Bringing together all of Jacques Derrida s writings on James Joyce, this volume includes the first complete translation of his book "Ulysses Gramophone: Two Words for Joyce" as well as the first translation of the essay The Night Watch. In "Ulysses Gramophone," Derrida provides some of his most thorough reflections on affirmation and the yes, the signature, and the role of technological mediation in all of these areas. In The Night Watch, Derrida pursues his ruminations on writing in an explicitly feminist direction, offering profound observations on the connection between writing and matricide. Accompanying these texts are nine essays by leading scholars from across the humanities addressing Derrida s treatments of Joyce throughout his work, and two remembrances of lectures devoted to Joyce that Derrida gave in 1982 and 1984. The volume concludes with photographs of Derrida from these two events."

This is a fascinating examination of the relation between absence and chance in Derrida's work and through that a re-examination of the relation between war and literature. "Derrida, Literature and War" argues for the importance of the relation between absence and chance in Derrida's work in thinking today about war and literature. Sean Gaston starts by marking Derrida's attempts to resist the philosophical tradition of calculating on absence as an assured resource, while insisting on the (mis)chances of the chance encounter. Gaston re-examines the relation between the concept of war and the chances of literature by focusing on narratives of conflict set during the Napoleonic wars. These chance encounters or duels can help us think again about the sovereign attempt to leave the enemy nameless or to name what cannot be named in the midst of wars without end. His study includes new readings of a range of writers, including Aristotle, Hume, Rousseau, Schiller, Clausewitz, Thackeray, Tolstoy, Conrad, Freud, Heidegger, Blanchot, Foucault, Deleuze and Agamben. Offering an authoritative reading of Derrida's oeuvre and new insights into a range of writers in philosophy and literature, this is a timely and ambitious study of philosophy, literature, politics and ethics. "The Philosophy, Aesthetics and Cultural Theory" series examines the encounter between contemporary Continental philosophy and aesthetic and cultural theory. Each book in the series explores an exciting new direction in philosophical aesthetics or cultural theory, identifying the most important and pressing issues in Continental philosophy today.

Derrida's work is controversial, its interpretation hotly contested. Derrida: Ethics Under Erasure offers a new way of thinking about ethics from a Derridean perspective, linking the most abstract theoretical implications of his writing on deconstruction and on justice and responsibility to representations of the practice of ethical paradoxes in everyday life. The book presents the development of Derrida's thinking on ethics by demonstrating that the ethical was a focus of Derrida's work at every stage of his career. In connecting Derrida's earlier work on language with the ethics implicated in his later work on justice and responsibility, Nicole Anderson traverses literary, linguistic, philosophical and ethical interpretative movements, thus recontextualising Derrida's entire oeuvre for a contemporary readership. She explores the positive ethical implications of Derrida's work for representation and practice and asks the reader to consider how this new ethical reading of Derrida's work might be applied to concrete instances of his or her own ethical experience.

This title brings a deconstructive perspective to theories of justice in the early and later work of Rawls, Habermas and Honneth. Deconstructing influential theories of justice by John Rawls, Jurgen Habermas and Axel Honneth, Miriam Bankovsky explores and critiques the early and later work of these three important liberal theorists. Bankovsky examines the commitments that all these thinkers make to a conception of justice as, in Rawls' words, an 'art of the possible' and the difficulties that such commitments present for their theories. Taking a deconstructive approach, the book argues that such a defence of possibility must be supplemented by an acknowledgment of the ways in which theory ultimately fails to reconcile the conflicting demands of 'justice' - namely, it's demand for responsibility for the other in the particular and for impartiality among all. In so doing, the book draws attention to the 'perfectible' (simultaneously possible and impossible) status of theories of justice, celebrating such perfectibility as the very condition for justice's critical function. "Continuum Studies in Political Philosophy" presents cutting-edge scholarship in the field of political philosophy. Making available the latest high-quality research from an international range of scholars working on key topics and controversies in political philosophy and political science, this series is an important and stimulating resource for students and academics working in the area.

Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian migr , a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derridas work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstructions critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derridas work.

"In these essays, a range of leading scholars seek both to investigate the historical, institutional and philosophical origins of deconstruction and to think through the problem of the idea of origin itself"--Provided by publisher.

Globalization and consumerism are two of the buzzwords of the early twenty-first century. In Consuming Cultures, renowned scholars explore the links between modernity and consumption. The book fills a gap in contemporary thinking on the subject by approaching it from a truly global point-of-view. It draws on case studies from around the world, with Africa, Asia and Central America featuring as prominently as Western countries. A transnational perspective allows the authors to investigate the diversity of consumer cultures and the interaction between them. The authors look at the genealogy of the modern consumer and the development of consumer cultures, from the porcelain trade and consumption in Britain and China in the seventeenth and eighteenth centuries, to post Second World War developments in America and Japan, and the contemporary consumer politics of cosmopolitan citizenship. Challenging and pioneering, Consuming Cultures problematizes popular accounts of globalization and consumerism, decentring the West and concentrating on putting history back into these accounts.

Foucault lived in Tunisia for two years and travelled to Japan and Iran more than once. Yet throughout his critical scholarship, he insisted that the cultures of the "Orient" constitute the "limit" of Western rationality. Using archival research supplemented by interviews with key scholars in Tunisia, Japan and France, this book examines the philosophical sources, evolution as well as contradictions of Foucault's experience with non-Western cultures. Beyond tracing Foucault's journey into the world of otherness, the book reveals the personal, political as well as methodological effects of a radical conception of cultural difference that extolled the local over the cosmopolitan.

