This second volume from the 1988 Deya conference contains sixteen papers which fall into the categories of (3) bridging the two aspects of techniques and technology, seeking in physical and statistical analyses to explain and interpret change and innovation in hypothetical terms of economy and resources, and (4) papers dealing more directly with theoretical discussion of acknowledgeable archaeological problems.

The book opens with a brief historical outline of Onondaga culture and a sketch of the major developments in Iroquois prehistory. Each site is described, with a short account of its discovery, location in relation to other sites and natural features, testing and excavations, and artifacts. The site descriptions are arranged in chronological "phases"- Castle Creek, Oak Hill, Chance, and Garoga-based upon William A. Ritchie's classification. In the last chapter, Professor Tuck summaries his wealth of data and interprets the origin and development of Onondaga culture in view of his archaeological findings, which also make us of radiocarbon dating techniques. The illustrations are an essential part of the book. Forty-four plates show arrowpoints, ceramic sherds, post molds revealing outlines of longhouses, cooking pits, occasional human burials, smoking pipes, and much more. Eight figures provide maps of sites, specific details of excavations, and a chronological sequence of Onondaga villages. Twenty-one tales give the frequencies and percentages of smoking pipe varieties, faunal remains, ceramic types, and other items discovered in the field work. An appendix includes techniques of ceramic analysis and many line drawings of ceramic varieties.

The Neolithic saw the spread of the first farmers, and the formation of settled villages throughout Europe. Traditional archaeology has interpreted these changes in terms of population growth, economic pressures and social competition, but in The Domestication of Europe Ian Hodder works from a new, controversial theory focusing instead on the enormous expansion of symbolic evidence from the homes, settlements and burials of the period. Why do the figurines, decorated pottery, elaborate houses and burial rituals appear and what is their significance? The author argues that the symbolism of the Neolithic must be interpreted if we are to understand adequately the associated social and economic changes. He suggests that both in Europe and the Near East a particular set of concepts was central to the origins of farming and a settled mode of life. These concepts relate to the house and home - termed `domus' - and they provided a metaphor and a mechanism for social and economic transformation. As the wild was brought in and domesticated through ideas and practices surrounding the domus, people were brought in and settled into the social and economic group of the village. Over the following millennia cultural practices relating to the domus continued to change and develop, until finally overtaken by a new set of concepts which became socially central, based on the warrior, the hunter and the wild. This book is an exercise in interpretive prehistory. Ian Hodder shows how a contextual reading of the evidence can allow symbolic structures to be cautiously but plausibly identified, and sets out his arguments for complex dialectical relationships between long-term symbolic structures and economic causes of cultural change.

During 1977 and 1978 the Meiron Excavation Project moved north from its excavations at Khirbet Shema and Meiron, excavating at the site of the synagogue at Gush Halav. With only very limited areas available for excavation, the team nevertheless was able to extract significant information for the history of Galilean synagogues. The synagogue here had a unique form, with spatial elements that have few if any parallels elsewhere. This publication will thus be of great importance for the history of Galilee in the first millennium C.E. and for the development of synagogue architecture and its relationship to the culture of the region in general.

Before the Spanish conquest in the sixteenth century A.D., the Inka Empire stretched along the Pacific side of South America, all the way from Ecuador to northwest Argentina. Though today many Inka researchers focus on the imperial capital of Cuzco, Peru, and surrounding areas, ruins of Inka settlements abound throughout the vast territory of the former empire and offer many clues about how the empire was organized, managed, and defended. These outlying settlements, as well as those in the Cuzco area, form the basis for John Hyslop's detailed study Inka Settlement Planning.

Using extensive aerial photography and detailed site maps, Hyslop studies the design of several dozen settlements spread throughout the empire. In addition to describing their architecture and physical infrastructure, he gives special emphasis to the symbolic aspects of each site's design. Hyslop speculates that the settlement plans incorporate much iconography expressive of Inka ideas about the state, the cosmos, and relationships to non-Inka peoples--iconography perhaps only partially related to the activities that took place within the sites. And he argues that Inka planning concepts applied not only to buildings but also to natural features (stone outcrops, water sources, and horizons) and specialized landscaping (terracing).

Of interest to a wide readership in archaeology, architecture, urbanization, empire building, and Andean travel, Inka Settlement Planning charts one of Native America's greatest achievements.

