The end of the Cold War revitalised continental philosophy and, more particularly, interest in it from outside philosophy. "After Poststructuralism: Transitions and Transformations" analyses the main developments in continental philosophy between 1980-1995, a time of great upheaval and profound social change. The volume ranges across the birth of postmodernism, the differing traditions of France, Germany and Italy, third generation critical theory, radical democracy, postcolonial philosophy, the turn to ethics, feminist philosophies, the increasing engagement with religion, and the rise of performativity and post-analytic philosophy. Analyses of the major figures are integrated within the discussion. After Poststructuralism reveals how continental philosophy - fuelled by an intense ethical and political desire to reflect changing social and political conditions - responded to the changing world and to the key issues of the time, notably globalisation, technology and ethnicity.

Philosophy in the middle of the 20th Century, between 1920 and 1968, responded to the cataclysmic events of the time. Thinkers on the Right turned to authoritarian forms of nationalism in search of stable forms of collective identity, will, and purpose. Thinkers on the Left promoted egalitarian forms of humanism under the banner of international communism. Others saw these opposed tendencies as converging in the extinction of the individual and sought to retrieve the ideals of the Enlightenment in ways that critically acknowledged the contradictions of a liberal democracy racked by class, cultural, and racial conflict. Key figures and movements discussed in this volume include Schmitt, Adorno and the Frankfurt School, Arendt, Benjamin, Bataille, French Marxism, Black Existentialism, Saussure and Structuralism, Levi Strauss, Lacan and Late Pragmatism. These individuals and schools of thought responded to this 'modernity crisis' in different ways, but largely focused on what they perceived to be liberal democracy's betrayal of its own rationalist ideals of freedom, equality, and fraternity.

"Ten times, an elderly grey-haired man gets up on the stage. Ten times puffing and sighing. Ten times slowly tracing out strange multi-coloured arabesques that interweave, curling with the meanders of his speech, by turns fluid and uneasy. A whole crowd looks on, transfixed by this enigma-made-man, absorbing the ipse dixit and anticipating some illumination that is taking its time to appear. Non lucet. It's shady in here, and the Theodores go hunting for their matches. Still, they say, cuicumque in sua arte perito credendum est, whosoever is expert in his art is to be lent credence. At what point is a person mad? The master himself poses the question. That was back in the day. Those were the mysteries of Paris forty years hence. A Dante clasping Virgil's hand to be led through the circles of the Inferno, Lacan took the hand of James Joyce, the unreadable Irishman, and, in the wake of this slender Commander of the Faithless, made with heavy and faltering step onto the incandescent zone where symptomatic women and ravaging men burn and writhe. An equivocal troupe was in the struggling audience: his son-in-law; a dishevelled writer, young and just as unreadable back then; two dialoguing mathematicians; and a professor from Lyon vouching for the seriousness of the whole affair. A discreet Pasiphae was being put to work backstage. Smirk then, my good fellows! Be my guest. Make fun of it all! That's what our comic illusion is for. That way, you shall know nothing of what is happening right before your very eyes: the most carefully considered, the most lucid, and the most intrepid calling into question of the art that Freud invented, better known under its pseudonym: psychoanalysis." --Jacques-Alain Miller

Badiou's Deleuze presents the first thorough analysis of one of the most significant encounters in contemporary thought: Alain Badiou's summary interpretation and rejection of the philosophy of Gilles Deleuze. Badiou's reading of Deleuze is largely laid out in his provocative book, Deleuze: The Clamor of Being, a highly influential work of considerable power. Badiou's Deleuze presents a detailed examination of Badiou's reading and argues that, whilst it fails to do justice to the Deleuzean project, it invites us to reconsider what Deleuze's philosophy amounts to, to reassess Deleuze's power to address the ultimate concerns of philosophy. Badiou's Deleuze analyses the differing metaphysics of two of the most influential of recent continental philosophers, whose divergent views have helped to shape much contemporary thought.

Foucault's Law is the first book in almost fifteen years to address the question of Foucault's position on law. Many readings of Foucault's conception of law start from the proposition that he failed to consider the role of law in modernity, or indeed that he deliberately marginalized it. In canvassing a wealth of primary and secondary sources, Ben Golder and Peter Fitzpatrick rebut this argument. They argue that rather than marginalize law, Foucault develops a much more radical, nuanced and coherent theory of law than his critics have acknowledged. For Golder and Fitzpatrick, Foucault's law is not the contained creature of conventional accounts, but is uncontainable and illimitable. In their radical re-reading of Foucault, they show how Foucault outlines a concept of law which is not tied to any given form or subordinated to a particular source of power, but is critically oriented towards alterity, new possibilities and different ways of being. Foucault's Law is an important and original contribution to the ongoing debate on Foucault and law, engaging not only with Foucault's diverse writings on law and legal theory, but also with the extensive interpretive literature on the topic. It will thus be of interest to students and scholars working in the fields of law and social theory, legal theory and law and philosophy, as well as to students of Foucault's work generally.

