Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

This shade mimics the English Lavender of childhood memories. It’s fresh and can offset a piece beautifully or be reminiscent of Provence springs and shabby-chic interiors.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

A standard urban tone that captures the grey of smoke perfectly and is reminiscent of stylish design houses on the banks of the river Thames.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

This is a warmer and more inviting white than most modern whites. It’s been used in Britain for centuries especially for decorative friezes.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

This colour colour mimics the variety of hues of light blue on the walls of Capetown. Its fairly subtle but it’s brightness and vibrancy comes through even without the South African sun. It also is an absolute favourite of Jackson’s in-house photographer.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

A non-dominating gorgeous base shade. It’s a warm, neutral colour that can be used with a variety of styles whether you’re pursuing classical, Eighteenth century or a modern take on Art Deco.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Roberson Liquid Metals have a rich deep colour and are ideal for a range of applications and surfaces. All colours are intermixable and can be used on surfaces such as plaster, wood, paper & canvas. The paint gives the appearance of metal but will not tarnish and is not required to be varnished.

Roberson Liquid Metals are creamy acrylic colours that can be used on most surfaces including plaster, wood, paper & canvas. The rich, deep colour gives the appearance of metal but it will not tarnish and is not required to be varnished.

The 24 colour range includes 13 shades of gold, brass and bronze; eight shades of silver, pewter and platinum; a steel, a graphite and an interference, glittery colour (called Twinkle).
All colours are intermixable with each other and other acrylic paints. When mixed they add both their colour and their sparkle to other acrylic paints.

The colours are all transparent but in thicker applications they can cover quite well. The paints can be thinned with water and as the paint becomes more transparent the metallic shimmer is still visible. Clean up is with soap and water. If you intend to paint large things, the pots list the paint’s coverage as: 7 square metres per litre

Speciality Colours
Two of the 24 colour range are slightly different to the rest and have slightly different prices:

Twinkle: This variation of liquid metals produces colour changing effects with a hint of glitter. The use of different backgrounds will change the effects, for example dark backgrounds will show the glitter properties whereas light backgrounds provide a colour changing effect dependant on angle of view. It can be added to other colours to create a range of interesting effects.

Solid Silver: This variation of Liquid Metals differs from other silver shades within the range as it contains aluminium particles – this makes the liquid metal more opaque to provide excellent coverage.

Quality:

Transparent, intense and very bright colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief.

Colour mixability:

Colours can be mixed together.

Drying:

Tack-free in one hour, fully dry in 8 hours if led in thin coats.

Surfaces:

Glass, polyester, acetate ..

Thinner:

Odourless mineral spirit or white spirit.

Opacity:

Transparent and opaque colours

Finish:

Brilliant.

Pébéo's Vitrail is applied with a brush to all carefully degreased transparent surfaces : glass, acetate, polyester, plexiglas.

Quality:

Transparent, intense and very bright colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief.

Colour mixability:

Colours can be mixed together.

Drying:

Tack-free in one hour, fully dry in 8 hours if led in thin coats.

Surfaces:

Glass, polyester, acetate ..

Thinner:

Odourless mineral spirit or white spirit.

Opacity:

Transparent and opaque colours

Finish:

Brilliant.

Pébéo's Vitrail is applied with a brush to all carefully degreased transparent surfaces : glass, acetate, polyester, plexiglas.

Quality:

Transparent, intense and very bright colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief.

Colour mixability:

Colours can be mixed together.

Drying:

Tack-free in one hour, fully dry in 8 hours if led in thin coats.

Surfaces:

Glass, polyester, acetate ..

Thinner:

Odourless mineral spirit or white spirit.

Opacity:

Transparent and opaque colours

Finish:

Brilliant.

Pébéo's Vitrail is applied with a brush to all carefully degreased transparent surfaces : glass, acetate, polyester, plexiglas.

Product Usage: • Objects decorated with Vitrail colours should not be considered for practical usage and are intended for decorative purposes only. Furthermore only surfaces not destined to be put in contact with food should be decorated. • Keep out of reach of children. If swallowed seek prompt medical attention and present the packaging or label.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Teddy Junior Acrylic Pearlescent paint is specifically formulated for kids.

Teddy Junior Acrylic Pearlescent paint is specifically formulated for kids.

Dala Neon Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Colours are intense and dry to a satin sheen finish.

Dala Neon Acrylic paint has a wonderful, thick, creamy consistency that is lightfast, and value for money. Colours are intense and dry to a satin sheen finish.

Dala Glass Glaze is a water-based, transparent colour product (that can be made opaque by applying many layers) with a low viscosity that is ideal for working on smooth surfaces like glass, perspex or acetate.

The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.

Dala Glass Glaze is a water-based, transparent colour product (that can be made opaque by applying many layers) with a low viscosity that is ideal for working on smooth surfaces like glass, perspex or acetate.

The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.