Prehistoric farmers in Mexico invented irrigation, developed it into a science, and used it widely. Indeed, many of the canal systems still in use in Mexico today were originally begun well before the discovery of the New World. In this comprehensive study, William E. Doolittle synthesizes and extensively analyzes all that is currently known about the development and use of irrigation technology in prehistoric Mexico from about 1200 B.C. until the Spanish conquest in the sixteenth century A.D.

Unlike authors of previous studies who have focused on the political, economic, and social implications of irrigation, Doolittle considers it in a developmental context. He examines virtually all the known systems, from small canals that diverted runoff from ephemeral mountain streams to elaborate networks that involved numerous large canals to irrigate broad valley floors with water from perennial rivers. Throughout the discussion, he gives special emphasis to the technological elaborations that distinguish each system from its predecessors. He also traces the spread of canal technology into and through different ecological settings.

This research substantially clarifies the relationship between irrigation technology in Mexico and the American Southwest and argues persuasively that much of the technology that has been attributed to the Spaniards was actually developed in Mexico by indigenous people. These findings will be important not only for archaeologists working in this area but also for geographers, historians, and engineers interested in agriculture, technology, and arid lands.

This treatise, based on data from the 1982 to 1986 excavations at Nohmul, aims to reconstruct some aspects of the cultural history and population structure, and to identify changes in that structure over time.

Medieval boundaries, early Christian monuments or merely stones for cattle to scratch their backs on? This review and collection of new evidence suggests that the overwhelming number of those that have a prehistoric context are in places which have a ritual significance.

Archaeologists have developed various methods of studying cultural remains to infer population movement and other kinds of migration. Irving Rouse, author of much distinguished work in this field, here evaluates research on prehistoric migrations and explains why some of these methods have been more successful than others. Rouse begins with a discussion of the nature and ways of formulating migration hypotheses. He then focuses on four instances in which migration hypotheses have been successfully formed and tested: studies of the origins of the Polynesians, Eskimos, Japanese, and Tainos (the Indians encountered by Columbus when he discovered the New World). Contrasting these with popular but essentially fanciful postulations by authors such as Thor Heyerdahl and Barry Fell, Rouse draws conclusions about the methods of testing hypotheses, about kinds of migrations, and about their causes. He distinguishes between population movement, in which a wave of people from one area overwhelms the inhabitants of another area, and immigration, in which individuals from one area penetrate another and become absorbed into its population. Rouse argues that population movement must be studied in terms of patterns of change in the culture of the migrants, while immigration should be evaluated in terms of the cultural traits introduced by the migrants. In performing these tasks, says Rouse, archaeologists should investigate all elements of culture and should check their results against those obtained by linguists and physical anthropologists. Rouse's work demonstrates not only the viability of the inference of population movements from archaeological evidence but also the effectiveness of collaboration and communication between branches of archaeology and anthropology. His book is a lucid exposition of an important issue. "This is carefully thought out and simply and clearly written treatment of the process, or processes, of migrations in prehistory. It will be a basic reference for all archaeologists." -Gordon R. Willey, Peabody Museum of Archaeology and Ethnology, Harvard University

Excavations over many years in the Peruvian Andes and coastal regions have revealed that the village settlements on the west coast of South America were one of the early centers of world civilization. One of these settlements, La Galgada, flourished from 3000 B.C. to 1700 B.C. Its extraordinarily complete cultural remains help to reconstruct a picture of human life, health, activities, and trade relations as they were 4,000 years ago and allow us to enter the mental and artistic life of this early civilization. The location of La Galgada on Peru's Tablachaca River midway between the highlands and the coast caused it to be influenced by the culture of both those regions. The remains found at La Galgada tie together important textile collections from the coastal region with important architectural remains from the Andean highland to give a picture of a complete preceramic culture in ancient Peru. Numerous illustrations provide an exciting visual catalog of the finds at La Galgada. What also makes La Galgada such a significant site are the changes in art and architecture that can be documented in considerable detail from about 2500 B.C. to about 1700 B.C. During that period, La Galgada and the other preceramic communities in northern Peru were transformed with a rapidity that must have seemed shocking and revolutionary to their inhabitants. These changes record the first appearance of the powerful and intimidating Chavin culture that was to dominate the region for the next thousand years. They also allow us to watch a people change and adapt as they try to cope with the powerful pressure of technical and social development in their region.

