Archaeologist and award-winning photographer Gavin McGuire's involvement with the Sissi Archaeological Project, where he conducted a seven year photographic study of the Bronze Age Minoan excavations under the auspices of the Belgian School in Athens, Universite Catholique de Louvain, offered an extraordinary opportunity to capture moments of human interaction during excavations as they interconnected with an ancient Minoan culture, stretching back millennia (2600-1200 BC). With the Sissi Photography Project, at a unique coastal landscape four kilometres from Malia Palace in Crete, McGuire follows a proud photographic tradition that is now facing yet another major technological change - from digital to virtual, from handheld cameras to drones and to live excavation access. It is also the age of the smartphone - easy for anyone to use, producing high quality images that regularly engages a global general audience. McGuire's approach revolves around being at the right place and at the right fleeting moment, making images that highlight motion and emotion from the more than 80 `players' on the archaeological stage for the excavation season during each July-August. There are images of scientists at work - archaeologists, anthropologists, technical specialists, local workmen digging (many proudly following in the wake of their forefathers) and restorers and conservators dealing with the thousands of finds housed at the apothiki or workshop. Yet the Sissi Project encompasses not only the dig period but includes images of the site throughout the year, showing, in part, the impact of the environment. 137 black and white photographs are accompanied by a series of short essays presented in English and Greek providing an overview of the project's photographic approach and an introduction to the long and complex relationship between archaeology and photography from their 19th century beginnings. The outcome shows that archaeological sites are not just created overnight but are the result of years of discovery, restoration and preservation. They are not just for now, but hopefully for the future. The ancient past deserves nothing less.

Twenty sites were excavated on the route of a National Grid pipeline across Holderness, East Yorkshire. These included an early Mesolithic flint-working area, near Sproatley. In situ deposits of this age are rare, and the site is a significant addition to understanding of the post-glacial development of the wider region. Later phases of this site included possible Bronze Age round barrows and an Iron Age square barrow. Elsewhere on the pipeline route, diagnostic Mesolithic, Neolithic and Bronze Age flints, as well as Bronze Age pottery, provide evidence of activity in these periods. Iron Age remains were found at all of the excavation sites, fourteen of which had ring gullies, interpreted as evidence for roundhouse structures. The frequency with which these settlements occurred is an indication of the density of population in the later Iron Age and the large assemblage of hand-made pottery provides a rich resource for future study. Activity at several of these sites persisted at least into the second or early third centuries AD, while the largest excavation site, at Burton Constable, was re-occupied in the later third century. However, the pottery from the ring gullies was all hand-made, suggesting that roundhouses had ceased to be used by the later first century AD, when the earliest wheel-thrown wares appear. This has implications for understanding of the Iron Age to Roman transition in the region. Late first- or early second-century artefacts from a site at Scorborough Hill, near Weeton, are of particular interest, their nature strongly suggesting an association with the Roman military. With contributions by: Hugo Anderson-Whymark (flint), Kevin Leahy (metal, glass, worked bone), Terry Manby (earlier prehistoric pottery), Chris Cumberpatch (hand-made pottery), Rob Ixer (petrography), Derek Pitman and Roger Doonan (suface residues: ceramics and slag), Ruth Leary (Roman pottery), Felicity Wild (samian ware), Kay Hartley (mortaria), Jane Young with Peter Didsbury (post-Roman pottery), Ruth Shaffrey (worked stone), Lisa Wastling (fired clay), Jennifer Jones (surface residues: fired clay), Katie Keefe and Malin Holst (human bone), Jennifer Wood (animal bone), Don O'Meara (plant macrofossils), Tudur Burke Davies (pollen) and Matt Law (molluscs). Illustrations by: Jacqueline Churchill, Dave Watt and Susan Freebrey

Studies of Iron Age artefacts from Britain tend to be dominated either by the study of metalwork, or pottery. This book presents a study not only of a different material, but also a different type of object: glass beads. These are found in a range of different sizes, shapes, colours, and employ a variety of different decorative motifs. Through an analysis of glass beads from four key study regions in Britain, the book aims not only to address regional differences in appearance and chronology, but also to explore the role that this object played within the networks and relationships that constructed Iron Age society. It seeks to understand how they were used during their lives and how they came to be deposited within the archaeological record, in order to establish the social processes that glass beads were bound within. The results indicate that glass beads were a strongly regionalised artefact, potentially reflecting differing local preferences for colour and motif. In addition, glass beads, in combination with several other types of object, were integral to Middle Iron Age dress. Given that the first century BC is often seen as a turning point in terms of settlements and material culture, this supports the possibility of strong continental exchange during an earlier period for either glass beads or raw materials. However, by the Late Iron Age in the first century BC and early first century AD, their use had severely diminished.

