Read 100 books, record your thoughts, and get creative with YouTube's Hannah Azerang (a.k.a A Clockwork Reader)! At last, a journal for avid readers looking to channel their love of reading books into something creative and unique. Even better, Hannah Azerang, the face of the successful YouTube channel A Clockwork Reader, and one of the online bookish community's biggest personalities, has curated this journal just for you! Join Hannah and track your reading of up to 100 books as she guides you along with questions about your reading, offers up some of her favorite books for you to enjoy, and even fills in some of the pages herself. Look further and you'll see she's even taken her pens and pencils and filled these pages with some of her favorite doodles and designs! Read and record your thoughts on 100 books with questions from Hannah such as how the book made you feel and where you were when you read it. Get creative and design your own section for each book with anything from your own drawings and writings to stickers, inserts, and whatever else you have around. Figure out what to read next with Hannah's specific challenge prompts like "read a book by your favorite author" and "read the next book in a series you haven't finished." Enjoy Hannah's favorite book quotes as you chart your way through the pages. Document lists of your favorite books, books you anticipate, and books you've been meaning to read but haven't gotten to yet.

The Sunday Times bestseller from the bestselling author of The Doll Factory, Elizabeth Macneal. Set in a spectacular circus in the pleasure gardens of Victorian London, Circus of Wonders is an addictive novel about power, fame, and a love that is threatened by a terrible secret. 'Glitters and gleams . . . utterly beguiling' - Daily Mail 1866. In a coastal village in southern England, Nell lives set apart by her community because of the birthmarks that speckle her skin. But when Jasper Jupiter's Circus of Wonders arrives in the village, Nell is kidnapped. Her father has sold her, promising Jasper Jupiter his very own leopard girl. It is the greatest betrayal of Nell's life, but as her fame grows, and she finds friendship with the other performers and Jasper's gentle brother Toby, she begins to wonder if joining the show is the best thing that has ever happened to her. In London, newspapers describe Nell as the eighth wonder of the world. Figurines are cast in her image, and crowds rush to watch her soar through the air. But what happens when her fame eclipses Jasper's own? And as she falls in love with Toby, can he detach himself from his past and the terrible secret that binds him to his brother?

Semiotics is long on theoretical, often obscure discourses, but short on applications that demonstrate with clarity the applicability of its methods. This book confronts a challenging object, the circus, and endeavors to describe its performances in ways that explain how circus acts produce meaning and cause a deep emotional involvement for their audiences. The approach is not top-down, such as would be a method that would dogmatically apply a particular theory to fully explain the phenomena in terms of this theory alone. Epistemologically, this book is an example of the bottom-up strategy, which consists of considering first the objects and heuristically calling upon methodological resources in a broad theoretical array to come to grips with the problems that are encountered. Any circus act is a complex event that has cognitive and emotional dimensions. It is also a part of a history and an institution, and cannot be abstracted from its cultural and sociological contexts. Thus the range of relevant theoretical and methodological approaches must include structural semiotics, biosemiotics, pragmatics, socio-semiotics, cultural anthropology, the cognitive sciences, the psychology and sociology of emotions, to name only the most important. But the ultimate focus of this book is to enable the readers to better understand the meaning of circus performances and to appreciate the skills and creativity of this traditional popular art, which constantly renews itself from generation to generation.

* The book demonstrates how a vernacular British performance form emerged as a hybrid of forms from Afro-American and minstrel, as well as French mime and Italian commedia dell'arte roots. * Theatre history is an essential part of theatre and drama courses across the UK and would be recommended reading. * There is no comparable book which makes critical analysis of British pierrot troupes and concert parties in existence - the only ones that do exist on the specific topic are written as reminiscence and anecdote.

Do you want to learn the strategies for winning tournaments? Are you worried about your lacking knowledge that gets in your way of deck building? Do you need some advice? Are you ready now to master the rules of the game? Are you tired of banging your head against a wall? If you keep playing poor strategies, do you think you will master the game? Is this working for you? Magic The Gathering: 3 Manuscripts - Rules and Getting Started, Strategy Guide, Deck Building For Beginners shows you everything you need to get started. This includes an overview of types of players and a look at types of decks for winning. This is a book of action and doesn't just tell you to try harder. This book will get you moving in the right direction. Packed full of real-life examples for players like you, this book has proven techniques of that have worked for thousands of people. These methods are backed up countless games played, all which will arm you with a mindset primed for deck building with winning in mind.

A poet of rare skill, Abdur Rahim Khan-i- Khanan wrote poems in Persian, Sanskrit and Hindavi, with metaphors ranging from Giridhar to Ganga, and with humanist ideals expounded in precise and concise matras of dohas and barvais. This book catalogues the festival of the same name, to capture the manifold attributes and genius of Abdur Rahim Khan-i-Khanan. Both the festival and the book were borne of the conservation work undertaken on Abdur Rahim Khan-i-Khanan's tomb to protect and promote his legacy, a key objective of the Nizamuddin Urban Renewal Initiative, with support from InterGlobe Foundation. This volume also includes a remarkable selection of his verses, set to music with ragas and vernacular symphonies based on his poetry and his life.

