Allegiance in Church and State (1928) examines the evolution of ideas and ideals, their relation to political and economic events, and their influence on friends and foes in seventeenth-century England - which witnessed the beginning of both the constitutional and the intellectual transition from the old order to the new. It takes a careful look at the religious and particularly political ideas of the Nonjurors, a sect that argued for the moral foundations of a State and the sacredness of moral obligations in public life.

Leveller Manifestoes (1944) is a collection of primary manifestoes issued by the Levellers, the group which played an active and influential role in the English revolution of 1642-49. This book collects together rare pamphlets and tracts that are seldom available, and certainly not in one place for ease of research.

In AN ABOLITIONIST'S HANDBOOK, Cullors charts a framework for how everyday activists can effectively fight for an abolitionist present and future. Filled with relatable pedagogy on the history of abolition, a reimagining of what reparations look like for Black lives and real-life anecdotes from Cullors AN ABOLITIONIST'S HANDBOOK offers a bold, innovative, and humanistic approach to how to be a modern-day abolitionist. Cullors asks us to lead with love, fierce compassion, and precision. In AN ABOLITIONIST'S HANDBOOK readers will learn how to: - have courageous conversations - move away from reaction and towards response - take care of oneself while fighting for others - turn inter-community conflict into a transformative action - expand one's imagination, think creatively, and find the courage to experiment - make justice joyful - practice active forgiveness - make space for difficult feelings and honor mental health - practice non-harm and cultivate compassion - organize local and national governments to work towards abolition - move away from cancel culture AN ABOLITIONIST'S HANDBOOK is for those who are looking to reimagine a world where communities are treated with dignity, care and respect. It gives us permission to move away from cancel culture and into visioning change and healing.

Read the fascinating story of one of the greatest unsung figures of the nature conservation movement, founder of the RSPB and icon of early animal rights activism, Etta Lemon. A heroine for our times, Etta Lemon campaigned for fifty years against the worldwide slaughter of birds for extravagantly feathered hats. Her legacy is the RSPB, grown from an all-female pressure group of 1889 with the splendidly simple pledge: Wear No Feathers. Etta's long battle against 'murderous millinery' triumphed with the Plumage Act of 1921 - but her legacy has been eclipsed by the more glamorous campaign for the vote, led by the elegantly plumed Emmeline Pankhurst. This gripping narrative explores two formidable heroines and their rival, overlapping campaigns. Moving from the feather workers' slums to high society, from the first female political rally to the rise of the eco-feminist, it restores Etta Lemon to her rightful place in history - the extraordinary woman who saved the birds. ETTA LEMON was originally published in hardback in 2018 under the title of MRS PANKHURST'S PURPLE FEATHER. 'A great story of pioneering conservation.' KATE HUMBLE 'Quite brilliant. Meticulous and perceptive. A triumph of a book.' CHARLIE ELDER 'Shocking and entertaining. The surprising story of the campaigning women who changed Britain." VIRGINIA NICHOLSON 'A fascinating and moving story, vividly told.' JOHN CAREY 'A fascinating clash of two causes: rights for women and rights for birds to fly free not adorn suffragettes' hats. An illuminating story, provocative, well-researched and brilliantly told.' DIANA SOUHAMI

The Revolt of African Slaves in Iraq in the III/IX Century is the only full-length study on the revolt o f the Zanj. Scholars of slavery, the African diaspora and th e Middle East have lauded Popovic''s work. '

In international humanitarian law (IHL), the principle of distinction delineates the difference between the civilian and the combatant, and it safeguards the former from being intentionally targeted in armed conflicts. This monograph explores the way in which the idea of distinction circulates within, and beyond, IHL. Taking a bottom-up approach, the multi-sited study follows distinction across three realms: the kinetic realm, where distinction is in motion in South Sudan; the pedagogical realm, where distinction is taught in civil-military training spaces in Europe; and the intellectual realm, where distinction is formulated and adjudicated in Geneva and the Hague. Directing attention to international humanitarian actors, the book shows that these actors seize upon signifiers of 'civilianness' in everyday practice. To safeguard their civilian status, and to deflect any qualities of 'combatantness' that might affix to them, humanitarian actors strive to distinguish themselves from other international actors in their midst. The latter include peacekeepers working for the UN Mission in South Sudan (UNMISS), and soldiers who deploy with NATO missions. Crucially, some of the distinctions enacted cut along civilian-civilian lines, suggesting that humanitarian actors are longing for something more than civilian status - the 'civilian plus'. This special status presents a paradox: the appeal to the 'civilian plus' undermines general civilian protection, yet as the civilian ideal becomes increasingly beleaguered, a special civilian status appears ever more desirable. However disruptive these practices may be to the principle of distinction in IHL, the monograph emphasizes that even at the most normative level there is no bright line distinction to be found.