French thinkers such as Lacan and Derrida are often labelled as representatives of 'poststructuralism' in the Anglophone world. However in France, where their work originated, they use no such category; this group of theorists - 'the poststructuralists' - were never perceived as a coherent intellectual group or movement. Outlining the institutional contexts, affinities, and rivalries of, among others, Althusser, Barthes, Foucault, Irigaray, and Kristeva, Angermuller - drawing from Bourdieu's concepts of cultural capital and the academic field - insightfully explores post-structuralism as a phenomenon. By tracing the evolution of the French intellectual field after the war, Why There is No Poststructuralism in France places French Theory both in the specific material conditions of its production and the social and historical contexts of its reception, accounting for a particularly creative moment in French intellectual life which continues to inform the theoretical imaginary of our time.

A wide-ranging reading of Freud's work, this book focuses on Freud's scientifically discredited ideas about inherited memory in relation both to poststructuralist debates about mourning, and to certain uncanny figurative traits in his writing. "Freud's Memory" argues for an enriched understanding of the strangenesses in Freud rather than any denunciation of psychoanalysis as a bogus explanatory method.

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of �postmodernism�. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high� art to “low� from market ideology to architecture, from painting to “punk� film, from video art to literature.  

The Derrida Dictionary is a comprehensive and accessible guide to the world of Jacques Derrida, the founder of deconstruction and one of the most important and influential European thinkers of the twentieth century. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences and provides a firm grounding in the central themes of Derrida's thought. Students will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Derrida's writings and detailed synopses of his key works. The Dictionary also includes entries on Derrida's major philosophical influences and those he engaged with, such as Kant, Hegel, Husserl, Freud, Heidegger, Foucault, Lacan and Levinas. It covers everything that is essential to a sound understanding of Derrida's philosophy, offering clear and accessible explanations of often complex terminology. The Derrida Dictionary is the ideal resource for anyone reading or studying Derrida, deconstruction or modern European philosophy more generally.

Badiou's Deleuze presents the first thorough analysis of one of the most significant encounters in contemporary thought: Alain Badiou's summary interpretation and rejection of the philosophy of Gilles Deleuze. Badiou's reading of Deleuze is largely laid out in his provocative book, Deleuze: The Clamor of Being, a highly influential work of considerable power. Badiou's Deleuze presents a detailed examination of Badiou's reading and argues that, whilst it fails to do justice to the Deleuzean project, it invites us to reconsider what Deleuze's philosophy amounts to, and to reassess Deleuze's power to address the ultimate concerns of philosophy. Badiou's Deleuze analyses the differing metaphysics of two of the most influential of recent continental philosophers, whose divergent views have helped to shape much contemporary thought.

What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norris' book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.

What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norrisa (TM) book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.

Existential semiotics is a new paradigm which combines classical semiotics with continental philosophy. It does not mean a return to existentialism, albeit philosophers from Hegel and Kierkegaard to Heidegger, Jaspers and Sartre are its sources of inspiration. It introduces completely new sign categories and concepts to the field, recasting the whole of semiotics, communication and signification as integral to a transcendental art. The volume contains essays on music, the voice, silence, calligraphy, metaphysics, myth, aesthetics, entropy, cultural heritage, film, the Bible, among other subjects.

This is a book about evolution from a post-Darwinian perspective. It recounts the core ideas of French philosopher Henri Bergson and his rediscovery and legacy in the poststructuralist critical philosophies of the 1960s, and explores the confluences of these ideas with those of complexity theory in environmental biology.

Claude Levi-Strauss and the style of thinking known as 'structuralism, ' with which his work is conventionally associated, is widely recognized as having made a seminal contribution to the discipline of anthropology. More generally, his writings register the turn to language in social theory in the 1960s, and are marked by the influence of Kant, Rousseau, Saussurian linguistics, Marx and Freud. In turn, Levi-Strauss is recognized as having been a key influence on thinkers such as Althusser, Lacan, Foucault and Derrida. This volume seeks to address a key gap in the burgeoning secondary literature about Levi-Strauss: his importance to the study of religions. This volume pays particular attention to Levi-Strauss' writings on totemism, myth and "la pensee sauvage," situating these writings both in terms of previous theories of religion and in terms of the wider influences that informed his work. This volume provides an accessible and comprehensive overview of Levi-Strauss' life and work, the thinkers and theories that informed his writings, and his contribution to the study of religions.

The indebtedness of contemporary thinkers to Derrida's project of deconstruction is unquestionable, whether as a source of inspiration or the grounds of critical antagonism. This collection considers: how best to recall deconstruction? Rather than reduce it to an object of historical importance or memory, these essays analyze its significance in terms of complex matrices of desire; provoked in this way, deconstruction cannot be dismissed as 'dead', nor unproblematically defended as alive and well. Repositioned on the threshold of life-death, deconstruction profoundly complicates the field of critical thought which still struggles to memorialize, inter, or reduce the deconstructive corpus to ashes.

Difference is one of the most influential critical concepts of recent decades and in this book Mark Currie offers a comprehensive account of the history of the term and its place in some of the most influential schools of theory of the past four decades, including:
* post-structuralism
* deconstruction
* new historicism
* psychoanalysis
* French feminism
* postcolonialism.
Employing literary case studies throughout, Difference provides an accessible introduction to a term at the heart of today's critical idiom.

The international feminist contributors to this book look through the lens of poststructuralism at how child sexual abuse is differently represented and understood in the populist, academic, clinical, media and legal contexts. Reworking earlier feminist analyses, they show how child sexual abuse is not just about gender and power but also about class, race and sexuality. The first, theoretical section of the book critiques normative theories of the 'effects' of abuse, explores the impact and consequences of feminist interventions and critically examines the potential usefulness of a feminist post-stucturalist approach. In the second part, these understandings are applied to specific arenas of practice with the aim of providing a framework for critical intervention and alternative and better ways of working with child sexual abuse.