The Maltese Archipelago at the Dawn of History. Reassessment of the 1909 and 1959 excavations at Qlejgha tal-Bahrija and other essays is a collection of essays focusing on the reassessment of the multifaceted evidence which emerged by excavations carried out in 1909 and 1959 in the settlement of Bahrija, a key site for the understanding of the later stages of Maltese prehistory before the beginning of the Phoenician colonial period. The two excavations, largely unpublished, produced a large quantity of ceramic, stone and metal artefacts together with skeletal remains. The reappraisal of the material will shed light on critical moments of central Mediterranean prehistory. Main topics such as the Aegean-Sicily-Malta trade network, mass migration movements from the Balkans towards the Central Mediterranean and the colonial dynamics of the Phoenicians operating in the West are addressed in the light of new data and with the support of an array of archaeometric analyses.

This volume presents the combined proceedings of two complementary sessions of the XVIII UISPP World Congress (4-9 June 2018, Paris, France): Sessions XXXII-2 and XXXIV-8. These sessions aimed to identify demographic variations during the Neolithic and Bronze Age and to question their causes while avoiding the potential taphonomic and chronological biases affecting the documentation. It appears that certain periods feature a large number of domestic and/or funeral sites in a given region and much fewer in the following periods. These phenomena have most often been interpreted in terms of demographics, habitat organization or land use. They are sometimes linked to climatic and environmental crises or historical events, such as population displacements. In the past few years, the increase in large-scale palaeogenetic analyses concerning late prehistory and protohistory has led to the interpretation of genomic modifications as the result of population movements leading to demographic transformations. Nevertheless, historiography demonstrates how ideas come and go and come again. Migration is one of these ideas: developed in the first part of the XX century, then abandoned for more social and economic analysis, it recently again assumed importance for the field of ancient people with the increase of isotopic and ancient DNA analysis. But these new analyses have to be discussed, as the old theories have been; their results offer new data, but not definitive answers. During the sessions, the full range of archaeological data and isotopic and genetic analysis were covered, however for this publication, mainly archaeological perspectives are presented.

Archaeologists have long acknowledged the absence of a regular and recurrent burial rite in the British Iron Age, and have looked to rites such as cremation and scattering of remains to explain the minimal impact of funerary practices on the archaeological record. Pit-burials or the deposit of disarticulated bones in settlements have been dismissed as casual disposal or the remains of social outcasts. In Death and Burial in Iron Age Britain, Harding examines the deposition of human and animal remains from the period - from whole skeletons to disarticulated fragments - and challenges the assumption that there should have been any regular form of cemetery in prehistory, arguing that the dead were more commonly integrated into settlements of the living than segregated into dedicated cemeteries. Even where cemeteries are known, they may yet represent no more than a minority of the total population, so that other forms of disposal must still have been practised. A further example of this can be found in hillforts which, in addition to domestic and agricultural settlements, evidently played an important role in funerary ritual, as secure community centres where excarnation and display of the dead may have made them a potent symbol of identity. The volume evaluates the evidence for violent death, sacrifice, and cannibalism, as well as age and gender distinctions, and associations with animal burials, and reveals that 'formal' cemetery burial or cremation was for most regions a minority practice in Britain until the eve of the Roman conquest.