A brilliant awakening to our vast shared potential and creative energy for change, from the beloved social media curator Stephen Ellcock. Featuring 240 reproductions of art, photography and objects, selected from cultures through history and across the globe, as well as from living artists such as Zanele Muholi, Kara Walker, Carrie Mae Weems, Ellen Gallagher, Shirin Neshat and Gillian Wearing, this is an extraordinary collection of powerfully inspiring imagery on the nature of challenge and change. 'Perfect for our time.' Adrian Searle, Guardian 'In compiling The Book of Change my aim was to combine fragments of the visual culture of the past - drawing upon as many different traditions, geographical locations and eras as possible - with work by contemporary artists and photographers and illustrators, extracting inspiration from the raw material of the world to create a unique patchwork that attempts to reimagine existence. 'By reassembling, repurposing and repositioning fragments of the past and combining them with new visions and fresh ways of seeing, a collage of unfamiliar, unspoiled possibilities can emerge, exorcizing the ghosts of struggles, failures and traumas past, providing glimpses of a better world, of overgrown paths in the clearing, of potential routes out of crisis into a brighter, bolder future.' 'Itinerant image-scavenging art-fugitive Stephen Ellcock returns with a new book revealing that beneath his acerbic, feral and rarefied exterior lies a large, kind and generous heart. When you get right down to it, in life and art, love is the message, and The Book of Change brings forth the codes, keys and surreal visions leading to brighter days.' Simon Armstrong, Tate Modern 'Stephen Ellcock brightens our dark world.' Kara Walker, artist

Just days after September 11, 2001, Kenneth Feinberg was appointed to administer the federal 9/11 Victim Compensation Fund, a unique, unprecedented fund established by Congress to compensate families who lost a loved one on 9/11 and survivors who were physically injured in the attacks. Those who participated in the Fund were required to waive their right to sue the airlines involved in the attacks, as well as other potentially responsible entities. When the program was launched, many families criticized it as a brazen, tight-fisted attempt to protect the airlines from lawsuits. The Fund was also attacked as attempting to put insulting dollar values on the lives of lost loved ones. The families were in pain. And they were angry. Over the course of the next three years, Feinberg spent almost all of his time meeting with the families, convincing them of the generosity and compassion of the program, and calculating appropriate awards for each and every claim. The Fund proved to be a dramatic success with over 97% of eligible families participating. It also provided important lessons for Feinberg, who became the filter, the arbitrator, and the target of family suffering. Feinberg learned about the enduring power of family grief, love, fear, faith, frustration, and courage. Most importantly, he learned that no check, no matter how large, could make the families and victims of 9/11 whole again.

After 20 years of freedom in South Africa we have to ask ourselves difficult questions: are we willing to perpetuate a lie, search for facts or think wishfully? Freedom has been enabled by apartheid's end, but at the same time some of apartheid's key institutions and social relations are reproduced under the guise of 'democracy'. This collection of essays acknowledges the enormous expectations placed on the shoulders of the South African revolution to produce an alternative political regime in response to apartheid and global neo-liberalism. It does not lament the inability of South Africa's democracy to provide deeper freedoms, or suggest that since it hasn't this is some form of betrayal. Freedom is made possible and/or limited by local political choices, contemporary global conditions and the complexities of social change. This book explores the multiplicity of spaces within which the dynamics of social change unfold, and the complex ways in which power is produced and reproduced. In this way, it seeks to understand the often non-linear practices through which alternative possibilities emerge, the lengthy and often indirect ways in which new communities are imagined and new solidarities are built. In this sense, this book is not a collection of hope or despair. Nor is it a book that seeks to situate itself between these two poles. Instead it aims to read the present historically, critically and politically, and to offer insights into the ongoing, iterative and often messy struggles for freedom.

When Robert McBride was sentenced to death, he turned to the public gallery in court and said: ‘Freedom is just around the corner. I am leaving you at the corner – and you must take that corner to find freedom on the other side.’ As the guard moved in, he raised his fist and shouted: ‘The struggle continues till Babylon falls!’

It was 1987: the time of ‘total onslaught’. The trial of the MK unit that planted the Magoo's bomb on the Durban beachfront dominated the news but few knew the real facts of the brave young people who brought the armed struggle to KwaZulu-Natal.

This is the remarkable story of McBride and his comrades: the substation sabotage spree, rescuing a compatriot from hospital and smuggling him to Botswana, the devastating Why Not and Magoo's car bomb that killed three women, the dramatic trial and McBride’s 1 463 days on Death Row.

Now updated to include McBride’s controversial life after the end of apartheid, this is a thrilling tale of a young South African’s incredible courage, loyalty between friends and falling in love across the race barrier. Today, the struggle continues as McBride fights against corruption and state capture.