Delightful activity book for older children (and adults, too) shows how to create 34 fascinating shadows on a wall simply by positioning hands and fingers. Learn how to make a bird take flight, a duck quack, Toby the dog wag his tail, a rabbit munch his meal, and more.

Human Resource Management for Events is the first text to cover management of human resources in the event environment. Linking theory, research and application it covers the differing and various types of event in which human resource management is key, such as:
* Business Events - a vast sector including events people who manage conferences, exhibitions, incentive trips and individual business travel.
* Sporting Events - this sector includes sporting events ranging from the Olympic Games, Rugby World Cup, Soccer World Cup, Tour de France, Grand Prix to many smaller, local sporting events.
* Arts and Entertainment - the logistics, risk and financial issues facing entertainment events are leading to the development of more sophisticated operational skills for this sector. Music festivals are increasingly popular.
* Public Events - civic ceremonies, parades, celebrations, festivals and protests all fall within the scope of public events. Planning, approval and risk management are increasingly on the agenda for all levels of government.
The particular challenges provided by such events are varied. The size of the workforce explodes at the time of the event to include the event management team, many paid staff, hundreds of volunteers and multiple contractors, such as food vendors and cleaning teams. Everyone working on the site comes into the scope of the event workforce. Little time is available for training and motivation plays a key role in retention and customer service. Decision making occurs on the run and the event is over before anyone can think about performance appraisal. The environment is further characterised by a fast pace, high stress levels and manyworkers are fatigued by the bump in period before the event audience pours through the gates to add yet another level of pressure. These features of the human resources environment are quite different to those of the traditional workforce.
Human Resource Management for Events is vital reading for both students and practitioners involved in this crucially important aspect of event management.
* The first book to cover management of human resources in the event environment
* Links theory, research and application in event HRM in the context of both mega events and smaller scale events
* Considers HRM in each of the major event areas - business, sporting, arts & entertainment and public.

Fiesta: Branding and Identity of Festivals is a compilation of remarkable branding designs and campaigns for a variety of renowned festivals from around the world. The festivals examined span the worlds of music, cinema, design, gastronomy, culture, and art. These topics, and the freedom of creativity that come with them, allow to explore the limits of design, without the restraints that come with commercial projects. The identity and communication campaign strategies deployed by festivals encompass an endless array of design techniques, from graphic elements such as logos, posters, web pages, advertisements, mobile apps, tickets, and wristbands to collectible items like T- shirts, bags, and cups. This volume will inspire and serve as a useful tool for graphic designers and branding agencies that seek to handle challenging and wide-ranging festival projects with the highest degree of creativity and imagination, as well as for festival organizers and anyone interested in visual culture in general and eager to learn about new trends. The events featured show that the success of a festival has a close connection to its tailor- made branding and design and that no matter what the subject of the festival is, it is essential to have a coherent identity strategy.

Philip Astley first pegged out his circular 'ride' on the banks of the Thames in 1768 and so laid down the foundations of the modern circus. Performing feats of trick riding with his wife Patty Jones, little did he realise that before long women would become a dominant force in the circus. Sawdust Sisterhood explores how the circus empowered women and gave them the opportunity to compete and succeed as performers in their own right in an otherwise masculine world. Drawing upon historical news reports and contemporary interviews, the book explores the lives of female circus performers and focuses upon several of the more well-known artistes from across two centuries of circus, including; Madame Saqui, the renowned French wire-walker of the early nineteenth century; Nellie Chapman, the Victorian 'Lion Queen' of Wombwells's Menagerie and Circus; and Katie Brumbach, otherwise known as Sandwina, perhaps the most famous Strongwoman of the twentieth century. Sawdust Sisterhood acknowledges the role of the female circus performer across the centuries.

70 of the best rope tricks ever devised using overhand knots, slip knots and square knots. Dissolve knots, cut and restore ropes, make ropes magically shrink or grow longer, rope escape tricks, flourish knots. 423 illustrations and clear, easy-to-follow directions make performing these startling feats foolproof.