Since absolute dating of rock art is limited, relative chronologies remain useful in contextualising interpretations of ancient images. This book advocates the archival capacity of rock art and uses archival perspectives to analyse the chronology of paintings in order to formulate a framework for their historicised interpretations. The Western Cape painting sequence is customarily accepted to include the hunter-gatherer phase from c. 10,000 BP, pastoralism from c. 2,000 BP and finally the historical-cum-colonial period several centuries ago. Painting traditions with distinct depiction manners and content are conventionally linked to these broad periods. This study evaluates this schema in order to refine the diverse hunter-gatherer, herder and colonial era painting contexts and histories. Using superimpositions as one analytical tool, the notion of datum aided the referencing and correlation of layered imagery into a relative sequence. Although broad differences separate painting traditions, and these variations are generally indistinguishable within a single tradition, it is clear that the long-spanning hunter-gatherer segment of painting in this region reflects a hitherto unrecognised sub-tradition. Some painted themes such as elephants, fat-tailed sheep, handprints and possibly finger dots occur within various levels of the sequence, which this study views as shared graphic fragments occurring between and across traditions and sub-traditions. Through the archival concept of respect des fonds such observable complexities were clarified as coherent graphic narratives that run through the entire chronological sequence of the Western Cape rock paintings. Probing archaeological, ethnographic and historical sources revealed that while these themes remained fundamentally consistent throughout the stratigraphic sequence as preferred subject matter, their meanings might have transformed subliminally from earlier to later periods, possibly reflecting layered shifts in the socio-economic, cultural and political circumstances of the region. Fundamentally, the framework of image histories shown by the choice and sustenance of specific themes is understood to mean that their significance and specific graphic contexts throughout the chronological sequence are pivoted and mirrored through the long established hunter-gatherer rock paintings which predate periods of contact with other cultures. The resulting sequence and interpretation of these painted themes is a descriptive and organisational template reflecting the original organic character in the creation of the paintings and ordered cultural continuities in the use of animal/human symbolism. This book's agenda in part involves reviewing the Western Cape's changing social and historical landscape to show variation in painting over time and to project possible interpretative transformations. Painting sequences and cultural (dis)continuities are thus intricately entwined and can be disentangled through a recursive analytical relationship between archaeology, ethnography and history. This amalgamated analytical approach produces historicised narratives and contextual meanings for the rock paintings.

Although most of the animal remains recorded throughout the archaeological excavations consist usually of large assemblages of discarded and fragmented bones, it is possible to yield articulated animal skeletons in some cases. Most of them have been usually picked up from sacred and/or funerary contexts, but not all of them might fit necessarily in ritual and symbolic interpretations, and not all of the structured deposit of animal remains may be explained due to anthropic factors. In addition, zooarchaeology has traditionally focused on animal domestication, husbandry and economy, and species identification above all, shutting out further discussion about these type of findings. Moreover, the limited condition of the data is also another issue to bear in mind. Thus, the aim of this study has been to draw up a literature review of the structured deposits of animal remains during the third and second millennia BC in the Ancient Near East for its subsequent classification and detailed interpretation. In this survey it has been attested that not only most of the articulated animal remains have been found in ritual and/or funerary contexts but also that all species recorded- but some exceptions-are domestic. Hence there is a broad religious attitude towards the main domesticated animals of human economy in the Ancient Near East, based on the closeness of these animals to the human sphere. Therefore, it seems that domesticated animals were powerful constituents in the cultural landscape of these regions, never simply resources.

Sussex is rich in remains of the prehistoric eras, from the earliest Palaeolithic (Old Stone Age) era when stone tools were first developed by ancient hominids, through the other Stone Age eras (Mesolithic and Neolithic), to the Bronze and Iron Ages up to the Roman invasion of Britain. Many features can still be seen today, including barrows and other tumuli, hillforts and earthworks, flint mines, many on or just below the South Downs, tracks and ancient woodlands, and the legacy of the human inhabitants of Sussex from this time includes burials, stone tools, weapons and jewellery. In this book author Alex Vincent surveys prehistoric Sussex. Alongside well-known sites such as Cissbury and Chanctonbury Rings, the hillforts prominent on the ridge of the South Downs, and the Devil’s Jumps Bronze Age barrows, is a Bronze Age burial mound in Berwick churchyard which may have been used for plague victims in the medieval period. Fully illustrated throughout, this fascinating picture of the prehistoric era in Sussex will be of interest to all those who live in this corner of south-east England or have known it well over the years.

'In Music, the Arts, and Ideas, ' Leonard B. Meyer uses music as a vantage point to discover patters in the perplexing, fragmented world of twentieth-century culture. The book is concerned with the aesthetics of music and with the relationships between music (and the other arts), ideology, and history--especially as these have shaped contemporary culture. The Postlude, written for this edition, looks back at the predictions made more than twenty-five years ago and speculates about what the coming decades may hold.