Claude Levi-Strauss and the style of thinking known as 'structuralism, ' with which his work is conventionally associated, is widely recognized as having made a seminal contribution to the discipline of anthropology. More generally, his writings register the turn to language in social theory in the 1960s, and are marked by the influence of Kant, Rousseau, Saussurian linguistics, Marx and Freud. In turn, Levi-Strauss is recognized as having been a key influence on thinkers such as Althusser, Lacan, Foucault and Derrida. This volume seeks to address a key gap in the burgeoning secondary literature about Levi-Strauss: his importance to the study of religions. This volume pays particular attention to Levi-Strauss' writings on totemism, myth and "la pensee sauvage," situating these writings both in terms of previous theories of religion and in terms of the wider influences that informed his work. This volume provides an accessible and comprehensive overview of Levi-Strauss' life and work, the thinkers and theories that informed his writings, and his contribution to the study of religions.

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of �postmodernism�. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high� art to “low� from market ideology to architecture, from painting to “punk� film, from video art to literature.  

Monika Kaup pairs post-apocalyptic novels by Margaret Atwood, Jose Saramago, Octavia Butler and Cormac McCarthy with new realist theories from Bruno Latour, Humberto Maturana, Francisco Varela, Markus Gabriel, Jean-Luc Marion and Alphonso Lingis. She shows that, just as new realist theory can illuminate post-apocalyptic literature, post-apocalyptic literature can illuminate new theories of the real. Kaup showcases a context-based concept of the real. She argues that new realisms of complex and embedded wholes, actor-networks and ecologies - not the old realisms of isolated parts and things - represent the most promising escape from the impasses of constructivism and positivism.

Understanding Poststructuralism presents a lucid guide to some of the most exciting and controversial ideas in contemporary thought. This is the first introduction to poststructuralism through its major theorists - Derrida, Deleuze, Foucault, Lyotard, Kristeva - and their central texts. Each chapter takes the reader through a key text, providing detailed summaries of the main points of each and a critical and detailed analysis of their central arguments. Ideas are clearly explained in terms of their value to both critical thinking and to contemporary issues. Criticisms of poststructuralism are also assessed. The aim throughout is to illuminate the main methods of poststructuralism - deconstruction, libidinal economics, genealogy and transcendental empiricism - in context. A balanced and up-to-date assessment of poststructuralism, the book presents the ideal introduction to this most revolutionary of philosophies.

Understanding Poststructuralism presents a lucid guide to some of the most exciting and controversial ideas in contemporary thought. This is the first introduction to poststructuralism through its major theorists - Derrida, Deleuze, Foucault, Lyotard, Kristeva - and their central texts. Each chapter takes the reader through a key text, providing detailed summaries of the main points of each and a critical and detailed analysis of their central arguments. Ideas are clearly explained in terms of their value to both critical thinking and to contemporary issues. Criticisms of poststructuralism are also assessed. The aim throughout is to illuminate the main methods of poststructuralism - deconstruction, libidinal economics, genealogy and transcendental empiricism - in context. A balanced and up-to-date assessment of poststructuralism, the book presents the ideal introduction to this most revolutionary of philosophies.

The concept of biopolitics has been one of the most important and widely used in recent years in disciplines across the humanities and social sciences. In Biopolitics, Mills provides a wide-ranging and insightful introduction to the field of biopolitical studies. The first part of the book provides a much-needed philosophical introduction to key theoretical approaches to the concept in contemporary usage. This includes discussions of the work of Michel Foucault, Giorgio Agamben, Hannah Arendt, Roberto Esposito, and Antonio Negri. In the second part of the book, Mills discusses various topics across the categories of politics, life and subjectivity. These include questions of sovereignty and governmentality, violence, rights, technology, reproduction, race, and sexual difference. This book will be an indispensable guide for those wishing to gain an understanding of the central theories and issues in biopolitical studies. For those already working with the concept of biopolitics, it provides challenging and provocative insights and argues for a ground-breaking reorientation of the field.