For three centuries, the Fiesta de Santa Fe has commemorated historical events including the Spanish reconquest of New Mexico by Don Diego de Vargas in 1692 and the confraternity of the Rosary named in honour of La Conquistadors. Over the generations the oldest community celebration in the country has evolved to include elaborate parades and processions, including the royal court of DeVargas and La Reins, and memorably; the burning in effigy of Zozobra, or Old Man Gloom, drawing locals and visitors each autumn. Accompanied by rare historical photographs, this book illuminates what is special about Santa Fe's yearly celebration in a fiesta memoir and novella centred around Zozobra by Santa Fe native and cultural observer Andrew Leo Lovato. "Children are the heart of Fiesta," writes Lovato. And so enters Lovato's altar ego, a fictional character named Elvis Romero, who with his cousin Pepa, engage in a scheme to rescue Zozobra from his inevitable demise. In a Huck Finn tale for all ages, Lovato captures the essence of Fiesta de Santa Fe as only a child can experience it. It is a heart-warming tale that will make readers cheer for Elvis -- and Zozobra!

Performing Animality provides theoretical and creative interventions into the presence of the animal and ideas of animality in performance. Animals have always played a part in human performance practices. Maintaining a crucial role in many communities' cultural traditions, animal-human encounters have been key in the development of performance. Similarly, performance including both living animals and/or representations of animals provides the context for encounters in which issues of power, human subjectivity and otherness are explored. Crucially, however, the inclusion of animals in performance also offers an opportunity to investigate ethical and moral assumptions about human and non-human animals. This book offers a historical and theoretical exploration of animal presence in performance by looking at the concept of animality and how it has developed in theatre and performance practices from the eighteenth century to today. Furthermore, it points to shifts in political, cultural, and ethical animal-human relations emerging within the context of animality and performance.

Corporealities refuses to let bodies be seen as merely vehicles for the expression of something else. This collection of essays explores the study of bodily reality - not as a natural or given, but as a substantial, vital constituent of cultural experience. Contributors look at bodies engaged in practices as varied as pageantry, physical education, festivals and exhibitions, tourism, and social and theatrical dance. They succeed in bringing these bodies to life with all the political, gendered, racial and aesthetic resonances of which bodily motion is capable.
Dance is used in this volume as a theoretical framework to assist the reader in understanding the body's permanent transience, and in the task of transposing movement into words; choreography into theory.
Corporealities is an important and exciting development in dance studies. As a bridge to other disciplines that have neglected dance for too long, it demands to be read by all who have an interest in cultural studies, gender or performance.

"Corporealities" vivifies the study of bodies through a consideration of bodily reality, not as natural or absolute given but as tangible and substantial category of cultural experience. The essays in this volume summon up bodies engaged in practices as diverse as pageantry, physical education, festivals and exhibitions, tourism, social and theatrical dance, and post-colonial and psychoanalytic encounters. They bring these bodies to life, quivering with all the political, gendered, social, racial, sexual, and aesthetic resonances of which bodily motion is capable.
Dancing wends its way through this volume as subject matter and as theoretical framework for understanding embodiment. Dancing also prompts these essays to grapple with the body's ephemerality, the non-substantial history of its habits and accomplishments, and to persevere in the task of translating its movement into words, bodily phrasing into syntactical structure, movement qulaity into metaphor, and choreography into theory.
These essays work to resurrect bodies in all their fulsome cultural significance, but they also move bodies across disciplinary boundaries so as to enable a rethinking of previously stable categories of knowledge. As they examine the body's participation in the production of narrative, the construction of collectivity, the articulation of the unconscious, the generation of post-coloniality, and the economies of gender and expression, they contour new relations between history and memory, aesthetics and politics. These epistemic relations inspire unconventional formulations of human agency that promise to move us past current modes of academic and political stasis.

