When Roy Fisher told Gael Turnbull in 1960 that he had 'started writing like mad' and produced 'a sententious prose book, about the length of a short novel, called the Citizen' he was registering a sea change in his work, finding a mode to express his almost visceral connection with Birmingham in a way that drew on his sensibility and a wealth of materials that could last a lifetime. Much later in his career he would say that 'Birmingham is what I think with.' This 'melange of evocation, maundering, imagining, fiction and autobiography,' as he called it, was written 'so as to be able to have a look at myself & see what I think.' All that was known of this work before Fisher's death in 2017 is that fragments from it had been used as the prose sections in City and that - never otherwise published - it was thought not to have survived. This proved not to be the case, and in The Citizen and the Making of City, Peter Robinson, the poet's literary executor, has edited the breakthrough fragment and placed it in conjunction with the first 1961 published version of Fisher's signature collage of poetry and prose, along with a never published longer manuscript of it found among the poet's archive at the University of Sheffield, and some previously unpublished poems that were considered for inclusion during the complex evolution of the work that Robinson tracks in his introduction. By offering in a single publication the definitive 1969 text, two variant versions of City, its prose origins in The Citizen and continuation in Then Hallucinations, as well as some of the poetry left behind, this landmark publication offers a unique insight into Roy Fisher's most emblematic work. It is supplemented with an anthology of Fisher's own comments on City and a secondary bibliography of criticism on his profound response to changes wrought upon England's industrial cities in the middle of the 20th century.

HarperCollins is proud to present its incredible range of best-loved, essential classics. 'In black ink my love may still shine bright...' Universally admired and quoted, Shakespeare's Sonnets have love, beauty and the passing of time at their heart. Featuring some of the best-known and best-loved lines in the history of poetry ('Shall I compare thee to a summer's day?', 'Love is not love which alters when it alteration finds'), these evocative sonnets explore passion, the fleeting nature of beauty and the essence of true and everlasting love. Enticing lovers and scholars alike, these 154 beautiful and sensual sonnets are as relevant and important today as when they were written 400 years ago.

The Libro de Alexandre is an epic poem about the life of Alexander the Great, written by an anonymous Spanish cleric in the thirteenth century. It is the most substantial poem (and almost certainly the first) composed in the learned cuaderna via verse form and provides a unique insight into the intellectual world from which it sprang. The poem conveys the grim message of Alexander's life, the sense of hubris and the horror of his fall from greatness and domination of the world to the bleak obscurity of the grave. As well as relaying the story of a great ancient figure, the poet also comments on the society and political situation of early thirteenth-century Spain. The combination of eras makes this poem strikingly representative of its time. Peter Such and Richard Rabone's edition in the Hispanic Classics series will greatly illuminate this substantial and important text, with a wide-ranging introduction, Spanish text with facing-page English translation and notes.

Jeremy Naydler has worked as a gardener for many years, serving his apprenticeship in York in the 1970s and subsequently working in various gardens in the leafy Victorian suburbs of north Oxford. The poems gathered together in this volume stem from his experience of gardening as a labour that 'seems ever to bend itself back toward soul'. For him, all gardening is soul work, and these poems live at the interface of soul and garden, where inner experience finds itself reflected in outer reality, and where outer reality speaks of deep, often deeply challenging, inner experience. Ultimately, the work of the gardener involves not only ensouling the garden but also gardening the soul.

This book brings together a number of John Schad's very best uncollected essays, interleaved with a selection of autobiographical poems and a striking new work that brings together both critical and creative modes of writing. Turns thus plots the intriguing trajectory of Schad's very distinctive work over the last twenty years -- a trajectory that moves from a series of essays that juggle Christian, Marxist and Derridean intuitions, through a radically literary engagement with Deconstruction, to a daringly critical-creative mode of writing. In this exciting new field, as in the more established world of literature and religion, Schad is an idiosyncratic and sometimes audacious pioneer. The book is to be published simultaneously in hardback and paperback to accommodate adoption on critical-creative courses at both undergraduate and postgraduate levels.

What really counts in this life? For the writer, Alexander McCall Smith, it is friendship and love - themes that crop up time and again in his novels. And it is these themes that he explores in this collection of poems. In this book, divided into nine sections, the author takes you on a journey across the globe from Africa to Greece, London to Mumbai, and back home to Edinburgh. In a Time of Distance is a captivating celebration of place and people, but also of animals and books. Looking at the world through the lens of this writer it is a better, more humane place. Throughout these poems there are moments of swoop and soar, descriptions that will make you laugh and realign your view. In this collection, Alexander McCall Smith reminds us to look at the world differently, to stop once in while and look up at the sky.

