The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field. It brings together the work of over 30 scholars in this discipline, including Janet Davis, Helen Stoddart and Peta Tait, to highlight and address the field's key historical, critical and theoretical issues. It is organised into three accessible sections, Perspectives, Precedents and Presents, which approach historical aspects, current issues, and the future of circus performance. The chapters, grouped together into 13 theme-based sub-sections, provide a clear entry point into the field and emphasise the diversity of approaches available to students and scholars of circus studies. Classic accounts of performance, including pieces by Philippe Petit and Friedrich Nietzsche, are included alongside more recent scholarship in the field. Edited by two scholars whose work is strongly connected to the dynamic world of performance, The Routledge Circus Studies Reader is an essential teaching and study resource for the emerging discipline of circus studies. It also provides a stimulating introduction to the field for lovers of circus.

Explosions in November tells the story of one of Europes leading cultural institutions, Huddersfield Contemporary Music Festival (hcmf), through the eyes of its founder and former artistic director, Professor Richard Steinitz. From its modest beginnings in 1978, when winter fog nearly sabotaged the inaugural programme, to todays internationally renowned event, hcmf has been a pioneering champion of the best in contemporary music.Now Richard Steinitz brings his insider view on the people behind the festival and how they made each year a success. He recalls his encounters with some true giants of music, including Boulez, Berio, Cage, Ligeti, Stockhausen and Xenakis. Discover how the author survived mushroom-hunting with John Cage, how the festival engineered a historic reconciliation between Cage and Pierre Boulez and how a ceiling fitting nearly brought Stockhausens career to a premature end. It is a compelling, inspiring and often entertaining story. Explosions in November reveals the full picture of a festival that continues to surprise, delight and provoke its audiences to this day.

There's a naughty Santa Claus out to sabotage Christmas! How can the real Santa expect boys and girls to be good when there is a fake Santa being so naughty?! Help Henry the Elf and Mrs Claus track down the naughty Santa, put a stop to his shenanigans and get Christmas back on track! Find a cast of quirky characters and objects in the hilariously detailed illustrations on each page. Over 500 things to spot! The perfect stocking-filler.

Move over, David Copperfield. The coolest magic tricks have been gathered together in one book, best-selling author David Pogue's Magic For Dummies, which is guaranteed to leave your friends, family and coworkers spellbound at your mastery of the mystical arts.

Perform great magic at the drop of a hat with these tips and tricks -- literally -- from Pogue and 35 of America's top professional magicians. With a little practice (and some clever misdirection, which lays at the heart of all magic tricks), you'll bewitch everyone around you with card tricks, coin tricks, disappearing acts, and even mind-reading! Magic For Dummies features more than 90 deceptions, illusions, and sleights of hand for all occasions, along with photos, patter, and presentation tips for every trick in the book. You'll be pulling rabbits out of your hat for years to come with these great magic tricks...easy enough to learn, and enchanting enough to keep folks baffled and bewildered.

Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. The same old stereotypes about the world of the circus are trotted out on many occasions. Over a period spanning more than 15 years, the photographer Oliver Stegmann visited different circuses to take photos of what happens behind the curtains. His muted images attempt to break the usual stereotypes. Again and again, the photographer captured protagonists in moments of unawareness, showing scenes that the audience would normally never get to see from the edge of the ring. Above all, Stegmann is interested in the atmosphere of tense expectation and utmost concentration when the artists are about to perform their hair-raising acts. Using neither colour nor flash, he creates an enigmatic atmosphere reminiscent of expressionist films. For his circus series, Stegmann develops a kind of imagery that has rarely been applied to the small world of the circus as consistently and confidently as in this case. In terms of subject-matter, design, and production, Circus Noir takes a different approach to this genre by adding an entirely unromantic perspective that focuses on the true essence of what it means to work in a circus. Text in English and German.

Covers every significant aspect -- from palming to clairvoyance, vanishing and producing an object, using essential apparatus, etc. Explains hundreds of astonishing tricks -- with coins, cups and balls, handkerchiefs, cards, more. A book with an excellent reputation among professional magicians for teaching techniques. 57 illustrations.

