development of modern evangelical and Pentecostal Christianity.

A collection of 230 hymns, with music, drawn from a wide range of liberal religious sources, all written in the 20th or 21st century; many were composed by Unitarian and Unitarian Universalist writers, often drawing their imagery from other faith traditions. The collection includes songs for blessing partnerships and relationships. The compilers have drawn on a wide range of musical styles, using keys in keeping with current group vocal range.