"Can anything orthodox come from Pentecostalism?" This recasting of Nathaniel's familiar question from the Gospel is a fair summary of many modern Christians' assessment of the Pentecostal tradition. Yet in recent years, a growing number of Pentecostals have been turning afresh to the ancient, creedal Christian faith. Bishop Emilio Alvarez has himself been at the forefront of this movement. In Pentecostal Orthodoxy he introduces the phenomenon, and extends the project of paleo-orthodox ressourcement (associated with scholars such as Thomas Oden and Robert Webber) to include orthodox expressions within Pentecostalism, particularly his own Afro-Latino Pentecostal movement. This book is a manifesto of sorts, promising not only to open up the possibility of a genuinely orthodox Pentecostalism, but to reframe modern ecumenical dialogue as well.

Exploring one of the most controversial figures in recent evangelical theology, this book thoroughly examines core features of Stanley J. Grenz's Trinitarian vision.

Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking. Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its aesthetic. In various documentaries made for Channel 4 and the BBC, Beckford narrates the complicit relationship of Christianity with European expansion, slavery, and colonialism as a historic manifestation of evil. In light of the cannibalistic practices of colonialism that devoured black life, and the church's role in the subjugation and theological legitimation of black bodies, Beckford characterises this form of historic Christian faith as 'colonial Christianity' and its malevolent or 'occult' practices as a form of 'bewitchment' that must be 'exorcised'. He identifies and exorcises the evil practices of colonialism and their present impact upon African Caribbean Christian communities in Britain in films such as Britain's Slave Trade and Empire Pays Back through a deliberate process of encoding/decoding. The emancipatory impact of this form of documentary filmmaking is demonstrated by its ability to bring issues such as reparations to the public square for debate, and its capacity to change a corporation's trade policies for the good of Africans.