MARIONETTES MASKS and SHADOWS BY WINIFRED H. JVIILLS Head of Art Department, Fairmount Junior High Training School, Cleveland, Ohio LOUISE M. DUNN Assistant Curator of Education, the Cleveland Museum of Art, Cleveland, Ohio Illustrated by CORYDON BELL Garden City, New York DOUBLEDAY, DORAN COMPANY, INC. 1928 To Adventurers among Puppets and Plays CONTENTS MARIONETTES I. The Marionette Its Family Tree . II. The Marionette Its Famous Friends III. Choosing Your Play IV. Making Your Stage V. Making Your Marionette VI. Making Your Scenery .... VII. Making Your Properties VIIL Lighting Your Stage .... IX Training Your Puppeteers . X. Presenting Your Play . . i 25 33 47 S 84 1 02 112 VII Contents MASKS . I. The Map of the Mask 143 II. Occasions for Wearing the Mask . . 152 III. Making the Mask ....... 160 IV. The Costume and Setting for the Mask. 168 V. The Mask with Pantomime, Music and Dance . 196 SHADOWS I. The Mystery of the Shadow ., II. Making a Shadow Play . III. Producing Cut-out Shadow Plays IV. Producing Human Shadow Plays Bibliography . . . Index 205 212 215 225 24 265 Vlll ILLUSTRATIONS Tree of the Marionettes .... Frontispiece HALFTONES MARIONETTES FACING PAGE Marionette play, Men of Iron given by ninth year pupils, Fairmount Junior High School, Cleveland, Ohio 18 Scenes from Marionette play, cc Adventures of Alice, given by ninth year pupils Fairmount Junior High School at the Cleveland Museum of Art. Marionettes made by Tuesday Marionette Club 34 ix Illustrations FACING PAGE Scenes from the Marionette play, Men of Iron 98 Marionette Ballet, Tetrouchka .... 114 Upper. Marionettes from The Adventures of Alice. Lower Left. Bear and Trainer from Men of Iron Lower Right. Marionettefrom Tetrouchka. 130 MASKS Masks made by students in Summer School, Cleveland School of Education. Indian Corn Maidens. Clowns. Japanese Characters Old Woman, Devil Mask, Old Man. .... 146 Upper Row. Bishop, Queen, King, Middle Row. Lady in Waiting, Crusader, Child Lower Row. Jester, Old Woman, Little Jack, 1 50 Masks. Upper Mummer, Queen, Jester Middle Egyptian Priest, Persian Poet, Greek Maiden Lower. Columbine and Pierrot . . 158 Characters from Christmas Mask . ., . 162 Scene from Christmas Mask given by ninth year Fairmount Junior High School pupils at the Cleveland Museum of Art. Lady in Waiting, King . 178 SHADOWS Upper Scene from cut out shadow play, The Traveling Musicians of Bremen-Lower Behind the scene in a cut out shadow play, given by eighth grade pupils of Fairmount Junior High School, Cleveland, Ohio . . 210 Illustrations FACING PAGE Scenes from the cut out shadow play, The Traveling Musicians of Bremen. . . . 214 Behind the scenes in the human shadow play The Indian and the Oki. 222 Scenes from the human shadow play, c The Indian and the Old 226 More scenes from the human shadow play, The Indian and the Oki 232 Scenes from the human shadow play, The Shepherdess 236 FULL PAGE LINE DRAWINGS PAGE Constructional drawing of Marionette stage, back view 50 Side view of Marionette stage, with lighting 51 Knight Marionette 77 FACING PAGE The Map of the Mask . 144 XI

This fascinating study explores the multifarious erotic themes associated with the magic lantern shows, which proved the dominant visual medium of the West for 350 years, and analyses how the shows influenced the portrayals of sexuality in major works of Gothic fiction.

A Galaxy of Things explores the ways in which all puppets, masks, and makeup-prosthetic figures are "material characters," and uses Star Wars creatures, droids, and helmeted-characters to illustrate what makes the good ones not only compelling, but meaningful. The book begins with author Colette Searls' Star Wars thing aesthetic, described through a release-order overview of what creatures, droids and masked characters have brought to 45+ years of live-action Star Wars. Building on theories from the burgeoning field of puppetry and material performance, it sees these "material characters" as a group and describes three specific powers that they share - distance, distillation, and duality - using the ubiquitously recognizable Star Wars characters to illustrate them. The book describes Distance, Distillation, and Duality as material character powers, using characters like C-3PO and Jabba the Hutt to illustrate how all three work to generate meaning. An in-depth exploration of the original Empire Strikes Back Yoda and "Baby" Yoda (Grogu) reveals how these two puppets use those powers to transform their human companions: Luke Skywalker, and then Din Djarin. Searls provides an in-depth analysis of Darth Vader's mask trajectory across three trilogies (1977 - 2019), revealing its contribution as a "performing thing." Finally, the book presents problematic uses of material character powers by critiquing droids in service, and the historical use of racial stereotypes in characters like Jar Jar Binks, before offering a hopeful analysis of how early 2020s live-action Star Wars began centering the non-, semi-, and concealed human in redemptive ways. This is an accessible exploration for students and scholars of theatre, film, media studies and popular culture who want to better understand puppets, masks, and makeup-prosthetic characters. Its terms and concepts will be useful to scholarly explorations of non-, semi-, and concealed human portrayals for a range of other fields, including posthumanism, object-oriented ontology, ethnic studies, and material culture.