In Meaning and Structure, Peregrin argues that recent and contemporary (post)analytic philosophy, as developed by Quine, Davidson, Sellars and their followers, is largely structuralistic in the very sense in which structuralism was originally tabled by Ferdinand de Saussure. The author reconstructs de Saussure's view of language, linking it to modern formal logic and mathematics, and reveals close analogies between its constitutive principles and the principles informing the holistic and neopragmatistic view of language put forward by Quine and his followers. Peregrin also indicates how this view of language can be made compatible with what is usually called 'formal semantics'. Drawing on both the Saussurean tradition and recent developments in analytic philosophy of language, this book offers a unique study of the ways in which the concept of meaning can be seen as consisting in the concept of structure.

Crisis dominates the present historical moment. The economy is in crisis, politics in both its past and present forms is in crisis and our own individual lives are in crisis, made vulnerable by the fluctuations of the labor market and by the undoing of social and political ties we inherited from modernity. Yet, traditional views of crises as just temporary setbacks do not seem to hold any longer; this crisis seems permanent, with no way out and no alternatives on the horizon. Reconstructing a political genealogy of the term from the Greek world to today's neoliberalism, this book demonstrates that crisis, understood as a "choice" between revolution and conservation, is a peculiarity of the modern era that does not apply to the present day. However, since its origin, the trope of crisis has proven to be one of the most effective instruments of social discipline and administration. The analytical trajectory followed by this book - which spans from Plato to Hayek, from the juridical and medical science of antiquity to the current technocracy, passing through the "weapons of criticism" of Marx and Gramsci - finally identifies, following Benjamin and Foucault, precariousness as the "form of life" that characterizes crisis understood as an art of government. But we still need to answer the question: "How can we recreate the possibility of political alternatives?"

Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the twenty-first century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the school's history and reading its work in unexpected ways, these essays provide ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Loewenthal, and Kracauer in our troubled times. Without forcing a unified argument, they range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin's ruminations on stamp collecting to the ironies in the reception of Marcuse's One-Dimensional Man, from Loewenthal's role in Weimar's Jewish Renaissance to Horkheimer's involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of colour in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with an essay tracing the still metastasising demonisation of the Frankfurt School by the so-called Alt Right as the source of "cultural Marxism" and "political correctness," which has gained alarming international resonance and led to violence by radical right-wing fanatics.

Difference is one of the most influential critical concepts of recent decades and in this book Mark Currie offers a comprehensive account of the history of the term and its place in some of the most influential schools of theory of the past four decades, including:
* post-structuralism
* deconstruction
* new historicism
* psychoanalysis
* French feminism
* postcolonialism.
Employing literary case studies throughout, Difference provides an accessible introduction to a term at the heart of today's critical idiom.

This volume, now with a substantial new Introduction, represents one of the most lucid, compact and reliable introductions to Derrida and deconstruction available in any language. Responding to questions put to him at a roundtable held at Villanova University in 1994, Jacques Derrida leads the reader through an illuminating discussion of the central themes of deconstruction. Speaking in English and extemporaneously, Derrida takes up with unusual clarity and great eloquence such topics as the task of philosophy, the Greeks, justice, responsibility, the gift, community, and the messianic. Derrida refutes the charges of relativism that are often leveled at deconstruction by its critics and sets forth the profoundly affirmative and ethico-political thrust of his work. The roundtable is marked by an unusual clarity that continues into the second part of the book, in which one of Derrida's most influential readers, John D. Caputo, elaborates upon Derrida's comments and supplies material for further discussion. This edition also includes a substantial new Introduction by Caputo that discusses the original context of the book and traces the development of deconstruction since Derrida's death in 2004, from the rise of new materialisms to return to religion. Long one of the most lucid and reliable introductions to Derrida and deconstruction available in any language, and an ideal volume for students, Deconstruction in a Nutshell will also prove illuminating for those already familiar with Derrida's work.

What is the strange eros that haunts Foucault's writing? In this deeply original consideration of Foucault's erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault's poetic archival method offers a way to counter the disciplining of speech. At the heart of this method is a conception of the archive as Sapphic: the past's remains are, like Sappho's verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault's antiprison activism, and Monique Wittig's Sapphic materialism. Through these encounters, Foucault's Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault's Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange.

This book critically examines the debate on Martin Heidegger's concept of Entscheidung ("decision") and his engagement and confrontation with Nazism in terms of his broader philosophical thought. It argues that one cannot explain Heidegger's actions without accounting for his idea of "decision" and its connection to his understanding of individual "fate" and national (and European) "destiny." The book looks at the relation of biography to philosophy and the ethical and political implications of appropriating Heidegger's thinking in these domains of inquiry. It highlights themes such as Heidegger's differences with the neo-Kantians in Germany; Heidegger on Kant and practical reason; and his reading of Nietzsche and Hegel. It offers a philosophical assessment grounded in Heidegger's own texts, with reference to historical and other philosophical commentaries on the rise of National Socialism in post-Weimar Germany and the philosophical issues associated with the interpretation of Nazi genocide and ideology. An important intervention in Western philosophy, this book will be of great interest to scholars and researchers of political philosophy, continental philosophy, German philosophy, philosophy in general, and political studies.