Colour defines our material world, operates as a communication tool and creates meaning. But despite the wealth of colour present in British Iron Age archaeology, interpretative studies have concentrated mostly on the shape of material objects and their decoration, with at best fleeting references to colour. This book revisits well known and well documented sites or artefacts and explores their colours and colour connotations - whether hue or luminosity, whether natural or man-made, whether innate or deliberately applied - by looking at various contexts such as processes, landscape, iconography, body decoration or the colour connotations of death. The importance of changes in colour caused by passing of time, processing, handling or exposure, as well as the deliberate concealment or defacing of colour is looked at . Finally and most importantly, using methodologies ranging from examination of written sources, comparisons from the fields of anthropology and ethnology to experimental archaeology the author attempts to shed light on the symbolic meaning behind such colours or colour contexts and contribute to our understanding of Iron Age cosmologies.

MOLA (formerly Northamptonshire Archaeology), has undertaken intermittent archaeological work within Bozeat Quarry over a twenty-year period from 1995-2016 covering an area of 59ha. The earliest archaeological features lay in the extreme northern area where a Bronze Age to Iron Age cremation burial was possibly contemporary with an adjacent late Bronze Age/early Iron Age pit alignment. In the middle to late Iron Age a settlement was established at the southern part of the site over a c170m by 150m area. It was a well organised farmstead, mostly open in plan with two roundhouses, routeway, enclosures, boundary ditches and pits. In the early 1st century AD, cAD 30, two separate settlements lay c0.5km apart. The former southern Iron Age farmstead had perhaps shifted location c150m to the north-west and a there was new farmstead to the north. Both settlements were located on a west facing slope of a valley side and were sited on sands and gravels at between 64m and 66m aOD. The Northern Settlement was only occupied for about 150 years and was involved in pastoral farming, but local coarseware pottery production was of some importance with a group of 12 pottery kilns dated to the middle to late 1st century AD. This is seemingly the largest number of pottery kilns from a single settlement of this period yet found in the regionally important Upper Nene Valley pottery producing area. The Southern Settlement was larger and continued to the end of the Roman period. In this area there was a notable scatter of 12 Iron Age and 1st century AD Roman coins as well as 24 contemporary brooches found over an area measuring c170m by c130m. This collection of finds may suggest the presence of a shrine or temple located in the area. It is perhaps significant that in 1964 directly to the west of the excavation, a middle Roman round stone building was found, perhaps an associated shrine. Within the excavation area in the latest Iron Age to early Roman period there was a possible roundhouse, a large oval enclosure and a field system. The latter largely related to pastoral farming including areas where paddocks were linked to routeways suggesting significant separation of livestock had occurred. Four cremation burials, including one deposited in a box, and an inhumation lay in three locations. Pastoral farming was a significant activity throughout the Roman period with enclosures, paddocks and linked routeways uncovered. In the late 2nd to 4th century there were two stone buildings and a stone malt oven at the extreme western extent of the site, within 50m to the east of the probably contemporary shrine recorded in 1964. There was minor evidence of early to middle Saxon occupation within the area of the former middle to late Iron Age settlement. No structures were found, although a few pits may date to this period and mark short stay visits. A small cemetery of five individuals respected the former Roman field system and probably dated to the late 6th to 7th centuries. The burials included a decapitation and a burial with a knife and a buckle. The site was then not re-occupied and became part of the fields of Bozeat medieval and post-medieval settlements.

Tracing Pottery-Making Recipes in the Prehistoric Balkans 6th-4th Millennia BC is a collection of twelve chapters that capture the variety of current archaeological, ethnographic, experimental and scientific studies on Balkan prehistoric ceramic production, distribution and use. The Balkans is a culturally rich area at the present day as it was in the past. Pottery and other ceramics represent an ideal tool with which to examine this diversity and interpret its human and environmental origins. Consequently, Balkan ceramic studies is an emerging field within archaeology that serves as a testing ground for theories on topics such as technological know-how, innovation, craft tradition, cultural transmission, interaction, trade and exchange. This book brings together diverse studies by leading researchers and upcoming scholars on material from numerous Balkan countries and chronological periods that tackle these and other topics for the first time. It is a valuable resource for anyone working on Balkan archaeology and also of interest to those working on archaeological pottery from other parts of the world.