For centuries scholars have pondered and speculated over the uses of the chipped stone implements uncovered at archaeological sites. Recently a number of researchers have attempted to determine prehistoric tool function through experimentation and through observation of the few remaining human groups who still retain this knowledge. Learning how stone tools were made and used in the past can tell us a great deal about ancient economic systems, exchange networks, and the social and political structure of prehistoric societies. Suzanne M. Lewenstein used the artifacts from Cerros, an important Late Preclassic (200 BC-AD 200) Mayan site in northern Belize, to study stone tool function. Through a comprehensive program of experimentation with stone tool replicas, she was able not only to infer the tasks performed by individual tool specimens but also to recognize a wide variety of past activities for which stone tools were used. Unlike previous works that focused on hunter-gatherer groups, Stone Tool Use at Cerros is the first comprehensive experimental study of tool use in an agricultural society. The lithic data are used in an economic interpretation of a lowland Mayan community within a hierarchically complex society. Apart from its significance to Mayan studies, this innovative work offers the beginnings of a reference collection of identifiable tool functions that may be documented for sedentary, complex society. It will be of major interest to all archaeologists and anthropologists, as well as those interested in economic specialization and artisanry in complex societies.

This book contains a series of selected papers presented at two symposia entitled 'Scientific study of rock art', one held in the IFRAO Congress of Rock Art in La Paz, Bolivia, in June 2012, the other held in the IFRAO Congress in Caceres, Spain, in September 2015; as well as some invited papers from leading rock art scientists. The core topic of the book is the presentation of scientific approaches to the materiality of rock art, ranging from recording and sampling methods to data analyses. These share the fact that they provide means of testing hypotheses and/or of finding trends in the data which can be used as independent sources of evidence to support specific interpretations. The issue of the materiality of visual productions of the distant past, which in archaeological theory has attracted much attention recently and has stimulated much conceptual debate, is addressed through a variety of scientific approaches, including fieldwork methods, laboratory work techniques and/or data analysis protocols. These, in turn, will provide new insights into human agency and people-image engagements through the study of rock art production, display and use.

This collection represents a major step forward in understanding the era from the end of Classic Maya civilization to the Spanish conquest.

Archaeologists working in the Moche Valley of Peru have uncovered a number of tombs representing various cultures that flourished there prior to European contact. This book provides a full description of 103 such burials, spanning a period of more than 3,500 years. Each burial is documented with an accurate illustration of every artifact found, as well as details on the location, matrix, and construction of the graves, the individuals in the graves, and the placement of all the associated goods. This information constitutes an important resource for solving problems of ceramic chronology and style change. Age and sex data given for the burials will also enable scholars to establish status differences that existed in the pre-Columbian past. Finally, the authors have compared their sample with all the north coast burials previously reported, showing how their findings may be used to ascertain similarities and differences throughout the highland Andean region.

Ancient Burial Patterns of the Moche Valley, Peru is the first diachronic study of burial practices for any Andean region. It not only demonstrates changes in funerary practices in the area but also provides insight into the nature of local cultural development. It will be useful to specialists in Andean and New World archaeology as well as to collectors of pre-Columbian art.

Among the vast treasures discovered in Peru since its conquest by Pizarro, only a small fraction has been excavated scientifically. The Art and Archaeology of Pashash is an account of the discovery and excavation of the richest Pre-Columbian burial ever scientifically excavated in Peru. The tomb and its offerings unearthed at Pashash, in the northern Andes, provide new perspectives on the cultural meaning of Andean funerary treasure. About A.D. 500 the flexed body of an aristocrat was wrapped in cloth and set in a small tomb sealed by a heavy stone. Three separate offerings were put in place during the construction of the funerary temple above the tomb. Near the body were placed about fifty large gold pins with elaborately sculptured heads, the most important set of Peruvian metalwork scientifically recorded in context. Decorated pottery also accompanied the body. Beneath the doorway to the temple chamber above the tomb a second offering was placed, composed of vessels modeled as jaguars, snakes, and dragonlike combinations of the two, with other fine pottery, unfired clay bowls, and stone bowls. The images in this offering represented the theology of a shamanistic religion. A third offering of broken ritual vessels was placed in the earth fill just before the temple floor was built. This collection of several hundred works of art found together and dated by radiocarbon, related to a stratigraphic sequence for the site as a whole, makes possible a unique history of the art of this highland Andean region. Professor Grieder describes the phases of development and the symbolism of the previously little-known Recuay style of pottery and attributes many works to individuals, illuminating the role of artists and their relations with their patrons. Among the author's discoveries is evidence of the use of potters' wheels and lathes to make ceramic and stone vessels and ritual objects, reversing the long-held contention that these tools were unknown in Pre-Columbian America. The site and its contents are thoroughly illustrated. The Art and Archaeology of Pashash will be valuable to specialists in Andean archaeology as well as to those interested in the art and culture of Pre-Columbian America.