"These new poems . . . deliver the typical Tate-esque trope de grace to all sanctimonious poses and stodgy cogitation, all verdigris-encrusted mental statuary".--Carolyne Wright, Harvard Review. Winner of the 1994 National Book Award.

Rachel Long's much-anticipated debut collection of poems, My Darling from the Lions, explores shame, love and healing through her intimate poetic voice. Shortlisted for the Rathbones Folio Prize Shortlisted for the Costa Poetry Award Shortlisted for the Forward Prize for Best First Collection Shortlisted for the Jhalak Prize 'An enchanting and heartwarming new voice in poetry.' - Bernardine Evaristo, author of Girl, Woman, Other Each poem has a vivid story to tell - of family quirks, the perils of dating, the grip of religion or sexual awakening - stories that are, by turn, emotionally insightful, politically conscious, wise, funny and outrageous. Long reveals herself as a razor-sharp and original voice on the issues of sexual politics and cultural inheritance that polarize our current moment. But it's her refreshing commitment to the power of the individual poem that will leave the reader turning each page in eager anticipation: here is an immediate, wide-awake poetry that entertains royally, without sacrificing a note of its urgency or remarkable skill. 'This debut collection is the modern poetry we need to read right now' - Stylist 'Beautiful. I'm so glad it was written.' - Hollie McNish, author of Nobody Told Me

'And just like that, like a simple neighbourhood event, a miracle is taking place.' 'If I have any secret stash of poems, anywhere, it might be about love, not anger,' Mary Oliver once said in an interview. Finally, in Felicity, we can immerse ourselves in Oliver's love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes - with joy - the strangeness and wonder of human connection.

Margaret Tait (1918-1999) was a pioneering filmmaker for whom words and images made the world real. In 'documentary', she wrote, real things 'lose their reality ...and there's no poetry in that. In poetry, something else happens.' If film, for Tait, was a poetic medium, her poems are works of craft and observation that are generous and independent in their vision of the world, poems that make seeing happen. Sarah Neely, Lecturer in Film at the University of Stirling, draws on Tait's three poetry collections, her book of short stories,her magazine articles and unpublished notebooks to make available for the first time a collection of the full range of Tait's writing. Her introduction discusses Tait as filmmaker and writer in the context of mid-twentieth-century Scottish culture, and a comprehensive list of bibliographic and film resources provides an indispensible guide for further exploration.

New Selected Poems contains Les Murray's gathering from the full range of his poetry, from poems of the 1960s to work from Taller When Prone (2004) and new poems yet to appear in a collection. Les Murray is one of the finest poets writing today; endlessly inventive, his work celebrates the world and the power of the imagination. New Selected Poems is the poet's choice of his essential works: an indispensable collection for readers who already love his poetry, and an ideal introduction for those new to it.

Kevin Jackson's versions (rather than literal translations) of the sonnet sequence written in exile between 1824 and 1829 by Poland's greatest poet, Adam Mickiewicz, are both urgent and memorable. The originals are poems of intense patriotism and nostalgia; Jackson's versions capture this and much more, including what he terms in his new companion essay, 'Mickiewicz's aching sense of loneliness and loss'. Jackson wrote in his introduction to Anthony Burgess's 'Revolutionary Sonnets' that 'pleasures both demotic and recondite abound in the pages': the same might be applied to this striking sequence. In the spirit of Robert Lowell's 'Imitations' he deliberately plays fast and loose with the literal sense of the poems, memorably revivifying diction and tone. In so doing, he shows himself to be an unassuming and masterful guide and host to Mickiewicz's original works.

Layamon's Brut is a landmark in English literature, the first major work in English after the Norman Conquest, and the precursor of a rich Arthurian literature, from Malory to Tennyson and on to our own time. This edition combines a fully-edited version of the original text with a close parallel prose translation, together with a lengthy Introduction, textual notes and a full and up-to-date bibliography. Written c.1200-1220, the Brut develops the themes of its principal source, Robert Wace's Roman de Brut, itself a version of Geoffrey of Monmouth's bestseller, the Historia Regum Britanniae, in a metre and idiom reminiscent of Old English. It demonstrates the fundamental strength of a native culture which survived two centuries of French dominance to re-emerge as a fusion of a national tradition and continental influences.

In this collection, winner of the 1990 Pulitzer Prize, Charles Simic puns, pulls pranks. He can be jazzy and streetwise. Or cloak himself in antiquity. Simic has new eyes, and in these wonderful poems and poems-in-prose he lets the reader see through them.