The publication of the Hagia Photia Cemetery is planned in three volumes. The first volume, which has already been published (Davaras and Betancourt 2004), presented the tomb groups and the architecture. The second volume about the excavation of the Hagia Photia cemetery focuses on the pottery. The third volume will present the obsidian, stone finds, metal objects, and other discoveries. The Early Minoan I tombs at Hagia Photia included the largest assemblage of vessels in Cycladic style known from Crete as well as vases from production workshops in Crete. The pottery is extremely important for several reasons, including the definition of the EM I ceramic styles that were being used as funerary offerings in this part of Crete, the establishment of the chronological synchronisms between Crete and the Cyclades, and information on the history of the Minoan pottery industry. When compared with other deposits from EM I Crete, the pottery helps to establish a better understanding of the ceramic development within the first Minoan time period.

Between History and Archaeology: Papers in honour of Jacek Lech is a collection of forty-six papers papers in honour of Professor Jacek Lech, compiled in recognition of his research and academic career as well as his inquiry into the study of prehistoric flint mining, Neolithic flint tools (and beyond), and the history of archaeology. The papers explore topics on archaeology and history, and are organised into three sections. The first contains texts on flint mining dealing with well-known mining sites as well as previously unpublished new material. The reader will find here a wide spectrum of approaches to flint mining, ways of identifying raw materials used by prehistoric communities, and an impressive overview of the history of research, methodology and approaches to flint mining in Europe, North America and Asia. The following group of papers deals with the use of flint by Neolithic and younger communities, including typological studies on trace evidence analyses as well as theoretical papers on prehistoric periods in Europe and the New World. The final section consists of papers on the history of archaeology in the 19th and 20th centuries. Some deal with the beginnings of archaeology as a scholarly discipline, while others present significant research from different countries. Readers will also find papers on the development of archaeology in the second half of the 20th century, both in political and institutional contexts. The book ends with the memories, which bring the Jubilarian closer to the reader by viewing him through the eyes of his co-workers and friends.

The purpose of this study is to analyze the soliform figures in schematic cave paintings. The author presents research on all the global factors relevant to the study of these figures (technological, typological, stylistic, semiotic, astronomical, anthropological and landscape) and their relationship with the whole of schematic rock paintings and the societies that produced them. The geographical scope of the study is the area of Laguna de la Janda and Campo de Gibraltar (Cadiz). One of the arguments the author maintains in this research is the shortage of studies conducted in the territory of Cadiz in relation to these figures – and to rock art in general, which has been a central motif in almost all primitive religions or mythologies since the birth of agricultural societies. The recurrence of abstract motifs within the rock art of this area, and its durability over time, could be an indication of common cultural patterns among the different populations that inhabited the province. But these same signs are also repeated in different parts of the world – could it therefore suggest universal aspects of our species? The interpretation of these symbols has been – and continues to be – subject to intangible or subjective issues; therefore, it is not exempt from possible projections of our own culture. We think that we are able to approach, in a scientific way, the ritual and symbolic aspects of those who elaborated these paintings. In this book, the author proposes an alternative according to the theoretical framework of disciplines such as ethnography, anthropology, landscape archaeology, archaeoastronomy and semiotics.

Bodies of Maize, Eaters of Grain provides a comparative study of the earliest urban civilisations of the Maya lowlands and the Greek mainland. It builds upon earlier comparative studies by Gordon Childe, Robert Adams and Bruce Trigger, extending their work into new directions. Specifically, the focus lies on the art styles of the Late Preclassic lowland Maya and Mycenaean Greece. The approach used here seeks to combine more traditional iconographic approaches with more recent models on metaphor and the social agency of things. Comparing Maya and Mycenaean art styles through the three aspects of metaphor, semiotics and praxis, their differences and similarities are made clear. The book shows art to have played a more active role in the development of the earliest urban civilisations, rather than passively reflecting economic and political trends. In that way, the social role of art provides a key to understanding the relations between the different factors in the development of the two societies, as they played out at different temporal and geographical scales. To understand this, the notion of distinct Maya and Mycenaean 'material worlds', involving both materials and ideas, is proposed, with consequences for models about the earliest urban civilisations in general.