Finally, here's how to do all those showy tricks and flourishes that card players are dying to know: how to send a deck cascading from one hand to the other. How to snap open two flawless fans. How to cut a deck with one hand. Choose four aces seemingly at random. Flick a card accurately across the room.
The clearest, easiest-to-follow book of step-by-step directions, "The Amazing Book of Cards" will show anyone how to do 52 amazing things with a deck of cards. Written by Joshua Jay, the award-winning close-up magician and card-obsessed author of "Magic: The Complete Course," "The Amazing Book of Cards" combines friendly, concise text and full-color photos with a full-length DVD that teaches the lessons and shows the subtleties of performance. Here are simple, killer tricks, like "Presto Prediction," which performs the impossible task of knowing someone's choice before she even makes it. Nine different shuffles, including the Faro Shuffle, the one most often used by pros, which helps you perfectly weave a split deck together in seconds. How to perform fans, flips, and flourishes, including Ribbon Spread & Flip and Catch-a-Deck. Tricks you can't lose go ahead, take the bet to throw a card in a hat. How to memorize a deck in less than ten seconds, how to put a deck of cards into a glass bottle, build a card castle, and more. Filling out this labor of love is a whole world of card trivia, including the origins of Kings: King of Spades is modeled after King David, the King of Diamonds is Julius Caesar, Hearts is Charlemagne, and Clubs, Alexander the Great.

"

Make an eggshell turn a somersault, spin a coin so that it lands on "heads," teach a bear to climb a string, and perform other acts of scientific wizardry Martin Gardner, the master of mathematical puzzles, shares more than 80 of his finest magic tricks, teaching children and adults the scientific properties behind water, air, fire, heat, motion, gravity, inertia, friction, electricity, magnetism, sound, and light.
Fun and fascinating, the simple maneuvers require only basic everyday props, and those requiring matches, knives, boiling water, and other tricky items are marked with a symbol that lets kids know they'll need assistance from an adult. Helpful drawings illustrate each stunt.

The Cambridge Companion to the Circus provides a complete guide for students, scholars, teachers, researchers, and practitioners who are seeking perspectives on the foundations and evolution of the modern circus, the contemporary extent of circus studies, and the specialised literature available to support further enquiries. The volume brings together an international group of established and emerging scholars working across the multi-disciplinary domain of circus studies to present a clear overview of the specialised histories, aesthetics and distinctive performances of the modern circus. In sixteen commissioned essays, it covers the origins in commercial equestrian performance during the late-eighteenth century to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.

The Cambridge Companion to the Circus provides a complete guide for students, scholars, teachers, researchers, and practitioners who are seeking perspectives on the foundations and evolution of the modern circus, the contemporary extent of circus studies, and the specialised literature available to support further enquiries. The volume brings together an international group of established and emerging scholars working across the multi-disciplinary domain of circus studies to present a clear overview of the specialised histories, aesthetics and distinctive performances of the modern circus. In sixteen commissioned essays, it covers the origins in commercial equestrian performance during the late-eighteenth century to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.

India's association with magicians goes back thousands of years. Conjurors and illusionists dazzled the courts of Hindu maharajas and Mughal emperors. As British dominion spread over the subcontinent, such wonder-workers became synonymous with India. Western magicians appropriated Indian attire, tricks and stage names; switching their turbans for top hats, Indian jugglers fought back and earned their grudging respect. This book tells the extraordinary story of how Indian magic descended from the realm of the gods to become part of daily ritual and popular entertainment across the globe. Recounting tales of levitating Brahmins, resurrections, prophesying monkeys and 'the most famous trick never performed', Empire of Enchantment vividly charts Indian magic's epic journey from street to the stage.

The ultimate book of magic for kids from a world-famous magician, complete with photographs for easy to follow instructions. From one of the world's premier practitioners of classic magic, with years of experience instructing younger readers in the magical arts, comes this new revision of his complete guide to learning and performing fantastic feats of prestidigitation. Acclaimed by the Los Angeles Times as "the text that young magicians swear by," it's full of step-by-step instructions. More than 2,000 illustrations provide the know-how behind 300 techniques, from basic card tricks to advanced levitation, along with advice on planning and staging a professional-quality magic show.

Famed puzzle expert explains math behind a multitude of mystifying tricks: card tricks, stage "mind reading," coin and match tricks, counting out games, geometric dissections, etc. Probability, sets, theory of numbers clearly explained. Also, more than 400 tricks, guaranteed to work, that you can do. 135 illustrations.