In the summer of 2008, nearly fifty thousand people traveled to Nevada's Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun.

"Enabling Creative Chaos" tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man's organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times.

How do Egyptian Muslims celebrate Ramadan? How do Copts - Egyptian Christians - celebrate Easter? What should you expect to find on the table when invited to eat in an Egyptian home? What do you say when an Egyptian colleague sneezes? Exactly what do Egyptians do with a mortar and pestle, a sieve, and a bag of nuts seven days after the birth of a baby? Samia Abdennour, once an outsider from Palestine, now thoroughly at home in Egypt, is here to tell you all about these matters - and many more. In a book that aims to introduce the unfamiliar newcomer or interested foreign reader to the hows, whats, and whys of Egyptians life, the author covers such diverse topics as birth, marriage, and death; religious festivals and fasting; food in the home and on the street; business etiquette and terms of politeness. She describes how some traditions differ between the two religious communities, the Muslims and the Copts, and how some customs are shared by all Egyptians - like the spring festival of Shamm al-Nisim ('smelling the breezes') that goes back to pharaonic times. With "Egyptian Customs and Festivals", you need never be at a loss in a social situation in Egypt - or fail to understand what your neighbors are up to. Illustrated throughout with color photographs of daily life and special occasions, this fascinating and informative book is a must-have for anyone new to Egyptian culture.

The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects - objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature - Collodi's cruel, wooden Pinocchio, puppet-like characters in Kafka and Dickens, Rilke's puppet-angels, the dark puppeteering of Philip Roth's Mickey Sabbath - as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, "Puppet" evokes the startling power of puppets as mirrors of the uncanny in life and art.

Women and Puppetry is the first publication dedicated to the study of women in the field of puppetry arts. It includes critical articles and personal accounts that interrogate specific historical moments, cultural contexts, and notions of "woman" on and off stage. Part I, "Critical Perspective," includes historical and contemporary analyses of women's roles in society, gender anxiety revealed through the unmarked puppet body, and sexual expression within oppressive social contexts. Part II, "Local Contexts: Challenges and Transformations," investigates work of female practitioners within specific cultural contexts to illuminate how women are intervening in traditionally male spaces. Each chapter in Part II offers brief accounts of specific social histories, barriers, and gender biases that women have faced, and the opportunities afforded female creative leaders to appropriate, revive, and transform performance traditions. And in Part III, "Women Practitioners Speak," contemporary artists reflect on their experiences as female practitioners within the art of puppet theatre. Representing female writers and practitioners from across the globe, Women and Puppetry offers students and scholars a comprehensive interrogation of the challenges and opportunities that women face in this unique art form.

Hemingway's passion for Spain and for the bullfight is renowned. In Death in the Afternoon he shares the sights, the sounds, the excitement and, above all, the knowledge which fuelled his passion for the 'the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick.' First published in 1932, Death in the Afternoon remains a classic for its historical account of the Corrida, for the stories of the great matadors, their banderilleros and picadors - the men who live every day with death - and for the stories of the bulls whose bravery is the primal root of the bullfight. Death in the Afternoon also contains some of the finest short stories Hemingway ever wrote, inspired by the intense life as well as the inevitable death of those hot, violent afternoons.

The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.

Mardi Gras Indians explores how sacred and secular expressions of Carnival throughout the African diaspora came together in a gumbo-sized melting pot to birth one of the most unique traditions celebrating African culture, Indigenous peoples, and Black Americans. Williams ties together the fragments of the ancient traditions with the expressed experiences of the contemporary. From the sangamentos of the Kongolese and the calumets of the various tribes of the lower Mississippi River valley to one-on-one interviews with today's Black masking tribe members, this book highlights the spirit of resistance and rebellion upon which this culture was built.

Kicking Sawdust is a series of photos taken from 1988-1992 while on the road with the circus, carnival, sideshows. It is a personal documentation of friends and people Clayton Anderson encountered in his daily life while working and traveling in his family's food business. Shot on black and white film and developed by author while on the road, after hours.