Understanding and Accessibility of Pre-and Protohistorical Research Issues: Sites, Museums and Communication Strategies presents the papers from Session XXXV-1 of the 18th UISPP World Congress (Paris, June 2018). Museums are increasingly seen as the place where scientific research and heritage education meet, rather than being simply a location for exhibitions. The eight contributions from Italy, the United Kingdom, Senegal, Spain and the Netherlands address the following related issues: the mediation of language from research usage to public usage, making the museum visit an educational experience, universal accessibility, involvement of the local community in the management of the sites and museums, use of media and new technology to bring scientific content to the public.

The Agricultural Revolution in Prehistory addresses one of the most debated and least understood revolutions in the history of our species, the change from hunting and gathering to farming. Graeme Barker takes a global view, and integrates a massive array of information from archaeology and many other disciplines, including anthropology, botany, climatology, genetics, linguistics, and zoology. Against current orthodoxy, Barker develops a strong case for the development of agricultural systems in many areas as transformations in the life-ways of the indigenous forager societies, and argues that these were as much changes in social norms and ideologies as in ways of obtaining food. With a large number of helpful line drawings and photographs as well as a comprehensive bibliography, this authoritative study will appeal to a wide general readership as well as to specialists in a variety of fields.

This volume celebrates the work of Dr. Phil. h.c. Gerhard Milstreu in his 40th year as director of Tanum Museum of Rock Carving and Rock Art Research Centre, Undersloes, Sweden. Here, a feast of scholarly contributions from across Europe, at all levels of study have been collected. Each and every one of the chapters addresses aspects connected to the work Gerhard has done over the last 40 years. Through their words and images, these pay respect to and acknowledge Gerhard's achievements in the fields of rock art documentation, research, international collaboration and outreach. Gerhard has striven from the outset to: promote the importance of the image within archaeology, increase public interest and involvement with prehistoric art, and to encourage the next generation to continue the work. Thus, many authors think very deeply about the images, how we interpret them and how we record them, particularly in light of recent advances in technology. Others explore how Gerhard has fostered dissemination and public involvement. The range of countries and subjects represented; France, Italy, Holland, Norway, Sweden, Denmark and the UK; reflects the success of Gerhard's focus on international collaboration and dialogue. Given Gerhard's emphasis on giving the past a future, it is appropriate that leading up and coming scholars, from all levels of higher education, are also present and have the opportunity to present their latest research.

Over the past 30 years, research on archaeological textiles has developed into an important field of scientific study. It has greatly benefitted from interdisciplinary approaches, which combine the application of advanced technological knowledge to ethnographic, textual and experimental investigations. In exploring textiles and textile processing (such as production and exchange) in ancient societies, archaeologists with different types and quality of data have shared their knowledge, thus contributing to well-established methodology. In this book, the papers highlight how researchers have been challenged to adapt or modify these traditional and more recently developed analytical methods to enable extraction of comparable data from often recalcitrant assemblages. Furthermore, they have applied new perspectives and approaches to extend the focus on less investigated aspects and artefacts. The chapters embrace a broad geographical and chronological area, ranging from South America and Europe to Africa, and from the 11th millennium BC to the 1st millennium AD. Methodological considerations are explored through the medium of three different themes focusing on tools, textiles and fibres, and culture and identity. This volume constitutes a reflection on the status of current methodology and its applicability within the wider textile field. Moreover, it drives forward the methodological debates around textile research to generate new and stimulating conversations about the future of textile archaeology.

The Sevrier kiln, discovered in 1974 on a submerged island in Lake Annecy in the Haute-Savoie region of France, is a headline find of alpine archeology. Almost fifty years later, it continues to provoke debate. This study looks back at the history of an artefact considered in turn as one of the earliest Western pottery kilns, as an enigmatic stove for domestic use, and as a technological link in the Final Bronze Age which would herald the professionalization of pottery, hitherto a purely domestic industry, seasonal and self-sufficient. It takes the form of a multidisciplinary investigation where archaeological, ethnoarchaeological and experimental approaches are brought together to consider the contradictory hypotheses, broaden the focus and put forward new perspectives. In particular the study focuses on technological history, and on the changing social structure of Bronze Age communities, which contributed to the advent of proto-artisans specialising in pottery production, a few centuries later.