Humanity's written history stretches back only 5,000 years, a mere blip on the timeline of our existence. If you want to know what it really means to be fully human, to see the whole story, you need to go back. Way, way back. Prehistoric humans couldn't write, but they were adept at telling their own stories. On every continent and outpost where they gained a foothold, they left signs for modern man to decipher. From the Middle Bronze Age settlement of Arkaim on the Kazakh Steppes to the temples of the Olmec in Mexico; from one of the first European proto-cities at Nebelivka in Ukraine to the neolithic henges of Avebury and Stonehenge; from the dolmens of Antequera in the heart of Andalucia to the megalithic culture that thrived in isolation on Indonesia's tiny Nias Island.

Archaeology of Northern Mesoamerica comprises the tenth and eleventh volumes in the Handbook of Middle American Indians, published in cooperation with the Middle American Research Institute of Tulane University under the general editorship of Robert Wauchope (1909-1979). Volume editors of Archaeology of Northern Mesoamerica are Gordon F. Ekholm and Ignacio Bernal. Gordon F. Ekholm (1909-1987) was curator of anthropology at The American Museum of Natural History, New York, and a former president of the Society for American Archaeology. Ignacio Bernal (1910-1992), former director of the Instituto Nacional de Antropologia e Historia, Mexico, was director of the Museo Nacional de Antropologia in Mexico and also a past president of the Society for American Archaeology. Volumes 10 and 11 describe the pre-Aztec and Aztec cultures of Mexico, from central Veracruz and the Gulf Coast, through the Valley of Mexico, to western Mexico and the northern frontiers of these ancient American civilizations. The thirty-two articles, lavishly illustrated and accompanied by bibliography and index, were prepared by authorities on prehistoric settlement patterns, architecture, sculpture, mural painting, ceramics and minor arts and crafts, ancient writing and calendars, social and political organization, religion, philosophy, and literature. There are also special articles on the archaeology and ethnohistory of selected regions within northern Mesoamerica. The Handbook of Middle American Indians was assembled and edited at the Middle American Research Institute of Tulane University with the assistance of grants from the National Science Foundation and under the sponsorship of the National Research Council Committee on Latin American Anthropology.

The Archaeology of Food explains how archaeologists reconstruct what people ate, and how such reconstructions reveal ancient political struggles, religious practices, ethnic identities, gender norms, and more. Balancing deep research with accessible writing, Katheryn Twiss familiarizes readers with archaeological data, methods, and intellectual approaches as they explore topics ranging from urban commerce to military provisioning to ritual feasting. Along the way, Twiss examines a range of primary evidence, including Roman bars, Aztec statues, Philistine pig remains, Nubian cooking pots, Mississippian squash seeds, and the bones of a medieval king. Her book introduces both archaeologists and non-archaeologists to the study of prehistoric and historic foodways, and illuminates how those foodways shaped and were shaped by past cultures.

This book provides new insights into the relationship between humans and birds in Northern Europe during the Bronze Age. Joakim Goldhahn argues that birds had a central role in Bronze Age society and imagination, as reflected in legends, myths, rituals, and cosmologies. Goldhahn offers a new theoretical model for understanding the intricate relationship between humans and birds during this period. He explores traces of birds found in a range of archaeological context, including settlements and burials, and analyzes depictions of birds on bronze artefacts and figurines, rock art, and ritual paraphernalia. He demonstrates how birds were used in divinations, and provides the oldest evidence of omens taken from gastric contents of birds - extispicy - ever found in Europe.