Since its inception in 1946, the Cannes Film Festival has embraced the high-brow and the high-glam - new cinema from Iran or China and red carpet parades from Madonna or Nicole Kidman. Who is not familiar with Cannes' famous paparazzi scrums, beachfront happenings and world premieres? But the history of Cannes is also famous for scandals and controversies, where the great nations of the world have gathered and clashed. The history of Cannes is littered with key moments, flashpoints that changed international culture. This vivid and beguiling history reveals the best and most revelatory tales from this festival's spectacular history through previously untold first-hand accounts from key players.

Foam Patterning and Construction Techniques: Turning 2D Designs into 3D Shapes explains how to create your theatrical prop, puppet, or costume design using the unique and tricky medium of foam. Step-by-step instructions, photographs, and explanations illustrate how to translate your design from paper to reality by creating custom "skin" patterns, followed by creation of a foam mockup. The book details how to bring your project to life with varied finishing techniques, including using fur and fabric coverings and dying and painting foam. Numerous supplies, tools, and safety procedures and protocols are also covered.

"One of the most memorable and enjoyable restaurants imaginable." Gastronomica "Utterly brilliant, fun, uplifting show." Dara O'Briain "Absolutely beautiful and fun and heart-stopping. See this!" Dawn French Giffords Circus has been touring the south of England every summer since 2000. It is a traditional village circus with a uniquely British flavour, blended with extraordinary acts from all over the world. Their restaurant Circus Sauce is headed by chef Ols Halas and seats circus goers in a beautifully decorated tent on site. They offer a new menu every week and use seasonal and local produce from the surrounding area. They serve freshly baked bread, roast chicken and truffle suet pudding, smoked ham hock in pastry, dressed crab with samphire, queen of puddings, mounds of Eton mess, and lots more, with some guests returning several times in the summer to experience a new menu within familiar surroundings. This extraordinary book is a celebration of the food that brings the circus and its audience together, alongside the story of the circus itself and its vibrant community. Full of colour, personalities, stories and images of the circus and its slow journey through the English summer countryside, the book's 100 recipes are nothing but delicious, joyful and hearty.

After years of being out of print, the story behind 'The Greatest Show on Earth' is back for new generations to discover. Through the early twentieth century, the Ringling Brothers created a spectacle like no one had ever seen, and one that still wows audiences to this day. Yet what most people do not know is that events behind the scenes rivaled the excitement and intrigue of the center ring.Originally published in 1960, and told with remarkable honesty by the nephew of the original Ringling brothers, ""The Circus Kings"" remains a clear and unexaggerated telling of what the circus was like for those who lived it.

Every culture likes to party. Traditional celebrations, whether the Hindu Holi Festival or the Japanese Cherry Blossom Festival, have travelled beyond their origins to become international phenomena. Whether seasonal or religious, such holidays represent the human need for authentic experience, direct encounter, and a sense of time or the spiritual. This volume leads readers back to the roots of these annual events and festivals, exploring their history, meanings, and evolutions. With vibrant photographs as well as practical information on each featured event, it's a captivating journey of cultural exploration and joie de vivre. Text in English and German.

As Africa's oldest orchestra, and certainly its most versatile, the Cape Town Philharmonic Orchestra is a proud part of the fabric of the Mother City. Founded in 1914 as a municipally funded ensemble, the orchestra was privatised in 1986 and later merged with the former Capab orchestra, achieving independence in 2000.

A Century Of Symphony tells the story of Cape Town’s orchestras over the past 100 years. Bringing together reminiscences, anecdotes and heartfelt stories by players, conductors and audience members, images of the orchestra both past and present, and information gathered from city, newspaper and university archives, A Century Of Symphony offers a timeless perspective on the place of orchestral music in the life of the city.

The challenges of running an orchestra in the 21st century are formidable, but the orchestra’s mission to deliver first-class music played by first-class musicians in a sustainable way has never been more apparent. Outreach and education efforts in disadvantaged communities point the way to the future. This is a story not only worth telling, but also worth preserving, for Cape Town’s orchestras have been the cultural jewel of the city for 100 years.

(Includes a shrinkwrapped CD of music played by the Cape Town Philharmonic Orchestra)