Sessions XXXVIII-1,2 of UISPP 2018 in Paris were dedicated to monumental constructions and to complex exchange networks in the Pacific. Both topics have been extensively commented on and described by indigenous experts, explorers, missionaries, and scholars over the last two centuries, however these have been made famous only for the most impressive examples such as the moai statues of Rapa Nui (Easter Island) or the kula exchange system of the Trobriand Islands. Some of the latest research on these key aspects of Pacific islands societies are made available in this volume to researchers focusing on the region, but also to a more global scientific community and to the general public. The volume reflects the tremendous progress made in Pacific island archaeology in the last 60 years which has considerably advanced our knowledge of early Pacific island societies, the rise of traditional cultural systems, and their later historical developments from European contact onwards. Interdisciplinarity is particularly stimulating in the Pacific region, where the study of the archaeological record and of chronological sequences are often combined with other kinds of information such as ethnohistorical accounts, oral traditions, and linguistic reconstructions, in the French tradition of ethnoarche ologie and the American tradition of historical anthropology.

Much has been written about the history of Northern Ireland, but less well-known is its wealth of prehistoric sites, from which most of our knowledge of the early inhabitants of this country has been obtained. Until recently, the greatest sources for this information were prehistoric burial sites, which have been visible in our landscape for thousands of years and have attracted the attention of inquisitive people throughout this time, often removing items, or adding others and in doing so, making it difficult for later generations to sift through the evidence. Fortunately, sketches, notes and artefacts have been gathered by Ordnance Survey surveyors, antiquarians and archaeological and historical societies and these continue to be interrogated by modern archaeologists in their search for understanding. A further problem has been the dependence on information about prehistoric societies from their burial sites. Very few sites where these people lived and worked were visible above ground and as a consequence, little was known about them. However, during the last few decades, large-scale infrastructure projects and associated archaeological investigation has revealed a wealth of information. Much of the detail has still to be published and made available for research, but has already enriched understanding of our prehistoric past. This monograph brings together information on all the currently known sites in Northern Ireland that are in some way associated with prehistoric life. It has been compiled from a number of sources and includes many that have only recently been discovered. A total of 1580 monuments are recorded in the inventory, ranging from burnt mounds to hillforts. In addition to providing an inventory of all known sites, along with a selection of photographs and plans, the work also includes an introduction to the prehistory of Northern Ireland, an explanation of terms and a full bibliography. It should be considered alongside an earlier work by the same authors on prehistoric burial sites in Northern Ireland (The Prehistoric Burial Sites of Northern Ireland, Archaeopress Archaeology 2014). The aim is to provide a foundation for more specific research projects, based on a standardised format for this largely untapped resource and stimulate a renewed interest in the prehistory of Northern Ireland. Hopefully, this can then be considered along with our knowledge of the historical period to provide a more complete overview of the story of human activity in what is now Northern Ireland.

To commemorate the 50th anniversary of the discovery of the megalithic necropolis of Petit- Chasseur in Sion (Valais, Switzerland), an international conference was organised from the 27th to the 29th of October 2011 in Sion. This book constitutes the conference proceedings. The necropolis of Petit-Chasseur still remains a key reference for the understanding of the Final Neolithic period, not only in the Alpine countries, but also throughout Europe. The scientific meeting therefore focused on the end of the Neolithic period in Valais and in the adjacent regions, on the Bell Beaker phenomenon in general, on the funerary rites of this period, and on the anthropology of megalithic societies. The conference was attended by nearly two hundred people, students, junior and senior scholars from many countries including Austria, Belgium, Spain, France, Germany, Hungary, Italy, Morocco, the Netherlands, Poland, the Czech Republic and Switzerland. The present publication includes twenty-five papers referring to the periods represented at the Petit-Chasseur necropolis, namely the end of the Neolithic, the Bell Beaker period and the beginning of the Early Bronze Age. In addition to a preface, a first group of papers - eight in total - deal directly with the Petit Chasseur Site in Sion and the end of the Neolithic in the Alps. A second group of articles constitute the section titled "The Final Neolithic and the Bell Beaker Culture in Europe and beyond". This section is composed of fifteen articles presenting the results of archaeological, anthropological, botanical, and zooarchaeological analyses of Europe and Northern Africa. The conclusion drawn from the analysis is invariably the same. It is only possible to back our explicative constructions if we establish a serious dialogue with the field of cultural anthropology and if we construct a real science of the human facts, which is far from being achieved currently. The third part of this publication, which consists of two papers and is titled "Societies and Megaliths", offers a discussion on megalith building societies that reflects on and develops this conclusion. All papers in English; abstracts for each paper in English and French.