In the past, Bronze Age painted plaster in the Aegean and the Eastern Mediterranean has been studied from a range of different but isolated viewpoints. This volume brings both technological and iconographic approaches closer together by completing certain gaps in the literature on technology and by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean. This study approaches the topic of painted plaster by a multidisciplinary methodology and demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East.

The overarching aim of The Sheep People is to examine what happens to the understanding of past societies when animals are perceived as sentient beings, agents with the ability to impact human lives. Not only are the agentive powers and potential of animals recognised, but also how this shaped prehistoric societies. Throughout, animals are considered as themselves, not as props, tools or consumables for human societies. A thorough review of recent research that supports the agential potential of animals from Human-Animal Studies and the social sciences, as well as ethology, biology and neurology is given, and discussed in light of the archaeological case study. In the Early Bronze Age in northern Europe, a transition from building two-aisled to three-aisled longhouses as the primary farm dwelling took place. In Rogaland, southwestern Norway, this architectural change happened as the result of intensified human-sheep relationships, born from greater engagement and proximity needed to utilise wool. Evidence from landscape changes, settlements, mortuary practices and rock art give an in-depth understanding of the life-world of Bronze Age human and non-human agents and the nature of the choices they made. A rock art panel portraying sheep, man and dog demonstrates the entangled choreography of sheep herding.

Named after an archaeological site discovered in 1951 in Zhengzhou, China, the Erligang civilization arose in the Yellow River valley around the middle of the second millennium BCE. Shortly thereafter, its distinctive elite material culture spread to a large part of China's Central Plain, in the south reaching as far as the banks of the Yangzi River. The Erligang culture is best known for the remains of an immense walled city at Zhengzhou, a smaller site at Panlongcheng in Hubei, and a large-scale bronze industry of remarkable artistic and technological sophistication.

This richly illustrated book is the first in a western language devoted to the Erligang culture. It brings together scholars from a variety of disciplines, including art history and archaeology, to explore what is known about the culture and its spectacular bronze industry. The opening chapters introduce the history of the discovery of the culture and its most important archaeological sites. Subsequent essays address a variety of important methodological issues related to the study of Erligang, including how to define the culture, the usefulness of cross-cultural comparative study, and the difficulty of reconciling traditional Chinese historiography with archaeological discoveries. The book closes by examining the role the Erligang civilization played in the emergence of the first bronze-using societies in south China and the importance of bronze studies in the training of Chinese art historians.

The contributors are Robert Bagley, John Baines, Maggie Bickford, Rod Campbell, Li Yung-ti, Robin McNeal, Kyle Steinke, Wang Haicheng, and Zhang Changping.

This beautifully written book explores the Iron Age bog bodies of northern Europe as cultural artefacts, objects of fascination to archaeologists and antiquaries, but also to artists, poets, philosophers and psychologists. Sanders describes the wide range of responses which the bodies have produced from such diverse figures as Sigmund Freud, Seumus Heaney, William Carols Willams and Margaret Attwood. She is particularly strong on Scandinavian material, and with his miraculously preserved face Tollund man, has cast a long shadow in Danish art and culture. The violent sacrificial deaths of the bodies have obviously fired the imagination as has Tacitus' suggestion of punishment for infidelity, but Karin Sanders contends that it is the unique status of the bodies both as human beings and archaeological artefacts, somehow transformed by their remarkable preservation that has guaranteed such a profound and multifaceted response.

Social Complexity in Prehistoric Eurasia challenges current interpretations of the emergence, development, and decline of social complexity in the steppe region of China and the former Soviet Union. Through a thematic investigation of archaeological patterns ranging from monument construction and use and production and consumption of metals to the nature of mobility among societies, the essays in this volume provide the most up-to-date thinking on social and cultural change in prehistoric Eurasia. Collectively, they challenge broader theoretical trends in Anglo-American archaeology, which have traditionally favored comparative studies of sedentary agricultural societies over mobile pastoralist or agro-pastoralist communities. By highlighting the potential and limitations of comparative studies of social complexity, this volume sets the agenda for future studies of this region of the world. It emphasizes how the unique nature of early steppe societies can contribute to more comprehensive interpretations of social trajectories in world prehistory.