Wondrous Brutal Fictions presents eight seminal works from the seventeenth-century Japanese sekkyo and ko-joruri puppet theaters, many translated into English for the first time. Both poignant and disturbing, they range from stories of cruelty and brutality to tales of love, charity, and outstanding filial devotion, representing the best of early Edo-period literary and performance traditions and acting as important precursors to the Bunraku and Kabuki styles of theater. As works of Buddhist fiction, these texts relate the histories and miracles of particular buddhas, bodhisattvas, and local deities. Many of their protagonists are cultural icons, recognizable through their representation in later works of Japanese drama, fiction, and film. The collection includes such sekkyo "sermon-ballad" classics as Sansho Dayu, Karukaya, and Oguri, as well as the "old joruri" plays Goo-no-hime and Amida's Riven Breast. R. Keller Kimbrough provides a critical introduction to these vibrant performance genres, emphasizing the role of seventeenth-century publishing in their spread. He also details six major sekkyo chanters and their playbooks, filling a crucial scholarly gap in early Edo-period theater. More than fifty reproductions of mostly seventeenth-century woodblock illustrations offer rich, visual foundations for the critical introduction and translated tales. Ideal for students and scholars of medieval and early modern Japanese literature, theater, and Buddhism, this collection provides an unprecedented encounter with popular Buddhist drama and its far-reaching impact on literature and culture.

Easy-to-master crowd-pleasing tricks, require a deck of cards and offer beginners experience in handling an audience. Instructions.

For eight centuries the City of London has hosted one of the world's greatest public parades, as the newly elected Lord Mayor embarks on a procession through the heart of the City to the edge of Westminster, culminating in an oath of allegiance to the representatives of the Crown. This ancient tradition has become one of the most eagerly anticipated events in the London calendar, combining pageantry with carnivaleseque levity in a distinctly English blend of grandeur and irreverence. This book brings together a host of experts to provide a portrait of the Show across all periods and from a variety of different perspectives. The landmark locations such as the Guildhall and St Paul's, the regiments and livery companies with a proud history of participation in the Show, the Lord Mayor himself (more recently, herself) and his coach, barge, robes and banquet - all are here, as well as some of the fascinating ways in which the Show has been represented, from the paintings of Canaletto and the cartoons of George Cruikshank to the films of Alfred Hitchcock. This collectionof essays, beautifully illustrated with archive and newly commissioned photography, presents an engagingly kaleidoscopic vision of one of the nation's best-loved annual events.

The pompa circensis, the procession which preceded the chariot races in the arena, was both a prominent political pageant and a hallowed religious ritual. Traversing a landscape of memory, the procession wove together spaces and institutions, monuments and performers, gods and humans into an image of the city, whose contours shifted as Rome changed. In the late Republic, the parade produced an image of Rome as the senate and the people with their gods - a deeply traditional symbol of the city which was transformed during the empire when an imperial image was built on top of the republican one. In late antiquity, the procession fashioned a multiplicity of Romes: imperial, traditional, and Christian. In this book, Jacob A. Latham explores the webs of symbolic meanings in the play between performance and itinerary, tracing the transformations of the circus procession from the late Republic to late antiquity.

Rodeo is a dangerous and painful performance in which only the strongest and most skilled riders succeed. In the popular imagination, the western rodeo hero is often a stoic white man who embodies the toughness and independence of America's frontier past. However, marginalized people have starred in rodeos since the very beginning. Cast out of popular western mythology and pushed to the fringes in everyday life, these cowboys and cowgirls found belonging and meaning at the rodeo, staking a claim to national inclusion. Outriders explores the histories of rodeoers at the margins of society, from female bronc-riders in the 1910s and 1920s and convict cowboys in Texas in the mid-twentieth century to all-black rodeos in the 1960s and 1970s and gay rodeoers in the late twentieth century. These rodeo riders not only widened the definition of the real American cowboy but also, at times, reinforced the persistent and exclusionary myth of an idealized western identity. In this nuanced study, Rebecca Scofield shares how these outsider communities courted authenticity as they put their lives on the line to connect with an imagined American West.

While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events. In taking seriously minor European and North-American LGBTQ festivals which often only exist as traces within archival collections, this book revisits festival studies' methodological and theoretical apparatuses. As the first 'critique' of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral. The book is organized around two concepts: First, 'critical festival studies' examines the political project and disciplinary assumptions that structure festival research. Second, 'the festival as a method' pays attention to festivals' role as producers of knowledge: it argues that festivals are not mere objects of research but also actors already shaping academic, industrial, and popular cinematic knowledge. Drawing on the author's experience on the festival circuit, this book pays homage to the labour of queer organizers, critics, and scholars and opens up new avenues for festival research.