Derren Brown's television and stage performances have entranced and dumbfounded millions. His baffling illusions and stunning set pieces - such as The Seance, Russian Roulette and The Heist - have set new standards of what's possible, as well as causing more than their fair share of controversy. Now, for the first time, he reveals the secrets behind his craft, what makes him tick and just why he grew that beard. Tricks of the Mind takes you on a journey into the structure and pyschology of magic. Derren teaches you how to read clues in people's behaviour and spot liars. He discusses the whys and wherefores of hypnosis and shows how to do it. And he investigates the power of suggestion and how you can massively improve your memory. He also takes a long hard look at the paranormal industry and why some of us feel the need to believe in it in the first place. Alternately hilarious, controversial and challenging, Tricks of the Mind is essential reading for Derren's legions of fans, and pretty bloody irresistible even if you don't like him that much... HIS NEW BOOK, A LITTLE HAPPIER: NOTES FOR REASSURANCE IS AVAILABLE FOR PRE-ORDER NOW.

67 sure-fire mental feats to delight and mystify: mind reading with cards, instant ESP, identify the owners of objects given to you in random order, number prediction, magically reproduce drawings on slates, book tests, handwriting tricks, mind-reading done from a room away, much more. 73 illustrations.

In its heyday, the American circus was the largest showbiz industry the world had ever seen. From the mid-1800s to mid-1900s, traveling circuses performed for audiences of up to 14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping superheroes and scantily clad starlets, fearless animal trainers, and startling "freaks" gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows. This book sheds fresh light on the circus phenomenon. With photographic gems of early circus performers, as well as original posters, lithographs, sideshow banners and engravings from the 16th to 19th centuries illustrating the worldwide roots of the circus, readers are transported to a world of thrill and skill, grit and glamor. Highlights include iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, and Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames.

In the summer of 2008, nearly fifty thousand people traveled to Nevada's Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun.

"Enabling Creative Chaos" tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man's organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times.

'The entire town is disguised', declared a French tourist of eighteenth-century Venice. And, indeed, maskers of all ranks - nobles, clergy, imposters, seducers, con men - could be found mixing at every level of Venetian society. Even a pious nun donned a mask and male attire for her liaison with the libertine Casanova. In "Venice Incognito", James H. Johnson offers a spirited analysis of masking in this carnival-loving city. He draws on a wealth of material to explore the world view of maskers, both during and outside of carnival, and reconstructs their logic: covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. This vivid account goes beyond common views that masking was about forgetting the past and minding the muse of pleasure to offer fresh insight into the historical construction of identity.

My name is Joel Mawhinney, though I go by the name Joel M. You might know me from TikTok as @joelmagician. I'm a 23-year-old from Northern Ireland, who enjoys reading, playing the piano and eating as many burrito bowls as I can, but the most important thing to know about me is... Magic is my life. The world of a magician is an unusual one. Between the first and last pages of this little volume you will find stories, confessions and secrets that I hope will convince you that anything is possible. If you can keep a secret, I'll even share magic tricks you can perform yourself. Inside, you'll learn how to read minds, predict the future, make cards levitate and jewellery vanish. I'll teach you how to perform to an audience and amaze your family and friends. I'll also let you in on the magic of TikTok and reveal how I went viral and gained millions of followers. But, above all, I will show you that whatever happens in life, it's always possible to... Make Your Own Magic.

I believe hugely in advertising and blowing my own trumpet, beating the gongs, drums, to attract attention to a "show, " Phineas Taylor Barnum wrote to a publisher in 1860. "I don't believe in 'duping the public, ' but I believe in first "attracting" and then pleasing them."

The name P.T. Barnum is virtually synonymous with the fine art of self-advertisement and the apocryphal statement, "There's a sucker born every minute." Nearly a century after his death, Barnum remains one of America's most celebrated figures.

In the "Selected Letters of P.T. Barnum, " A.H. Saxon brings together more than 300 letters written by the self-styled "Prince of Humbugs." Here we see him, opinionated and exuberant, with only the rarest flashes of introspection and self-doubt, haggling with business partners, blustering over politics, and attempting to get such friends as Mark Twain to endorse his latest schemes.

Always the king of showmen, Barnum considered himself a museum man first and was forever on the lookout for "curiosities," whether animate or inanimate. His early career included such outright frauds as Joice Heth, the "161-year-old nurse of George Washington," and the Fejee Mermaid-the desiccated head and torso of a monkey sewn to the body of a fish. Although in later years he projected a more solid, respectable image-managing the irreproachable "legitimate" attraction Jenny Lind, becoming a leading light in the temperance crusade, founding the Barnum & Bailey Circus-much of his daily existence continued to be unabashedly devoted to manipulating public opinion so as to acquire for himself and his enterprises what he delightedly termed "notoriety."

His famous autobiography, "The Life of P.T. Barnum, " which he regularly augmented during the last quarter century of his life, was itself a masterpiece of self-promotion. "Will you have the kindness to announce that I am writing my life & that fifty-seven different publishers have applied for the chance of publishing it," he wrote to a newspaper editor, adding, "Such is the fact-and if it wasn't, why still it ain't a bad announcement."

The "Selected Letters of P.T. Barnum" captures the magic of this consummate showman's life, truly his own "greatest show on earth."

This book deals with post-war culture and society and the Edinburgh Festivals. The Edinburgh Festival is the world's largest arts festival. It has also been the site of numerous 'culture wars' since it began in 1947. Key debates that took place across the western world about the place of culture in society, the practice and significance of the arts, censorship, the role of organised religion, and meanings of morality were all reflected in contest over culture in the Festival City. This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza. This is the first critical history of the first 25 years of the world's biggest arts festival. It uses festivals (and key theatre ventures) in Edinburgh as a lens for understanding wider social and cultural change in post-war Britain. It draws upon a range of archival sources, including original oral history interviews with key players in the arts scene of Edinburgh and beyond.

"The entire town is disguised," declared a French tourist of eighteenth-century Venice. And, indeed, maskers of all ranks--nobles, clergy, imposters, seducers, con men--could be found mixing at every level of Venetian society. Even a pious nun donned a mask and male attire for her liaison with the libertine Casanova. In Venice Incognito, James H. Johnson offers a spirited analysis of masking in this carnival-loving city. He draws on a wealth of material to explore the world view of maskers, both during and outside of carnival, and reconstructs their logic: covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. This vivid account goes beyond common views that masking was about forgetting the past and minding the muse of pleasure to offer fresh insight into the historical construction of identity.

How to perform over 600 card tricks, devised by the world's greatest magicians. 66 illus.