This is an invitation to readers to ponder universal questions about human relations with rivers and water for the precarious times of the Anthropocene. The book asks how humans can learn through sensory embodied encounters with local waterways that shape the architecture of cities and make global connections with environments everywhere. The book considers human becomings with urban waterways to address some of the major conceptual challenges of the Anthropocene, through stories of trauma and healing, environmental activism, and encounters with the living beings that inhabit waterways. Its unique contribution is to bring together Australian Aboriginal knowledges with contemporary western, new materialist, posthuman and Deleuzean philosophies, foregrounding how visual, creative and artistic forms can assist us in thinking beyond the constraints of western thought to enable other modes of being and knowing the world for an unpredictable future. Riverlands of the Anthropocene will be of particular interest to those studying the Anthropocene through the lenses of environmental humanities, environmental education, philosophy, ecofeminism and cultural studies.

In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology--fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling. Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion.--The Guardian [Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details.--Choice Beautifully written and clear.--Jeremy Barris, Philosophy in Review Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French.--Library Journal

This book, first published in 1975, is an examination of the theoretical foundation of the sociology of art and literature and an in-depth study in the sociology of knowledge. In discussing and clarifying some of the important philosophical issues in this field, the constant underlying reference is to the creative and artistic-expressive areas of knowledge - so that the better understanding of the social nature and genesis of all knowledge may point the way towards a similar comprehension of art and society.

In Resounding Events, one of the world's preeminent political theorists reflects on a career as an academic hailing from the working class. From youthful experiences of McCarthyism, to the resurgence of white evangelicalism, to the advent of aspirational fascism and the acceleration of the Anthropocene, Connolly traces a career spent passionately engaged in making a more just, diverse, and equitable world. He surveys the shifting ground upon which politics can be pursued; and he discloses how to be an intellectual in universities that today do not encourage that practice. Far more than a memoir, Resounding Events probes the concerns that have animated Connolly's work across more than a dozen books by tracing the bumpy imbrications of event, memory and thinking in intellectual life. Connolly experiments with ways to capture various voices that mark a self at any time. An event, as he elaborates it, is what disturbs or inspires thinking as it activates layered sheets of memory. A memory sheet itself assembles recollections, dispositions organized from the past, and vague remains that carry efficacies. Resounding Events shows how resonances between event and memory can help forge new concepts better adjusted to an emergent situation. Addressing tensions between working class experience and norms of the academy, his father's coma, antiwar protests, the growing disaffection of the white working class, the neoliberalization of the university, climate denialism, and his sister's experience with workers shifting to Trump, Connolly shows how engaged intellectuals become worthy of the events they encounter.

Reading philosophy through the lens of Alfred Hitchcock's Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called "sciences of the mind" reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling-which is also the fear of giving in to the temptation to let oneself fall-has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti's stunning book sets this critique of stable consciousness beside one of Hitchcock's most famous thrillers, a drama of identity and its abysses. Hitchcock's brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of "pushing away and bringing closer" which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my "here" flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger's "being-toward-death," Cavalletti brings out the vertiginous nature of identity.

Neoliberalism remains a flashpoint for political contestation around the world. For decades now, neoliberalism has been in the process of becoming a globally ascendant default logic that prioritizes using economic rationality for all major decisions, in all sectors of society, at the collective level of state policymaking as well as the personal level of individual choice-making. Donald Trump's recent presidential victory has been interpreted both as a repudiation and as a validation of neoliberalism's hegemony. Rethinking Neoliberalism brings together theorists, social scientists, and public policy scholars to address neoliberalism as a governing ethic for our times. The chapters interrogate various dimensions of debates about neoliberalism while offering engaging empirical examples of neoliberalism's effects on social and urban policy in the USA, Europe, Russia, and elsewhere. Themes discussed include: Relationship between neoliberalism, the state, and civil society Neoliberalism and social policy to discipline citizens Urban policy and how neoliberalism reshapes urban governance What it will take politically to get beyond neoliberalism. Written in a clear and accessible style, Rethinking Neoliberalism is a sophisticated synthesis of theory and practice, making it a compelling read for students of Political Science, Public Policy, Sociology, Geography, Urban Planning, Social Work and related fields, at both the advanced undergraduate and graduate levels.